All posts tagged: Marie Roberts

Coney Art Walls Class of 2017

June 22, 2017 Artists

With ten fresh new murals, Coney Art Walls 2017 has made its official debut for summer. Starting this past weekend with the Mermaid Parade in full swing with Debbie Harry and Chris Stein as Queen and King and aquatic beauties in shimmering costumes wending their way through the pavement paradise by the sea.

The new Crash wall welcomes you to summer 2017 at Coney Art Walls 2017 (photo © Jaime Rojo)

Today we bring you the class of 2017; all ten new walls at Coney plus a re-freshed one by sculptor and Street Art pioneer John Ahearn.Mr. Ahearn re-casted fresh sculptures of his Boy in the Beach With Divers piece which he debuted at last year’s edition of Coney Art Walls. With fresh paint and fresh bodies the piece looks even more stunning this year.

Another updated blast from the past, Lee Quinones brings back a mural he first completed on a handball court back when he was hitting trains on the MTA 38 years ago. The center word “Graffiti” reminds us where this scene sprang from.

Lee Quinones in action at Coney Art Walls 2017 (photo © Jaime Rojo)

Lee Quinoes. “Graffiti 20/20”. “If The Battle Chooses You. Choose What You Battle With” reads the caption on top of the mural. Lee recreates an updated version of his original “Graffiti 1979” mural painted on a handball court on the Lower East Side of Manhattan, which he updated as “1990” and climbed down it in the opening of “Wild Style”, directed by Charlie Ahearn. Bringing the graffiti explosion back for a third time, you see he’s already planned ahead three years. This is one of the new walls for Coney Art Walls 2017. (photo © Jaime Rojo)

Lee Quinones. Coney Art Walls 2017. Lee shows us a photo of the original mural that was featured in the book “Getting Up: Subway Graffiti in NYC” by Craig Castleman published in 1982 by MIT Press. (photo © Jaime Rojo)

Chris Stain. Coney Art Walls 2017 (photo © Jaime Rojo)

Chris Stain’s mural for Coney Art Walls 2017 integrates a photo taken by Martha Cooper. (photo © Jaime Rojo)

A side view of John Ahearn’s casted sculptures mounted on his wall at Coney Art Walls 2017 (photo © Jaime Rojo)

John Ahearn. Coney Art Walls 2017 (photo © Jaime Rojo)

John Ahearn before his work. Coney Art Walls 2017 (photo © Jaime Rojo)

Ad from Skewville tightens the line. Coney Art Walls 2017 (photo © Jaime Rojo)

Skewville. Coney Art Walls 2017 (photo © Jaime Rojo)

Ganzeer. Coney Art Walls 2017 (photo © Jaime Rojo)

Marie Roberts seeks shelter from the sun as she works on her mural for Coney Art Walls 2017 (photo © Jaime Rojo)

Marie Roberts. Coney Art Walls 2017 (photo © Jaime Rojo)

Jim Drain and his team at Coney Art Walls 2017 (photo © Jaime Rojo)

Jim Drain. Coney Art Walls 2017 (photo © Jaime Rojo)

Alexis Diaz does fine line work on his creature for Coney Art Walls 2017 (photo © Jaime Rojo)

Alexis Diaz. Work in Progress. Coney Art Walls 2017 (photo © Jaime Rojo)

Shantell Martin. Coney Art Walls 2017 (photo © Jaime Rojo)

Mark Bode. Coney Art Walls 2017 (photo © Jaime Rojo)

Artists Re-Fresh “Coney Art Walls” for ’17

May 25, 2017 Artists

After all that sun and surf and sashaying up the boardwalk in espadrilles and a big hat, what smashing city girl doesn’t like to throw on a fresh coat fire-engine-red lipstick ? Smart Sallys know that fresh paint on the kisser can bring a bevy of new beaus to take those lips for a ride.

Crash is actually a returning Coney Art Walls champion, here doing a brand new 2017 welcome and giving a shout out to Tats Cru. Coney Art Walls 2017. (photo © Jaime Rojo)

Coney Art Walls is getting a solid touch-up for the new summer season too here in this waterside Brooklyn hotspot as a number of new artists have just joined the procession.

Unofficially the first weekend of summer tomorrow, you can be assured that there will be popcorn, cotton candy, beer, flip-flops, a bit of sleaze and a lot of freak show parading around these newly painted pieces by Crash, Alexis Diaz, Jim Drain, Ganzeer, Shantell Martin, Lee Quinones, Marie Roberts, Mark Bodé, Skewville and Chris Stain.

Chris Stain reprises a classic Martha Cooper photograph in his new mural for Coney Art Walls 2017. (photo © Jaime Rojo)

This outdoor museum of murals by Street Artists and graffiti writers is again curated by that two headed curiosity of the “Art Hypnotist” Jeffrey Deitch and “Real Estate Lion” Joseph Sitt for the third colorful year. Curious visitors to the Coney Art Walls are once again regaled with a labyrinthine tour of walls painted by artists of all backgrounds here on this gritty city beachfront that roils with raven-haired shimmery mermaids and muscled snake handlers with handle bar mustaches.

The elegant ring master Deitch tells us that many of the previous years walls are returning for another show season but that the program has added artists from as far away as equestrian England, enticing Egypt, passionate Puerto Rico, cray-cray California and good old fast-talking New York – a place so nice they had to name it twice.

Chris Stain in collaboration with Martha Cooper. Coney Art Walls 2017. (photo © Jaime Rojo)

One particular attraction for the hometown crowd will be the spectacular and splendiferous Lee Quinones, who famously painted hundreds of whole-cars on the NYC subway during graffiti’s halcyon days of the late 70s and early 80s.

Only a lucky few ladies and gentlemen will get to see this punctilious wizard of aerosol painting his wall LIVE with their own eyes. The rest of the crowd will undoubtedly be screaming on a nearby mechanized tilty-ride or looking longingly for someone to smooch under the boardwalk.

Alexis Diaz sketching his wall. Coney Art Walls 2017. (photo © Jaime Rojo)

Returning champion Coney Art Walls this summer will include those by John Ahearn, Aiko, Buff Monster, D*Face, Daze, Eine, eL Seed, Haze, How & Nosm, Icy & Sot, IRAK, Kashink, Lady Pink, The London Police, Miss Van, Mister Cartoon, Nina Chanel Abney, Nychos, RETNA, Ron English, Pose, Sheryo & Yok, Tats Cru, and Tristan Eaton.

Alexis Diaz process shot. Coney Art Walls 2017. (photo © Jaime Rojo)

Marie Roberts will bring the circus animals out this time. Coney Art Walls 2017. (photo © Jaime Rojo)

Marie Roberts at work…nothing much is happening next to her. Coney Art Walls 2017. (photo © Jaime Rojo)

Jim Drain at work on his wall. Coney Art Walls 2017. (photo © Jaime Rojo)

Ganzeer at work on his wall. Coney Art Walls 2017. (photo © Jaime Rojo)

Shantell Martin. Coney Art Walls 2017. (photo © Jaime Rojo)

Skewville dramatically at work on his new color-blocked composition. Coney Art Walls 2017. (photo © Jaime Rojo)

Like Madonna said, “Strike a pose.” Skewville at work. Coney Art Walls 2017. (photo © Jaime Rojo)

Mark Bodé. Coney Art Walls 2017. (photo © Jaime Rojo)

Artists Bring 22 New Murals to “Coney Art Walls 2016”

June 15, 2016 Artists

Just in time for this weekend’s Mermaid Parade, London’s D*Face is finishing up “Live Fast Die Young,” his beauty-and-the-zombie comic couple sipping an ice cream float at the soda counter. Austrian surrealist slicer Nychos has completed his dissection of a Ronald McDonald-ish character without a sketch; running, jumping, nearly flying through the air with aerosol in hand, flinging the spent cans over his shoulder blindly to skitter across the pavement. Baltimore-based freeform anthropologist Gaia is cavorting with passersby who want to take cellphone selfies in front of his painted wall that depicts exactly that; selfies taken in Coney Island.

This is a modern version of the multi-mirror funhouse in mural form, and Coney Art Walls is bringing it again.

Nychos. Coney Art Walls – 2016 (photo © Jaime Rojo)

22 new murals on standing slabs of concrete join a dozen or so that were retained from last summer to present an eclectic and savory selection from the old-school and the new. When it comes to art in the streets, a salty luncheonette of city-style treats is on a large public platter these days, with names like graffiti, street art, urban art, installation art, public art, fine art, even contemporary art. For some of those hapless gatekeepers of any of these respective categories, this show in this location presents degrees of discomfort and anger as many subcultural roots are now brought into the light in tandem with one another in a public display – funded by a real estate firm. For the artists and majority of fans, however, the trend is more toward delight and gratitude.

Nychos. The London Police photo bomb. Coney Art Walls – 2016 (photo © Jaime Rojo)

While you are unpacking that, consider that lead curator Jeffrey Deitch has often proved very adept at plumbing the aesthetic margins of our culture while rearranging and intermingling the parties, helping the viewer to appreciate their differences. This outdoor exhibit co-curated with Joseph Sitt provides a venue for a wide audience to contemplate the range of expression that New York streets have had over the last few decades, including a few artists who are trying this manner of expression for the first time.

As the Thunderbolt, Steeplechase, Cyclone and Wonder Wheel spin and swerve nearby and overhead, sending screams and personal projectiles into the ocean breeze, you have this paved lot full of paintings to peruse, lemonade in one hand and the cotton-candy-sticky hand of a sunscreen-slathered child in the other. Here you’ll see a large two-walled corner smashed with Coney Island themes by Bronx graffiti masters Tats Cru (Bio, BG183, and Nicer), a selection of hand-drawn wheat pasted portraits of Coney Island youth by Tatyana Fazlalizadeh, and 4 full-form sculptures by John Ahearn creating a modernist view of divers on the beach .

Nychos. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tooling elsewhere through the loose labyrinth you come upon a monochromatic cryptically patterned tribute to Brooklyn-born Beastie Boys vocalist Adam “MCA” Yauch by Brooklyn tagger/train writer/artist Haze and a seemingly lighthearted abstractly collaged wall of mermaids by fine artist Nina Chanel Abney, whose work is currently on the cover of Juxtapoz. There is also a spectacular underwater-themed symmetrical fantasy topped by pylons bearing the likenesses of characters from “The Warriors” film by artist duo The London Police, and a stenciled “Last Supper” featuring heads of world currency playing the disciples and George Washington as Jesus sprayed across the face of a huge dollar bill by Iranian brothers Icy & Sot.

Pose. Coney Art Walls – 2016 (photo © Jaime Rojo)

We often travel streets and neglected spaces in cities looking for signs of freewill artistic expression and often the creative spirit surprises us as it can be expressed in so many ways with emotion, agenda, and idiosyncratic point of view. It may be the plurality of voices one experiences surfing the Internet or the multi-cultural nature of living in New York with a continuous river of fresh arrivals mixing in with established and old-timers every day, but one comes to expect this variety of viewpoints and rather naturally creates accommodation for inclusion that celebrates without negating – and in many ways Coney Art Walls does that as well.

Oppositional viewpoints are present if you look: There are coded messages and obvious ones, critiques of corporate hegemony, issues of race, commentary on police relations, sexuality, religion, capitalism, community, the languages of advertising, movies, music, entertainment, local history, and examination of roles and power structures.

John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

When tooling around this collection, you may wonder what, then, are the commonalities of this survey. Certainly there are the recurring references to Coney Island lore and aspects of performance and flimflam, oddity, fantasy, even the erotic. Naturally, there are elements of natural wonder as well, perhaps expected with the proximity to the beach and the ocean and the history of this place as a vacation getaway.

Aside from this, the connective tissue is what we frequently identify as what is distinctly New York – the plurality of voices. Arguing, making fun, praising, preening, bragging, lambasting, mocking, singing. Despite the continuous attempts by others to divide us, we’re strangely (very strangely), beautifully united.

Jeffery Deitch with John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

John Ahearn. Coney Art Walls – 2016 (photo © Jaime Rojo)

Icy & Sot. Coney Art Walls – 2016 (photo © Jaime Rojo)

Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

“11 Instagram Posts”, by Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

Gaia. Coney Art Walls – 2016 (photo © Jaime Rojo)

Haze. Coney Art Walls – 2016 (photo © Jaime Rojo)

D*Face. Coney Art Walls – 2016 (photo © Jaime Rojo)

Marie Roberts has multi-generational roots here and her work makes you stop and study it. She has painted many visions and views around the neighborhood, and is considered the artist-in-residence. Coney Art Walls – 2016 (photo © Jaime Rojo)

Marie Roberts. Coney Art Walls – 2016 (photo © Jaime Rojo)

The London Police. Coney Art Walls – 2016 (photo © Jaime Rojo)

AIKO. Coney Art Walls – 2016 (photo © Jaime Rojo)

AIKO. Side A. Coney Art Walls – 2016 (photo © Jaime Rojo)

Originally from Japan, Brooklyn’s AIKO has a double sided stencil sonnet to the romance of the sea. With “Tale of the Dragon King and Mermaids in Water Castle” Aiko tells a new version of Urashima Tarō, an old Japanese legend about a fisherman who rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin. Says Aiko, “This piece speaks to my and all women’s fantasies; chilling hard super sexy in the beautiful ocean with friendly dragon who is super powerful and a smart guy – they are about going to water castle having good time.”

AIKO. Side B. Coney Art Walls – 2016 (photo © Jaime Rojo)

Daze. Coney Art Walls – 2016 (photo © Jaime Rojo)

Nina Chanel Abney. Coney Art Walls – 2016 (photo © Jaime Rojo)

Mister Cartoon. Coney Art Walls – 2016 (photo © Jaime Rojo)

Steve ESPO Powers. Coney Art Walls – 2016 (photo © Jaime Rojo)

Jessica Diamond. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tristan Eaton. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tatiana Fazlalizadeh. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tatiana Fazlalizadeh photographing her subjects. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tatiana Fazlalizadeh. Coney Art Walls – 2016 (photo © Jaime Rojo)

Crash. Coney Art Walls – 2016 (photo © Jaime Rojo)

BIO – Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

NICER – Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

BG183 – Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

Tats Crew. Coney Art Walls – 2016 (photo © Jaime Rojo)

Sam Vernon. Coney Art Walls – 2016 (photo © Jaime Rojo)

Timothy Curtis. Coney Art Walls – 2016 (photo © Jaime Rojo)

Martha Cooper. Coney Art Walls – 2016 (photo © Jaime Rojo)

Coney Art Walls
2016 New Artists: Nina Chanel Abney, John Ahearn, Timothy Curtis, D*Face, Jessica Diamond, Tristan Eaton, Gaia, Eric Haze, Icy & Sot, London Police, Nychos, Pose, Stephen Powers, Tats Cru, and Sam Vernon. Returning artists who created new works: Lady Aiko, Mister Cartoon, Crash, Daze, Tatyana Fazlalizadeh, and Marie Roberts. 2015 Murals on display: by Buff Monster, Eine, Ron English, How & Nosm, IRAK, Kashink, Lady Pink, Miss Van, RETNA, eL Seed and Sheryo & Yok. There are also three community walls.

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This article is also published on The Huffington Post

BSA Images Of The Week: 06.05.16

June 5, 2016 Artists, BSA Images Of The Week

It’s Bushwick Collective Weekend Yo! The assembled faces and artists is local, national, international – a melange of what Brooklyn has become in recent years and the streets are alive with involved citizenry in search of entertainment, art and community. The Street Art scene is alive and well, just mutating weirdly as it always does; charges of commercialism and the whitening power of gentrification notwithstanding. A little further out in BedStuy was the #PrincePartyBK yesterday with Spike Lee celebrating the Purple One’s birthday, along with a lot of Biggie love, and Muhammad Ali love, and you, Love.

Here’s our weekly interview with the street, this week featuring 1Penemy, BG183, Bio, City Kitty, Coro, Crash, GIZ, JMR, KLOPS, Loco Art, Marie Roberts, Nepo, Nicer, Samantha Vernon, Sheryo, Tats Crew, The Yok, Thomas Allen, Tristan Eaton, UNO, XSM, and You Go Girl!

Our top image: Marie Roberts for Coney Art Walls 2016. (photo © Jaime Rojo)

Unidentified artist’s portrait of Muhammad Ali who passed away this Friday. (photo © Jaime Rojo)

BG183 TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

CRASH TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

Nicer TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

BIO TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

“Oh my God, I am totally getting a selfie with this. No one back in Nazareth will believe this. Suurreeusly.” KLOPS for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

JMR for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

NEPO . CORO for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

GIZ. Joe Ficalora The Bushwick Collective founder with his BFF Pope Francis. (photo © Jaime Rojo)

You Go Girl! (photo © Jaime Rojo)

Protestors at the entrance of the Brooklyn Navy Yard have been drawing attention to their opinion that the Duke Riley “Fly By Night” art project with Creative Time is cruel to the pigeons in some way and that the animals are being exploited for profit. Riley has reportedly consulted pigeon clubs, an avian veterinarian, experts from animal welfare groups and been given a good review from the Audubon society so the opinion does not seem unanimous. Regarding the charge of making a profit, we’re pretty sure all the tickets are free, right? Our favorite one is the sign that also insults the artistic quality of the project as “mediocre.” Oh, gurl, you did not manage to throw some shade while protecting those birds did you? Snap! (photo © Jaime Rojo)

XSM (photo © Jaime Rojo)

Pizza on the run. The Yok and Sheryo shot through the driver’s seat of a parked UPS truck. (photo © Jaime Rojo)

UNO. Marseille, France. May 2016. (photo © UNO)

Thomas Allen, partially obscured by some green buffing. (photo © Jaime Rojo)

Thomas Allen (photo © Jaime Rojo)

City Kitty. A mash up of two giants of rock whom we lost withing months of each other this winter/spring – with that intuitive third eye. “You will be missed” (photo © Jaime Rojo)

Prince. Is VJZ the signature of the artist who painted the portrait? (photo © Jaime Rojo)

Unidentified Artist (photo © Jaime Rojo)

“The monster within and the fool that follows.” Heard that. Tristan Eaton for Coney Art Walls 2016. (photo © Jaime Rojo)

Samantha Vernon for Coney Art Walls 2016. (photo © Jaime Rojo)

Is there a story behind this, or simply a fantasy scenario? 1Penemy (photo © Jaime Rojo)

“I hate your negative energy”. Unidentified Artist (photo © Jaime Rojo)

Loco Art (photo © Jaime Rojo)

Untitled. Brooklyn Navy Yard. Duke Riley’s Fly By Night performance with pigeons in collaboration with Creative Time. Brooklyn, NY. June 2016. (photo © Jaime Rojo)

Coney Art Walls : 30 Reasons To Go To Coney Island This Summer

June 24, 2015 Artists

The gates are open to the new public/private art project called Coney Art Walls and today you can have a look at all 30 or so of the new pieces by a respectable range of artists spanning four decades and a helluva lot of New York street culture history. We’ve been lucky to see a lot of the action as it happened over the last five weeks and the range is impressive. These are not casual, incidental choices of players lacking serious resumes or street/gallery cred, but the average observer or unknowing critic may not recognize it.

How & Nosm (photo © Jaime Rojo)

By way of defining terms, none of this is street art. These are murals completed by artists who are street artists, graffiti writers, fine artists, and contemporary artists. In the middle of an amusement park, these are commissioned works that respond in some way to their environment by thirty or so local and international heavy hitters and a few new kids on the block comprising a 40+ year span of expertise.

Open to many strata of the public and fun-seekers who dig Brooklyn’s rich cultural landscape, this outdoor show will surely end up as backgrounds for selfies — while perhaps simultaneously elevating a discourse about the rightful place of graffiti/street art/urban art within the context of contemporary art. Okay, maybe not such loftiness will result, but let’s not rule it out entirely.

How & Nosm (photo © Jaime Rojo)

It should come as no surprise that it is the dealer, curator, perennially risk-taking showman Jeffrey Deitch who is the ringmaster of this circus, or that the genesis of this cultural adventure is perplexing to some who have greeted his newest vision with perplexity and derision. His Deitch Projects and related activities in the 2000s regularly presented and promoted the street-inspired D.I.Y. cultural landscape, having done his due diligence and recognizing that new life springs from the various youth movements always afoot. The Jeffrey-conceived “Art Parade” itself was a street-based all-inclusive annual panoply of eye candy and absurdity; inflicting humor, sex, gore, fire, glitter and possibility into the minds of Manhattan sidewalk observers.

As MOCA Los Angeles director Deitch also flipped the script with his “Art In The Streets,” organizing a vast survey of a half-century of the modern grassroots genres including graffiti/street art/urban art/tattoo/punk/hip-hop/skater culture that far surpassed anyone’s predictions for audience attendance and public engagement. Aside from tripping wires and a public misstep here and there, the show earned critical praise, pinched art-school noses, and pushed skeptical institutions and patrons to question their prejudices. It also gave voice to a lot of people.

Daze (photo © Jaime Rojo)

Notably, that MOCA exhibit drew a little over 200,000 attendees in four months. Coney Island beach and boardwalk gets about 14 million annually. Even if the Smorgasbord pop-up village food trucks feed a fraction of that number, there will be more folks viewing art and interacting with it here than, say, the Four Seasons dining rooms, which also display street artists and contemporary artists in the restaurants’ artistic programming. Side by side comparisons of Smorgasbord/Four Seasons diners ethnic diversity, income, age, education level, museum board membership or real estate investments were not available at press time. But neither can be fairly described as exploitative to artists or audience without sounding patronizing.

Daze (photo © Jaime Rojo)

These multicolored and monochromatic murals illustrate a wide and balanced smorgasborg of their own; examples of myriad styles are at play with some engaging in activism and local politics and Coney Island history. From original train writer Lady Pink to aerosol drone sprayer Katsu, from eL Seed’s lyrical Arabic calligraffiti to Retna’s secret text language to graffitist-now-collagist Greg Lamarche, from Shepard Fairey’s elegant Brooklyn salute to polluters and blasé consumerism to Tatyana Fazlalizadeh’s spotlight on current Coney Island neighbors, from urban naturalist ROA’s monochrome marginalized city animals to How & Nosm’s eye-punching and precise graphic metaphors, you are getting a dizzying example of the deep command Deitch has of this multi-headed contemporary category that is yet to settle on a moniker to call itself.

Crash (photo © Jaime Rojo)

Coney Art Walls assembles world travelers from NYC and LA and Miami and internationally; Belgium, Barcelona, Brazil, Paris, Tunisia, London. Some are 80s Downtown NYC alumni, others were train writers in the 70s or big crew graff heads and taggers from the decades after. Some are considered historical originators of a form and cross-genre risk takers pushing beyond their comfort zone. Take a close look and you’ll find names that are in major collections (private, institutional, corporate) and that go to auction.

Crash (photo © Jaime Rojo)

Some are regularly showing in galleries and are invited to street art festivals, exhibited in museums and discussed in academia and print. Others have studio practices spanning three decades, are lecturers, panelists, authors, teachers, community advocates, art stars, reality TV personalities, film actors, product endorsers and art product makers working with global brands. One or two may be considered global brands themselves. A handful have been painting on the streets for 40 years. Monolithic they are not.

One more notable aspect occurred to us as we watched this parade making its peregrination to these summer walls – either because of Deitch or the romance or history of Coney or both; When you are looking at the range of ages and ethnicities and family configurations and listening to the variety of accents and opinions expressed and seeing the friendly but tough-stuff attitudes on display — you might guess you were in Brooklyn. You are.

Futura (photo © Jaime Rojo)

Shepard Fairey (photo © Jaime Rojo)

Jesse Edwards (photo © Jaime Rojo)

Irak (photo © Jaime Rojo)

Lady Pink (photo © Jaime Rojo)

Ben Eine (photo © Jaime Rojo)

Maya Hayuk (photo © Jaime Rojo)

Lady Aiko (photo © Jaime Rojo)

Buff Monster (photo © Jaime Rojo)

Miss Van (photo © Jaime Rojo)

Jason Woodside (photo © Jaime Rojo)

Our previous weekly updates track the installation period of Coney Art Walls:

Coney Art Walls: First 3 Completed and Summer Begins

DEITCH Masters, Coney Art Walls Part 2 : Coney With a Twist

Eine, Hayuk: A Riot of Color at Coney (Update III)

Coney Art Walls: Gypsies, Stallions, Mermaids, and Pop Optics! Update IV

Coney Art Walls Opens for the Mermaids! Update V

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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This article is also published on The Huffington Post

Coney Art Walls Opens for the Mermaids! Update V

June 20, 2015 Artists

Dude/Dudette, it’s Mermaid Parade Day – part of Coney’s modern pop-carney cultural heritage. Rolling up Surf Avenue, turning right and coming back down the boardwalk, the three decade old event is both a well organized and entirely rag-tag D.I.Y. affair simultaneously. It’s the enthusiasm of the participants and their street performances and costumery that pull in the equally enthusiastic fans, but it is the bedazzled breasts and free-flowing beer that make them seek that illusive and effervescent feeling of abandon.

Meanwhile more walls were being painted at Coney Art Walls this week by another impressive cross section of talents from points local and international. The Skewville twins completed their free-standing monster boom box, El Seed brought his lyrical Arabic inspired calligraffiti, fine artist Jane Dickson applies her eye to the symbols of the carnival footprint and turns amusements into colorful cakes, Katsu spreads wider with his investigations into drone painting that are looking impressionistic, Mr. Cartoon enlivens a Vandal/Copper chase with a grim reaper and a selfie-snapping angel, former graffiti outlaw Gregg LaMarche slams his collaged font explosion with color, Coney-Island artist icon Marie Roberts invokes ghosts and her own family’s deep roots in this place’s history, Miami’s Rage Johnson of Inkheads Crew brings crisp psychadeliac forms with AVAF (Assume Vivid Astro Focus), Sheryo and The Yok use a new palette to depict a beach inspired hotdog caper, and Tatiana Fazlalizadeh creates warm black and white portraits of local current neighbors who live in these environs here year round.

Briefly, a snafu in the proceedings popped up when Cope2 suddenly did one of his eponymous bubble tags smack on the center of a freshly finished Retna wall Friday. Shortly thereafter Retna’s assistant was seen buffing the tag. Sources tell us that Cope’s participation in the project wasn’t originally scheduled and while some permissions had been secured, not all parties were in agreement before work commenced. The affair spurred speculation about who gave permission and who denied it in a flurry of social media postings, but the matter has been resolved. No doubt rumors on the street and online will be profligate – it is the nature of these aerosol Olympic games. Let’s see how the buffed section of Retna’s wall is addressed now that fin-fested visitors are schooling through the concrete complex chomping on cotton candy and sausages.

But don’t let this petit drama overshadow the talent and effort and storied history of the two dozen other artists whose work is on display. A more diverse collection of artists from the past four decades from across this spectrum is rarely assembled in one location – a mini reprise of Mr. Deitch’s Art in the Streets, minus the ceiling. It’s not street art, urban art, or graffiti so none of those labels rightly apply to this amusement park exhibit. To the visiting crowds this is primarily background for selfies but fans of these artists will attach a much greater significance to some of these brand new works, as they should. Stay tuned for our final roundup of all the walls next Wednesday on a screen near you.

Rage Johnson of Inkheads Crew working on the piece designed by Brazilian AVAF (Assume Vivid Astro Focus). (photo © Jaime Rojo)

Tatiana Fazlalizadeh…”The Day Before Easter And The Day After Labor Day – People Still Live Here. People Die Here. People Love Here” (photo © Jaime Rojo)

New Specter at MOCADA

February 8, 2010 Artists, Brooklyn, NYC

The “Pink Elephant” show at the Museum of Contemporary African Diaspora Arts (MOCADA) in Brooklyn opened Thursday night and continued through the weekend with events and discussions about gentrification and it’s effects on culture, neighborhoods, and people.

This exhibition, guest curated by Dexter Wimberly, looks at urban planning, eminent domain, and real estate development and how they are affecting Brooklyn’s communities as well as how residents throughout the borough are responding.

We spoke with photographer and artist Guero about the show, and he thinks overall it is a pretty good and meaningful one, enough so that he also went to the artists’ discussion on Saturday.

Since it is reported that more than 65 Luxury buildings that are currently under development in Brooklyn are stalled or only partially occupied because of the economic crisis, wouldn’t it be great if some of those homes could benefit those people who have lost theirs?

In any event, we agree with Guero when he says, “I like the fact that the museum is using the exhibit to create dialogue on an important topic”.

See our previous post on Specter’s street art pieces for this show from January 21st.

http://www.mocada.org/

See more of Guero’s pics HERE.

Artists in the exhibition include (alphabetically):
Josh Bricker(Installation), Valerie Caesar (Photography), Oasa DuVerney (Drawing), Zachary Fabri (Video), Rosamond S. King (Installation), Irondale Ensemble(Theater Performance), Nathan Kensinger (Photography), Jess Levey(Photography / Video Installation), Christina Massey (Painting), Musa (Sculpture), Tim Okamura (Painting), Kip Omolade (Painting), John Perry(Painting), Adele Pham (Video), Michael Premo / Rachel Falcone (Photography / Multimedia), Gabriel Reese (Painting), Marie Roberts (Painting), Ali Santana (Music Video), Monique Schubert (Mixed-media), Alexandria Smith (Painting), Sarah Nelson Wright (Installation).

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