All posts tagged: Manhattan

Images of the Week 09.16.12

 

Here is our weekly interview with the street, this week featuring Cern, Dain, El Sol 25, ETAM, Hef, Ka TVT, Kosbe, Lae, Lucx, Meks, Never, Nice-One, Phetus, Pilot, Reyes, Rez, RONE, Sebs, Skewville, Such, Vers, Victor Reyes, and Yes One.

Dain (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Reyes. Click here for details on Reyes and Steel current show at Klughaus Gallery.  (photo © Jaime Rojo)

Nice One and Lucx Collaboration in Chicago (photo © Nice One)

HEF. Detail. (photo © Jaime Rojo)

Yes One, Hef, Ka TVT, Never, Phetus. Detail.  (photo © Jaime Rojo)

Yes One, Hef, Ka TVT, Never, Phetus, Vers, Such, Lae, Rez, Cern, Pilot, Such, Meks, Sebs Summer wall collab. (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Etam painting in Vienna. (photo © Inoperable Gallery for BSA)

Etam in Vienna. (photo © Inoperable Gallery for BSA)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

Artists Unknown (photo © Jaime Rojo)

RONE in San Francisco. Click here for details on RONE current show at the White Walls Gallery (photo © White Walls Gallery for BSA)

RONE in San Francisco. (photo © White Walls Gallery for BSA)

RONE in San Francisco. (photo © White Walls Gallery for BSA)

Vintage Skewville in a bit of urban archeology in NYC. (photo © Jaime Rojo)

Untitled. (photo © Jaime Rojo)

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

FUN FRIDAY 09.14.12

It’s a BSA Fun Friday and we’re gonna tell you all about some stoopendous Street Art shows this weekend from Brooklyn to Chicago to Paris to Vienna but first….Everybody get up and do some FF dancing like my homeboy PSY in Korea.

This sh*t is Gangnsta, bro.

SEOUL, YOU THINK YOU GOT TALENT…

1. VIDEO “Gangnam Style” Dance Frenzy from Korea
2. Bäst Sells Olive Oil and Opens New Show at Opera Gallery (NYC)
3. “Just Your Type” at Low Brow Artique (BKLN)
4. LUDO “Metal Miltia” at Galerie Itinerrance (PARIS)
5. “All Write You Scumbags” with Reyes and Steel at Klughaus (Chinatown, NYC)
6. “Dominant Species” by ROA at 941 Geary (San Francisco)
7. GAIA, MOMO AND MICHAEL OWEN in “Zim Zum” (Baltimore)
8. Don’t Fret in “No Shoes, No Shirt, No Chardonnay”(Chicago)
9. Tel Aviv: Israeli Street Artist and poet Know Hope “Others’ Truths”
10. The Black River Festival in Vienna, Austria
11. Stephen Powers AKA ESPO “A Love Letter for You”
12. “Permanence at Space 27 Gallery in Montreal, Canada
13. eL Seed in Tunisia (VIDEO)
14. When Lucent Met Herakut (VIDEO)
15. Voice Of Art “Graffiti Against The System” Presents GATS (VIDEO)

Bäst Sells Olive Oil and Opens New Show at Opera Gallery (NYC)

Street Artist Bäst has always mixed a savory chopped image salad.  With his dicing, cutting, collaging and stencilling work on the street over the last decade, a lot of his recent stencils are twisted Bodega style signs advertising basic staples for the pantry. But of all the collaborative advertising that Street Artists have been getting into, we never could have predicted this; Olive oil. You can actually go to snooty classist foodery Dean and Deluca and buy a bottle of Bast style olive oil right now. Only 500 were made in this limited edition and the oil smells better than the petroleum-spilled brownfields in industrial Bushwick where you usually see his work, so why not?

This Brooklyn native artist has been amusing, hijacking, and inspiring with his work on the streets of New York for well over a decade and it’s also cool to see his gallery work at his solo show “Germs Tropicana” opened last night at Opera in Manhattan. If the pieces are too pricey, Dean and Deluca is just a couple of blocks away!

Bäst (Photo © Jaime Rojo)

For further information regarding this show click here.

“Just Your Type” at Low Brow Artique (BKLN)

Outside is the brand new wall piece by ND’A and Dirty Bandits. Inside this art store/gallery they are joined QRST and Gilf! in this new small show called “Just Your Type”, opening tonight.

ND’A (Photo © Jaime Rojo)

For further information regarding this show click here.

LUDO “Metal Miltia” at Galerie Itinerrance (PARIS)

Parisian Street Artist LUDO was in multiple shows around the world and blanketed the Paris Metro and bus shelters with his subvertisements for two years before a gallery in his native city invited him inside. Tonight Galerie Itinerrance will have LUDO’s first solo show entitled “Metal Militia”.

With a truly unique approach to social critique that serves as a cunning indictment of the advertising industry and the military industrial complex, you won’t find anything like the pretty disgust than the work of LUDO.

LUDO (photo © Jaime Rojo)

For further information regarding this show click here.

“All Write You Scumbags” with Reyes and Steel at Klughaus (Chinatown, NYC)

Ever the ballsy wiseguy, the Klaughaus Gallery in Manhattan continues to produce and present quality shows that challenge your possibly prejudicial pre-formed perceptions of propriety and pugnacity. This time they invited West Coast natives Reyes and Steel to exhibit at their space with a show titled “All Write You Scumbags”.

From the press release, “The New York debut for both artists and showcases a distinct chemistry cultivated over years working together as friends, creative partners and members of MSK, one of the highest regarded graffiti artist collectives in the world.” To find out what this means go to their show opening tonight.

Reyes (image © courtesy of the gallery)

Steel (image © courtesy of the gallery)

For further information regarding this show click here.

“Dominant Species” by ROA at 941 Geary (San Francisco)

Street Artist ROA concludes his US Summer Tour 2012 in San Francisco at his own victorious opening Saturday at  941 Geary Gallery. The show is aptly called “Dominant Species” and will feature many of the cast of creatures you have grown to expect.

“Here is a Street Artist who has very effectively escaped the street, an introvert traveling quietly in the extroverted world, with open eyes and an acute talent for observation; decoding the universe through study of the natural, and unnatural.” BSA

ROA at work on his recent stop over in NYC. (photo © Jaime Rojo)

For further information regarding this show click here.

To read BSA’s feature on ROA this week and to see beautiful images of his work in Mexico, Africa and Cambodia earlier this year click here.

GAIA, MOMO AND MICHAEL OWEN in “Zim Zum” (Baltimore)

GAIA, MOMO AND MICHAEL OWEN are transforming the space at the Creative Alliance Gallery in Baltimore with a collaboration that promises to spill over the street and beyond. If you want to see what the trio is up to put the gameboy down and head out to the gallery for their opening tomorrow night with an exhibition titled Zim Zum.

MOMO at work on his recent participation on Baltimore Open Walls this Summer. (photo © Jaime Rojo)

For further information regarding this show click here.

See MOMO in GEOMETRICKS, presented by BSA and curated by Hellbent next weekend in BROOKLYN, baby.

Don’t Fret in “No Shoes, No Shirt, No Chardonnay”(Chicago)

Chicago based Street Artist Don’t Fret has a new solo show, “No Shoes, No Shirt, No Chardonnay” opening Saturday night at the Bizzare Gallery in Chicago.  So if you are planning to arrive naked, BYOB and put your wallet under your armpit. Lo-fi comic book doodling that make most people look like family day at the tractor pull, Don’t Fret drawings are people you know and often dang hilarious.

Don’t Fret in Miami. (photo © Jaime Rojo)

For further information regarding this show click here.

Also happening this Weekend:

  • If you are in Tel Aviv: Israeli Street Artist and poet Know Hope is releasing a new zine titled “Others’ Truths” and he’s mounted a small exhibition of the drawings that illustrate it. This exhibition will remain open all day today until 4:00 pm. Click here for more details on this show.
  • The 2012 Edition of The Black River Festival in Vienna, Austria is now open. The festival has an important selection of Street Artists putting up works throughout an entire week of programs. Roster includes Blu, Evan Roth, Florian Riviere, Isaac Cordal, Mark Jenkins, and ZukClub. Click here for more details on this festival.
  • The film screening by Stephen Powers AKA ESPO “A Love Letter for You” is being hosted by the Joshua Liner Gallery in conjunction with their current show by the artist “A Word is Worth A Thousand Pictures”. The screening will take place tomorrow at The Tribeca Grand Hotel. The artist will be in attendance along with the director and a Q & A  will follow the film. Click here for more details on this event.
  • “Permanence” is the title of the new group show at Space 27 Gallery in Montreal, Canada. With an ambitious line up international and Canadian artists this show aims to juxtapose the “ephemeral nature of street art with the permanence of collectible art.” From their press release. Click here for more details regarding this show.

In the spirit of Unity, we present Street Artist eL Seed in Tunisia (VIDEO)

This week there has been much news of sadness, discord, and suffering in Libya, Egypt, and Yemen. Street Artist and painter eL Seed gives us a moment to pull back and reflect on the beauty and poignancy that a religious belief system can contribute to the lives of some.

Here he creates ‘Madinati’ Calligraffiti on Jara Mosque in Gabes.

When Lucent Met Herakut by The One Point Eight (VIDEO)

“A short documentary which presents the show involving graffiti duo Herakut and the Lucent Dossier group, detailing both the rehearsal process and the final performance in a unique and different way.”

Voice Of Art “Graffiti Against The System” Presents GATS (VIDEO)

Read more

Opera Gallery Presents: Bäst “Germs Tropicana” Solo Exhibition. (Manhattan, NYC)

Bäst

 

Brooklyn-based artist Bast has been an important part of the street art scene for the past 10 years both in New York and Europe, where his wheat-pasted images feature prominently across the urban landscape. An elusive character that has rarely been seen in public, and whose very existence has been debated, little is known about Bast’s work outside of what the public sees throughout New York’s urban environment. Fortunately, more has become known about the artists as his images have evolved to gallery-exhibition status in recent years.

Bast is held in high regard by his fellow contemporaries such as Banksy, Faile, and Paul Insect. In 2010, Bast collaborated with the artist collective Faile on a conceptual video arcade project called Deluxx Fluxx. This project allowed the audience to interact with both of these artist’s work in an arcade game form. While not reviewed heavily in art publications, Deluxx Fluxx received favorable reviews by noted journalists such as Stephen Heyman of the New York Times who argued “art can be diverting, but people sometimes need winners and losers to get in the game.”

For Bast’s first solo show in New York City in 2004 at Transplant Gallery, fellow elusive artist Bansky wrote the introduction to the exhibition’s catalogue. His words give a glimpse into the personality of the artist: “Bast is an artist who represents for Brooklyn. He does this by writing ‘BAST-BROOKLYN’ on other people’s property (and in one case when visiting London the side of a moving red double-decker bus). He does this by speaking with a deep Williamsburg drawl that makes Al Pacino sound like a girl, but mainly he does it by making art that actually feels like Brooklyn. The borough is said to contain every culture and race that exists on the planet earth but that doesn’t necessarily make it interesting- so does the United Nations building but who wants to look at that? The key to Bast’s appeal is not being very responsible. The work isn’t so much a ‘melting pot’ of culture as a food blender, set on max and left until the motor burns out…”

Banksy adds, “His art is fast and loose and cheap, which is strangely why it endures, it’s punchy and it has value. As the great disgraced film producer Robert Evans once said “it’s irreverence that makes things sizzle, its irreverence that gives you a chance of truly touching magic…”

Bast’s work is also appreciated by many in the fashion industry. He has collaborated with Agnes b. on several occasions, who was an influential figure in the art world in the 1980’s during the peak careers of Haring, Warhol, and Basquiat and continues to cultivate artist’s careers today. Bast also teamed up with renowned fashion designer Marc Jacobs to create a clothing collection for one season that eventually lead to creating a 5 season long collaboration. This was a career highlight for Bast as Marc Jacobs had only worked with Takashi Murakami and Kaws previously on his collection label.

Bast’s current show at Opera Gallery New York, “Germs Tropicana,” displays a new direction for the artist, one where Abstract Expressionism meets Pop-Art. In addition to this new style, this group of work continues to explore his already know collage style of faces. The imagery in these pieces appear similar to giant petri dishes, where his text and pop iconography, aka germs, take over the canvas. This body of work is the evolution of Bast, and ties together many of the different styles which he has created over the years.

Fellow contemporary artist Paul Insect describes Bast and his work as, “Coney Island’s original warrior, copied by many, stolen by all…New York’s modern day Basquiat, Bast’s eccentric style delivers a punch to where most people dream of hitting.”

Read more

Klughaus Gallery Presents: Reyes & Steel “All Write You Scumbags” (Manhattan, NYC)

Reyes & Steel

Klughaus Gallery & LRG present…
REYES & STEEL
“All Write You Scumbags”

Opening Reception: Friday, September 14 from 6-10pm
Location: 47 Monroe Street New York, NY 10002
RSVP: rsvp@klughaus.net

There will be (limited) complimentary gourmet Pat LaFrieda cheeseburgers by STEEL aka Sleazy McCheesy at the opening! Klughaus Gallery and LRG are proud to present, “All Write You Scumbags,” a dual artist show featuring recent works by Bay Area artists Victor Reyes and Steel. “All Write You Scumbags” marks the New York debut for both artists and showcases a distinct chemistry cultivated over years working together as friends, creative partners and members of MSK, one of the highest regarded graffiti artist collectives in the world.

Victor Reyes has been painting since the early 1990s and his work has been exhibited in galleries all around the world. As an artist preoccupied with what he once described as the “natural rhythms” of penmanship, Reyes’ self-instructed evolution from graffiti writer to fine artist has included a fascinating exploration of spelling and typography.

“These new works are painted and illustrated as a reveal to the contemporary ideas surrounding graffiti and its application within the conversation of fine art,” says Reyes of the duo’s Klughaus show.

Steel is an artist from San Francisco who paints cheeseburgers. He has a great appreciation for classic print design and sign painting. Among other things, he is known for his versatility and ability to create artwork in a gallery setting that is very distinct from his work in the streets. His vibrant, colorful paintings and illustrations are detailed, tongue-in-cheek, and often explored using untraditional canvases ranging from ammunition boxes to vintage silver cans. His inspirations include his friends, Richard Pryor, and good food.

There is going to be a limited edition Reyes/Steel zine released at the opening. The limited zine is 10 pages, hand bound saddle stitch and hand painted with gouache and serigraph on watercolor paper.

For a catalog, please contact: info@klughaus.net

The exhibit will be on display through October 7, 2012

Read more

Joshua Liner Gallery Presents: “A Love Letter for You” A Film by Stephen Powers AKA ESPO (Manhattan, NYC)

A Love Letter for You

In conjunction with our current solo exhibition, A Word is Worth a Thousand Pictures, Joshua Liner Gallery and Stephen Powers will be hosting a screening of Powers’ feature film A Love Letter For You followed by Q&A with Stephen Powers and director Joey Garfield.

The screening will be held this Saturday 9/15, at the Tribeca Grand Hotel at 8pm. Tickets are limited, so get them while you can!

Click here to buy tickets. Click here (or click on the image below) to watch the trailer.

Read more

Images of The Week 09.09.12

Our weekly interview with the street, this week featuring Adeline, Cost, El Sol 25, JM, Joseph Meloy, Keely, LMNOP, Mr. Toll, No Sleep, NohJColey, Sanpaku, Sheryo, Smells, ICY & SOT, Shie Moreno,The Cretin, The Yok, and Werds.

Shie Moreno (photo © Jaime Rojo)

Shie Moreno. Detail (photo © Jaime Rojo)

Shie Moreno in Miami (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 hangs out with LMNOP (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

The Yok and Sheryo (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

The Beautiful and awesome Adeline performs to celebrate NohJColey’s birthday at his opening last night. Better than Marilyn at the MSG for Jack. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

The Cretin (photo © Jaime Rojo)

Sanpaku (photo © Jaime Rojo)

From Wikipedia:

Sanpaku gan (三白眼) or Sanpaku (三白) is a Japanese term that means “three whites” and is generally referred to in English as “Sanpaku eyes”. The term refers to the iris being rather small, so that it only covers about two-thirds or less of the vertical axis of the eye; e.g. delineate an eye into four portions; the iris would only occupy one portion of the divided four sections; thus leaving the other three in white, hence “three whites”.

When the bottom of the white part of the eye, known as the sclera, is visible it is referred to as ‘Yin Sanpaku’ in Chinese lore. According to the myth, it represents physical imbalance in the body and is claimed to be present in alcoholics, drug addicts and people who over consume sugar or grain. Conversely when the upper sclera is visible this is called ‘Yang Sanpaku’. This is said to be an indication of mental imbalance in people such as psychotics, murderers, and anyone rageful. Stress and fatigue may also be a cause.[1]

In August 1963, macrobiotic pioneer George Ohsawa predicted that President John F. Kennedy would experience great danger because of his sanpaku condition. This was reported by Tom Wolfe in the New York Herald Tribune.[2]

People with sanpaku eyes may also be feared to be prone to violent or disordered behaviors.[citation needed] There is no evidence for this belief, however.

John Lennon mentioned sanpaku in his song “Aisumasen (I’m Sorry)” from the 1973 Mind Games album. It is also briefly referenced in William Gibson’s Neuromancer, as well as in Michael Franks‘ 1979 song “Sanpaku”, and in The Firesign Theatre‘s piece “Temporarily Humboldt County”.

Joseph Meloy (photo © Jaime Rojo)

No Sleep (photo © Jaime Rojo)

A message for William Wegman from a disaffected unknown feller. (photo © Jaime Rojo)

Mr. Toll (photo © Jaime Rojo)

Cost, Smells and Keely welcoming mat. (photo © Jaime Rojo)

Icy and Sot. Special shout out to Joe’s buddy at Bushwick 5 Points for giving me a lift so I could get the right angle. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

 

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

Fun Friday 09.07.12

Happy Friday! Not much to do this weekend, sorry – Aside from these eighteen possibilities.

1. Maya Hayuk at Cooper Cole (Toronto)
2. NohJColey “In the Midst of Living” Friday (BKLN)
3. Judith Supine at Jonathan Levine Saturday (Manhattan)
4. Swoon Opens Pearly’s Beauty Shop Sat (Long Island City, Queens)
5. Brooklyn Busts Open Studio Doors for “GO” Courtesy Brooklyn Museum
6. “Epilogue” at Hold Up (LA)
7. “Disamiguation” at Carmichael (LA)
8. Mind Trip with ETAM at Inoperable (Vienna)
9. Bien Urbain Festival (Besancon, France)
10. Graffitimundo “Walls of Buenos Aires” at Newcastle Project Space
11. ESPO “A Word is Worth a Thousand Pictures” at Joshua Liner (NYC)
12. TRXTR “Lucked Up” at Get Up Gallery (Vegas)
13. Group show “This Art is So Street” (Philadelphia)
14. “Public Display” at Agnes b. (NYC)
15. “100 Story House” with Leon Reid IV at JJ Byrne Park
16. RERO Image Not Available at Fabien Castanier in Studio City, CA
17. RONE at White Walls (SF)
18. Ben Frost at Shooting Gallery (SF)

Maya Hayuk at Cooper Cole (Toronto)

Street Artist, Fine Artist and Brooklyn resident Maya Hayuk has a solo show at the Cooper Cole Gallery in Toronto, Canada is now open to the general public. Ms. Hayuk paintings are saturated with color, catching the prism from the crystal and permuting it into a multitude of geometrically inspired patterns and shapes, realize on canvas and walls across the land. Crisply precise, or improvised and free wheeling, Hayuk let’s her mind and her palette run with enthusiasm for the raw creative spirit.

Maya Hayuk on the streets of Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

Maya Hayuk will also be featured in GEOMETRICKS September 22nd in Brooklyn, curated by Hellbent and presented by BSA.

NohJColey “In the Midst of Living” Friday (BKLN)

NohJColey first solo show “In The Midst of Living” opens tonight at Weldon Arts Gallery in Brooklyn. Come and see in person NohJ characters and stare at their eyes. See who blinks first.

NohJColey. Detail (photo © Jaime Rojo)

For further information regarding this show click here.

To read our preview and for more images click here.

Judith Supine at Jonathan Levine Saturday (Manhattan)

Judith takes over the project room at the Jonathan Levine Gallery in Manhattan for a triple header with Audrey Kawasaki and Jeff Soto sharing the bill. Get there early because the line will be long so you can see them all and appreciate this opportunity to see why Judith Supine is “Too Much for One Man”.

Judith Supine. Detail. (photo © Jaime Rojo)

For further information regarding this show click here.

To read our interview and studio visit with JS as he prepared for this show click here.

Swoon Opens Pearly’s Beauty Shop Sat (Long Island City, Queens)

Nails done by a painter? Hair diorama by a sculptor? Makeup by a conceptual artist? When was the last time that at the SPA you got pampered by a bevy of talented, happy, fun, funny and not shy fine artists? Never?

A fundraiser for the Braddock project, Street Artist and fine artist Swoon has dreamed a perfect SPA party for you, inviting and recruiting many of her close artists friends to make you feel special and to look glorious. “DJ’s Roofeeo, Dirtyfinger, Manhate, and 3 Kings International Sound will make your body move and your fresh coat of glam shine while you explore indoor and outdoor dance parties, music, installations and performances by Lady Circus’ Anya Sapozhnikova, Marshall LaCount, Shenandoah Davis, Audra Pace, and Yea, Well, Whatever all situated in a stunning visual landscape.” This Saturday pick your outfit and be prepared to have the experience of a lifetime.

For further information regarding this event click here.

Brooklyn Busts Open Studio Doors for “GO” Courtesy Brooklyn Museum

The Brooklyn Museum continues to plug into community and show love for the blossomed artists neighborhoods that are transforming Brooklyn into the true creative powerhouse rivaling Manhattan, which is looking so “last century” across the river. BAM is a loved museum that regularly gets “it” by bringing community in, thanks to the efforts of many, including the talented curatorial team headed by Sharon Matt Atkins who opens the conversation and knows how to listen to the beat on the street and make a huge institution relevant to a new generation.

This time Ms. Atkins and the museum’s Chief of Technology, Shelley Bernstein are taking  inspiration from the thousands of artists who work and live in Brooklyn, creating the largest open studios event we’ve heard of in DUMBO, Williamsburg, Bushwick, Greenpoint, Gowanus, and Red Hook this weekend. You can vote for your favorites by nominating three artists for inclusion in an exhibition at the museum. The museum’s curators then will visit the ten artists who received the most nominations and they will select two or more artists to have their work shown at the Brooklyn Museum for and Exhibition opening on December 1.

1735 artists have responded to this call. How many can you visit? You have this Saturday and Sunday to GO AND SEE ART.

For further information regarding this project click here.

“Epilogue” at Hold Up (LA)

“Epilogue” is a trio exhibition opening this Saturday in Los Angeles at Hold Up Art Gallery with Street Artists Eddie Colla, Hugh Leeman and V Young D have combining talents to explore themes of their vision of a coming collapse of society. Fun times!

“Epilogue” (photo © Taylor Morgan)

For further information regarding this show click here.

To read our preview for this show and to see a video click here.

Also happening this weekend:

  • The Carmichael Gallery in Culver City, CA is hosting Carlos Mare, Rae Martini, Remi/Rough, Sixeart in a group show titled “Disambiguation” opening tomorrow. Click here for more details on this show.
  • ETAM, the Polish duo open a new show, “Mind Trip” at Inoperable Gallery in Vienna, Austria is now open to the general public. Click here for more details on this show.
  • BIEN URBAIN the Art Festival being held in Besançon, France has begun and it will continue until early October. With a great inclusion of Street Art in its abundant program this year they invited Mark jENKINs et sandra FERNANDEz (USA), hYURO (Argentine), MOMO (USA), ElTONO (France), EsCIF (Espagne), sAM3 (Espagne), Agostino IACURCI (Italie), Guillaume BERTRAND (France), pascal RUEFF (France), Graffiti Research lab (France), pascal RUEFF (France), jIEM (France), Caroline AMOROs & Co (France) to paint murals. Click here for more details on this festival.
  • The walls of Buenos Aires have moved to London with Graffitimundo show “The Talking Walls of Buenos Aires”. Interested to hear what they have to say? Head over to the Newcastle Project Space and put your ear to the walls and your eyes on the art. This show is now open. Click here for more details.
  • “A Word is Worth a Thousand Pictures” is the title of the new show by Stephen Powers AKA ESPO now open at the Joshua Liner Gallery in Manhattan. Click here for more details on this show.
  • TRXTR is in Vegas, with a new show titled “Lucked Up” at the Get Up Gallery. Now open, click here for more details on this show.
  • Curly’s curatorial debut takes place in Philadelphia with a group show titled “This Art is So Street” opening tonight at the Stupid Easy Gallery. With the inclusion of a certain Mr. Brainwash is in the line up of artists with talent and skills, Curly might be sending a secret message. Let us know if you decode it. The artists are: LNY, NoseGo, Don Pablo Pedro, Darkclouds, The Yok and Sheryo. Click here for more details .
  • The fashion label and store(s) Agnès b is on “Public Display” with a group show curated by ASVP opening Saturday at their store on Howard Street in Manhattan. The participating artists include: D*Face (London, UK), Faile (Brooklyn), Gaia (Baltimore), Hellbent (Brooklyn), Invader (Paris, FR), Miss Bugs (Bristol, UK), ND’A (Brooklyn), QRST (Brooklyn), and ASVP (New York). Click here for more details on this show.
  • Artists Leon Reid IV and Julia Marchesi‘s new public art project “100 Story House” will be open to the public on Saturday at the JJ Byrne Park, 5th Avenue btwn 3rd & 4th St. Park Slope, Brooklyn. Bring Books if you go! Click here for more details on this exhibition.
  • French artists RERO is a wordsmith with an extensive experience as a graffiti artist. His new solo show titled “RERO: Image Not Available” opens on Saturday at the Fabien Castanier Gallery in Studio City, CA. Click here for more details on this show.
  • Australian Street Artist RONE new show “Darkest Before The Dawn” at the White Walls Gallery in San Francisco opens on Saturday. Click here for more details on this show.
  • Ben Frost is in San Francisco at the Shooting Gallery with his new show “See Inside the Box for Details“. Click here for more details on this show.

 

Read more
Judith Supine is “Too Much for One Man”

Judith Supine is “Too Much for One Man”

Bloated heads, severed limbs, plump and luscious lips; these are the fruits harvested from art, fashion, and porno magazines, carefully cut from their previous contexts and precisely reconfigured to reveal new ones that mock, shame, and cavort in glorious dayglow blasphemy out here in public. It’s probably more than most men can handle but Judith Supine keeps slashing  forward with a sideways smile.

Judith Supine. Detail. (photo © Jaime Rojo)

Thoughtfully arranged and stained fluorescent hues, the pretty collage chaos that is Judith Supine pops monstrously from these new canvasses. As he preps in studio for his solo at Jonathan Levine Gallery in Manhattan this week, the somewhat anti-social and highly admired Street Artist whose funhouse wheat-pastes twisted the sensibility of street art in the mid-2000s is now pouring a thick toxic gloss on what’s happening these days. “It’s really fucking boring. It just looks like shitty graphic design a lot of the time,” he says with a flippant derision that he almost pulls off.

The new huge gallery slabs here piled in the messy former living room facing the street are covered in an inch of drying clear resin, ensconcing the portraits, freezing them in place for decades, if not centuries. Despite the lickable and alluring effect of this material when finished, these fumes could kill him before he’s finished embalming the painted lips and bobbing heads. The last time he poured a batch of pieces like this he was preparing for a huge show in LA and the experience left him bleeding through his pores.

Judith Supine. Detail. (photo © Jaime Rojo)

“I got really sick from it. It triggered an autoimmune disease and I was in and out of the hospital for three or four months. I got really sick from it…it made all my blood vessels explode but I kept using it and I was still doing drugs,” he remembers aloud as we sit on folding chairs atop a silver coated Brooklyn roof in the sun. The rotten experience left him weak and feeling like a punched out headlight but he hasn’t completely found a production solution and says it’s slightly stressful as we talk in the open air on the roof while his studio is a cloud of fumes below us.

Brooklyn Street Art: So when you describe it, it sounds self-destructive.
Judith Supine: Yeah. I would pass out and fall asleep in the room with the windows closed ’cause I didn’t want dust to get in. It would be a bad idea to sleep in resin.
Brooklyn Street Art: It’s bad to sleep in a resin-plume in an enclosed environment?
Judith Supine: Yeah, it was probably.
Brooklyn Street Art: And to do drugs that make you pass out?
Judith Supine: Yeah, probably people should be aware of that.
Brooklyn Street Art: “This is a public service message…”
Judith Supine: “..To all the kids out there; if you are going to huff resin, open a window.”

Judith Supine. Detail. (photo © Jaime Rojo)

So it’s good to see new Judith, even if he’s not on the streets, and it’s brilliant to witness the sharp mind and hear the articulate and sometimes lacerating banter that has not been dulled by the addictive behaviors that he’s been working on.

BSA: Did it improve your art?
JS: Getting sick? No.
BSA: How about getting high?
JS: No. It just made me lazy and dysfunctional.
BSA: Yeah sometimes it makes you lethargic and apathetic. You don’t care.
JS: I mean drugs are, I don’t know, sometimes they are – there’s like a certain point where they could be inspiring, kind of help you relax.
BSA: Yeah
JS: Get in kind of a childlike state, right?
BSA: Loosen up your inhibitions
JS: Yeah, but I wasn’t good at doing that though, in a moderate way. So it’s not effective. It’s like you are just constantly fucked up all waking hours.
BSA: Well moderation is not a word I would normally associate with your work.
JS: Yeah, well I’m not into it so much, I’m not very good at that.
BSA: I mean it’s extreme, it’s pungent.
JS: But now I’m at the other end of the spectrum.
BSA: And how do you feel about that?
JS: I feel healthier, physically and psychologically.
BSA: That sounds good.
JS: Yes, so I’m gonna stick with it.

Judith Supine. Detail of a piece in progress. (photo © Jaime Rojo)

In fact Judith Supine has pulled off a pretty strong collection that he’ll be showing this week, and he credits the new sense of depth to the techniques he’s been teaching himself to build up his work. One piece even brought him back to his lino carving days that pre-date his collage work, but he’s unsure of showing that one.

BSA: What inspired you to do these pieces for the show?
JS: Money. Actually it is getting more exciting – especially making these pieces I’ve been getting more excited about the idea of working back into something?
BSA: When you say “working back into” the painting…?
JS: Like I probably repainted each painting three or four times. I pull the image out and repaint the same image.
BSA: Put it back in, draw out certain aspects of it..
JS: Yeah,
BSA: So how much time would lapse between iterations?
JS: A few hours. It’s pretty immediate the way I’m using multiples and xerox machines and shit. I can have lots of stuff painted to draw from.

BSA: Do you get the room ready first and then begin, or do you discover en route that you needed more stuff?
JS: It’s all pretty haphazard. I’m not like … I make a small-scale collage. That’s what I enjoy making – the actual collage – those tiny collages from books and magazines. To me that’s the most enjoyable part and creative part. And that’s become a kind of compulsive behavior. It’s something I do every day and I’ve done every day for the last 10 years. And then, from those I’ll edit out and I’ll pick one out of 20 of them or 30 of them to make into a painting. And then half the time I don’t like it when I start painting and I just abandon it.

BSA: So it’s like the thrill of that initial creative process …
JS: Yeah it’s like sifting through all these images and kind of finding these other hidden images – that part is really interesting and exciting to me. I’m trying to figure out ways to make the other end of the process, the actual painting part, more interesting to me where I’m like building up more layers of the resin and doing more like hand-painted shit so it’s not like “paint by numbers” – it’s boring.

Judith Supine. Detail. (photo © Jaime Rojo)

So that’s it. No more work in the public sphere from Judith Supine, right? Not quite.

If he’s not into the Street Art scene that flourishes, at least in part, in his wake these days, it doesn’t look like he is completely out of it either, at least not just yet. While the thought of wheat pasting seems boring and uninspired and he has harsh words to describe the current scene, and the rise of organized “Street Art” events in cities around the world leave him feeling cold, he might just conjure up a new idea for sculpture one of these days.

BSA: So, you wouldn’t want to associate yourself with shitty graphic design and a bunch of derivative stuff?
JS: (laughing) What I like about Street Art is the feeling of the transgressive part of it and the illegal nature of it. That’s what’s exciting to me about it. You know, what qualifies as street art now is like legal murals and that shit just seems kind of boring to me. It’s kind of just like in the style of… it just kind of loses its power.

BSA: Well, that’s because it’s art whose installation has been approved. There’s no risk involved, it isn’t transgressive. You’re not breaking any rules.
JS: Not that there’s really a lot of risk involved anyway. It’s like fucking jaywalking, or something. You know, or maybe more. I mean on a daily basis, especially while using drugs, I was breaking more laws doing other shit that I could get in a lot more trouble for. It’s really not a big deal. It’s fucking slap on the wrist.

BSA: Some people have said that they’ve had really bad experiences when they’ve been arrested.
JS: Yeah, I don’t know. I’m still interested in doing things out doors. I guess it still needs to be illegal for me, for it to be fun.
BSA: To get you hard.
JS: Yeah, and I don’t have very much interest in putting up wheat pastes and posters – so maybe more site-specific sculptures – it’s kind of more interesting to me, more exciting. I’m more like excited about how to like plan something and get away with it than, a lot of times, the actual final result.
BSA: So it’s like the process of the heist. Planning the logistics, executing the plan..
JS: Yeah, that part is intriguing to me. It’s not anything really exciting about walking around fucking gluing some Xerox to the wall. It’s pretty simple to do it and not get caught.
BSA: I wonder if there is an age element involved with the “fun-ness” of this?
JS: Probably. I don’t know what I want to do. I’d probably like to stay home and fucking read a book.

Judith Supine. Detail of a piece in progress. (photo © Jaime Rojo)

Judith Supine. Detail. (photo © Jaime Rojo)

Judith Supine. Detail. (photo © Jaime Rojo)

Judith Supine. Studio shot with a detail of a piece in progress. (photo © Jaime Rojo)

Judith Supine. A sketch/study for a piece. (photo © Jaime Rojo)

Judith Supine’s solo exhibition “Too Much For One Man” opens this Saturday, Sept 08 at the Jonathan Levine Gallery. Click here for more details on this show.

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Read more

Agnes B Presents: “Public Display” A Group Exhibition (Manhattan, NYC)

Public Display

AGNèS B. PRESENTS: PUBLIC DISPLAY
A GROUP SHOW THAT LIVES SOMEWHERE BETWEEN DISNEYLAND AND PEEP WORLD.

FEATURING:
FAILE * D-FACE * INVADER * MISS BUGS ASVP * GAIA * QRST * HELLBENT * ND’A

OPENING RECEPTION Saturday, September 8th, 7:00-9:00PM

September 8th-October 14th, 2012 agnès b. | 50 Howard Street | NYC 10013

Agnès b. is pleased to announce the opening of Public Display, a group exhibition curated by New York-based artistic team ASVP. The exhibition will feature printed works by nine international street artists; D*Face (London, UK), Faile (Brooklyn), Gaia (Baltimore), Hellbent (Brooklyn), Invader (Paris, FR), Miss Bugs (Bristol, UK), ND’A (Brooklyn), QRST (Brooklyn), and ASVP (New York).

Inspired by graffiti and street art, agnès b. has been taking pictures of artworks in the streets of her native Paris, Manhattan and Brooklyn for many years. This is how she first noticed works by ASVP and was intrigued and compelled to work with the duo. The exhibition will feature some well known names from the Street Art world as well as a number of up-and-coming artists that are showing strong promise with collectors and critics alike.

ASVP began working together in 2007. Since then, the team of two has created paintings, murals and poster art that has been displayed in major cities worldwide including: London, Hong Kong, Amsterdam, Zürich, Chicago, Detroit, Los Angeles, Las Vegas, San Francisco, Varanasi India, Florence Italy, Istanbul as well as New York City. The duo’s work often marries eastern and western imagery from multiple influences including retro advertising, pop and comic book culture, often mixed with bold typographic elements. The team’s dramatic multi-layered compositions regularly include bright tones of pop inspired color. In addition to curating Public Display, ASVP is currently collaborating with Agnès B. on an number of projects scheduled to release in 2013. ASVP was recently selected as one of only two emerging artists to be included in Doyle New York’s Inagural Street Art Auction scheduled for October 16th, 2012.

D*Face a.k.a Dean Stockton, grew up in London and had a childhood interest in graffiti. He credits this to Hanry Chalfant’s coverage of New York subway graffiti in Spraycan Art and Subway Art. His humorous and nihilistic work brings together the generation who don’t give a fuck. It fuses both traditional and contemporary graffiti, independent comic book art and good old-fashioned vandalism. D*Face is best-known for putting up hundreds of provocatively ‘defaced’ ten and twenty pound notes. Working with a variety of mediums and techniques, D*Face uses a family of dysfunctional characters to satirize and hold to ransom all that falls into their grasp a welcome jolt of subversion in today’s media-saturated environment. D*Face held his first major London solo exhibition, Death & Glory, at the Stolenspace gallery, followed by an exhibition at Eyecons, at O Contemporary in Brighton. In 2010, he collaborated with Christina Aguilera, on her album cover of Bionic.

FAILE is a Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller. Since its inception in 1999, FAILE is known for their pioneering use of wheatpasting and stenciling in the increasingly established arena of street art, and for their explorations of duality through a fragmented style of appropriation and collage. FAILE adapted its signature mass culture-driven iconography to a wide array of media. Their work has been included in numerous exhibitions around the world at the Museum Hetdomein, Sittard, Netherlands, TATE Modern, London, UK, Break Beat Science Showroom, Tokyo, Japan, NeurotitamHausSchwarzenberg, Berlin, Germany. Their works were also featured in numerous solo exhibitions at Perry Rubenstein Gallery, New York, NY, LilianBaylis School-Lazarides Gallery, London, UK, to name only a few.

Gaia currently lives in Baltimore and was born in 1988 in New York City. His name derives from the Greek designation for ‘earth
goddess’. He uses animal imagery to underscore his interest in bringing nature to the urban landscapes. A rising star in the street art community, his work can be found pasted from Brooklyn to Europe and back. According to the artist himself, much of his early work was inspired by a sense of looming environmental calamity. In 2011, he stated; “I want to express this strange un-locatable feeling of fear about the end of the world –
my generation’s zeitgeist of global warming.” He uses a very large scale to depict his subjects and always captures delicate emotion.

Hellbent is a Brooklyn based artist whose work has appeared on the streets of New York for over 7 years. His work has also appeared in major cities across the US and Europe. Although he works in various media (wheat paste, straight spray paint, rollers and stencils) he is predominately known for his hand carved drawings on panels of jawbones, skulls, and various animals ranging from attacking snakes and dogs to serene hummingbirds affixed to any wooden surface. These “plaques” as he calls them always include his signature stenciled floral backgrounds.

Invader is a French street artist who pastes characters from and inspired by the Space Invaders video game, made up of small colored square tiles that form a mosaic. He does this in cities across the world, then documents this as an “Invasion”, with books and maps of where to find each invader. Invader started this project in 1998 with the invasion of Paris – the city where he lives and the most invaded city to date – and then spread the invasion to 31 other cities in France. Cities around the globe now invaded with his colorful characters in mosaic tiles. Since 2000 Invader has shown in many galleries, art centers and museums, from the 6th Lyon contemporary art biennale (2001), the MAMA Gallery in Rotterdam (2002), at the Paris based Magda Danysz Gallery (2003), at the Borusan Center for Culture and Arts in Istanbul, Subliminal Projects in Los Angeles (2004).
In 2010, he was one of the featured artists in the Banksy film Exit Through the Gift Shop. In 2011, he took part in the exhibition “Art in the Streets” at The Geffen Contemporary at MOCA curated by Jeffrey Deitch.

Miss Bugs is a creative U.K. street art partnership from Bristol. Formed in 2007, the duo is a working collaboration between Missum and Bug. Their part-photo collage, part-art statements are big, graphic and visually inspiring artworks and stunning limited edition prints, each hand finished by Miss Bugs with a wide range of materials including gold leaf, ink, aerosol and even magazine cuttings. Miss Bugs prints include dark and humorous themes, mixing religion with pornography and taking a swipe at the established art world (most recently Damien Hirst). They use iconic symbols such as Bugs Bunny, He-Man, Wonder Woman or King Kong re-mixed to represent a personal idea or cultural stance. Miss Bugs is well known within the street art scene and with recent exhibitions in New York at the Brooklyn Nite Gallery in 2011 and at ink-d Gallery in Brighton, UK they are a creative force turning street art on it’s head.

ND’A is a Portland native turned NYC illustrator hit the streets running with a strong and unique style. His heavy-handed brush work and comical characters nestle within many of the forgotten grooves of Brooklyn. Unlike the typical graffiti characters found on the street, his work is like a troubled second cousin. One can’t help but be fascinated and slightly repulsed. Not to say they are grotesque but that they are grotesque, as the word was originally intended to be used.

QRST creates oil paintings and hand-made prints depicting the strange environments and subjects he imagines, and while working out his ideas,
he often makes wheatpastes to further inspire himself and share his process with the public. QRST’s public work often includes unusual hand-drawn illustrations of playfully tussling rat fights, wide eyed cats, and frumpy birds along with his series of everyday people (sometimes with wings).

Read more

Images of the Week 09.02.12

Here’s our weekly interview with the street, this week featuring Cassius Fouler, Cruz, Dan Witz, Distort, Don John, Faust, GR170, Hellbent, Knarf, Leon Reid IV, Lumpenpack Crew, Meer Sau, Noah Sparkes, Rae, Ryan Doyle, Sobekicis, Sofia Maldonado, Swoon, and Toven from places like Brooklyn, Baltimore, Copenhagen, Vienna, Austria and Croatia.

Special shout out to photographers Meer Sau, Henrik Haven, and our own Jaime Rojo for getting all these great exclusive shots for BSA readers.

Sofia Maldonado (photo © Jaime Rojo)

Artist Unkonwn (photo © Jaime Rojo)

Knarf from Lumpenpack Crew in Vienna, Austria. (photo © Knarf)

Knarf from Lumpenpack Crew in Vienna, Austria. (photo © Knarf)

Meersau from Lumpenpack Crew. Knarf taking a piss in Croatia. (photo © Meer Sau)

Rae (photo © Jaime Rojo)

Sobekcis in Copenhagen (photo © Henrik Haven)

Gr170 in Søllerødgade on the North Side of Copenhagen for Galore Festival. Stay tuned for more coverage of the Galore Festival coming this week. (photo © Henrik Haven)

Distort (photo © Jaime Rojo)

Toven in Baltimore (photo © Toven)

Artist Unknown (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Dan Witz. Detail. (photo © Jaime Rojo)

Cruz in Milan (photo © Federico Cruz)

Artist Unknown (photo © Jaime Rojo)

The Brooklyn Shelflife Project by Showpaper created for BAMArts 2012 and curated by Andrew H. Shirley included five sculptures that will serve as “kiosks” for Showpaper. Finally three of the pieces, shown above, were installed outside the Brooklyn Academy of Music as they were originally intended. From left to right: Swoon and Ryan Doyle, Leon Reid IV and Noah Sparkes, Cassius Fouler and Faust. Click here to see our coverage of this show as it was being installed back in June. (photo © Jaime Rojo)

The Swoon and Ryan Doyle piece being admired and contemplated for peeing upon. (photo © Jaime Rojo)

Is this a quartet of pop heroes? Artist Unknown (photo © Jaime Rojo)

Don John in Copenhagen (photo © Don John)

Artist Unknown (photo © Jaime Rojo)

Hellbent (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 

Read more

Citizens of Humanity Presents: FUZI UV TPK. Free Tattos at The Hole Shop (Manhattan, NYC)

FUZI UV TPK


FRENCH GRAFFITI LEGEND FUZI UV TPK VISITS U.S. FOR THE FIRST TIME;
OFFERS FREE TATTOOS

Saturday, September 1, 2012
12 to 5 p.m.

The Hole Shop
312 Bowery
New York, NY 10012


On Saturday, September 1, French graffiti writer and tattoo artist FUZI UV TPK will make his first-ever trip to the United States, where he will tattoo at The Hole Shop in New York. The tattoos will be provided to the public for free, courtesy of Citizens of Humanity.

FUZI is a veteran graffiti writer, who dominated the trains and subways of Paris for more than a decade. He imposed his “ignorant style” on the masses, a style that is instantly recognizable for its ironic twist and self-confident assertion.

Passing with ease from one medium to another, FUZI taught himself how to tattoo and brought a freshness to his designs that were inspired by his brutal lifestyle: direct black lines with devastating punch lines. “I did my first tattoo on the arm of my friend and graffiti partner RAP,” says FUZI. “It’s maybe my favorite tattoo ever, and I have maintained that self-taught style throughout my practice because I want to be without influence and learn from my own errors.”

FUZI chooses to tattoo in unique locations, using streets, subway tunnels and art galleries as his ephemeral tattoo studios. “I want to develop my vision of tattooing outside of the traditional tattoo studio,” FUZI says. “Each of my tattoos is unique, never duplicated, and I execute them in unusual places, because it leaves a mark on the memory, not just on the skin.”

The Hole Shop is the perfect venue for FUZI’s first time in the United States. The Hole is an influential, avant-garde gallery and creative project space, and its shop is directed and managed by the New York Art Department, which curates, produces and promotes emerging, cutting-edge cultural content.

For the event, FUZI will create 50 unique tattoo flash designs, inspired by New York. “I created these drawings as I do each time. I use a strong theme, and the idea goes directly from my brain to the paper, without corrections,” FUZI explains. “This time, NYC influenced my ideas, but the city and its lifestyle has always been an enormous influence on me and is an integral part of the symbols I use in my flash. You’ll find violence, graffiti, women and money, but humor is present also.” People selected for appointments will choose from one of these flash designs, and FUZI will tattoo them free of charge.

In addition to the tattoos, FUZI and Citizens of Humanity will release a limited-edition Ignorant People T-shirt, and 100 shirts will be given away at the event on a first-come first-serve basis.

This event is part of Citizens of Humanity’s ongoing commitment to support arts from around the world, which also incudes sponsorship of Miss Van’s exhibition at Copro Gallery in Santa Monica, and Barry Mcgee’s retrospective at the Berkeley Art Museum.

“Coming to NYC for the first time is an important step for me,” FUZI says. “I left my train line in the suburbs of Paris so that I could present my art to the world, without compromise, and being able to do that in New York will be a powerful experience for me.”

The event will take place on Saturday, September 1, from 12 to 5 p.m., at The Hole Shop, 312 Bowery, New York, N.Y. 10002. FUZI’s books Ma Ligne and Flash Tattoo Collection N°1 will also be available to be purchased at the shop, and can be signed by FUZI.

Email explore@citizensofhumanity.com for a chance to win one of the appointment slots. People selected for appointments will be notified no later than August 24.

Read more

Jonathan Levine Gallery Presents: Jeff Soto “Decay and Overgrowth” (Manhattan, NYC)

Jeff Soto

Jeff Soto
Decay and Overgrowth
Solo Exhibition

September 8—October 6, 2012
Opening Reception:
Saturday, September 8, 7—9pm
Jonathan LeVine Gallery is pleased to announce Decay and Overgrowth, a series of new works by Southern California-based artist Jeff Soto, in what will be his fourth solo exhibition at the gallery.

Expanding upon the themes explored previously in Lifecycle, Soto’s solo 2010 exhibition, works in Decay and Overgrowth deal with the passage of time, early man and life after death, as well as primitive myths and legends attempting to explain the unknown.

Two of Soto’s grandparents passed away within the last year, prompting the artist to research how different cultures explain life and death. Attempting to celebrate their lives rather than mourn their deaths, he has been working these ideas into his paintings. A connective thread of mortality runs throughout the work, conveying themes such as the transient nature of life, brevity of the average lifetime and inevitability of death.

Soto selected symbols of hope and growth to symbolize the cycle of life, death and rebirth. Organic shapes and elements such as mountains, plants, flowers, rocks and crystals are juxtaposed with manmade objects such as cell phone towers, weapons, polished gems and modern architecture. The resulting imagery combines a bit of magic, unanswered questions and a glimpse into the unknown.

In the words of the artist: “I’ve been thinking more than ever about how our lives are short, fleeting and unexpected. I’ve been researching man’s migration across the planet, our domestication of plants and animals and the slow evolution of different cultures. I find it interesting that each generation adds their own small part to our collective human experience. I’m continually fascinated by mankind’s relationship to nature and how humans have been bending the environment in good and bad ways for tens of thousands of years.”

ABOUT THE ARTIST
Jeff Soto was born and raised in Southern California, where he currently resides with his wife and daughters. In 2002, he graduated with Distinction from Art Center College of Design in Pasadena, California. Soto’s distinct color palette, subject matter and technique resonate with a growing audience: inspired by childhood toys, skateboarding, graffiti, hip-hop and popular culture. His bold, representational work is simultaneously accessible and stimulating. Soto has been featured in numerous publications and published two monographs: Potato Stamp Dreams in 2005 and Storm Clouds in 2008. In 2008, his work was the subject of an exhibition at Riverside Art Museum in Riverside, California. He has painted multiple large-scale public murals in addition to exhibiting his artwork in galleries and museums around the world.

Jonathan Levine Gallery is located at 529 West 20th Street, New York, NY 10011. Hours are Tuesday through Saturday, 11am to 6pm. For further information, please visit: www.jonathanlevinegallery.com, call: 212.243.3822, or email: info@jonathanlevinegallery.com.

 

Read more