All posts tagged: Maya Hayuk

Points de Vue 2023 / Part II / Bayonne, France

Points de Vue 2023 / Part II / Bayonne, France

We’re back in Bayonne today to look at more images from the Points de Vue festival hosted last month in the south of France. More varied disciplines are on display here than you may typically see at a street art festival, perhaps because much autonomy is given to the artists. It may also be a result of carefully curating artists for site-specific works, and their close interaction with the community, as well as arts institutions. While many of the artists may have direct experience with illegal graffiti and street art in their evolutionary story, you see a more collaborative spirit here, one that is responsive to the needs of the community rather than works that are made as an act of provocation.

Nexgraff. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
Nexgraff. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Dubbing their partnership “Nexmural,” Aitor and Nextor, who happen to be father and son, embarked on a unique artistic journey that one does not hear about often in this scene. Despite Aitor’s hiatus from painting for over a decade, he stumbled upon the revelation that his son was the mastermind behind the graffiti that graced their town’s walls. In an inspiring twist of fate, the duo have decided to combine their creative talents to embellish the urban canvas with vibrant imagery that not only reflects the contemporary world but also instills a sense of optimism.

Nexgraff. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
Nexgraff. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
Nexgraff. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
Nexgraff. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
Maya Hayuk. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
Maya Hayuk. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Maya, a versatile artist, practices her craft outdoors on the streets and within the confines of her studio. She engages in various artistic disciplines, including sculpting, photography, filmmaking, and literary pursuits.

Drawing inspiration from the rebellious energy of punk rock and the rich aesthetics of Eastern European folk traditions, the results are an immersive artistic experience that propels viewers into a vibrant and psychedelic world filled with intricate geometric motifs and bold; vivid, smashing hues that are nothing short of electric.

Maya Hayuk. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
Maya Hayuk. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
JC Couderc. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
JC Couderc. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

JC Coudèrc’s artistic philosophy is deeply intertwined with his connection to his Occitan heritage. Employing his native language and its symbolic elements, the artist evokes the legacy of an age-old culture that has been rendered mute with time, prompting reflections on our modern society. Within his artistic endeavors, Codèrc looks for ways to forge connections among individuals, their historical narratives, and the lands they inhabit.

JC Couderc. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Beginning in 2021, Points de Vue ventured beyond the confines of Bayonne, extending its reach to encompass the expansive domain of the Communauté d’Agglomération Pays Basque. Within this broader canvas, the festival extends a welcoming hand to featured artists, granting them the privilege of embarking on creative residencies within local communities.

Spanning several weeks, these artists embark on a transformative journey, drawing inspiration from their hosts, and the locales and engaging in lively exchanges with community members. Organizers home that interactions foster authentic dialogues, injecting urban art with newfound vitality and into novel landscapes.

For the 2023 edition, the village of Bergouey-Viellenave welcomes Occitan
artist JC Couderc.

JC Couderc. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
LXOne. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

LX One’s fascination with geometric patterning
can be seen on metal, concrete, and canvas.
Working in ink, acrylic, or aerosol, each new
medium is a source of inspiration for him. By
integrating digital tools into his work, he brings
out a 3rd dimension in a flat surface by creating a
bas-relief or optical illusion.

LXOne. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
LXOne. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

The Village. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)
The Village. Points de Vue 2023. Bayonne, France. October, 2023. (photo © Vincent Lanzolla)

Points de Vue 2023 / Bayonne, France / Part I

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“Urban Revolution” Offers a Graff/Street Art Installation Survey in Lisbon

“Urban Revolution” Offers a Graff/Street Art Installation Survey in Lisbon

Urban Revolution. On view from July 21 / December 03. Lisbon, Portugal.

“Urban[R]Evolution: A Journey from Graffiti to Contemporary Art” is a large exhibition that marks the rise and popularity of urban art and features original installations by 18 renowned Portuguese and international artists. Curated by Pauline Foessel and Pedro Alonzo, this showcase takes place at Cordoaria Nacional in Lisbon, running from June 21st to December 3rd.

Nuno Viegas. Urban Revolution. (photo © Vasco Vilhena)

The historic and iconic building that once served as the National Rope Factory during the late 18th century, catering to the needs of the Portuguese Navy by producing ropes for naval purposes, is situated near the scenic Tagus River. With its imposing neoclassical and industrial design, the building stands as a testament to the city’s cultural heritage and is now a versatile venue for hosting events after its meticulous restoration. With free-standing booths carefully built not to endanger the historic structure, the flow of the exhibition offers a pod-like adventure to visitors to experience individual artists’ work and visions. Some utilize the spaces fully with installations, while others choose the homey quality of an artist’s studio with work in progress.

The exhibition brings together a lineup of artists whose work was featured in early graffiti images by photographer Martha Cooper, second-wave western street artists who have burnished their names in the commercial urban contemporary art milieu, and a collection of names more locally known – each with profound ties to the graffiti and street art scene. Among them are esteemed names such as Barry McGee, Futura, Shepard Fairey, Swoon, Vhils, and Obey SKTR, to name a few. The curators thoughtfully selected these artists to narrate the fascinating development of urban art, tracing its origins from early tags, graffiti, and subway pieces to its current expression as street art and mural art.

Nuno Viegas. Urban Revolution. (photo © Martha Cooper)

Many of the artists are associated with previous projects of the curators and with one of Lisbon’s anchors of the street art scene, the artist and businessman Vhils. Aside from these connections and the common roots of early graffiti culture, it may be difficult for ticketed visitors to the show to discern the commonalities of the works on display. The connective tissue between the booths will be the many iconic photographs of North American photographer Martha Cooper, whose lens has captured the human experience in urban areas for about 50 years, immortalizing the origins and evolution of graffiti, street art, and urban art – when the scene was viewable directly on the train cars and streets of major cities like New York.

Nuno Viegas. Urban Revolution. (photo © Martha Cooper)

Another nerve center for the show is the installation by conceptual street artist ±MaisMenos± , known for his thought-provoking art pieces and street activations that sublimely challenge social norms and provoke critical thinking. Within this kinetic electronic display, a phalanx of screens emulates a bustling stock trading floor, listing street artists and graffiti artists and their market line charts bumping up and down alongside various commercial, academic, institutional, and cultural influencers and influences that have coalesced to foster their success.

Vhils. Urban Revolution. (photo © Martha Cooper)

In this exhibition’s composition of artistic expressions, each artist has the opportunity to tell their unique story through their installations and accompanying texts, reflecting on their journey from the streets to the contemporary art world. “Urban[R]Evolution” is a testament to the significance of Lisbon as a vital city for urban art, with the show embracing a dynamic mix of international pioneers and established/emerging talents from Portugal.

This major exhibition, presented by Everything is New and Underdogs Gallery, invites visitors on a dreamlike, poetic, and moving journey, oscillating between light and shadow, the humor and rancor of the street, expressing the heart of urban art’s evolution. It is an immersive experience into urban art’s origins and possible future, exemplifying a sample of the boundless creativity and diverse voices that have emerged from the graffiti and street art scene.

Our sincere thanks to exhibition participant and famed photographer Martha Cooper for sharing here her photos exclusively with Brooklyn Street Art, and to Vasco Vilhena, one of the exhibition’s official photographers.

Vhils. Urban Revolution. (photo © Vasco Vilhena)
Futura in action preparing his booth. Urban Revolution. (photo © Martha Cooper)
Futura. Urban Revolution. (photo © Vasco Vilhena)
Martha Cooper. Urban Revolution. (photo © Vasco Vilhena)
Martha Cooper. Urban Revolution. (photo © Ana Pires & Fransica Capelo)
Revok fine tuning his machine. Urban Revolution. (photo © Martha Cooper)
Revok in action. Urban Revolution. (photo © Martha Cooper)
Revok. Urban Revolution. (photo © Vasco Vilhena)
The multi-layered Akacorleone. Urban Revolution. (photo © Ana Pires & Francisca Capelo)
Akacorleone. Urban Revolution. (photo © Martha Cooper)
Lee Quinones perched atop a ladder at Urban Revolution. (photo © Martha Cooper)
Lee Quinones. Urban Revolution. (photo © Vasco Vilhena)
Add Fuel and assistant prepare a show local color and the reworking of traditions. Urban Revolution. (photo © Martha Cooper)
Add Fuel. Urban Revolution. (photo © Vasco Vilhena)
Swoon continues her European tour with some greatest hits. Urban Revolution. (photo © Martha Cooper)
Swoon. Urban Revolution. (photo © Martha Cooper)
Swoon & Shepard Fairey discuss inside-outside theories and strategies. Urban Revolution. (photo © Martha Cooper)
Swoon shimmering gold. Urban Revolution. (photo © Vasco Vilhena)
Barry McGee set up shop in his booth. Snacks anyone? Urban Revolution. (photo © Martha Cooper)
Barry McGee. Urban Revolution. (photo © Vasco Vilhena)
Shepard Fairey presented a dense and graphically satisfying survey inside – in addition to some outside installations. Urban Revolution. (photo © Martha Cooper)
Shepard Fairey. Urban Revolution. (photo © Vasco Vilhena)
Shepard Fairey. Urban Revolution. (photo © Martha Cooper)
As if the aesthetic energy could not be contained within the exhibition space, this outburst of rich colorplay and graphics exploded out the window. Shepard Fairey. Urban Revolution. (photo © Martha Cooper)
Felipe Pantone. Urban Revolution. (photo © Martha Cooper)
Felipe Pantone continues to explore inside the digital world, balancing on the trespass with the physical. Urban Revolution. (photo © Vasco Vilhena)
Maya Hayuk. Urban Revolution. (photo © Martha Cooper)
Maya Hayuk. Urban Revolution. (photo © Martha Cooper)
Maya Hayuk. Urban Revolution. (photo © Vasco Vilhena)
Lisbon king on the streets Obey SKTR talks about his new burners for the contemporary art fan. See an interview with him last year HERE. Urban Revolution. (photo © Martha Cooper)
Obey SKTR. Urban Revolution. (photo © Vasco Vilhena)
±MaisMenos± Urban Revolution. (photo © Martha Cooper)

The artist presented a video installation addressing the “market” for graffiti and street art, the intersection with art and commerce in a brilliant display.

“This took me to what is my thesis subject, where my work is the centerpiece of an eventual (or questionable) dichotomy between street art and the art market, the evolution from illegal, interventive and subversive work into a continuous institutionalization, mercantilization and commoditization, normalized with the (before pursued) but now consecrated and valuated (street) artists.

All of this materialized in an art industry (or market) of artist-companies, studios, galleries, festivals, fairs, museums, curators, collectors, political and media attention, touristic tours, financialization, etc, as so it is with the art world as a whole. Being this specific show, for its size, importance, where it is, its public, a realization of this “evolution”, or this stage of the urban arts. So I thought of an installation as a self-critique and self-awareness of this stage and present context of urban art (one of which myself and my work makes part), how capitalism kidnaps, agglutinates and transforms its (possible) critique and counter-culture, commodifying, massifying and selling it.”

±MaisMenos± Urban Revolution. (photo © Vasco Vilhena)
±MaisMenos± Urban Revolution. (photo © Martha Cooper)
Curator Pauline Foessel stands by curator Pedro Alonzo as he describes the work of Wasted Rita during a tour. Urban Revolution. (photo © Martha Cooper)
Wasted Rita. Urban Revolution. (photo © Vasco Vilhena)
Andre Saraiva. Urban Revolution. (photo © Martha Cooper)
Andre Saraiva. Urban Revolution. (photo © Vasco Vilhena)
Andre Saraiva. Urban Revolution. (photo © Vasco Vilhena)
Tamara Alves. Urban Revolution. (photo © Martha Cooper)
Tamara Alves. Urban Revolution. (photo © Martha Cooper)
Urban Revolution. Lisbon, Portugal. (photo © Ana Pires & Francisca Capelo)

Artists include @maismenos [PT]; @addfuel [EN]; @akacorleone [PT]; @andresaraiva [SE-FR]; Barry McGee [US]; @felipepantone [AR-ES]; @futuradosmil [US]; @_revok_ [US]; @leequinones [PR-US]; @marthacoopergram [US]; @mayahayuk [US]; @nunoviegas.pt [PT]; @obey_sktr [PT]; @obeygiant [US]; @swoonhq [US]; @tamara_aalves [PT]; @vhils [PT]; @wastedrita [PT]

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BSA Images Of The Week: 06.11.23

BSA Images Of The Week: 06.11.23

Welcome to BSA Images of the Week!

The 66th Annual Puerto Rican Parade will loudly, buoyantly, exuberantly traverse and sway along the iconic 5th Avenue in Manhattan today. Subsequently, numerous Brooklyn neighborhoods will burst into a party with lively street festivities and impromptu fiestas adorning sidewalks, sitting on stoops, and hanging out on window ledges. A collective joy and relief are in our hearts across the city this weekend, stemming from the restoration of clear air in the city; after a disheartening episode of a Dystopian Orange haze that tainted our skies for days this week.

Forest fires in Canada had blown smoke down the Hudson River to surprise everyone, and flummox many. The consequences forced people to illuminate their homes during daylight hours and drive their car with headlights on. This extraordinary event posed a threat to both the well-being and livelihoods of countless individuals, with people working outside at great danger. However, for those who turned to our local National Public Radio (NPR) station for insight, rather than talking about construction workers, municipal employees, or street food vendors, their primary concerns were remote work arrangements, ordering from Doordash, and worrying about the smoke’s effect on dogs during their daily walks. The poor and working class are routinely erased from public discourse, which is why unmediated street art often does the work.

Currently, the cityscape is adorned with captivating street art and mesmerizing murals, offering a wide array of entertainment, education, and aesthetic gratification. We hope you take pleasure in exploring photographer Jaime Rojo’s compilation.

Here’s our weekly interview with the street, this week featuring: Maya Hayuk, Below Key, Little Ricky, Mint & Serf, Billy Barnacles, Homesick, David Puck, Panic, IMK, Aidz, Robert Vargas, Salo Panto. Artistcjg89, Herman, Gabe, Tank, FLWR, and Sasha Colby.

David Puck’s tribute to Sasha Colby #transisbeautiful #pride2023 (photo © Jaime Rojo)
Hek Tad send Love to the Purto Rican community celebrating their culture and heritage today in NYC. (photo © Jaime Rojo)
Robert Vargas. “Heritage & Power”. (photo © Jaime Rojo)
FLWR (photo © Jaime Rojo)
MINT SERF (photo © Jaime Rojo)
MINT SERF (photo © Jaime Rojo)
MINT SERF (photo © Jaime Rojo)
IMK (photo © Jaime Rojo)
GABE TANK (photo © Jaime Rojo)
Memorial Wall. R.I.P. Johny & Anthony. (photo © Jaime Rojo)
Maya Hayuk. Herman. (photo © Jaime Rojo)
Little Ricky (photo © Jaime Rojo)
Below Key (photo © Jaime Rojo)
Swirly Brooklyn (photo © Jaime Rojo)
Artistcjg89 (photo © Jaime Rojo)
Artistcjg89 (photo © Jaime Rojo)
Billy Barnacles (photo © Jaime Rojo)
Salo Panto (photo © Jaime Rojo)
Salo Panto (photo © Jaime Rojo)
AIDZ PANIC (photo © Jaime Rojo)
HOMESICK (photo © Jaime Rojo)
Untitled. East River, NYC. June 2023. (photo © Jaime Rojo)
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The Crystal Ship – Collection from Past Editions

The Crystal Ship – Collection from Past Editions

Yesterday, we shared with you the current edition of The Crystal Ship, a Belgian street art festival located in Ostend, which is located in the Flemish Region of Belgium. The collection of images that we presented was taken by photographer Martha Cooper, a frequent collaborator of BSA, during her recent trip to Ostend as a special guest of the festival.

Adele Renault. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)

In line with her usual practice, Ms. Cooper did not limit her work to capturing photos of the murals being painted for this year’s festival edition; she also endeavored to take as many photos of murals painted during previous editions of the festival. We are pleased to present a selection of these murals, painted over several years, with photographs taken by Martha Cooper herself.

Miss Van. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)

This selection of murals is an exciting representation of the diverse and captivating street art that has been featured at The Crystal Ship Festival throughout the years, much of it creating a gallery of contemporary artists whose work is arresting and appealing to a general audience. The dedication and hard work put forth by Martha Cooper in capturing these pieces in all their artistic glory is genuinely commendable. We hope you enjoy this glimpse into the festival’s vibrant history and the incredible art showcased in the public square in Ostend over the years.

BEZT. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Escif. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
BUCK. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
Guido van Helten. The Crystal Ship 2016. Ostend, Belgium. (photo © Martha Cooper)
C215. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
Alex Senna. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Phlegm. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
DZIA The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Joachim. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Husk Mit Navn. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Matthew Dawn. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Broken Fingaz. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Paola Delfin. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Zenith. The Crystal Ship 2020. Ostend, Belgium. (photo © Martha Cooper)
Erin Holly. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Hyuro. The Crystal Ship 2017. Ostend, Belgium. (photo © Martha Cooper)
TelmoMiel. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Case Maclaim. The Crystal Ship 2020. Ostend, Belgium. (photo © Martha Cooper)
Colectivo Licuado. The Crystal Ship 2018. Ostend, Belgium. (photo © Martha Cooper)
Helen Bur. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Helen Bur. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Iñigo Sesma. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Leon Keer. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
David Walker. The Crystal Ship 2019. Ostend, Belgium. (photo © Martha Cooper)
Franco Fasoli. Detail. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Franco Fasoli. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Maya Hayuk. The Crystal Ship 2022. Ostend, Belgium. (photo © Martha Cooper)
Aryz. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)
Aryz. The Crystal Ship 2021. Ostend, Belgium. (photo © Martha Cooper)

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“Beyond The Streets” On Paper Opens in Southampton

“Beyond The Streets” On Paper Opens in Southampton

This time of year, it is hard to find people in Manhattan on the weekends – they’re “weekending” in the Hamptons, darling.

Khari Turner, Hands

Not exactly the original setting you might associate with graffiti, street art, hip-hop, punk rock, zines, and underground art culture but where else can curators Evan Pricco and Kim Stephens sell these works on paper while sipping cool drinks poolside?

“Beyond the Streets” carries the mobile party to Southampton Arts Center this Saturday with a wide swath of styles – 500 works from over 100 artists in an art fair-sized venue. It may remind you of the Urban Air Fair tried in Manhattan in summer 2017, but this one has something that one didn’t: Roger Gastman.

Shepard Fairey, Elysium Lotus

If it’s here, it’s because it is quality work and has a connection to the roots of these subcultural scenes usually as well. Expanding now to the more nebulous category of Contemporary, you may be surprised to see more accessible interpretive variations on the themes. Let’s see that paper, people. 

Jane Dickson, Fourth of July 2

Artists include: Action Bronson, Addam Yekutieli, agnès b, AIKO, André Saraiva, Andrew Schoultz, Andrew Thiele, Andy Rementer, Aryz, Bert Krak, Brandon Breaux, Broken Fingaz, Bryant Giles, Camille Walala, CES, Cey Adams, Charlie Ahearn, Chloe Early, Chris FREEDOM Pape, Clark Fox, Cody Hudson, Conor Harrington, Craig Costello, CRASH, DABSMYLA, Daniel Rich, David “Mr StarCity” White, DAZE, DEFER, Emily Manwaring, Eric Haze, Ermsy, Escif, FAILE, Faith XLVII, Fucci, Greg SPONE Lamarche, Gustavo Zermeno, Hilda Palafox, House 33, HuskMitNavn, Ian Reid, Icy & Sot, Jaime Muñoz, Jamilla Okuba, Jane Dickson, JEC*, Jeremy Shockley, Jillian Evelyn, JK5, John Konstantine, Julian Pace, KATSU, KC Ortiz, Kelsey Brookes, Khari Turner, Kime Buzzelli, LeRoy Neiman, Linas Garsys, Liz Flores, Lucy McLauchlan, Lujan Perez, Maripol, Mark Mothersbaugh, Martha Cooper, Marshall LaCount, Matt McCormick, Maya Hayuk, Michael Vasquez, MIKE 171, Mister CARTOON, Neena Ellora, Nehemiah Cisneros, Nettie Wakefield, NUNCA, Otto183, Paije Fuller, Paul Insect, POSE, Rebecca Morgan, Reko Rennie, Rello, Richard Colman, RISK, Ron English, Ryan McGinness, Sage Vaughn, Saladeen Johnson, Scott Campbell, Sean from Texas, Senon Williams, Shantell Martin, Shepard Fairey, SJK 171, Sofía Enriquez, SNOEMAN, Spacebrat, STASH, Steve ESPO Powers, SWOON, TAKI 183, The Perez Bros., Timothy Curtis, Todd James, Troy Lamarr Chew II, Umar Rashid, Victor Reyes, Wasted Rita, Wulffvnky, Yarrow Slaps, Yusuke Hanai, ZESER, ZOER and 45RPM.

BEYOND THE STREETS on PAPER
July 17—August 28, 2021
Southampton Arts Center, Southampton, New York, 11968

For more details, schedules, etc. click HERE

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BSA Images Of The Week: 07.26.20

BSA Images Of The Week: 07.26.20

Welcome to BSA Images of the Week.

A painted portrait of Emmett Till, who would have turned 79 yesterday, leads the collection of images this week. A 14 year old sweet faced boy who was brutally mutilated and killed in Mississippi by white men in 1955 for allegedly flirting with a white woman. He was a year younger than representative John Lewis, who was eulogized rest yesterday in Alabama and will lay in state at the Capitol this week. Our legacy of racism haunts us just as abhorrently this summer as it did sixty-five years ago, two hundred years ago…

But in many ways, you have to suspect that these raucous cries are the dying wheezing of racists who have lost the argument and frankly demographics, and it frightens them. They know that the new generations don’t support them, actually resist against them, are determined to light a new path toward reconciliation and healing and equality.

Covid-19 is out of control in the United States thanks to the utter mis-management and lack of leadership in the country. Yesterday, “150 medical experts, scientists and other health professionals signed a letter organized by a prominent consumer group and delivered to government leaders Thursday calling for new shutdowns to bring case counts down and ‘hit the reset button’ to implement a more effective response.” They forecast that we are going to hit 200,000 deaths by November 1.”

Conversely, and indicative of how well Europe has been handling this virus, this week a Berlin court rules BDSM parlours can open as long as everyone wear masks.

As that showtune-singing satirist Randy Rainbow belted out this week, “We’re in Hell, We’re in Hell, We’re in Hell Hell Hell”.

Here’s our weekly interview with the streets, this week featuring Almost Over Keep Smiling, Billy Barnacles, Catt Caulley, Dyne Elis, Knor, Koffee Creative, Liza and the Clouds, Lorena Tabba, Maya Hayuk, Oliver Rios, One Rad Latina, Ron Haywood Jones, Siva Stardust, Snoe, and Zalv.

Liza And The Clouds, Catt Caulley #blacklivesmatter (photo © Jaime Rojo)
Unidentified artist. #blacklivesmatter (photo © Jaime Rojo)
Maya Hayuk, Snoe. #blacklivesmatter (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Oliver Rios (photo © Jaime Rojo)
Siva Stardust (photo © Jaime Rojo)
#blacktranslivesmatter (photo © Jaime Rojo)
Almost Over Keep Smiling (photo © Jaime Rojo)
Unidentified artist on the left. #blacklivesmatter Poem on the right by Dyme Elis (photo © Jaime Rojo)
Is anyone else thinking about Pink Floyd right now? Lorena Tabba (photo © Jaime Rojo)
Koffee Creative (photo © Jaime Rojo)
Zalv (photo © Jaime Rojo)
Ron Haywood Jones brings his
American Urbanite to the street. #blacklivesmatter (photo © Jaime Rojo)
Billy Barnacle (photo © Jaime Rojo)
One Rad Latina (photo © Jaime Rojo)
Knor. Detail. (photo © Jaime Rojo)
Knor (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
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BSA Images Of The Week: 05.17.20 / Dispatch From Isolation # 56

BSA Images Of The Week: 05.17.20 / Dispatch From Isolation # 56

Times are tough but so are you.

Such a New York sentiment and at the heart of it we believe in our fellow New Yorkers and people in general to pull through this series of cavalcading catastrophes that are befalling us as many of our would-be leaders stand by and watch.

“Times are tough..” – It’s also a new piece this week on BSA Images of the Week from Captain Eyeliner. Let’s look for common ground, fundamental fairness and a common dream – without being tricked into fighting each other.

Meanwhile here’s some of the genius and humorous works this week on New York streets (and one from Tel Aviv), as we nurse our wounds and mourn our dead, and praise our nurses – and so many others. Hang tough people!

Here’s our weekly interview with the streets, this week featuring Adam Fujita, Almost Over Keep Smiling, Billy Barnacles, Captain Eyeliner, CRKSNK, Lunge Box, Maya Hayuk, Merk, No Sleep, Praxis, Quasar, Sac Six, Tag, and You Go Girl!

Captain Eyeliner (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Sac Six (photo © Jaime Rojo)
Maya Hayuk (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
Billy Barnacles (photo © Jaime Rojo)
Amy Makes Art (photo © Jaime Rojo)
You Go Girl (photo © Jaime Rojo)
QUASAR (photo © Jaime Rojo)
Almost Over Keep Smiling (photo © Jaime Rojo)
Almost Over Keep Smiling (photo © Jaime Rojo)
Adam Fujita (photo © Jaime Rojo)
Praxis (photo © Jaime Rojo)
Merk (photo © Jaime Rojo)
Lunge Box (photo © Jaime Rojo)
#tag in Tel Aviv (photo @Tag)
No Sleep (photo © Jaime Rojo)
SOHO, NYC. May 2020 (photo © Jaime Rojo)
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BSA Images Of The Week: 02.16.20

BSA Images Of The Week: 02.16.20

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Welcome to BSA Images of the Week!

Here’s our weekly interview with the street featuring Add Fuel, Almost Over Keep Smiling, BR163, Crash, Degrupo, Disordered, Early Riser, finDAC, Fours, Jason Naylor, Leleus, JL, Maya Hayuk, Obey, Sara Lynne Leo, Surface of Beauty, Telmo & Miel.

Sara Lynne-Leo (photo © Jaime Rojo)
Sara Lynne-Leo (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Jeleus OBEY (photo © Jaime Rojo)
Degrupo (photo © Jaime Rojo)
Early Riser (photo © Jaime Rojo)
Crash x BR163 for The L.I.S.A. Project NYC (photo © Jaime Rojo)
FinDac. Wynwood, Miami. December, 2019 (photo © Jaime Rojo)
Surface of Beauty (photo © Jaime Rojo)
Jason Naylor (photo © Jaime Rojo)
Telmo Miel in Wynwood Miami combined their portraiture with abstraction. Detail A. (photo © Jaime Rojo)
Telmo Miel in Wynwood Miami combined their portraiture with abstraction. Detail B. (photo © Jaime Rojo)
Maya Hayuk work in progress. Detail. (photo © Jaime Rojo)
Add Fuel (photo © Jaime Rojo)
Fours (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Almost Over Keep Smiling (photo © Jaime Rojo)
JL (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Disordered (photo © Jaime Rojo)
Untitled. Brooklyn. February 2020. (photo © Jaime Rojo)
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“Beyond The Streets” Comes To Brooklyn in June

“Beyond The Streets” Comes To Brooklyn in June

Gastman’s Massive Graffiti and Street Art Show Arrives at Epicenter.

“I’m really excited to bring this show to New York,” says curator, graffiti historian and urban anthropologist Roger Gastman, “because the city plays such a pivotal role in the origin and evolution of the culture. The iconic images of covered subway cars made graffiti famous worldwide.”

Style Wars Car by NOC 167 with Door Open, Man Reading Newspaper, 96th Street Station, New York, NY, 1981. (photo © Martha Cooper)

He’s talking of course about “Beyond The Streets” the hybrid exhibition that he mounted in LA last year featuring the work of 150 who have proved to be pivotal to the evolution of a fifty year global people’s art movement that includes graffiti, street art, and urban contemporary art. Filling over 100,000 square feet of new space in Brooklyn, this two-floor cross-section survey will feature artworks by many of the same vandals, graffiti writers, Street Artists, and art activists who hit NYC streets, created dialogue with passersby, and were sometimes chased by the authorities. To see them showcased here is to recognize that there is not just one route to take – in fact there are many.

Guerrilla Girls at Abrons Art Center, New York, 2015. (photo © Andrew Hindrake)

“We have an incredible roster of artists for New York,” Gastman tells us, “and a brand new space in Williamsburg that has a stunning view of the Manhattan skyline as our backdrop.” Notably the lineup includes artists whose work BSA has documented on the streets in this very same neighborhood over the past two decades, including Shepard Fairey, Faile, Swoon, Bast, Invader, Aiko, and others. Ironically the appearance of free-range Street Art in the neighborhood has been seriously diminished since that time.

The exhibition is one more verification that a significant portion of the scene is being widely recognized for its cultural contribution and value in the contemporary art canon – a significantly fluid scene fueled by discontent and a desire to short-circuit the established routes to audience appreciation. Like large survey shows elsewhere, the takeaway is the significant impact street culture and its tangential subcultures continues to have on the culture at large.

Lil’ Crazy Legs during shoot for Wild Style, Riverside Park, NY, 1983. (photo © Martha Cooper)

Gastman says the New York version of “Beyond The Streets” will take an additional interest at the role of music and art activism on the street, along with immersive installations, a tattoo parlor, a special Beastie Boys installation with artifacts and ephemera, a new 30th Anniversary Shepard Fairey project “Facing The Giant: 3 Decades of Dissent,” and large scale works by Gorilla Girls, Futura, Cleon Peterson, and Takashi Murakami. 

More news coming on programming and events, but the important opening date to know right now is June 21st.

“All in all, it will make for a really special show this Summer,” says Gastman.


BEYOND THE STREETS TEAM

Curator: Roger Gastman

Co-Curators: Sacha Jenkins SHR, Evan Pricco, David CHINO Villorente

Producer: Ian Mazie & Pressure Point Creative


Tickets and hours of operation can be found at: BEYONDTHESTREETS.COM


FEATURED ARTISTS INCLUDE:

A-ONE, AIKO, Al Diaz, Alexis Ross, Alicia McCarthy, André ​Saraiva, Barry McGee, BAST, Beastie Boys, Bert Krak, Bill Barminski, Bill Daniel, BLADE, Broken Fingaz, Buddy Esquire, buZ blurr, Carlos Mare, Carl Weston, Cey Adams, C.R. Stecyk III, Charlie Ahearn, Chaz Bojórquez, Claudia Gold, Cleon Peterson, COCO 144, Conor Harrington, Corita Kent, Craig Costello, CRASH, DABSMYLA, Dan Witz, Dash Snow, DAZE, DEFER, Dennis Hopper, Dondi White, Doze Green, EARSNOT, Estevan Oriol, Fab 5 Freddy, FAILE, Faith XLVII, Felipe Pantone, FREEDOM, FUTURA 2000, Gajin Fujita, Glen E. Friedman, Gordon Matta-Clark, Guerrilla Girls, HAZE, Henry Chalfant, Herb Migdoll, Husk Mit Navn, INVADER, Jane Dickson, Jason REVOK, Jean-Michel Basquiat, Jenny Holzer, Jim Prigoff, John Ahearn, John Fekner, John Tsombikos, Joe Conzo, José Parlá, KATS, KC Ortiz, Keith Haring, Kenny Scharf, Kilroy Was Here, LADY PINK, LAZAR, LEE Quiñones, Lisa Kahane, MADSAKI, Maripol, Mark Gonzales, Mark Mothersbaugh, Martha Cooper, Matt Weber, Maya Hayuk, Michael Lawrence, MIKE 171, MISS 17, Mister CARTOON, Nina Chanel Abney, NOC 167, Pat Riot, Patrick Martinez, Paul Insect, POSE, PRAY, Rammellzee, Randall Harrington, RETNA, Richard Colman, Richard Hambleton, RIME, RISK, Ron English, Ruby Neri, SABER, Sam Friedman, SANESMITH, Sayre Gomez, Shepard Fairey, SJK 171, SLICK, SNAKE 1, SNIPE1, STAY HIGH 149, Stephen Powers, SWOON, Takashi Murakami, TAKI 183, TATS CRU, TENGAone, Tim Conlon, Timothy Curtis, Todd James, Trash Records, UGA, VHILS, and ZESER

The show is developed in partnership with Adidas and Perrier. Additional support provided by Modernica, Montana Colors, NPR, NTWRK, Twenty Five Kent and WNYC.

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BSA Images Of The Week: 01.29.17

BSA Images Of The Week: 01.29.17

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Here’s our weekly interview with the streets, this week featuring Able, Alexis Diaz, Bruno Smoky, Case Ma’Claim, Crash, Dan Flavin, Ernest Zacharevic, Inti, Jose Mertz, Kryptick, Logan Hicks, Maya Hayuk, Miro, Pichi & Avo, Santiago Rubino, Shalakattak, and Sipros.

First image above: Alexis Diaz. Wynwood, Miami. (photo © Jaime Rojo)

Able. Wynwood, Miami. (photo © Jaime Rojo)

Jose Mertz. Wynwood, Miami. (photo © Jaime Rojo)

Sipros. Wynwood, Miami. (photo © Jaime Rojo)

Miro. Wynwood, Miami. (photo © Jaime Rojo)

Santiago Rubino. Wynwood Walls, Miami. (photo © Jaime Rojo)

Kryptik. Wynwood Walls, Miami. (photo © Jaime Rojo)

Ernest Zacharevic in collaboration with Martha Cooper. Wynwood Walls, Miami. (photo © Jaime Rojo)

Inti. Wynwood Walls, Miami. (photo © Jaime Rojo)

Crash. Wynwood Walls, Miami. (photo © Jaime Rojo)

Maya Hayuk. Wynwood Walls, Miami. (photo © Jaime Rojo)

Case Maclaim. Wynwood Walls, Miami. (photo © Jaime Rojo)

Pichi  & Avo. Wynwood Walls, Miami. (photo © Jaime Rojo)

Logan Hicks. Wynwood Walls, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Bruno Smoky and Shalakattak. Wynwood, Miami. (photo © Jaime Rojo)

Untitled. Dan Flavin. Chelsea, NYC. January 2017 (photo © Jaime Rojo)

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BSA Top Stories 2016 – As Picked by You

BSA Top Stories 2016 – As Picked by You

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Museums, Festivals, and Activism – three of the themes that garnered the most traffic on our published stories on BSA and The Huffington Post this year.

From a scholarly Street Art related exhibition in St. Petersburg to the opening of the Mima Museum in Belgium to the Anti-Banksy exhibition with the Blu controversy in Bologna and the “Magic City” exhibition in Dresden, BSA readers were astutely studying the slow but steady move of Street Art from the street to the museum and the academic canons.

But you also liked the huge multi-player outside exhibitions as well – with stories from Sicily and Northern Spain to Northern Mexico, BSA readers were interested this year in seeing how eclectic locally-organized Street Art festivals and projects are done, and who is doing them.

Finally activism played a big role in what you were re-Tweeting and “liking” and sending to your friends – From Icy & Sot installing anti-radiation work in the Native American desert and then talking about oceans polluted with plastic, to a United Nations food program with kids and artists in El Salvador, to highlighting Indigenous peoples rights with Jetsonorama, to a US cross-country tour to save endangered species by one artist and a Greenpeace show in Barcelona addressing the same issue with 35 artists, it looks like BSA readers are engaged and concerned about socio-politico-environmental issues left and right.

On a side note, we were honored that our El Salvador article was picked up and published in spanish on the UN World Food program website – HERE.

Of course it was good to see that you liked the feature on the notorious graffiti crew 1UP and seeing Nychos slay New York as well. Tasty!

These are the TOP 15 articles on BSA for 2016 from the more than 365 postings we did this year – meaning they all beat at least 350 articles to get here. Congratulations to us all.


No. 15
Borders and Boundaries : A Multi-Disciplinary Exhibit at St. Petersburg’s Street Art Museum

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SpY. Street Art Museum (SAM). St. Petersburg, Russia. May 2016. (photo © Evgeniy Belikov)

Rafael Schacter Takes a More Nuanced Approach to the Migration Crisis

Commerce and technology have been eroding traditional constructs of the borders and boundaries, especially in the age of the Internet, satellites, transnational banking and trade agreements that create governing bodies that openly dismiss national sovereignty, integrity, identity, aspirations. Borders and boundaries are contested, guarded, or disregarded at will; open to international capital, porous to immigration, hardened by armies.

Daily they are in the headlines: Trump’s plans to build a wall along the US-Mexican border, Syrian war refugees immigrating across European borders, Israel and Palestine’s ongoing land and settlement disputes, even maritime territorial claims of China and the Phillipines in the South China Sea that were ruled upon yesterday  – all reveal clues to our historically complicated relationships and geo-political perspectives.

Art to the rescue! continue reading here


No. 14
Icy & Sot Stencil An Enormous Blue Whale in LA

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Icy & Sot. Endangered Species Mural Project. Los Angeles, CA. January 2016 (photo © Jess X. Chen)

“The brothers spent two solid days hand cutting the multi-layer stencil here on Melrose Avenue. How many pieces? “19 pieces,” says Icy. “Its not that big but it has a lot of details” The composite image features an enormous whale emerging from the sea in full view of a coastline packed with industrial forms which presumably are dumping contaminants directly into the waters.

As ever, the brothers crash into each others sentences while talking to us. “Whatever happens in the ocean… it comes back to us,” says Sot. “Whether is trash or plastics or oil..”

Icy jumps in, “The fish eat them and then we eat the animals and we have the plastics inside of us.”

“Yeah, It’s a cycle. We are all making a lot of trash – we are affecting the world. Then it all comes back to us,” says Sot… Continue reading here


No. 13
MIMA Museum: City Lights with Swoon, MOMO, Hayuk, Faile

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Maya Hayuk. MIMA Museum. Brussels, Belgium. April 2016. (photo © The Pickles – MIMA Museum)

What is it about Brooklyn Street Art that is so appealing that one would curate the opening exhibition of a museum with it?

Four pillars of the New York Street Art scene are welcoming the first guests of the new Millennium Iconoclast Museum of Art (MIMA), which opened days ago in Brussels. Attacking the cherished institutions that relegate grassroots people’s art movements into the margins, MIMA intends to elevate them all and let them play together. Graphic design, illustration, comic design, tattoo design, graffiti, street art, plastic arts, wheat pasting, sculpture, text, advertising, pop, story-telling, aerosol, brushwork, and naturally, dripping paint.

Obviously street culture has been mixing these influences together in a never-ending lust for experimentation; punk with hip-hop, skateboarding with tattoo, performance art with graffiti – for the past four decades at least. The folk tradition of cutting and pasting predates all our  modern shape-shifting by centuries, but institutional/organizational curating often often has a preference for sorting street culture disciplines into separate piles.

With the inaugural exhibition “City Lights” MOMO, Swoon, Faile, and Maya Hayuk each bring what made their street practice unique, but with an added dimension of maturity and development. Without exception each of these artists have benefitted from the Internet and its ability to find audiences who respond strongly to the work with physical location a secondary consideration. Now as world travelers these four have evolved and refined their practice and MIMA gives them room to expand comfortably…Continue reading here


No. 12
San Salvador, Street Artists, Food Insecurity and “Conect-Arte”

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Vexta.Workshop. Conect-Arte. San Salvador. April 2016. (photo © Yvette Vexta)

“Six street artists took their social engagement a step further in El Salvador last month and taught youth some serious skillz from the street.

Coming from Brazil, Australia, Ecuador, Mexico, New York, and New Jersey, this international crew took the time to share and teach about painting, art, and how community can be built. The program Conect-Arte is a newly launched initiative by the United Nations World Food Programme, which as the name suggests, also is in the city to address a more core need to battle food insecurity. With Conect-Arte the goal is to also meet youth in some communities and help with positive role models an options with an eye on transforming lives through developing art and related creative skills that can provide income and channel energy in ways productive to community.

Together the artists worked on projects with 45 teens and younger kids over the course of the a week-long workshop in San Salvador, teaching street art techniques like stencil, lettering, mural painting, sculpture, even hot air balloon making. The goals are huge, like reducing violence, food insecurity, increasing access to economic opportunity. The tools here are art, the creative spirit, and strengthening relationships.

We bring you some images of the works that were made by the visiting artists and some of their observations and experiences during the Conect-Arte program…Continue reading here


No. 11
Discovering a “Magic City” in Dresden, Germany

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Unidentified Artist (photo © Jaime Rojo)

“A couple of weeks ago BSA was in Dresden, Germany to help lay plans for a new Street Art show opening there this fall called “Magic City” and naturally we hit the streets with bicycles three days in a row to see the city’s graffiti, Street Art, and murals whenever time would permit. The first day we had the honor of getting a tour from Jens Besser, an artist, author, lecturer, and producer of mural festivals in the city who sped ahead of us through a labyrinth of streets to show us a number of the impressive murals he and partners have brought to the city in the last decade or so…Continue reading here


No. 10

Louis Masai: “The Art Of Beeing” Tour Kicks Off in NYC to Save Endangered Species

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Louis Masai: The Art of Beeing USA Tour. Bog Turtle. Endangered. The Bushwick Collective, Brooklyn. NYC. October  2016. (photo © Jaime Rojo)

“Activism and Street Art go hand in hand and some artists are skilled at activating public space for hearts and brains to spark and cogitate. During the last 15 years we’ve documented a number of seriously affecting artworks on the street that use text and/or imagery to address political, social, environmental, and economic issues and opinions by artists as varied as Shepard Fairey, Banksy, John Fekner, Ganzeer, LMNOPI, Myth, Gilf!, Gaia, LNY, Jetsonorama, and any number of one-shot authors. In this election year there are too many Trumps to count, and a few Hillary pieces as well.

Undaunted by commercial interests and able to deliver directly to the passerby, Street Artists know that their visual message isn’t guaranteed acceptance but they take a chance anyway. The ones that reflect the sentiments on the street tend to last longer, aesthetics count, and so does spelling, at least that is our inductive observation.

One London artist who seriously raises awareness about the Earths’ endangered species is Louis Masai, a painter, sculptor, illustrator and Street Artist. Starting this week in New York Masai is beginning a 20 mural tour across the United States to talk about the hard working, honey-making, pretty pollinating bee – and a number of our animals that are in danger of dying off completely…Continue reading here


No. 9
1UP in Berlin : “ ‘All City’ Doesn’t Even Begin to Cover It ”

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1UP. Berlin 2016. (photo © Jaime Rojo)

“An amorphous shape-shifting consortium of Berlin-based aerosol hooligans named 1UP is one of those graffiti crews who eventually make the entry into graffiti street lore because of the scope and daring of their travails.

Primarily Berlin based, you’ll find their almost-commercial sounding name on roofs, walls, abandoned factories, and in tunnels in many cities around the globe. Without a clear idea of the exact number in their association nor precise membership these daredevils are most often described as white men in their twenties and early thirties reveling in the athleticism and sport of graffiti, in addition to style. The tag itself appears to be rather “open source” at times, with only insiders able to keep track of the distinct hand styles forming the ubiquitous name on thousands of surfaces…continue reading here


No. 8
A “Cathedral” of Characters in Northern Spain

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RIM. Spain. (photo © Lluis Olive Bulbena)

“It’s a cathedral of characters, this abandoned furniture factory forty kilometers outside of Barcelona. Cartoons, illustrations, portraits are everywhere; a curious collection of aerosol spray pieces that highlights the popularity of the animated and exaggerated personalities among graffiti and Street Artists in this region of the world.

The character may be a salty with a haggard stare, or reference a topic with a bit of satire. The scene may be serious, comical, ridiculous or purely sci-fi and horror. You discover the stories and allegories as you walk through the empty manufacturing rooms now flooded with natural light and dust. Expressions and situations here are full of drama that may trigger your empathy, startle your attention, elicit a shiver, or creepily fondle your funny bone…Continue reading here


No. 7
“Art Silos” Rise in the Harbor of Catania, Sicily

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Interesni Kazki. Detail. (photo © VladyArt)

“They’ve been here since the 1950s, these silos for wheat and corn on the harbor of Catania on the east coast of the island of Sicily at the foot of Mount Etna. 28 meters tall and facing the Ionian Sea, they are now some of the largest canvasses in Italy by a small group of international and local Street Artists.

The “Art Silos” project includes works completed during an eight month installation begun in June 2015 as part of Festival “I-ART” organized by “Emergence”, thanks to Angelo Bacchelli, curated by Giuseppe Stagnitta. The artists taking part in the project were Okuda (Spain), ROSH333 (Spain), Microbo (Italy), BO130 (Italy), VladyArt (Italy), Danilo Bucchi (Italy) and the duo Interesni Kaxki (Ukraine), mostly all from the graffiti/Street Art world. A separately organized but related project on the harbor-facing row of eight silos was completed by one artist alone, the Lisbon-based Vhils…continue reading here


No. 6
BLU Allies : A Counter Exhibition to “Banksy & Co.” Launched in Bologna

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Tadlock (photo © @around730)

“An anti-Banksy & Co. Street Art show opened in Bologna Italy the same night as its controversial bank-backed cousin with brand new works by 50 or so Italian and international Street Artists and open admission to their outdoor ‘museum’.

 “It is free and spontaneous, as Street Art should be,” says an organizer and participant named About Ponny as he describes the exuberant and sometimes saucy toned exhibition on the grounds of the sprawling former headquarters of Zincaturificio Bolognese which is destined for future demolition.

“The message we want to convey is that true street art is found where it was born, in the street and not in the paid exhibits,” says Bibbito, who along with two other out-of-town street artists named Jamesboy and Enter/Exit found food and couches during their installations thanks to an association of artists called L’Associazione Serendippo. Together, these artists say, they and other organizers want to send a “strong signal” by creating “one of the largest museums of ephemeral street art ever made”. The new coalition named this project “R.U.S.Co” (Recupero Urbano Spazi Comuni) or (Urban Renewal Common spaces).

The new 16,000 m2 open-air art show may appear as a rather curious development because its method of protest runs completely counter to that of the shows’ most vocal and high-profile critic, BLU, who last week protested the same show by defiantly destroying 20 years of his own public paintings, rather than making new ones…Continue reading here


No. 5
Raising Yellowcake in Grand Canyon: Icy & Sot, Jetsonorama in Arizona

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Icy & Sot. “Nuclear Plant” Navajo Nation. Arizona. June 2017. (photo © Icy & Sot)

“Yellow Cake: A simple sweet dessert confection that gets its signature color from 8 egg yolks and a cup of butter, and is great with either vanilla or chocolate icing.

Yellowcake: A type of uranium concentrate powder obtained from leach solutions, in an intermediate step in the processing of uranium ores. Also, its radioactive. Also, Colin Powell showed off a vial of it at the United Nations to sell the Iraq invasion in 2003 to that body and the world.

Being more knowledgeable about the dessert variety of yellow cake than the desert variety of uranium contamination, we turn to Street Artists Jetsonorama and Icy & Sot to educate us about the active uranium mines that are at the North Rim of The Grand Canyon. The three worked jointly in June to create new public works addressing the topic and we have each of them here for you to see.

“The issue of uranium contamination and nuclear waste is timely as there is an active uranium mine at the North Rim of the Grand Canyon presently and a proposal to start mining at the South Rim,” explains Jetsonorama (Chip Thomas), who is a local artist, a practicing doctor, and a social activist advocating for the people who live on the reservation and the natural environment in general…Continue reading here


No. 4
Nychos Slays in New York : IKONS Revealed as Never Before

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Nychos. “Dissection of Sigmund Freud”. Vienna Therapy. Manhattan, NY. June 2016. (photo © Jaime Rojo)

“Scientists, psychologists, surgeons…in the end we’re all driven by a similar curiosity.”

This month has been a whirlwind in New York for Austrian Street Artist /fine artist /illustrator named Nychos and he’s made quite the iconic impression. Anchored by a show that opened last weekend of canvasses and illustrations at Jonathan Levine Gallery in Chelsea named “IKON” and assisted by a co-branded sculptural event with the Vienna Tourist Board, the surreal dissectionist didn’t rest there.

In the weeks leading up to and after these events he also managed to hit a number of walls in Coney Island, Bushwick, and Jersey City…oh and he knocked out a box truck as well.

In addition to pulling out an astounding sculpture of Sigmund Freud looming over a couch that drew a crowd to the foot of the (also iconic) Flatiron Building at 23rd and 6th, the afterparty and reception featured Dominic Freud, the great grandson of the founder of psychoanalysis, who surmised that if he were alive today he would definitely have wanted to put Nychos on his couch…Continue reading here


No 3
35 Artists in Barcelona Trying To Save The Arctic with Greenpeace

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La Castillo. Save The Arctic. Barcelona, Spain. April 2016. (photo © Lluis Olive Bulbena)

“Yesterday our posting was about artists in London creating works about endangered species and today we go to Barcelona where 35 artists joined with Greenpeace and a local group named RebobinArt on April 9th to create works centered on environmental issues, especially the quickly disappearing polar ice cap.

Only three days later scientists announced that the Greenland “Melt” has happened one month earlier than usual this year, smashing records and causing scientists to reexamine their measuring instruments to make sure they were working correctly.

The art-platform model of RebobinArt is interesting because they are a community organization that manages spaces and issues permits for painting for competitions, festivals, exhibitions, educational programs, and cause-based events like this one.

Under the guidance of Director Marc Garcia, RobobinArt promotes and facilitates a different sort of public painting that is not strictly commercial and yet it is clearly not the freewheeling graffiti/street art based stuff that made Barcelona such a magnet for artists in the early-mid 2000s…Continue reading here


No. 2
Chip Thomas’ New Mural, Indigenous People, and #NoDAPL

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Chip Thomas. The original photograph of JC Morningstar holding her dog on a swing. Indigenous People’s Day at Fort Lewis College. Durango, CO. (photo © Chip Thomas)

“Street Artist and activist Jetsonorama (Chip Thomas) saw his work pull together a number of people in Durango, Colorado on October 10th as the city and the college celebrated their first ever “Indigenous People’s Day”. His photograph of an indigenous youth named JC Morningstar swinging and kissing her dog was chosen by a group of students from Fort Lewis College, where 24% of the population is indigenous.

The unveiling ceremony for the mural began with a traditional pow wow prayer by a drum circle and Chip says “the highlight of the day for me was having JC, her dog and her family travel 4 hours to Durango to attend the unveiling before going to the Tribe Called Red show that evening.”…Continue reading here


No 1
Chihuahua, a Mexican Desert City with a Few “Street Art” Blooms

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Paola Delfin. Chihuahua, Mexico. Centropolis Art Festival 2014. (photo © Jaime Rojo)

“Chihuahua is like one big ranch,” says a local reporter who guides you around this desert city known for beef, cheese, sotol, cowboy boots… and a growing middle class – thanks to the hundred plus multinational maquiladoras operating here with a focus on aerospace, medical equipment, and automobile manufacturing.

The “ranch” metaphor is meant to be welcoming, but it also lets you know that this city of nearly a million can still feel like a small town. This is the capital of Mexico’s largest state, which goes by the same name. And yes, the diminutive and scrappy dog originated here – as did Pancho Villa, and you can visit his homestead if you like.

It’s not the typical city where you might expect to find Street Art, yet only a few blocks from the government palace downtown that holds two stories of wall paintings by Mexican muralist Aarón Piña Mora, you will find new paintings in the dusty side streets that indicate a more international flavor is present…Continue reading here

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BSA’s 15 Most Popular Murals Of 2016 – A “Social” Survey

BSA’s 15 Most Popular Murals Of 2016 – A “Social” Survey

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Murals have captured so much of the popular imagination about what the Street Art scene is today and although they may be part of the definition, murals remain only a part of the entire scene; a visual conversation that includes legal, illegal, small, anonymous, massive, deliberately confounding, low-energy scrawl, stickers, tags, poetry, diatribes, culture jamming, ad takeovers, sculpture, installations. Every week we aim to present a varied selection of expressions currently represented on the street, and then it is your turn to respond.

During 2016 BSA readers responded to images via our website, Instagram, Twitter, Tumbr, and Facebook pages. In a thoroughly unscientific survey that calculates “likes” and “clicks” and “re-Tweets” and “impressions”, we tallied up which murals (or images) got the most interest from you all. Care to read into the results?

The top 3 really sum it all up for 2016 and shouldn’t surprise us, but they still do; Militarism, Mis-information, and the Man of the Year.

If you ever doubted how much art on the street reflects the psyche of a society back to itself, no need to wonder anymore. If only we could read these tea-leaves and tell the future…


No 15.
David Choe’s Portrait Of Martha Cooper for Wynwood Walls / Art Basel 2016.

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David Choe. Detail. Wynwood Walls / Art Basel 2016. (photo © Jaime Rojo)

Originally appearing here:

 


No 14
Plotbot Ken’s car installation on the Teufelsberg Hill in Berlin.

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Plotbot Ken’s post-apocolyptic installation on a car at the abandoned NSA spy compound in Teufelsberg Hill in Berlin. Berlin, 2016. (photo © Jaime Rojo)

Click here to see the original posting on BSA.

 


No 13
Faust and Shantell Martin in Manhattan, NY.

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Handstyle and all New York, baby. Faust. Shantell Martin (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 12
Swoon in Brooklyn, NY.

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One of Swoon’s new additions to the street in 2016 (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 11
ASTRO in East Harlem.

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ASTRO in East Harlem for #NotACrime campaign in collaboration with Street Art Anarchy. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 10 
Nychos in Manhattan, NY.

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More than his multiple murals published here this year, this sculpture on 23rd Street in Manhattan in the spring captured the imagination and gave his work an added dimension. Nychos. “Dissection of Sigmund Freud”. Vienna Therapy. Manhattan, NY. June 2016. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 9 
MadC in Marrakesh, Morocco.

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Mad C. MB6 Street Art. Marrakesh Biennale 6. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 8
Maya Hayuk in Brooklyn, NY.

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Maya Hayuk. Detail. (photo © Jaime Rojo)

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No 7
Invader in Jersey City, NJ.

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Space Invader in Jersey City for Mana Urban Arts Projects. (photo © Jaime Rojo)

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No 6
Collin Van Der Sluijs. Super A in Berlin.

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Collin Van Der Sluijs . Super A.  Detail. Urban Nation Museum For Urban Contemporary Art. One Wall. Berlin, Germany. (photo © Jaime Rojo)

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No 5
Kurar in Berlin

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Kurar for Urban Nation Museum For Urban Contemporary Art. NOTE: This piece was created late in 2015 but we got to it early in 2016. (photo © Jaime Rojo)

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No 4
Biggie Smalls in Brooklyn, NY.

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Rocko & Zimer. NOTE: This piece was created late in 2015 but we got to it early in 2016. (photo © Jaime Rojo)

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No 3
Otto “Osch” Schade in Brooklyn, NY.

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OSCH for JMZ Walls. (photo © Jaime Rojo)

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No 2
Klops in Brooklyn, NY.

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Klops for The Bushwick Collective illuminates the concentration of 90% of the media in the hands of 6 companies. In 1983 there were 50. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 1
Ron English in Brooklyn, NY.

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Ron English brings Donald Trump as Humpty Dumpty on a wall – in collaboration with The Bushwick Collective. (photo © Jaime Rojo)

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