All posts tagged: Kurar

BSA’s 15 Most Popular Murals Of 2016 – A “Social” Survey

BSA’s 15 Most Popular Murals Of 2016 – A “Social” Survey

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Murals have captured so much of the popular imagination about what the Street Art scene is today and although they may be part of the definition, murals remain only a part of the entire scene; a visual conversation that includes legal, illegal, small, anonymous, massive, deliberately confounding, low-energy scrawl, stickers, tags, poetry, diatribes, culture jamming, ad takeovers, sculpture, installations. Every week we aim to present a varied selection of expressions currently represented on the street, and then it is your turn to respond.

During 2016 BSA readers responded to images via our website, Instagram, Twitter, Tumbr, and Facebook pages. In a thoroughly unscientific survey that calculates “likes” and “clicks” and “re-Tweets” and “impressions”, we tallied up which murals (or images) got the most interest from you all. Care to read into the results?

The top 3 really sum it all up for 2016 and shouldn’t surprise us, but they still do; Militarism, Mis-information, and the Man of the Year.

If you ever doubted how much art on the street reflects the psyche of a society back to itself, no need to wonder anymore. If only we could read these tea-leaves and tell the future…


No 15.
David Choe’s Portrait Of Martha Cooper for Wynwood Walls / Art Basel 2016.

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David Choe. Detail. Wynwood Walls / Art Basel 2016. (photo © Jaime Rojo)

Originally appearing here:

 


No 14
Plotbot Ken’s car installation on the Teufelsberg Hill in Berlin.

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Plotbot Ken’s post-apocolyptic installation on a car at the abandoned NSA spy compound in Teufelsberg Hill in Berlin. Berlin, 2016. (photo © Jaime Rojo)

Click here to see the original posting on BSA.

 


No 13
Faust and Shantell Martin in Manhattan, NY.

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Handstyle and all New York, baby. Faust. Shantell Martin (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 12
Swoon in Brooklyn, NY.

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One of Swoon’s new additions to the street in 2016 (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 11
ASTRO in East Harlem.

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ASTRO in East Harlem for #NotACrime campaign in collaboration with Street Art Anarchy. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 10 
Nychos in Manhattan, NY.

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More than his multiple murals published here this year, this sculpture on 23rd Street in Manhattan in the spring captured the imagination and gave his work an added dimension. Nychos. “Dissection of Sigmund Freud”. Vienna Therapy. Manhattan, NY. June 2016. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 9 
MadC in Marrakesh, Morocco.

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Mad C. MB6 Street Art. Marrakesh Biennale 6. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 8
Maya Hayuk in Brooklyn, NY.

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Maya Hayuk. Detail. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 7
Invader in Jersey City, NJ.

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Space Invader in Jersey City for Mana Urban Arts Projects. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 6
Collin Van Der Sluijs. Super A in Berlin.

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Collin Van Der Sluijs . Super A.  Detail. Urban Nation Museum For Urban Contemporary Art. One Wall. Berlin, Germany. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 5
Kurar in Berlin

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Kurar for Urban Nation Museum For Urban Contemporary Art. NOTE: This piece was created late in 2015 but we got to it early in 2016. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 4
Biggie Smalls in Brooklyn, NY.

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Rocko & Zimer. NOTE: This piece was created late in 2015 but we got to it early in 2016. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 3
Otto “Osch” Schade in Brooklyn, NY.

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OSCH for JMZ Walls. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 2
Klops in Brooklyn, NY.

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Klops for The Bushwick Collective illuminates the concentration of 90% of the media in the hands of 6 companies. In 1983 there were 50. (photo © Jaime Rojo)

Click here to see the original posting on BSA.


No 1
Ron English in Brooklyn, NY.

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Ron English brings Donald Trump as Humpty Dumpty on a wall – in collaboration with The Bushwick Collective. (photo © Jaime Rojo)

Click here to see the original posting on BSA.

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Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

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Art Basel in Miami is part of an annual three city fair that includes Hong Kong and it’s name sake Basel in Switzerland. This years fair in Miami hosts 269 galleries and your brain will be fried after the first 150, in an excellent way.

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Okuda at Retrospect Galleries. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

An art fair is not really a rarefied environment but many patrons walk with that air, presumably because they find it to be a flattering look, but most people are just excited to discover new ideas and techniques for channeling the creative spirit in a multitude of ways.

Far from the action of the actual graffiti and Street Art scene in long rows of white wall cubicles that average the price of a new car to rent for four days, SCOPE nonetheless has a healthy number of Street Artists represented with studio pieces that rock as hard as any killer piece under a bridge.

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Felipe Pantone at Mirus Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

Inside this environment we’re probably calling the category Urban Contemporary and it’s always interesting to see how the street practice translates to a frame on a wall – and who can do it successfully. Maybe it shouldn’t, but it’s always surprising to see how many other derivative, hackneyed, or underwhelming works are proudly on display – by artists whose main connection to actual street culture is tenuous at best.

But imitators and replicators have existed in every genre of the plastic arts for as long as anyone reading this has been alive, so it shouldn’t be a shock when you have seen 5 Banksy-esque canvasses even before you stop at the commissary for your $14 pressed vegetable panini.

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Hueman at Mirus Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

For the actual fans and collectors of actual graffiti and Street Artists, it may be irksome to see the common tropes of colorful paint drips and ironic pop images mutated and slapped with cleverness – especially in view of the fact that there is a fleet of new kids outside in our cities and streets today whose work is regularly amazing.

Since many of the current generation of Street Artists have had a little or a lot of formal training as artists, the quality of work in the good spots is very high and we were happy to find many excellent pieces throughout the fair by folks whose name you may recognize. Here is a sampling of pieces we found during an audit of this year’s SCOPE just so you have an idea of the offerings.

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Cinta Vidal at Thinkspace Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Cyrcle at Station 16 Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Clet Abraham at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Dotmasters at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Sitk at Graffik Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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2501 and Cryptik at Innerstate Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Pixel Pancho at Innerstate Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Swoon at Chandran Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Logan Hicks and Joe Iurato at Station 16 Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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C215 at Next Street Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Kurar at Next Street Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)

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Denis McNett at Paradigm Gallery. Scope / Art Basel Miami 2016. (photo © Jaime Rojo)


This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

 

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Got the “Missing Berlin Blues” : Urban and Contemporary

Got the “Missing Berlin Blues” : Urban and Contemporary

Exactly a year ago we were in Berlin as invited guest curators by Urban Nation Museum’s Director Yasha Young to curate the 7th Edition of Project M.  Our exhibition, “Persons Of Interest” was aesthetically rich and culturally relevant in the windows and on the facade of the under-renovation UN haus, and the positive feedback we received lasted a number of months. Each artist had dug deep in their research and were inspired to bring a Brooklyn-Berlin historical and contemporary story to the street in a meaningful way.

The indoor exhibition at the museum’s headquarters overflowed onto the streets on opening night as well; with artists, fans, curators, honored cultural muses, and officials from Berlin’s formal arts infrastructure all abuzz with the exchange happening in Kreuzberg.

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Blu. Detail. This piece of Blu has been probably been shared thousands of times on line and on social media. It is still a powerful image in photos as well as in person. (photo © Jaime Rojo)

As Ms. Young and her teams continue to build the cultural foundation of UN with a dizzying array of programs, initiatives, and artists this year leading to the official opening next spring, we remark on her singular vision as a cornerstone of the museum.

With a finger on the pulse of many movements within the current Urban/Contemporary scene Young has made some bold and sharp choices to get an institution like this underway. With a clear sense of the potential that this global scene has always shown, Young has harnessed goodwill and top talents in the urban arts community and is gradually attracting the eye of more formal institutions. Undoubtedly in many ways UN has already made history.

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Blu (photo © Jaime Rojo)

So to mark a year since our first show with UN we’re looking at a treasure trove of photos of works on the streets that we didn’t publish at that time. This city is singular in it’s permissiveness to graffiti and street art – a tacit but undeniable appreciation for its eclectic  contribution to contemporary art, the life of the culture. Berlin also somehow understands the intrinsic value of supporting artist communities. A laboratory on the streets, Berlin continues to afford art space to take shape before your eyes.

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Berlin Kidz are well known for vertical tagging thanks to rappelling down from the roof. (photo © Jaime Rojo)

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Alo for Urban Nation Museum. (photo © Jaime Rojo)

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Alo for Urban Nation Museum. (photo © Jaime Rojo)

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Alo for Urban Nation Museum. (photo © Jaime Rojo)

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Alo for Urban Nation Museum. (photo © Jaime Rojo)

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Kera . Sokar Uno (photo © Jaime Rojo)

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Kurar for Urban Nation Museum. (photo © Jaime Rojo)

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Os Gemeos (photo © Jaime Rojo)

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Findac for Urban Nation Museum. (photo © Jaime Rojo)

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Cranio for Urban Nation Museum. (photo © Jaime Rojo)

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Cranio for Urban Nation Museum. (photo © Jaime Rojo)

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Cranio for Urban Nation Museum. (photo © Jaime Rojo)

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Cranio for Urban Nation Museum. (photo © Jaime Rojo)

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M.City for Urban Nation Museum. (photo © Jaime Rojo)

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Above for Urban Nation Museum. (photo © Jaime Rojo)

 

 

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Live Stenciling in Berlin with Street Artists for “Cut It Out”

Live Stenciling in Berlin with Street Artists for “Cut It Out”

The stencil has been a steady presence on the street since the beginning of graffiti and Street Art. Possibly picked up from commercial or military methods of labeling shipments, machinery, signage, and weaponry – it has remained a foundational technique of creative expression since the early days of the modern graff scene even as it’s use continues to expand stylistically.

The simple one color stencil captures the imagination of many first time artists working in the public sphere because it enables you to quickly spray your message on a wall and run. And replicate it. With time your cuts may become more sophisticated or not but its up to you; it’s not entirely necessary to labor for hours over a stencil for it to have a worthwhile impact, but it can help.

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M-City. Urban Nation van. (photo © Nika Kramer)

In the 2000s the Street Art scenes in many cities have been teeming with stencil art, and a number of practitioners have developed the art form into one that expresses high degrees of artistry, complexity, and warmth, as well as conveying the bluntest of sentiments and slogans, with and without irony.

“Cut It Out” is a new exhibition in the Urban Nation Gallery in Berlin that pulls together an interesting collection of folks who have used stencils on the street across mainly Europe and the US and in the case of artists like Jef Aerosol, Epsylon Point, and Stencil King (Hugo Kaagman), across more than three decades, almost four.

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M-City. Urban Nation van. (photo © Nika Kramer)

Curated by Olly Walker and Henrik Haven, the international group was on display in Berlin, and many of the participating artists were in attendance – and as is their wont they hit the walls inside and outside the gallery around Berlin, including the Urban Nation van. BSA is happy to share these exclusive shots of the honored stencillists in action = procured to us by Henrik Heaven and shot by Nika Kramer.

”Cut It Out!” features new works by: Above, Adam 5100, Aiko, Alessio-B, Artist Ouvrier, B-Toy, C215, Canvas, Don John, Eins92, Eelus, EismannArts, Epsylon Point, Icy & Sot, Jana & Js, Jef Aerosol, Joe Lurato, Logan Hicks, M-City, Mobstr, Nick Walker, Orticanoodles, Paul Insect, Pisa 73, RekoRennie, Rene Gagnon, Snik, Stan & Lex, Stencil King, Stew, STF, Stinkfish, Tankpetrol and XooooX.

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M-City. Urban Nation van. (photo © Nika Kramer)

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Jeff Aerosol. Urban Nation van. (photo © Nika Kramer)

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Ken. Urban Nation van. (photo © Nika Kramer)

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Ken Urban Nation van. (photo © Nika Kramer)

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Amsterdam’s Hugo Kaagman, or Stencil King, did his first stencil on the street in 1978. Urban Nation van. (photo © Nika Kramer)

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Kurar. (photo © Nika Kramer)

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Kurar. (photo © Nika Kramer)

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Kurar (photo © Nika Kramer)

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M-City (photo © Nika Kramer)

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Eismann (photo © Nika Kramer)

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Eismann (photo © Nika Kramer)

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Alessio B (photo © Nika Kramer)

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Hugo Kaagman (photo © Nika Kramer)

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Hugo Kaagman (photo © Nika Kramer)

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Canvaz (photo © Nika Kramer)

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Canvaz (photo © Nika Kramer)

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Eins92 (photo © Nika Kramer)

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Eins92 (photo © Nika Kramer)

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Jeff Aerosol (photo © Henrik Haven)

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Jeff Aerosol (photo © Henrik Haven)

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Above (photo © Henrik Haven)

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Above (photo © Nika Kramer)

 

“Cut It Out” is currently on view and free for the general public in Berlin. Click HERE for further details. To inquire about works click HERE

 

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