All posts tagged: L.A. Art Machine

Torrance Art Museum Presents: Baker’s Dozen III (Los Angeles,CA)

Chor Boogie

brooklyn-street-art-chor-boogie-la-art-machine-white-tigerChor Boogie “White Tiger” (image © courtesy L.A. Art Machine)

CHOR BOOGIE, MASTER SPRAY PAINT ARTIST, DEBUTS A TRANSFORMED 12’X12’ CANVAS IN TORRANCE ART MUSEUM’S EXHIBITION BAKERS DOZEN III.

July 12, 2011 (Los Angeles, CA) – Opening Saturday, July 16th, is Torrance Art Museum’s (TAM) Baker’s Dozen III, their annual survey of “artists to watch.” This third iteration of the series continues the tradition of providing a snapshot of contemporary avenues of exploration seen in Los Angeles. Torrance Art Museum Curator, Max Presneill shares insight into his selection of Chor as the only urban artist in this exhibition: “When I saw Chor Boogie’s work at the L.A. Art Show, I felt it bridged the gap between the low brow street aesthetic and the contemporary art world, and created discourse within the two. It is bright, vibrant, physical, and powerful. I feel his work is one of the best things to be seen at this moment in time.” He goes on to describe the show as reflecting the zeitgeist of the times, and trends of artistic presence across the board.

Chor Boogie is recognized internationally for painting vibrant, masterpieces of color using aerosol spray paint on both walls and canvases, and is a pioneer of this medium and art movement. His trademark applications and techniques allow him to paint pieces that resonate on many levels with those who view them, evoking a powerful mix of emotions. His imagery is pulled from life experiences and are visual expressions of the surroundings, people and environments he has painted in around the world.

Two of Chor Boogie’s works have been selected for Baker’s Dozen III. The first is a progressive 12’x12’ canvas he began during the January ’11 L.A. Art Show, as part of L.A. ART MACHINE, prestigious Vox Humana Program. This piece, part of the Purgatory Series, is Chor Boogie’s depiction of balance as he sees it, examples being: right/wrong, heaven/hell, good/bad, and positive/negative.

The imagery challenges the perception of one’s individual mentality, and of how we look at a piece of art. It transcends memory and is mixed with elements of, landscape, realism, abstract expressionism, cubism, color, shape, form; paying reverence to his personal favorite influences including, Kandinsky, Klimt, Picasso, and Dali. “Mentally Challenged” was completed over this past week using a multitude of spray paint colors, and signature CB techniques. It is larger than life, vibrant, and has a very timeless feel to it.

The second selection is part one of a triptych. The piece chosen is entitled Silver Queens of the Romantic White Tiger, and is a testament to his artistic genius, and use of his famous spray paint methods. The silver queens are in simple relation to the strength of the white tiger, a more new age, or, renaissance/baroque style period.

Able to create various forms, even Chor Boogie’s signature inverted can technique is original. Painting dense, rich tones, allows him more room for perspective detail whether it be a wall, or small-scale canvas.

Chor Boogie’s dynamic range of artistic styles can manifest as soulful, deftly shaded portraits of color therapy, with geometric elements revealing half-hidden faces, and a minds eye or two to encourage you to see internally and externally.

He expresses his reverence for life, honesty, and art, in ways that create a lasting impression. Chor Boogie describes his work as: “Abstract expressionism with a little street romantic voodoo along with emotional landscapes of a melodic symphony through color therapy.” He has built a collector base around the world including international commissions by global institutions and cultural commemorations. This recognition allows him to inspire today’s youth with his personal story and transcendent life and style.

In addition to Bakers Dozen III, Chor Boogie’s upcoming schedule also includes Colorfornia: New Forms in West Coast Street Art – The Warehouse Gallery at the International Contemporary Art Center, Syracuse University, New York, September 15th – November 5th, 2011; followed by “Spray Paint the Movie…The Fine Art of Chor Boogie,” directed and produced by Sarah Fisher, whose credits include the documentary, Meditate and Destroy, the journey of Noah Levine, author of Dharma Punx. Chor Boogie is also sponsored and endorsed by Spanish Montana – MTN 94 Spray Paint, and has a limited edition signature spray can slated for launch at Art Basel Miami Beach, Florida.

Baker’s Dozen III opens on Saturday, July 16th and runs through August 27th, and also features works by, Joshua Callaghan, Erin Cosgrove, Martin Durazo, Amir H Fallah, Alexandra Grant, Annie Lapin, Thomas Lawson, Nathan Mabry, John Millei, Robert Olsen, Britton Tolliver, and Peter Wu. For more information, please visit: www.torranceartmuseum.com.

Baker’s Dozen III
Opening reception
Saturday, July 16th
6 – 9pm
Torrance Art Museum
3320 Civic Center Drive
Torrance, CA 90503
www.torranceartmuseum.com

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Street Artist Ethos Surreally Big in LA

Street Artist Ethos Surreally Big in LA

Bryson Strauss and the L.A. Art Machine keep an eye on global art phenomena and support the ongoing conservation of Los Angeles’ substantial outdoor mural collection, continuing to promote a vital art community on all levels. This week they hosted Brazilian Street Arts Ethos to come and paint and the results have been giant! Talented photographer Carlos Gonzalez jumped into some very tricky spots to get you these dynamic process shots of Ethos in action.

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Ethos (image © Carlos Gonzalez)

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Ethos (image © Carlos Gonzalez)

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Ethos (image © Carlos Gonzalez)

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Ethos (image © Carlos Gonzalez)

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Ethos (image © Carlos Gonzalez)

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Ethos (image © Carlos Gonzalez)

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Ethos (image © Carlos Gonzalez)

Brooklyn-Street-Art-WEB-photographer-Carlos-Gonzalez

L.A. Art Machine

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L.A. Art Machine At Ace Gallery Presents: D*Face, Mear One, The London Police, Word To Mother, Will Barras and Kofie “Temporary Metropolis” (Los Angeles, CA)

L.A. Art Machine
brooklyn-street-art-temporary-metropolis-la-art-machine-ace-gallery

In May 2011, BritWeek, in collaboration with the L.A. ART MACHINE (LAAM), will produce a landmark, large-scale, museum-quality art installation by world-renown artists MEAR ONE (USA) and D*FACE (UK). This exhibition will be the centerpiece of the entire BritWeek Contemporary Art Program and will run approximately two weeks at L.A. MART second floor exhibition hall.

Utilizing approximately 25,000 square-feet, BritWeek & LAAM will encourage the artists to entertain an entire range of expression, employing any media that fits the artists’ concept (i.e. sculpture, digital media, paintings, prints, performance, etc.) The overarching theme, which may be interpreted loosely, is the U.S.-British experience and whatever that may mean to the artists.

In addition, D*FACE and MEAER ONE will commandeer chair sculpture in the parking lot of the L.A. MART as a special project piece for the artists to embellish, paint, and post. This outdoor sculpture may remain in perpetuity as a gift from BritWeek to Los Angeles and an internationally-recognized symbol of the L.A. MART.

Time/Date:
Friday, May 6, 2011 at 7:00pm – Saturday, May 14, 2011 at 7:30am

Location:
LA MART (entire 2nd floor)
1933 S. BROADWAY
Los Angeles, CA


Stay tuned for updates as the event draws near.

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Willem Kerseboom Gallery Presents: Op Straat A Group Show Featuring Mear One, Retna and Kofie (Amsterdam, The Netherlands)

Willem Kerseboom Gallery

Kofie "Official Premium)

Kofie "Official Premium)

Mear One "David and Goliath"

Mear One "David and Goliath"

Retna "Fence"

Retna "Fence"

Amsterdam – Willem Kerseboom Gallery, in collaboration with the L.A. ART MACHINE, is proud to announce the opening of OP STRAAT, an exhibition of original artwork by legendary Los Angeles street artists, MEAR ONE, RETNA, and KOFIE.

This landmark exhibition marks the first time that these celebrated contemporary artists have exhibited together in Holland, bringing the unique and diverse visual language of California street art to Northern Europe.

Since the rise of urban art in the U.S. in the 1970’s, California artists have been at the vanguard of a new visual language that both defines and describes the contemporary urban experience and the environs of the West Coast metropolis.

All self-taught, these three artists elevate the subversive arts from the streets to established fine art venues, further challenging gallery and museum paradigms and establishing a new artistic vocabulary that is fresh, compelling, and unpredictable.

Op Straat, opens at Willem Kerseboom Gallery on October 16, 2010 and runs through November 13, 2010. Please join us for this exciting moment in contemporary art history.

Includes a special viewing of the monumental murals created during the Vox Humana live art installation at VOLTA 6 in Basel 2010, as featured on the Huffington Post, Juxtapoz, and Arrested Motion.

Opening: October 16, 2010 4-6 PM.

Location:
Willem Kerseboom Gallery
Leidsegracht 38-40 1016 CM
Amsterdam, Netherlands

RSVP: info@kerseboom.com

Contact:
info@kerseboom.com
T +31 (0)6 53512379
www.kerseboom.com

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