The body as an object. The body as a sexual object. The body objectified.
Combine these notions with soft sculpture in a public space and you will begin to experience Junja Jankovic’s new work in Madrid as we lead up to Urvanity 2020, the newest campaign of contemporary urban art that focuses on galleries and artists working in the public sphere.
The Croatian fine artist studied in Zagreb and New York and lives “on her home island of Lošinj where she runs a screenprint studio and a gallery in an abandoned sardine factory,” she says in her bio. These soft sculptures mimic the digital reality now interacting with city reality – inviting you to be a part of them.
Joining her are Samuel Salcedo’s hyperrealistic and emotional heads, seemingly rolling around Plaza Juan Goytisolo in a possibly disturbing way. The Barcelona born sculpture commands the space, then holds your attention with subtle ironies and humor. You’ve seen these faces before, but not like this.
A third participant in Urvanity’s public show this year is graffiti writer Abel Iglesias and his scattered abstractions applied to the intense weight of a steel cube. Running between Valencia and Barcelona the young experimenter is unhindered by formalism, offering a trip to 90’s Memphis and inflatable pastel motifs of whimsy and geometry. This perplexing form in dark solitude brings a new gravity to an often floating oeuvre of Iglesias.
Contemporary Urban Art fans, collectors, gallerists are coming together again this year in Madrid for Urvanity, a unique survey of current movements and trends along the Street Art/ graffiti/ urban art continuum, with a focus on canvasses and sculpture.
Again this year comes a strong program of talks with some scintillating professionals who have high profiles in many sectors of this ever-expanding field of art in the public sphere. We hosted last year and the conversations we had were enriching, the people whom we met well versed and passionate.
With the earth at the center of the eye, Jorge Rodriguez-Gerada tells us that the first of two murals he painted for the recent COP 25 conferences is called “Forest Focus.” As the world has been watching the largest forests of Australia burning this month, he clearly knows what we’re all facing.
“With an image of the world as the iris,” he says, “This mural has an artistic focal point that symbolizes the values set forth at the COP25 conference being held in Madrid.”
The Cuban-born Street Artist, now based in Barcelona, was partnering with a public art program/platform called GreenPoint EARTH during the United Nations Framework Convention on Climate Change (UNFCCC) conference, or COP 25 to create two new street art pieces.
Well known for his “Terrestrial Series” of artworks spread over masses of land that are visible by planes flying overhead, Rodriguez-Gerada blends social and ecological themes seamlessly with sometimes profound results.
His second mural of the series is a portrait of Hilda Pérez, a person indigenous to Peru and theVice President of the National Organization of Andean and Amazonian Indigenous Women of Peru (ONAMIAP). The team says she was chosen to represent indigenous people because their voices are frequently marginalized in discussions about ecology and climate change, despite occupying 25-50 percent of the Earth’s land.
“We need to think of every tool in our toolkit because time is ultimately running out,” said Greenpoint Innovations founder Stephen Donofrio at a panel discussion with the artist at the Action Hub Event during the COP25.
He was speaking about the pivotal role that Street Art has been able to fill in education, as well as his own interest in partnering with artists and other collaborators to raise awareness for a myriad of environmental issues. “That’s why it’s really important that Chile/Madrid COP25 has this really strong message that it’s time for action.”
With
more plans to involve Street Artists around the world “to inspire climate action with
positive messages about the interconnected themes of nature, people, and
climate,” Donofrio says he believes that the
power of communication that Street Artists wield can be focused to make real,
impactful change.
“The connectivity is really important
in these projects to establish that we are dealing with globally challenging issues
that boil down to a really local consequence.”
As part of the offerings on the street this year in Madrid, the Urvanity fair featured four artists creating new murals in the nearby environs to the Colegio Oficial de Arquitectos de Madrid (COAM) campus.
Today we have some shots of the new works by Artez, Marat Morik, Poni, and Pro176, who each were working on their pieces while the Madrid crowds milled by in what really felt like the first sunny days of spring. Here are some process shots and final shots of the walls.
Artez
Serbian Artez brings his realistic illustration style says he is talking “About
this Town” with this mural placed in the central shopping district. “Instead of
carrying shopping bags,” he says on his FB page, “the girl is depicted as
holding a pile of books important for the history and culture of the city along
with a plant with a small birdhouse that is inviting all the ‘birds’ to come
and feel like home!”
Parisian graff writer Pro176 busted out a tall slim slice of back-alley
wall with his collaged pop comic style that may trigger memories of
childhood adventures with superheroes and comedic capers. You may have
to hunt for it but it feels like a reward once you discover this hidden
powerhouse by an aerosol painting pro.
The Mexican artist Poni brings this balance of feminine and
statuesque alive on this tall slab of wall that rises high above the street.
With a nod to sisterhood and Matisse cutouts, her solid shapes buttress the
history of womens work and liberates as well.
Former graffiti writer Marat Morik from Russia now uses his illustration style work to evoke the dramatic, darker elements of the street and fiction novels perhaps. Here his portrait of poet Anna Akhmatova, who looks like she’s been caught unaware amidst a deepening plotline shrouded in collaged symbolism, text and textural elements.
Patti Smith begins the roll call for BSA Images of the Week in this portrait by Huetek. The punk term is loosely tossed around today, but it only applies to a certain number of people truthfully. In so many ways she is one. But she is also an author, poet, activist, and champion of the people – who she says have the power.
So here’s our weekly interview with the street, this time featuring Adam Fu, Bella Phame, BK Foxx, Bobo, Deih XLF, Exist, Huetek, Isaac Cordal, Koralie, Koz Dos, Sixe Paredes, Smells, SoSa, UFO 907, Velvet, WW Crudo, and Zoer.
Unearthed by Artsy this week, the paper is ricocheting across social media with shock and dismay uttered by some artists who lament the hollowness of the modern graffiti/ Street Art/ Urban Art world, purporting to be distinct and above it all, yet posing in countless photos on their social pages with myriad peers and professionals and potential clients cheek-to-cheek.
It may be time that some hardcore Graffiti and Street Artists can shed some of the charades about how the globe turns, even if you are a graduate of the “School of Hard Knocks”. This movement we are witnessing toward self-promotion and marketing has always been true: This research paper doesn’t even use modern artists as a model for study – the subjects were part of the 20th Century abstract art movement and most died years ago.
You’ll recall that a central tenant of graffiti is that writers spread their names on every wall in different neighborhoods and cities to get “Fame”. As the authors of the paper Banerjee Mitali and Paul L. Ingram say, “CEOs, activists, scientists and innovators all benefit from fame. Meanwhile, the struggle for fame is becoming ever more intense and complex in a digital economy.” Download the paper here.
Yes, networking helps your career. In other breaking news, puppies are cute, the Pope is Catholic, and boys like short skirts.
This week our Images of the Week are coming to you directly from our latest visits to Madrid, Bilbao, and Bayonne. We’re excited to share what we found with BSA readers.
So here’s our weekly interview with the street, this time featuring Anna Taratiel, Artez, Aryz, C215, Dan Witz, Eltono, Invader, Monkeybird, MSW, Stinkfish, and Suso33.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Isaac Cordal’s Installation at Urvanity 2019
2. Penique Productions Site Specific Installation at Urvanity Art 2019
3. Pro176 Mural for Urvanity Art 2019
4. 1010 Pedestrian Installation in Madrid
BSA Special Feature: Homemade videos at Urvanity 2019
Just in case you didn’t catch these verite recordings of some scenes in Madrid last weekend for Urvanity – here are the original captures by Jaime Rojo, seamed together.
Isaac Cordal Site Specific Installation at Urvanity 2019 Art in Madrid
Penique Productions Site Specific Installation at Urvanity Art 2019 in Madrid.
Pro176 Mural for Urvanity Art 2019 in Madrid
1010 Pedestrian Installation in Madrid for Urvanity Art 2019
A large installation in the center of Urvanity by Street Artist Isaac Cordal went up and came down while we were in Madrid this past week, and we were fortunate to see how such a vision is realized in the midst of a modern school of architecture campus. We also witnessed the responses of guests who circled the ex-urban tale of with cocktails in hand, or in the case of sunny afternoons, reclining alongside it on the artificial green turf.
At a commercial art fair of this caliber it was thrilling, chilling, to see this large scale courtyard installation depicting absurd and psychologically dire scenarios playing out in the wake of crises. This is the kind of discourse that gives a place gravitas, and may provide a route to go forward.
But Cordal doesn’t regale us with color and vividly drawn character studies that some how charm us into a Dantean vision of circles and layers of hell. His dimly illuminated and apocalyptic tale is heavy and grey and in such slow motion you may not realize it is moving.
Here finally are the Business Class, climbing as ever, now also sinking into the toxic soil they created, the world translated as one continuous privatized prison complex.
This week BSA is in Madrid to capture some highlights on the street, in studio, and at Urvanity 2019, where we are hosting a 3 day “BSA TALKS” conference called “How Deep Is the Street?” Come with us every day to see what the Spanish capital has happening in urban and contemporary.
“Urvanity seeks to explore and thus imagine possible future scenarios for this New Contemporary Art,” they say boldly in the manifesto for this art fair/cultural platform in Madrid. A thrilling nexus is created here in this college campus of architecture where art from the streets is evolving in such ways that it is invited to come in from the street.
Whatever your perspective is on this evolution, we encourage the conversation – which usually contains elements of tribalism (various), resistance, acceptance, even euphoria. During breaks from hosting the BSA Talks this weekend we are also skipping and swerving through the crowds to look at the art that galleries have on offer.
Here we offer a very quick sample of some items that have caught our eye, looked fresh, or were indicative of larger movements in the so-called “scene”. And we use the word “scene” very loosely, because there is really not such thing as a homogeneous scene, only a constellation of them which are intersecting, coalescing, and redefining themselves. Some pieces are remarkable.
Here is the past, existing side by side with the future.
This week BSA is in Madrid to capture some highlights on the street, in studio, and at Urvanity 2019, where we are hosting a 3 day “BSA TALKS” conference called “How Deep Is the Street?” Come with us every day to see what the Spanish capital has happening in urban and contemporary.
With a theme of “Theriomorphism”, curated by Okuda San Miguel with four other artists, the Pop Up exhibition just opened at Galeria Kreisler here in Madrid- and it looks like Sabek has taken the idea to the street as well.
“So it’s all about animals and
God,” say Agostino Iacurci, the Italian Street Artist, muralist, and fine
artist. “God in the shape of animals or mixing with humans.”
Okuda collaboration with Agostino Iacurci, Bruno Pontiroli and Kristen Liu-Wong for Theriomorphism. Work in progress. Studio visit. Madrid. February 2019. (photo Jaime Rojo)
As you imagine human/animal hybrids your thoughts may wander to plants and sheep and bare breasted women and hooved men with erections and surrealist naturist imagery that verges on bestiality – that all seems like fair play in this cunning mix of artistic styles and fluorescent visions. Last night’s opening in a tony part of the city featured a large crowd of friends and family, including Okuda’s mom and a number of exotic and eclectically dressed hybrids as well.
But for Iacurci, it’s a domestic
matter. “My idea is more about the contemporary role of animals in our lives in
the domestic sense. I am interested in the fact that we choose some species
over others to make them into pets.”
Okuda collaboration with Agostino Iacurci, Bruno Pontiroli and Kristen Liu-Wong for Theriomorphism. Galeria Kreisler. Madrid. February 2019. (photo Jaime Rojo)
Together with artists Bruno Pontiroli and Kristen Liu-Wong, Iacurci is listening to a gentle samba while painting in Okuda’s studio on a large canvass that will be in the show. Naturally it also has a striking multi-colored figure from Okuda as well.
The fifth artist in the show, Bordalo II created collaboratively in an aesthetic hybrid as well, a simian sculpture split in two – a parallel to the mural they completed here on the street (see Monday’s posting).
Okuda and Bordalo II collaboration for Theriomorphism. Work in progress. Studio visit. Madrid. February 2019. (photo Jaime Rojo)
Does Agostino think that God is
involved in the selection process of our pets?
“No I think it’s human
arrogance. It’s the human being pretending to be God.”
Okuda and Bordalo II collaboration for Theriomorphism. Galeria Kreisler. Madrid. February 2019. (photo Jaime Rojo)
Outside a new installation by Sabek in Plaza Callao has captured human’s imaginations – as most artworks including cats are bound to do these days. This one done in concert with Urvanity was originally scheduled to be on display until March 5th.
So successfull has the new work been that it has sparked a grassroots petition drive, gathering hundreds of community signatures to get the new sculpture to stay for much longer, even years.
How God is involved in these matters, we cannot elucidate.
This week BSA is in Madrid to capture some highlights on the street, in studio, and at Urvanity 2019, where we are hosting a 3 day “BSA TALKS” conference called “How Deep Is the Street?” Come with us every day to see what the Spanish capital has happening in urban and contemporary.
It is a series of surprises on the streets that are planned here in connection with the Urvanity Art Fair, including some tricky geometricks overhead and underfoot from artists Moneyless and 1010.
A 3 dimensional turn on the abstract lineplays that you may associate with the murals and canvasses from the Tuscany-based Italian Ted Pirisi, aka Moneyless, his ongoing investigations of shapes and geometrical spaces has led him to suspend his newest piece between two fine examples of Spanish architecture only a five minute walk from the fair.
As you approach it, walk under it, gaze upward to continually re-frame it within the sky and between the facing buildings on this small street full of pedestrians, shops, and lottery ticket sellers. The story is the form, and the form keeps changing.
Hamburg-based visual illusionist 1010 commands a larger swath of the street, literally, with his wavy cartography of a fictional nature with his “color caves” playing with perception as you stroll along this thoroughfare.
Pedestrians gazing down at their phones stop periodically as the earth layers beneath them appears to dip deeper, throwing off your sense of interpretation. It is crazy how these large installations affect perceptions even as they are getting a little weathered by the feet passing over them – a tribute to the effectiveness of 1010’s mastery of visual illusion.
This week BSA is in Madrid to capture some highlights on the street, in studio, and at Urvanity 2019, where we are hosting a 3 day “BSA TALKS” conference called “How Deep Is the Street?” Come with us every day to see what the Spanish capital has happening in urban and contemporary.
Madrid Increíble! – with its venerable two hundred year old Prado Museum stuffed full of Titian, El Greco, Rubens, Velázquez and Goya – and Okuda San Miguel’s favorite, El Bosco, or Hieronymus Bosch. Little did we know yesterday when we nearly got decapitated by security for trying to snap a cell photo of Velasquez’ “Las Meninas” at the museum that we would enter an alternate universe of Okuda’s studio and his own work in progress tribute to Bosch’s “Garden of Earthly Delights” today. May we also just say that this new painting will also belong in the Prado when it is finished?
More on that studio visit later, along with the crew of artists whom Okuda is curating for tomorrow nights’ Theriomorphism show. Today we bring you some fresh shots of his brand new mural in Lavapiés, a run-down yet exotically rendered old part of Madrid that teams with graffiti and new immigrants from the Indian subcontinent, China, a smattering of Arabs and a spectacular selection of Senegalese. This kind of cultural hybrid always produces the most scintillating and surprising results; perfect soil for this new collaboration as well.
You’ll recognize Okuda’s Street Artist partner literally just around the corner from his half of the painting, the Lisboan Bordallo II, who is still collecting discarded refuse to complete his sculptural counterpoint to Okuda’s fulsome geometrics in hallucinogenic color. The neighborhood was popping with spectators on this sunny spring-like day with hearty opinion-givers and inquisitive photographers filling the sidewalk.
Señor O. kept his headphones on to concentrate on his painting while the owners of the wall, Jorge and Jose from Xpresion Creativos, offered visitors refreshments and their hairstory told in equally vivid colors. Self-professed #Hairhackers, their team creates effects you literally have never seen before – including their October collaboration with Okuda below. Currently, they are turning hair into Tartans. Check out this shot of a hair collabo they did together.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
