A city steeped in it’s own history and a deep respect for the cultural arts, Paris has also had a romance with New York – style graffiti since the early 1980s and has a thriving Street Art scene of it’s own making today. In yet another example of institutional recognition of the contribution of graffiti and Street Art, the city hosted an exemplary tribute to graffiti history two years ago with “Graffiti, Born in the Streets,” an exhibition that took over the gallery space of the Fondazione Cartier. The popular show included the building’s façade and the surrounding garden as well as large scale photos of tags and pieces displayed in the Paris Metro on buses, and of course, trains.
Recently photographer Er1cBl41r did a small survey of the Street Art scene in Paris and shares some images here. In this collection we can see that the techniques of stencils (many one-color), wheatpastes, direct painting, illustration, and of course the glued tiles of local street artist Invader are in many locations around the city.
1a. John Burgerman crosses Wburg Bridge with Bananas on head
1. BOS 2011 – Bushwick Open Studios This Weekend
2. 3rdEye(Sol)ation
3. “Surrealism” and “Bushwick Art Park”
4. “Stay Gold” at Curbs & Stoops Active Space
5. “Fine-Ass Art” at Kings County Bar
6. GILF! Pop Up
7. New Ludo “Green Beery” (VIDEO)
We really are so damn lucky to be here in NYC. The cultural offerings are always varied, plentiful, inspiring and in many cases FREE. Of course the rent is too high and your bedroom can accomodate a bed or a dresser but not both, but when you hit the streets the cultural stimulation never stops.
For example, newly arrived Noo Yawker Jon Burgerman practiced his good posture and accentuated his down jacket this spring by traipsing through the streets and across the Williamsburg Bridge balancing bananas on his head.
From Jon’s most recent and exhausting email, “Sometimes the things you see (on the street) are rather lovely, like the blossom on the trees and people outside drinking coffee and graffiti so fresh the paint is still wet.”
BOS 2011 – Bushwick Open Studios This Weekend
Hats off to the BOS crew who have laid the foundations for the new artists and curators to grow upon.
BOS ’11 – Bushwick Open Studios is in it’s fifth year and many newly minted blogs and curators are discovering this once desolate industrial pit. It’s still a pit, but at least it’s not so desolate — it also helps that high rents elsewhere have created this steady river of people flowing out of the L train Morgan stop.
Speaking of which;
IMPORTANT TRAVEL ADVISORY: The L train will NOT be running between Manhattan and Brooklyn for the entire weekend. Take the JMZ trains instead and you’ll still get dropped right in the middle of it.
Below are our picks, and while our focus is primarily on Street Art artists and events, please hit the BOS site to take a look at the complete list of events and shows:
Jason Mamarella’s curated a group show featuring Billi Kid, Peru Ana Ana Peru, ASVP, Mike Die, Jos-L, dint wooer krsna, Quel Beast, Septerhed, Choice Royce, Kosbe, QRST, Trixtr Rabbit, Bankrupt Slut, CCB, Wisher 914, ZamArt opens this Friday at 3rd Eye(sol)ation 7-10 pm.
For more information, location and hours about this show click on the link below:
SURREALISM:
twenty artists from the neighborhood wrestle their unconscious.
An exhibition at Factory Fresh for Bushwick Open Studios curated by Jason Andrew and Ali Ha.
Jim Avignon, Kevin Curran, Ryan Michael Ford, Paul D’Agostino, Ben Godward, Tamara Gonzales, Andrew Hurst, Rebecca Litt, Francesco Longnecker, Norman Jabaut, J.P. Marin, Brooke Moyse, Garry Nichols, Patricia Satterlee, Pufferella, Skewville, John Sunderland, Sweet Toof, Marjorie Van Cura & Veng
BUSHWICK ART PARK
A one day community event June 4th, 1-7pm
Located at the proposed Bushwick Art Park on Vandervoort Place
Factory Fresh is sponsoring a street event with art and murals to showcase their entry on this year’s Festival of Ideas that the New Museum produced and staged at the Bowery early in May.
Kings County has hosted a number of street artists for shows at this dark haunt for about four years and tonight a few more get their shine on. You may also coax a a go-go girl or boy onto the bar to add to the visual candy on the walls. Man, that’s some fine-ass art.
Gilf! Pop Up Gallery
107 Forrest Ave btw Flushing Ave and Central Ave (across from
English Kills Gallery)
Friday 7-9
Sat 12-9, opening reception from 7-9
Sun 12-7
New Ludo “Green Beery” (VIDEO)
The latest video from Parisian Street Artist Ludo:
Brooklyn Street Art Presents Street Art Saved My Life : 39 New York Stories in collaboration with ThinkSpace Gallery, an art show to exhibit at C.A.V.E. Gallery in Venice (LA), California on Friday, August 12, 2011.
Street Art Saved My Life : 39 New York Stories heralds the new highly individual character of stories being told on the streets of New York by brand new and established Street Artists from all over the world. Steven P. Harrington and Jaime Rojo, founders of BrooklynStreetArt.com focus on this flashpoint in modern Street Art evolution by curating a strongly eclectic story-driven gallery show with 39 of the best storytellers hitting the streets of New York.
Street Art Saved My Life : 39 New York Stories, the gallery show, accompanied by an LA street wall series by selected artists and a public panel lecture and discussion, intends to stake out the New Guard in street art while recognizing some powerful near-legendary forerunners.
The mainly New York lineup exhibits talent from other parts of the US and internationally (Australia, France, UK, Canada, Israel, Germany) and it is as steely, idiosyncratic and storied as the New York scene itself, including Anthony Lister, Adam Void, Broken Crow, C215, Cake, Chris Stain, Clown Soldier, Creepy, Dan Witz, El Sol 25, Ema, Faile, Futura, Gaia, Gilf!, Hargo, Hellbent, How & Nosm, Imminent Disaster, Indigo, Judith Supine, Kid Acne, Know Hope, Ludo, Mark Carvalho, Miss Bugs, Nick Walker, NohJColey, Over Under, Radical!, Rene Gagnon, Skewville, Specter, Sweet Toof, Swoon, Tip Toe, Troy Lovegates AKA Other, Various & Gould, and White Cocoa.
The staunch individualists in Street Art Saved My Life : 39 New York Stories give voice to the evolution of the Graffiti, Mash-Up, and D.I.Y. movements that birthed them; creating an eccentric, highly individual, and raucous visual experience on the street. With widely varied backgrounds, techniques, and materials at play, “The Story” is the story. With truths as diverse and difficult as the city itself, each one of these artists is a part of a fierce, raw, new storytelling tradition that is evolving daily before our eyes.
Show Name: Street Art Saved My Life : 39 New York Stories
Location: C.A.V.E. Gallery, 1108 Abbot Kinney Blvd, Venice, California 90291
Date: Opening reception Friday August 12, 2011
Duration: August 12 – September 4, 2011.
Online Press Release: http://mim.io/692a11
Contact: Info@BrooklynStreetArt.com
Presented by Brooklyn Street Art in collaboration with ThinkSpace and C.A.V.E
Curated by Steven P. Harrington and Jaime Rojo of BrooklynStreetArt.com
Brooklyn Street Art is proud to collaborate with ThinkSpace Gallery and C.A.V.E. Gallery.Please note that the show will be at C.A.V.E. Gallery. Thank you.
Thinkspace Art Gallerywww.thinkspacegallery.com
6009 Washington Boulevard, Culver City, CA 90232 (310) 558-3375
Wed – Fri 1PM-6PM Sat 1PM-8PM contact@thinkspacegallery.com
C.A.V.E. Gallery (location of the show) www.cavegallery.net
1108 Abbot Kinney Boulevard, Venice CA 90291, (310) 450-6560
Wed – Sun 12PM-6PM or by appointment info@cavegallery.net
Steven P. Harrington and Jaime Rojo are founders of BrooklynStreetArt.com and co-authors of Brooklyn Street Art and Street Art New York, both by Prestel Publishing (Random House). Harrington and Rojo are also contributing writers on street art for The Huffington Post.
French Street Artist LUDO is back in Paris and fresh from his first solo show at the Starkat Gallery in Zurich, which was very well attended and as they say, well receeeeeeived.
The Zurichian streets received LUDO too. Roman from Starkat took these photos on the streets of this “spic-and- span” wealthiest city of Europe and shares a few with you here. LUDO’s ongoing wild imaginary mutant plants look as futuristic and menacing as ever, and in a pristine mall-like environment like this Swiss centerpiece, you have to wonder how how far some of these contraptions can be from reality. There’s some chocolate for thought.
Yesterday we showed you an anti-war Street Art piece that partially addressed the war in Afghanistan. Today we tell you about Skateistan, a non-political skateboarding and education program for the youth growing up in this country overrun by war for 9 years. Street Artist Ludo created this fresh piece to raise some cash for Skateistan and all proceeds from the sale of his print benefit their programs. His street work often is a combination of natural beauty and man-made evil – a cautionary tale meant to draw attention to us, the creators of destruction. This piece appears to again pair the beauty of life with the specter of what all war leads to.
Ludo’s piece for Skateistan
Each Ludo piece is unique and hand drawn, a mix of graphite and acrylic on 300 gram water color paper, measuring 32 x 24 cm.
From the Skateistan web site:
“Operating as an independent, neutral, Afghan NGO, the school engages growing numbers of urban and internally-displaced youth in Afghanistan through skateboarding, and provides them with new opportunities in cross-cultural interaction, education, and personal empowerment. Skateistan students come from all of Afghanistan diverse ethnic and socioeconomic backgrounds. They not only develop skills in skateboarding and skateboarding instruction, but also healthy habits, civic responsibility, information technology, the arts, and languages. “
As we start a new year, we say thank you for the last one.
And Thank You to the artists who shared their 11 Wishes for 2011 with Brooklyn Street Art; Conor Harrington, Eli Cook, Indigo, Gilf, Todd Mazer, Vasco Mucci, Kimberly Brooks, Rusty Rehl, Tip Toe, Samson, and Ludo. You each contributed a very cool gift to the BSA family, and we’re grateful.
We looked over the last year to take in all the great projects we were in and fascinating people we had the pleasure to work with. It was a helluva year, and please take a look at the highlights to get an idea what a rich cultural explosion we are all a part of at this moment.
The new year already has some amazing new opportunities to celebrate Street Art and artists. We are looking forward to meeting you and playing with you and working with you in 2011.
For 11 days we’ve presented 11 artists and BSA readers and their wishes for the new year, 2011, in no particular order. Together, they are a tiny snapshot of the people who are creators and fans of street art. Individually, each has added their expression of the creative spirit to the year now ending.
And our final wish for 2011 comes from Parisian Street Artist LUDO, who has gained a great following with his merging of the natural and the man-made world in his creations, like the circuit board butterfly he is in the middle of drawing below. Here is LUDO’s wish for the new year;
“I wish for more and more uncontrolled, simple and fresh moments.”
We’re very grateful for a wildly prolific year of Street Art as it continued to explode all over New York (and a lot of other places too). For one full year we’ve been granted the gift of seeing art on the streets and countless moments of inspiration. Whether you are rich or poor in your pocket, the creative spirit on the street in New York makes you rich in your heart and mind.
To the New York City artists that make this city a lot more alive every day we say thank you.
To the artists from all over world that passed through we say thank you.
To our colleagues and peers for their support and enthusiasm we say thank you.
To the gallery owners and curators for providing the artists a place to show their stuff and for providing all of us a safe place to gather, talk, share art, laugh, enjoy great music and free booze we say thank you.
To our project collaborators for sharing your talents and insights and opinions and for keeping the flame alive we say thank you.
And finally to our friends, readers and fans; Our hearts go out to you for lighting the way and for cheering us on. Thank you.
Each Sunday we featured Images of the Week, and we painfully narrowed that field to about 100 pieces in this quick video. It’s not an encyclopedia, it’s collage of our own. We remember the moment of discovery, the mood, the light and the day when we photographed them. For us it’s inspiration in this whacked out city that is always on the move.
The following artists are featured in the video and are listed here in alphabetical order:
Aakash Nihalani,Bansky, Barry McGee, Bask ,Bast, Beau, MBW, Bishop ,Boxi, Cake, The Dude Company, Chris RWK, Chris Stain, Dain, Dan Witz ,Dolk ,El Mac, El Sol 25, Elbow Toe, Faile, Feral, Overunder, Gaia, General Howe, Hellbent, Hush, Imminent Disaster, Jeff Aerosol, Jeff Soto, JMR ,Judith Supine ,K-Guy ,Labrona, Lister, Lucy McLauchlan, Ludo, Armsrock, MCity, Miso, Momo, Nick Walker, Nina Pandolfo, NohjColey, Nosm, Ariz, How, Tats Cru, Os Gemeos, Futura, Pisa 73, Poster Boy, QRST, Remi Rough, Stormie Mills, Retna, Roa, Ron English, Sever, She 155, Shepard Fairey ,Specter, Sten & Lex, Samson, Surge I, Sweet Toof, Swoon, Tes One, Tip Toe, Tristan Eaton, Trusto Corp, Typo, Various and Gould, Veng RWK, ECB, White Cocoa, Wing, WK Interact, Yote.
Simple elegant silhouettes of acid green and grey glow garishly with fluorescence in a colorless sterile hallway. The repetition of uniform shape, line and hue are interrupted by biomorphic Franken-plants that invite the closer inspection of rushed metro riders.
Like his bus shelter signs above ground, these new pieces appropriate the cool omnipotent detachment of megabrands, making them just that much easier to ignore. The quantity unmeasured is what slips into the subconcious as people trample by. Ludo is refining his own brand of pleasing queasiness.
Gallery Heist One Year Anniversary Group Exhibition
GALLERY HEIST / SAN FRANCISCO (USA)
NOVEMBER 13 – NOVEMBER 27, 2010
Opening Reception – Saturday November 13, 2010 7-11PM
Gallery Heist is pleased to announce the opening for its One Year Anniversary
Show, “Till Death Do Us Part” a group exhibition celebrating a year of work
since the gallery’s inception. The opening will be held on Saturday, November
13, 2010 from 7-11pm. The exhibition will be located at the Gallery Heist Annex
at 1036 Hyde Street.
A new venue specific to the anniversary show.
The anniversary show will present the work of emerging and established contemporary figures from the Bay Area, as well as artists hailing from New York, Los Angeles, Paris, and Melbourne. Along with paintings, photographs, mixed media works, and video, the show will include an installation by Ryan de la Hoz and a performance piece by Adam Rozan (of the Oakland Museum), as well as musical performances by Mark Aubert and TM.
Guest curators Allison and Garrison Buxton, of AdHoc gallery in NYC, will be co-curating and co-hosting the exhibition.
Featured artists include; Brett Amory, Adam Caldwell, Seth Armstrong, Mario Wagner, David Choong Lee, Oliver Vernon, Sean Desmond, Mike Giant, Mike Kershner, Gaia, Adam Flores, Justin Lavato, Ryan De La Hoz, Henry Gunderson, Mario Ayala, Roman Koval, Adam Rozan, Maja Ruznic, Ludo, Doodles, Helen Bayly, Miso, Daryll Peirce, Deborah Yoon, Allison Buxton, Garrison Buxton, Ezra Li Eismont, Shawn Whisenant and Bunnie Reise. These artists have come to represent what is and will continue to be the ethos of Gallery Heist.
The main location of Gallery Heist, at 679 Geary Street will feature an installation that will provide an opportunity for viewers to observe the obscured process of curating and running an art gallery.
Included in the installation will be various pieces of ephemera from the first stages of opening the gallery through the thought processes behind every show; photos, videos, notes, business cards, correspondence between the curators and artists, writers, editors, and figures within the art community will be displayed.
In conjunction with the exhibition, the artists will have access to several walls around the city to use as their canvases and to promote the show while contributing to the burgeoning local art movements. This process will be documented and displayed during the exhibition.
The exhibition will be on view at 1036 Hyde Street from Saturday November 13 – November 27, 2010. Viewing hours will be Tuesday – Saturday 4-8PM and by appointment. Gallery Heist is located at 679 Geary Street San Francisco, CA 94102.
For further information please visit www.galleryheist.com or contact Julianne Yates. info@galleryheist.com 415.563.1708
ABOUT THE GALLERY
Art is an extension of our culture and communities, serving as a vessel for the visual definition of our times. Art is not a luxury; it is a necessity.
Our mission is to foster innovative artistic expression and provide a sanctuary for the creative process and its importance and role in the redefinition of contemporary culture. Gallery Heist is a place for artists to gain exposure and develop their careers.
We encourage freedom of expression and experimentation within their work and artistic ideas. The walls of Heist will continue to house work that is representative of the contemporary generation, offering a venue for artists who challenge and analyze our social and cultural responsibility, traditions, and behaviors; specifically those who are leading the front of a conscious art movement.
Gallery Heist was opened in November of 2009 by twenty three year old Julianne Yates and has since become a destination for urban & new contemporary art in San Francisco. Located blocks away from the commercial galleries of downtown San Francisco’s Union Square, the gallery lies near the historical Tenderloin, which sees a demographical mix that serves as a microcosm for the whole of San Francisco.
Skulls are everywhere on the street today, and here is a collection to mark The Day of the Dead. The commemoration of people who have passed is observed nation-wide in Mexico every year at this time. Although it is not a national holiday, the strictly religious and cultural observance is revered and, depending on the region, it varies in the ways in which the holiday is marked.
The cultural aspect of this holiday has inspired many artists, filmmakers and poets. Here we have selected images of Street Art culled from our library to mark the Dia de Los Muertos, focusing on the most prominent symbol used to represent this holiday: “Las Calaveras” or skulls.
Mexico’s “Dia de los Muertos” or “Day of the Dead” takes place every year on November 2 to coincide with the catholic holiday of “El Dia de los Santos” or “All Saints Day”. The Day of the Dead is not the Mexican equivalent of Halloween. The Day of the Dead in Mexico is a celebration of Death and it does not carry any of the connotations of fear, fantasy and gore that Halloween does.
This religious and cultural holiday can be traced as long ago as 3000 years. Before the conquest of what’s now modern Mexico in the pre-Hispanic era the indigenous cultures celebrated death, rebirth and their ancestors by displaying human skulls as memento mori.
When the Spanish missionaries arrived more than 500 years ago they tried without success to eradicate such pagan and sacrilegious celebrations that seem to mock death while converting the indigenous people to Christianity. To the Spaniards death was the end of life but to the Aztecs it was a continuation of a journey not yet completed. The Aztecs embraced death and they celebrated it for the entire month of August, the ninth month of the Aztec Calendar, and the festivities were presided by the goddess Mictecacihuatl or “Lady of the Dead” presumed to have died at birth.
The Spaniards were met with fierce resistance in their attempts to vanish the rituals so in frustration they sought and found a common ground with the natives by moving the pagan rituals to coincide with the Catholic holiday of “El Dia de los Santos” or “All Saints Day” on November 2.
Modern Mexicans remember their friends and family members that have departed from life by honoring them with extravagant festivities that, depending in the region might include lavish offerings or “ofrendas” in private altars in the cemeteries at the tombs of their loved ones and/or at home. It is a day of celebration and many people elect to stay overnight at the cemetery for prayer, and remembrance but partying, eating and drinking is encouraged and expected always following the norms of respect and decorum for the defunct.
These “ofrendas” or gifts include the most favored dishes, foods and beverages that their loved ones enjoyed while alive. They also include photos and other personal mementos of the deceased ones. The “ofrendas” are meant to be eaten and shared by the relatives and friends of the departed and sometimes they are very elaborate five course dinners. Other times the relatives might choose to have a daytime picnic at the cemetery and return to their homes at dusk. The “ofrendas” are believed to nurture and help the souls of the dead while in their journey to heaven.
Some people use this day to just take their customary once a year trip to the cemetery to clean and maintain the tomb of their loved ones.
Regardless of the singular cultural distinction of each region two symbols are common throughout the country: “La Calavera” or The Sugar Skull and “La Catrina” or The Skeleton Lady. The Skulls can be made of sugar and chocolate and often are inscribed with the recipient’s names and are gifts to both the living and the dead. There is also “El Pan de Muertos” or “Bread of the Dead” which Mexicans give as gifts to the visiting relatives for their journey back home.
It is said that Mexicans not only celebrate death they also eat it.
In her latest mural, Faring Purth delivers a powerful reflection on connection, continuity, and the complexity of evolving relationships—a true …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Crotched objects began appearing on the street this year. © Jaime Rojo
