To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Mark Carvalho.
Something you want the world to know about you:
“I only sing two songs for karaoke; Lionel Richie’s ‘Hello’ and Tupac’s ‘How do you want it’.”
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Indigo.
Artists you admire:
“I admire everyone who has the courage to spend hours, weeks, months and years turning thoughts and feelings into things, then putting them out into the world for others to respond with love or hate or complete indifference. I admire anyone who has the integrity to create for themselves, first and foremost. I admire those who are constantly pushing themselves to try new ideas, use new mediums, reach out to new audiences and immerse themselves in uniquely challenging experiences. I admire everyone who has taken a leap of faith, fallen into dark and swirling waters and after what often seems like a lifetime of struggle, reached the sunshine on the other side – only to do it all over again.”
LUDO
Drawn with the precision of botanical illustrations, Ludo sociological imagery and malevolent creatures are as elegant as they are fierce. Hailing from France, Ludo has been creating attention around industry-fueled consumer culture for over a decade. Seamlessly fusing nature wondrous species with its man-made destructive counterparts, these works intend to jolt us out of a longstanding collective denial: despite repeated natural disasters, we refuse to acknowledge our own fragile state. Ludo resulting quasi-mutant images so effortlessly evoke contemporary creative canons that they might almost go unnoticed, underscoring the impact of “commercial propaganda” on both taste and decency. For his first London solo exhibition, Ludo transmutations are an accumulation of new works spanning sculpture, drawing, and print. This exhibition also heralds the international launch of a 72-page full colour book, OPUS #23, with an Introduction by Marc & Sara Schiller of Wooster Collective. A limited 25 signed copies will be available for sale during the exhibition.
Opens 9.9.11 High Roller Society Unit 10 Palmers Road Bethnal Green London E2 0SY
Hopefully I will see some of you there.
all the best,
ludo
For further information regarding this show visit the gallery site:
Parisian Street Artist LUDO brought “Nature’s Revenge” to the US this month and his eye-popping surreal wheat-pasted creations are now on walls in New York, Chicago, and Los Angeles. By combining weaponry with insects and plants into hybrids, LUDO is using this ongoing series to draw attention to how we are messing with nature in ways we never have in an unquestioning way and at our own peril. From biotech to nanotech to robotics to remote controlled drones, the face of war is sold with branding and a sizzling “wow” factor, accompanied by vague assurances that these developments are necessary to protect us good guys from the bad ones. From the perspective of this ongoing “Nature’s Revenge” series, our romance with all things shiny and futuristic is quickly morphing out of our control and it’s likely to come back and bite us, or worse.
Using a reliably greyscale, white, and acid green palette, LUDO’s high-tech hybrids are alternately frightening and amusing, and even super cool. While a Freddy Kruger facemask is obviously symbolic, it’s pairing with a mechanical daisy is unnerving. The wheat paste of a tarantular top-loaded missile delivery device is laughable until you see the video of unstoppable multi-limbed all terrain “big dog” robots being developed to do the same thing. Even the bunch of grape skulls seems sort of blunt until you think of what we’re now learning about irradiation, pesticides, and genetically modified foods. Taken as a whole LUDO’s work is one of the more message-driven on the street today and is another example of the new narrative-driven story telling we continue to witness in Street Art. Luckily, it’s also visually compelling.
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In LA Ludo installed work with Daniel Lahoda for LA FreeWalls, C.A.V.E. Gallery, and with curation by BSA. Special thanks to Daniel for his total support, hospitality, and vision.In Chicago special thanks to Nick and Seth from Pawn Works Gallery and to Brock for making this happen and for providing the wheels and the good company.HuffPost Arts and The Museum of Contemporary Art, Los Angeles (MOCA) hosted a presentation and panel discussion presented by Brooklyn Street Art founders Steven P. Harrington and Jaime Rojo this past Saturday at the Ahmanson Auditorium with 150 guests. Five days after the closing of the record breaking “Art in the Streets” show at LA MOCA, which was seen by over 200,000 visitors, BSA charted some new ground going forward in the ever evolving graffiti and street art movement.
The panelists, who included HuffPost Arts Editor Kimberly Brooks and Street Art phenom Shepard Fairey, watched a presentation by Harrington and Rojo about a new storytelling direction that artists are bringing to the streets of New York and other cities around the world. With examples of relative newcomers not seen by many in the audience, they pointed to precursors from the last 40 years to this storytelling practice and questioned how its sudden growth may be evolving what we have been calling “Street Art” for the last decade.
After a conversation with panelists Brooks, Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno that covered topics like the paucity of females in the street art scene, the influence of the Internet on “getting up”, and the significance of personal engagement in the work of many of today’s new street artists, Harrington and Rojo opened the discussion up the auditorium. Here topics ranged from LA’s evolving approach to Street Art to include public and permanent art, the influence of money on street artists, and how a show like “Art in the Streets” effectively influences the next generations’ perception of street art.
The packed event was interesting enough to bring many audience members down to the stage after the show to continue the conversation and meet the panelists and LA MOCA Director Jeffrey Deitch, who took great interest in the presentation, talked with a number of people before taking off. Fairey, with his wife Amanda at his side and a healing black eye from his recent trip to Copenhagen (see his account for HuffPost Arts here) gamely took on questions from many and posed for pictures after the event and at the reception which HuffPost hosted afterward.
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SPECIAL THANKS TO:
MONICA ROACHE, JESSICA YOUN, CHRIS RICHMOND, DAVID BRADSHAW, JEFFREY DEITCH, LYN WINTER, PATRICK IACONIS, TANYA PATSAOURUS, TRAVIS KORTE, MELINDA BROCKA, TINA SOIKKELI, EUTH, ANDREW
HOSNER, CARLOS GONZALEZ, KIMBERLY BROOKS, MARSEA GOLDBERG, KEN HARMAN,SHEPARD FAIREY, ETHEL SENO, THE MOCA MUSEUM STAFF AND SECURITY,
THE HUFFINGTON POST, THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), BROOKLYNSTREETART.COM, HI-FRUCTOSE, JUXTAPOZ,
IMAGES IN PRESENTATION BY JAIME ROJO WITH ADDITIONAL PHOTOS BY MARTHA COOPER, REVS PHOTO BY BECKI FULLER, and FAUXREEL PHOTOS BY DAN BERGERON
The show in Los Angeles last weekend was a lot of fun, with 500 people flowing through C.A.V.E. Gallery to see studio work by some of the artists on the streets of NYC. What impressed us the most was the number of conversations we saw taking place with two or three friends gathered around a piece and discussing it and really taking it in. Marsea Goldberg, owner of New Image Gallery told us, “This is Los Angeles, we take art seriously”, and judging by the enthusiasm and knowledgeable people we met at the opening, in the back patio, and on the street, many Angelinos are interested in street art from the east coast. After comments about the dense and layered quality of the show, the next most popular topic was, “When are you going to do an LA street art show in New York?” After we catch our breath. Thank you LA, and thank you all the artists who came out to make work on the walls.
Thank you also to photographer Carlos Gonzalez for shooting all the pieces in the show, which follows after this collage of opening night shots by Andrew Hosner from ThinkSpace, who was our partner with C.A.V.E. to make this show happen.
See a couple of links at the end of this posting for more pictures of the opening from Andrew Hosner and Karin Freda.
Adam Void (photo © Carlos Gonzalez)
Anthony Lister (photo © Carlos Gonzalez)
Broken Crow (photo © Carlos Gonzalez)
C215 (photo © Carlos Gonzalez)
Cake (photo © Carlos Gonzalez)
Chris Stain (photo © Carlos Gonzalez)
Clown Soldier (photo © Carlos Gonzalez)
Creepy (photo © Carlos Gonzalez)
Dan Witz (photo © Carlos Gonzalez)
El Sol 25 (photo © Carlos Gonzalez)
EMA (photo © Carlos Gonzalez)
Faile (photo © Carlos Gonzalez)
Futura (photo © Carlos Gonzalez)
Gaia (photo © Carlos Gonzalez)
Gilf! (photo © Carlos Gonzalez)
Hargo (photo © Carlos Gonzalez)
Hellbent (photo © Carlos Gonzalez)
How and Nosm (photo © Carlos Gonzalez)
Imminent Disaster (photo © Carlos Gonzalez)
Indigo (photo © Carlos Gonzalez)
Kid Acne (photo © Carlos Gonzalez)
Know Hope (photo © Carlos Gonzalez)
Ludo (photo © Carlos Gonzalez)
Mark Carvalho (photo © Carlos Gonzalez)
Miss Bugs (photo © Carlos Gonzalez)
Nick Walker (photo © Carlos Gonzalez)
NohJColey (photo © Carlos Gonzalez)
Other (AKA Troy Lovegates) (photo © Carlos Gonzalez)
OverUnder (photo © Carlos Gonzalez)
Radical! (photo © Carlos Gonzalez)
Rene Gagnon (photo © Carlos Gonzalez)
Skewville (photo © Carlos Gonzalez)
Specter (photo © Carlos Gonzalez)
Sweet Toof (photo © Carlos Gonzalez)
Swoon (photo © Carlos Gonzalez)
Tiptoe (photo © Carlos Gonzalez)
White Cocoa (photo © Carlos Gonzalez)
If you want to see pics of opening night on Andrew Hosner’s Facebook Page please go here:
To see Karin Freda’s Flickr page of photos from the show please go here :http://www.flickr.com/photos/karinfreda/sets/72157627427952010/
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from TipToe.
Something that annoys or frustrates you about people: “Obsessions with Warhol and people who don’t know the difference between ambiguous and arbitrary”
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Radical!
Artists you admire: “Henry Darger, Margaret Kilgallen (RIP), Barry McGee, Booker (Read More Books), Blu, Barbara Kruger, Robert Longo, C215, Chris Stain, Dondi White (RIP), Os Gemeos, Vrno, Gaia, Josh Keyes, the old Pottymouth Crew (Dwell, Oneunit, Mr. Prvrt), my grandpa, my professors, all of the people still going big these days.”
Fun Friday Stories this week
1. Opening Tonight “Street Art Saved My Life : 39 New York Stories” (LA)
2. Anthony Lister’s Wall Still Shining
3. LUDO Gets Up Downtown LA
4. “Art in the Streets” Closes
5. Dabs and Myla at ThinkSpace Tomorrow (LA)
6. “Street Art Stories” Presentation and Panel Discussion at LA MOCA Saturday
If you are in LA tonight, please check out some New York stories at C.A.V.E. Gallery. The show is hung, the brand new pieces out back by Creepy, Gilf!, NohJColey, Adam Void, Hellbent, and Tiptoe are still wet, and Patrick just rollered a thick layer of black on the floors to cover up the mess we made. People from 7 or 8 countries have put in such personal and meaningful pieces, the quality is high, and so are a lot people in LA we’ve discovered. And there are a few surprises that you won’t believe – like Futura’s piece called “Brooklyn Street Art”, made of, guess what? And Nick Walker’s piece and accompanying mannequin will raise some eyebrows no doubt. It has been so great to work with these artists and these partners (ThinkSpace, C.A.V.E., Juxtapoz, LA FreeWalls, HuffPost Arts, LA MOCA) for the last half year to pull this together, and we are deeply indebted to everyone’s talents, vision, and positive attitudes. Before the doors are open, it feels like a total success. Love you guys and gals more everyday.
Monday was the last day for the largest exhibition of graffiti and street art under one roof at the Los Angeles Museum of Contemporary Art (MOCA), “Art in the Streets”. Over the last four months the expansive show gave a little over 200,000 people an opportunity to see and learn about and understand a great deal more about the history of this multifaceted scene which continues to grow and morph and evolve around the world. Congratulations to curators Jeffrey Deitch, Roger Gastman, and Aaron Rose for their tenacity and everyone who played a part in putting this show together, a real collaborative effort.
Hundreds of household items have been painted, many of them interconnected with larger pieces, are all over the ThinkSpace Gallery right now as final prep is happening for tomorrow night’s Dabs and Myla show by the Melborne/LA couple who have been keenly tag teaming to finish everything on time. Tomorrow we’ll have some pics for you. In the meantime here’s an interview on Sour Harvest and on Juxtapoz.
For more information about this show click on the link below:
http://www.brooklynstreetart.com/theblog/?p=23137
Taking a look at one direction that Street Art is going today and talking about what it augers for the future as more artists are investing time and labor into narratives behind their pieces on the street. Really looking forward to this one!
The joint is hoppin’ right now in LA as BSA and ThinkSpace and C.A.V.E. gallery finished hanging Friday’s show last night and all day some of the Street Artists whose work is in the show worked on walls yesterday in the beautiful California sunshine. It’s great to see everybody bringing their best, and exciting to see the whole show coming together.
Check out pics below of LUDO, NohJColey, Hellbent, Creepy, and Adam Void.
Special thanks to Daniel Lahoda from LA Freewalls for helping with transportation and finding artists materials and to Patrick and Tanya at C.A.V.E. for hooking up the wallage and facilitating whatever the artists need when possible. Without the talents and effort of all these people, this stuff can’t happen.
LUDO (photo © Jaime Rojo)
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we talk with OverUnder.
Something you’ve always wanted to do, but have yet to:
“Dive out of a car before it flies off a cliff.”
Don’t make love by the garden gate – Love is blind but the neighbors ain’t!
Looks like Street Artist Dan Witz has installed a large full length street version of “Hoodys Kissing” in this bricked alcove, but who will see it? The artist has mastered the art of camouflage, plainly laying out his work where it can be seen with the bare eye.
Standing nearby and watching passersby for a few minutes gives ample evidence that we can be blind to the things right in front of us – and in a city that is full of loud noises, music, polluting cars, sidewalk vendors, and sexy summer fashions parading at you from all directions, can you blame us? Plus, I think that traffic attendant is putting a ticket on my windshield! “Wait! Sir! I’m just running in this drug store to get my Grandma some Doan’s pill for her knees! Please don’t give me a ticket, I was only in there for 2 minutes! Crap!”
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BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
