All posts tagged: Mira Hacia Atras

Apples, Clogs and Pottery: Parees Celebrates Asturian Identity

Apples, Clogs and Pottery: Parees Celebrates Asturian Identity

Parees Festival Brings Asturias’ Past and Future to Life

In its seventh year, the Parees Festival continues to enrich Oviedo’s urban landscape, adding three new murals and bringing its collection to a remarkable total of forty works. Local, national, and international artists have left their mark on the city through this contextual muralism festival, each piece echoing the rich cultural fabric of Asturias. Organized by the Oviedo Municipal Foundation of Culture, Parees stands out as one of the few mural festivals that authentically reflects the city’s community, history, and environment—almost as if the walls are narrating the soul of Oviedo.

This year’s festival underscores its commitment to Asturian identity by paying tribute to regional symbols such as Faro pottery, the iconic wooden clog (madreña), and the apple, deeply ingrained in local tradition. Through a careful process of artistic mediation led by the festival’s curators and the involvement of the Asturian community, Parees has once again created art that dialogues with its surroundings. As festival director Eduard Crespo puts it, “Parees is not just an encounter with urban art; it is a celebration of our roots, a window to the past, and a projection toward the future of Asturias. This is the true essence of the festival: dialogue, reflection, and the shared celebration of our identity.”

María Peña. (photo © Fer Alcala)

Parees: A Contextual and Participatory Approach

What sets the Parees Festival apart is its commitment to creating “contextualized murals” that go beyond decoration. Every mural results from a collaborative process involving the community, artists, and artistic mediators like the Raposu Roxu team. This participatory model allows murals to be authentic expressions of the local environment, giving residents a voice and capturing the region’s unique characteristics. With its focus on quality over quantity, Parees invests in each work’s durability and cultural significance, ensuring that each wall becomes a lasting visual conversation piece.

The festival extends this sense of dialogue and reflection beyond the walls, inviting residents and visitors to explore the murals through sustainable mobility initiatives like bicycle routes. In this way, Parees adds layers to Oviedo’s streetscape and encourages a thoughtful, environmentally friendly exploration of urban art.

María Peña. (photo © Mira Hacia Atras)

Mapecoo: Reflection on the Future of the Asturian Apple
María Peña, known artistically as Mapecoo, brings attention to the uncertain future of Asturias’ emblematic apple, particularly those with a Denomination of Origin. In her mural, Peña visually contrasts traditional apple cultivation with elements of the digital age, possibly addressing the tension between preserving this essential regional crop and the fast-changing world around it. A vibrant palette and cultural symbolism; is it a tribute or a call to action?

María Peña. (photo © Mira Hacia Atras)
María Peña. (photo © Mira Hacia Atras)
María Peña. Mapecoo. (photo © Fer Alcala)

Marat Morik: The Legacy of Faro
Marat ‘Morik’ Danilyan, an artist recognized for his dynamic compositions and reflections on cultural heritage, immortalizes the centuries-old pottery tradition of Faro in his mural on Luis Álvarez Fueyo Street. The artwork captures the essence of this ancient craft, urging passersby to acknowledge, celebrate, and hopefully preserve the deep cultural legacy that Faro pottery represents for Asturias.

Marat Morik. Faro. (photo © Fer Alcala)
Marat Morik. Faro. (photo © Fer Alcala)
Marat Morik. Faro. (photo © Mira Hacia Atras)
Marat Morik. Faro. (photo © Fer Alcala)
Marat Morik. Faro. (photo © Fer Alcala)

Marat Morik: Tribute to the Asturian Madreña
On the same street, Morik pays homage to the madreña—a symbol of Asturian craftsmanship and heritage. Through this mural, he is preserving memories of the madreñera trade while sparking a reflection on the importance of sustaining traditional skills in the face of generational change. The piece resonates with Morik’s signature style, blending realism and not so subtle social commentary.

Marat Morik. Asturian madreña. (photo © Mira Hacia Atras)
Marat Morik. Asturian madreña. (photo © Mira Hacia Atras)
Marat Morik. Asturian madreña. (photo © Mira Hacia Atras)
Marat Morik. Asturian madreña. (photo © Mira Hacia Atras)
Marat Morik. Asturian madreña. (photo © Mira Hacia Atras)
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Manolo Arranges la Mesa :  Jugs, Pots, Bowls for Parees Fest 2020

Manolo Arranges la Mesa : Jugs, Pots, Bowls for Parees Fest 2020

Some people paint pottery and china as a part of their trade. Manolo Mesa paints it as part of his mural here in Oviedo, Spain for Parees Festival.

Manolo Mesa. Parees Fest 2020. (photo © Fer Alcala)

The Andalusian artist may have begun with graffiti on the street as the century turned but he moved to portraiture, canvasses, and large walls; a spiritual traveler in search of the contemporary. Now he is gently cradling this newer fascination and rather surprisingly setting the public mesa with his decorative vessels, each becoming more ornate.

Manolo Mesa. Parees Fest 2020. (photo © Fer Alcala)

A trained fine artist at University of Fine Arts in Seville, this Andalusian tells us about his fixation with jugs, pots, and bowls as vehicles and storage.

“Facing these inert objects, meditating on their inherent beauty and spending an eternity devoted to their placid observation, I’m waiting to perceive that meaning that resides in them – as an autonomous way of being.”

Manolo Mesa. Parees Fest 2020. (photo © Mira Hacia Atras)
Manolo Mesa. Parees Fest 2020. (photo © Fer Alcala)
Manolo Mesa. Parees Fest 2020. (photo © Fer Alcala)
Manolo Mesa. Parees Fest 2020. (photo © Mira Hacia Atras)
Manolo Mesa. Parees Fest 2020. (photo © Fer Alcala)
Manolo Mesa. Parees Fest 2020. (photo © Mira Hacia Atras)
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‘El Nolas’ Diagrams the Modern Primitive at Parees Fest in Oviedo

‘El Nolas’ Diagrams the Modern Primitive at Parees Fest in Oviedo

Modern primitive expressionist Manuel García Fernández AKA ‘El Nolas’ was born in the mid-90s here in Oviedo, Spain. Now his autobiographical mixed-technique perspective is taking over some large public walls here for the Parees Festival 2020, its fourth edition.

Manu García. Parees Fest 2020. (photo © Mira Hacia Atras)

It’s good to see a fresh take on the current state of urban interventions; even as it recalls more formal studio practices of contemporary artists that you have seen in the last decades. In retrospect, this is the path that a lot of Street Art has often followed; name checking the past masters in galleries/museums and updating them to this moment on the street.

Manu García. Parees Fest 2020. (photo © Fer Alcala)
Manu García. Parees Fest 2020. (photo © Fer Alcala)
Manu García. Parees Fest 2020. (photo © Fer Alcala)
Manu García. Parees Fest 2020. (photo © Fer Alcala)
Manu García. Parees Fest 2020. (photo © Mira Hacia Atras)
Manu García. Parees Fest 2020. (photo © Mira Hacia Atras)
Manu García. Parees Fest 2020. (photo © Mira Hacia Atras)
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Arantxa Recio Parra in Oviedo for Parees Fest 2020

Arantxa Recio Parra in Oviedo for Parees Fest 2020

With a mural that she says is inspired by traditional Asturian tales Arantxa Recio Parra employs additive and reductive 2-D shape painting strategies in public space. With painting technique that may recall crisp illustration and advertising styles of the 1950s and 60s, her new work stretches buoyantly along this long expanse in Oviedo, a town in northwest Spain between the Cantabrian Mountains and the Bay of Biscay.

Arantxa Recio Parra Parees Fest 2020.(photo @ Mira Hacia Atras)

Almost paper cut outs in appearance, these bright forms imply both space and spatial relationships, re-drawing a public street and your relationship to it.

Arantxa Recio Parra Parees Fest 2020.(photo @ Mira Hacia Atras)

Born in Zaragoza the multidisciplinary artist joins the Parees festival this year with her style that is commercially popular at the moment; bright, simplified, and just quirky enough to capture the publics’attention. The past few years her illustrative style has landed her on walls in Mexico, Argentina, Italy, Austria, Scotland, and Croatia.

Arantxa Recio Parra Parees Fest 2020.(photo @ Mira Hacia Atras)
Arantxa Recio Parra (@harsa_pati). Parees Fest 2020. (photo @ Fer Alcala)
Arantxa Recio Parra (@harsa_pati). Parees Fest 2020. (photo @ Fer Alcala)
Arantxa Recio Parra (@harsa_pati). Parees Fest 2020. (photo @ Fer Alcala)
Arantxa Recio Parra (@harsa_pati). Parees Fest 2020. (photo @ Fer Alcala)
Arantxa Recio Parra (@harsa_pati). Parees Fest 2020. (photo @ Fer Alcala)
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