All posts tagged: Mark Flood

Fun Friday 08.10.12

August 10, 2012

Happy hot sticky Friday live from New York! Lots of cool stuff on the street and in the exhibition spaces this weekend – just bring a water bottle. Here are some of our picks for you on BSA.

1. Détournement, Carlo McCormick at Jonathan Levine (NYC)
2. Chris Stain and Joe Iurato at Mighty Tanaka (BKLN)
3. Peeta Solo at ArTicks (Amsterdam)
4. “You & Me” – Low Brow’s Second Group Show (BKLN)
5. Miss Van at Copro Gallery “Wild at Heart” (Santa Monica)
6. Part2Ism “New Horizons & Future Love Songs” at Red Gallery (London)
7. “Who’z Got Game!” ? at Sacred Gallery (NYC)
8. Numskull ,”Dance Like a Video, Sting Like a Gif” at Mishka (BKLN)
9. “Primeveal” group show Carmichael Gallery (LA)
10. Futura Live Painting  (Richmond, VA)
11. KFC Loves The Gays with John Goodman (Video)

 

Détournement, Carlo McCormick at Jonathan Levine (NYC)

Carlo McCormick, Paper Magazine Senior Editor and NYC cultural intuitor, is guest curator at the Jonathan Levine Gallery with a show titled “Détournement: Signs of the Times” Carlo has assembled an interesting list of artists to tell his story with the works of AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone and Zevs.

Mining a vein that has been here in front of us all the time, the composition of the selected works reveals a powerful undertone about how we engage and communicate with our artwork, and hi-jack the messaging of others. Says McCormick, “We do not need to follow these signs, we need to make our own so as to find a way out of the mess we are in.”

It’s also one of the few shows that seamlessly blends Street Art and non-street art practices without needing to draw a distinction for its own sake. This show is now open to the public.

Posterboy (photo © Jaime Rojo)

For further information regarding this show click here.

Chris Stain and Joe Iurato at Mighty Tanaka (BKLN)

Tonight at Mighty Tanaka Gallery in DUMBO the inevitable pairing of Street Artists Chris Stain and Joe Iurato finally takes place. With a show titled “Deep in the Cut” these two stencil artists will bring the knives out for the love of art and the perfection of their craft. Style and mannerism distinguish the differences between these two, and Stain has been at it much longer with a lot of work on the street, but metaphor and empathy to the human condition is the overlap in these guys work. Grab the F train to DUMBO and come see what new common ground emerges from this combination.

Chris Stain. An old all time favorite on the streets of Brooklyn. (photo © Jaime Rojo)

Joe Iurato for Fountain Art Fair 2012 (photo © Jaime Rojo)

For further information regarding this show click here.

Peeta Solo at ArTicks (Amsterdam)

Italian Graffiti and Fine Artist Peeta has been writing his tag on walls, trains and many other surfaces since 1993. Like a few of his generation who have been stretching graff style past it’s outer limits and morphing it with abstraction, his work has slowing gelled into it’s own distinctive style. He focuses his lettering and his tag by feeding it through Chinese and Islamic calligraphy as a departure from the traditional Latin and Greek lettering. A collaborator of New Yorks RWK collective, he resides in Venice and tonight opens his solo show in Amsterdam at the ArTicks Gallery.

Peeta in Brooklyn with fellow RWK Chris. (photo © Jaime Rojo)

For further information regarding this show click here.

“You & Me” – Low Brow’s Second Group Show (BKLN)

The Low Brow Artique Gallery in Brooklyn has decided to enter the matchmaking business and Saturday their second show titled “You & Me” artfully combines the work of two at a time. While many of these artists have worked collaboratively on the street in the past, crossing freely between sanctioned and unsanctioned Street Art and graffiti, the results of merging their styles and techniques always creates new creatures with the combined DNA. Sometimes it’s a mutt, and sometimes it is purebred brilliance. Artistic couplings here include: Cash4 & Smells, Chris & Veng (RWK), EKG & Dark Clouds, Matt Siren & Fenix, OCMC & This Is Awkward, Royce Bannon & Russell King, and Veng & Sofia Maldonado.

Sofia Maldonado and Veng collaboration. (photo © Jaime Rojo)

Cash4 and Smells collaboration. (photo © Jaime Rojo)

Smells and Cash4 on the streets of Brooklyn (photo © Jaime Rojo)

For further information regarding this show click here.

Miss Van at Copro Gallery “Wild at Heart” (Santa Monica)

Miss Van, the French Street Artist and fine artist has a new solo show “Wild at Heart” in Santa Monica, California this Saturday at the Copro Gallery and the ladies are again strutting their stuff across her rich canvasses. Painting since the age of 18 Miss Van has chosen her appearances carefully while being very active within the smaller pool of female Street Artists, maintaining a continous presence with her unique doll-characters, a rich color palette and plenty of erotica.

Miss Van was included in the now famous “Art in the Streets” exhibition on April 2011 at MoCA Los Angeles.. April 2011. (photo © Jaime Rojo)

For further information regarding this show click here.

Also happening this weekend:

Part2Ism has a new solo show “New Horizons & Future Love Songs” at the Red Gallery in London, UK and it is now open to the general public. Click here for more details on this show.

Wanna know “Who’z Got Game!” ? Head over to the Sacred Gallery for this group exhibition opening today in Manhattan. Click here for more details on this show.

Numskull will “Dance Like a Video, Sting Like a Gif” at Mishka tonight in Brooklyn. Click here for more details on this show.

“Primeveal” a group exhibition including Emol, Stinkfish and Zio Ziegler opens tomorrow night at the Carmichael Gallery in Culver City, CA. Click here for more details on this show.

Futura will paint live in Richmond, Virginia this Saturday.

Screen Shot from Futura’s Hennessy NYC Video.

Master Graffiti Artist and fine artist Leonard “FUTURA” is touring the country to promote this project with a spirit maker and this Friday he will stop in Richmond, Virgina where he will paint live on a canvas inside the ABC Store located at 101 North Thompson Street. The live painting will commence at 2:00 pm.  It is a rare opportunity to catch Futura in action.

A recent ad featuring Futura for this campaign (not a sponsor)

KFC Loves The Gays with John Goodman

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Jonathan Levine Gallery Presents: “Détournement: Signs of the Times” A Group Exhibition Curated By Carlo McCormick. (Manhattan, NYC)

August 6, 2012 , , , , ,

détournement

 

Détournement : Signs of the Times
Group Exhibition curated by : Carlo McCormickAugust 8—25, 2012
Opening Reception:
Wednesday, August 8, 7—9pm

Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs

CURATOR’S STATEMENT
A détournement is a detour of sorts, but not so much along the scenic route as over the tougher road that goes more directly to the truth. A more proximate translation from the French might be a derailment, but I’m not sure English is so well suited to get both the violence and hilarity of the term. Since coined by the Lettrist International in the 1950s, it has served various generations as a common strategy by which to subvert consensus visual language so as to turn the expressions of capitalist culture against themselves. The most typical folkloric version we encounter of a détournement is when someone writes a word at the bottom of a stop sign, so that with say just three letters this mundane road command might read “Stop War.”

Employed brilliantly by the Situationists, whose great philosopher Guy Debord laid out the socio-aesthetic framework for this practice, détournements twist the terms of mimicry in ironic parody using the a semblance of the easily recognizable to dissemble and redirect the literal meaning of signs so as to construe a more honest picture of their deceptive intentions. As such they are a mediation of the media, a way of transgressing the fine art of persuasion that dominates our visual landscape to offer alternative readings and deviant possibilities to the hegemony of mainstream corporate culture. A natural response to the lies and coercions we are fed on a daily basis, the détournement has been the reactive impulse of all those who question reality, from the Punks who adopted it in the 1970s through Culture Jammers, Adbusters, contemporary street artists and the winding legacy of protest movements from WTO to Occupy.

This exhibition is meant to both celebrate the lineage of détournement and bring attention to some of its current practitioners who embody its continued vitality through their art. We live in a forest of signs that are meant to confuse, distract and numb us to the more dire consequences of the human condition as it is. We do not need to follow these signs, we need to make our own so as to find a way out of the mess we are in. I cannot thank these artists enough for their contributions towards helping us find another way.

ABOUT THE CURATOR
Carlo McCormick is an esteemed pop culture critic, curator and Senior Editor of PAPERmagazine. His numerous books, monographs and catalogs include: TRESPASS: A History of Uncommissioned Urban Art, Beautiful Losers: Contemporary Art and Street Culture, The Downtown Book: The New York Art Scene 1974-1984, and Dondi White: Style Master General. His work has appeared in numerous publications including: Art in America, Art News, and Artforum.

The gallery is located at 529 West 20th Street, New York, NY 10011. Gallery hours are Tuesday through Saturday, 11am to 6pm. For further information, please visit:www.jonathanlevinegallery.com, call: 212.243.3822, or email:info@jonathanlevinegallery.com.
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“Shred” At Perry Rubenstein Gallery

“Shred” At Perry Rubenstein Gallery

July 6, 2010 , , , , , , ,

A Tight and Irreverent Collage Show Curated by Carlo McCormick

Judith Supine "Patrice " 2010 (Photo © Jaime Rojo)

In this piece for “Shred”, Street Artist Judith Supine clearly enunciates the radical psycho-sexual non-sequiturs that make Supine’s collage a powerful voice in New York Street Art at the moment. In addition to the signature acid bright template are the cigarette, the nudity, and the reference to childhood that occur often in pieces by the artist. The paper collage is scattered with raised green metallic pieces that look like broken fingernails forming smooth lumps under the resin. The artist confirmed in fact that the “finger nails” are glass jewel beetles. Judith Supine “Patrice ” 2010 (Photo © Jaime Rojo)

 

To curate any show well requires a finely balanced hand that can go unappreciated. If the gentle and deliberate directing of artists and their contributions is not thoughtful and focused, a show may feel off-kilter, unkempt, even ruinous. Although he denies it with humility in equal proportion to his expertise, curator Carlo McCormick displays his adept hand at collage (or assemblage) in “Shred”, the new collage show he curates for the Perry Rubenstein Gallery in New York’s Chelsea district.

In talking about the genesis of “Shred”, McCormick describes a downtown East Village scene and the concurrent Graffiti scene of the 70s and 80s that imploded messily at the end of a hyper-excited zenith. An author, editor, and speaker who is considered expert on the topic of NYC’s downtown scene at the time, McCormick knows well what the signs of our fickle obsessions can look like, “And yes everyone gets kind of famous for a bit and a bunch of money flows through it and it is over”.

Drawing a few connections, he explained he’d like to avoid the “the kind of phenomenology of that moment” that Street Art could find itself precariously hanging on the edge of.  So it is with purpose that he extends the span of this collection to broaden the dialogue about the practice of collage.

“The main thing I thought was about street art – involving the wheat pasting and it’s stenciling and it’s silk screening – is that it has inherently a lot of collage effects”. In addition to today’s adventurous street artists who are represented here by Faile, Swoon, Elbow Toe, Shepard Fairey, and Judith Supine, McCormick also includes some of their predecessors and peers, like Jess, Erik Foss, and Gee Vaucher. For final balance, he called upon three film makers who are “really ripping shit apart”.

Recognizing that “collage was not exactly invented yesterday”, McCormick stipulates that he was crafting his own message by selecting these artists. The great common denominator? “Well obviously surrealism had a great part in it. I’m looking for the more outré elements of it. I’d say it’s an attitude; there is a certain irreverence in it, and caring about the materials working with it”. Talking with a few of the artists and guests Thursday night at the opening, those elements are present in this show and were very well received.

Mark Flood "Twilight Feelings" (Photo © Jaime Rojo)

An elongated mutant pop pretty boy by Mark Flood, “Twilight Feelings” 2010 (Photo © Jaime Rojo)

Jack Walls (Detail of an Installation of 5. Photo © Jaime Rojo )

Using photographs taken of himself by his lover Robert Mapplethorpe, Jack Walls creates optical vibrations in these recent collage pieces that span and unite both the Downtown and the Street Art explosions.  (Three of Installation of Five). 2008  Photo © Jaime Rojo )

Faile Detail "Never Enough" (Photo © Jaime Rojo)

Street Art Duo Faile reprise imagery from one of their recent street art stencils in this large acrylic and silkscreened piece that welcomes guests at “Shred”.  “Never Enough” 2010. Detail (Photo © Jaime Rojo)

Jess Untitled (Konrad Lorenz) Detail, (Photo © Jaime Rojo)

An early example of collage at “Shred”. Jess “Untitled” (Konrad Lorenz) 1955. Detail. (Photo © Jaime Rojo)

Brian Douglas (Elbow-Toe) "Bears" Detail. (Photo © Jaime Rojo)

Brian Douglas (Elbow-Toe) “Bears” 2010. Detail. (Photo © Jaime Rojo)

 

 

In attendance at the opening was the Street Artist known as Elbow Toe, who created one of the more mystifying images, both in it’s content and it’s thousands of hand-cut pieces that are applied in such a painterly fashion that standing a few feet away from the piece can lead a viewer to believe it was done with oil and brush.Speaking about a new series of collages based on psychological and possibly autobiographical themes that he’s exploring, Elbow Toe said, “It was the first one I’ve done….all the collage stuff is heading in a more narrative direction. And this is the first of many that are all getting much more weird, I guess.”

Leo Fitzpatrick. Untitled. (Photo © Jaime Rojo)

A grouping of collages by Leo Fitzpatrick. Untitled. 2010 (Photo © Jaime Rojo)

Erik Foss "Look Out" 2010 Detail. (Photo © Jaime Rojo)

A seriously dog-eared commercial landscape (signed MORAN) from a 1966 suburban living room, long since faded and liberated from its frame and stained by water drops, artist Erik Foss turns it into a surreal other planetary world with clusters of owls, floating moons, and robed faceless wizards and witches dressed by the House of Stevie Nicks.  Erik Foss “Look Out” 2010 Detail. (Photo © Jaime Rojo)

BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….BSA….

“Shred” July 1 – August 27, 2010

Perry Rubenstein Gallery

527 West 23rd Street

New York, NY 10001

www.perryrubenstein.com

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Perry Rubenstein Gallery Presents: “Shred” A Collage Based Group Show

June 24, 2010 , , , , , ,

Perry Rubenstein Gallery

Brian Douglas "Bears" Photo Courtesy of the Artist

Brian Douglas "Bears" Photo Courtesy of the Artist

PERRY RUBENSTEIN GALLERY
527 WEST 23 STREET
ANNOUNCES
SHRED
Curated by Carlo McCormick
July 1st – August 27th, 2010
Opening reception: Thursday July 1st, 2010 6-8pm
Perry Rubenstein Gallery is pleased to announce SHRED, curated by Carlo McCormick, senior editor of Paper magazine, opening on Thursday, July 1st from 6:00-8:00pm and on view through Friday, August 27th, 2010. A small catalogue brochure with an essay by McCormick will accompany the exhibition.
SHRED will feature collage-based works from a diverse group of artists, some who have pioneered collage as fine art and others who are expanding upon the subversive flavor inherent to the medium. Featured are works in myriad media—from simple collages of newsprint on paper to lively video animations made from cutout paper silhouettes.
The exhibition will include historic works by Robert Rauschenberg (1925-2008);Bruce  Conner (1933-2008); a prominent member of the Beat community recognized for his innovative assemblages; California-native, Jess (1923 – 2004) whose oeuvre includes collages based on alchemy, religion and comic strips; Dash Snow (1981-2009) whose work on paper appears deceptively simple; Gee Vaucher whose surrealist tendencies are tied to punk; and Jack Walls whose self-portraits incorporate photographic imagery taken by his long-time partner Robert Mapplethorpe.
Provocative new works were specifically produced for the exhibition. The collective Faile will show a ripped painting featuring brand new iconography. Shepard Fairey, Leo Fitzpatrick, Mark Flood, Erik Foss, Swoon, Judith Supine will all debut their latest works. Finely cut paper collage by Brian Douglas (Elbow-Toe) resembles intricate painting and Shelter Serra will present three-dimensional work: cast roses in white silicone. Video works by Martha Colburn, Tessa Hughes-Freeland and Bec Stupac will be featured, with Stupac premiering a new piece.
PRG is thrilled to welcome Carlo McCormick as guest curator for this extraordinary summer exhibition. McCormick is a prominent New York City-based author, curator, critic and champion of the downtown art scene. He has authored numerous books, monographs and catalogues on contemporary art and culture, including The Downtown Book: The New York Art Scene 1974-1984 published by Princeton University Press which he coauthored. He has lectured and taught extensively at universities and colleges around the United States. His writing has appeared in Aperture, Art in America, Art News, Artforum, Camera Austria, High Times, Spin, Tokion, Vice and countless other magazines. He has curated exhibitions for the Bronx Museum of Art, New York University, the Queens Museum of Art and the Woodstock Center for Photography.
Perry Rubenstein Gallery
527 West 23rd Street
New York, NY 10011
T 212.627.8000
F 212.627.6336
Gallery Hours: Tuesday – Saturday, 10:00 AM to 6:00pm
Summer Hours from July 2nd to September 3rd: Monday – Friday, 10:00am to 5:00pm

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