Following the evolution of The Bushwick Collective and its annual block party in Brooklyn has been a captivating journey akin to an anthropological exploration into the growing embrace of street art and murals within the realms of graffiti and HipHop. Back in the day, as the neighborhood began transforming with the influx of gentrifiers, street art faced outright dismissal or was treated as a rare phenomenon, a curiosity.
Unaware of the previous codes that roughly governed the practices of graffiti writers on the street, art-students-cum-street-art-poets often obtusely stomped their way into public view to circumvent a gallery system and to express their right to self-expression in public; something HipHop culture had been encouraging for years but had perhaps not envisioned this way. The rivalry between graffiti aficionados and street artists/muralists was sometimes palpable, with throwies vandalizing fresh paint, the OGs asserting territorial dominance, and at times, even resorting to threats and insults in person and in online forums.
As the block party, now in its twelfth year, unfolded, its early editions predominantly featured international and some local street artists eagerly seeking out BC’s visionary leader, Joe Ficalora, for an opportunity to leave their mark on his neighborhood walls. Local street art forums found fault with Ficalora, masking a barely hidden contempt for a streetwise guy taking a leadership role and betraying their own classist privileged opinions about the right to curation. That has all melted appreciably; this year’s event evidenced the remarkable shift that has been underway. Graffiti writers took the stage alongside the muralists in prime spots, sometimes seamlessly collaborating to create art transcending boundaries, all while the electrifying sounds of live HipHop performances reverberated through the air and TikTokers danced in front of them.
Let’s raise a bottle to those who always believed in the possibility of this transformative phenomenon, and to those who championed inclusivity over exclusivity. It’s yet another reason why our hearts beat for this extraordinary international art movement, the embodiment of the people’s democratic spirit and the unlimited creative spirit that is in every person. And most importantly, it’s a reminder of why we hold you dear.
Did you catch the celebrities singing in Central Park last night before the rains of Hurricane Henri reached New York? Talk about electricity in the air! New York is a magnet for a pretty face, it would appear, and a grizzly or wild one too; and our street art proves it. Just a quick survey of murals in Brooklyn this week turns up many a fun face.
Here’s our weekly interview with the street, this week featuring Adam Fujita, Anthony Zpadilla, CP Won, Damien Mitchell, David Puck, Dwag Star, Jeyde, Lorenzo Masnah, Mister Alek, NotBanksy, Numak1, Outer Source, Outer Source, Reme821, Sef01, Sipros, United Crushers, and Vers718.
Ah, never mind, there’s gold in these here streets.
Here’s our weekly interview with the street, this week featuring 4sakn, Adrian Wilson, Against Dgrams, Billy Barnacles, Captain Eyeliner, Corn Queen, De Grupo, DLove, Eye Sticker, Goblin, Mister Alek, Moka, More Less Eveything, Plannedalism, Sara Lynne Leo, Stikman, Sule, The Art of Will Power, Trace1, Werd Smoker, and Winston Tseng .
Elfo is a graffiti writer and social commentator whose work intentionally sidesteps traditional notions of style or technical lettering. This …Read More »
In her latest mural, Faring Purth delivers a powerful reflection on connection, continuity, and the complexity of evolving relationships—a true …Read More »