All posts tagged: Kenny Scharf

“I’m In Miami Bitch”, Andrew Kaufman photographs Wynwood

February 10, 2014 Artists

A. It has a good name, and
B. It’s the way Wynwood feels every year during Art Basel and this self published book by photographer Andrew Kaufman captures the excitement unpretentiously.

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

In the fall of 2012 Kaufman began walking the streets with camera in hand in what used to be called “El Barrio”, shooting the murals of the international Street Art magnet called the Wynwood District. The previously low-income and light manufacturing neighborhood had been transforming itself as a destination in the shadow of the decade old art fair across the water in Miami Beach. He discovered artists from in town and around the world painting walls side by side and a palpable thrill in the air in this 20 square block public space like none he had previously experienced.

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

“Every year in late November artists from around the world descend on the streets of Wynwood to remake the façade of almost every building, overhead door and nook or cranny where paint could be applied,” he says in this image packed softcover. He doesn’t try to romance it, he just lays it open for you to take a look and to possibly feel what it was like for him for a few weeks talking to artists, interviewing locals and pilgrims and internationally known names as they painted, listened to music, traded stories, passed a joint, ate barbecue, and got distracted by the bikinis, parties, hammocks and lawn chairs.

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

In a down-to-earth way Andrew steers clear of grandiosity or otherwise put a self-serving spin on the scene. He learns just by asking questions and taking photos, with highlights including conversations with Kenny Scharf, DAZE, and BooksIIII Bischof, who lays bare the conflicting feelings of local graff writers who had already been organizing and slamming walls organically for a handful of years before the real estate developer Tony Goldman brought his economic heft to flood the scene with international Street Artists.

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

The rapid change that neighborhood has undergone the other 11 months of the year has created rifts between the locals and the well-heeled newbies, and its good that Kaufman gives airtime to those perspectives as well, diplomatically describing the power struggles as “growing pains”. While some characterizations may be a bit naïve at times with statements like “there are no curators, no rules,” he still captures the near spiritual peregrination of idealist artists from around the US who hop trains and buses or hitch-hike to a warm sunny climate at the end of November with little more than a desire to find a wall to paint and a couch to crash on.

I’m in Miami Bitch is a personal account of the zoo and the spectacle and an historical capture of a moment on an evolutionary timeline that will become more valuable as the inevitable cultural seachange in this Miami neighborhood takes place and the presumptive commodification and gentrification runs its full course. For the moment you can still catch the crazy collaborative creative magic yourself just by showing up. But if you can’t, Kaufman is happy to share his sense of magic with you.

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Included in the book are works by Cite, Crayola, Dabs and Myla, Ewok, Pia, Fumerosim, Pose-MSK, Aimer, Patch Whiskey, La Paneilla, Kenny Scharf, Blink, Torek, Daze, Pez, Gorey, and about 50 more artists. For more information about I’m in Miami Bitch, cliek HERE.

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BSA Halloween Street Art Special 2013

October 31, 2013 Artists

The Halloween Parade through the Village in NYC is tonight, the 40th actually, and you will see a greater number of ghostly guys and ghouls on the bus and subway and hanging out on the street today. Of course New York has a fair share of freaks throughout the year, and some people love a dancing skeleton or screeching witch or marching Zombie almost anytime, really. When it comes to Street Art, you can always count on skulls and monsters and the occasional raven.

Last year Halloween in NYC was basically cancelled by the sincerely frightening Superstorm Sandy that left half of the city in darkness for days, and this year we hope it will be more about the fantasy aspect of All Hallows Eve.

We start off the BSA collection by photographer Jaime Rojo with this brand new one from Banksy’s Grim Reaper on Houston Street this weekend. Also, check out the video by Kadshah Nagibe of the last Halloween parade that NYC hosted. Have a great day and a haunted fun night everybody!

Banksy (photo © Jaime Rojo)

Vor138 (photo © Jaime Rojo)

Duke A. Barnstable (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Vexta (photo © Jaime Rojo)

Post Mortem (photo © Jaime Rojo)

Obey (photo © Jaime Rojo)

Roberta’s Bushwick (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

The Yok and Sheryo (photo © Jaime Rojo)

Paolo Cirio. Google Ghosts, (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Magda Love (photo © Jaime Rojo)

Mocks108 (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Kenny Scharf (photo © Jaime Rojo)

El Niño De Las Pinturas (photo © Jaime Rojo)

Buff Monster (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Dug (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Deeker (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

BSA Film Friday 04.19.13

April 19, 2013 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: “End of the Line” with Anthony Lister, Fasim’s “Ephemeral Mural”, and Kenny Scharf in The Boneyard.

BSA Special Feature:
“End of the Line”with Anthony Lister

Set to ‘I Wanna Break You in Half’ by Drenge and filmed/edited by Haruka Irie, this is just the sidewinding punk rock nihlistic attitude you need to start your Friday with Mr. Lister. Oh, no, this is gonna end bad, I can just tell.

Fasim: “Ephemeral Mural”

Watch Fasim wielding poles and rollers and small hand brushes as an entire wall is completed in a jittery dubby two step that carries you from studio into gallery and then reception. Somehow they manage to work in cinematic psychological drama sequences too.

Kenny Scharf in The Boneyard

Downtown New York goes to the Arizona desert as Kenny Scharf rides out to the Boneyard to create a hippie craft on Supersonico Airlines. That is, once the bees nests are cleared out. This Boneyard Project list continues growing with a list of international Street Artists covering hulking decommissioned aircraft under the blasting sun. Word up to video maker Jason Wawro, who splices up the story (extra points for the Devo track).

Special Bonus – Rock and Rock Dance Party

A bit of amateur video to push you out of the apartment and hit the street and runaround after Sue….. and see if you can dance like this when you are 88. Also check out the very last thing Nana says in the video.

Kenny Scharf “Squirtz” in the Plaza at the Standard Hotel

March 21, 2013 Artists

Brooklyn based artist Kenny Scharf has fabricated one of his amorphous painted classic characters and put it on display at The Plaza of the Standard High Line Hotel in Manhattan’s Meat Packing District. A hot number from the 80s downtown scene, Mr. Scharf has continued to add dimension to his work over time, sometimes taking over labyrinthine inner spaces or expansive wall installations. Now, clearly, his characters are more 3D than ever. The bubblish proportions and high gloss polish of this cartoon head, “Squirtz”, may remind you of Jeff Koon’s balloon dogs from last decade or the giant “Companion” by street artist/ toy designer Kaws on this same spot in 2011. Since it is still March and we’re expecting snow again today, we also think of the warmer Knitta Please! installation here in 2009.

Kenny Sharf “Squirtz” 2013 (photo © Jaime Rojo)

Kenny Scharf “Squirtz” 2013 (photo © Jaime Rojo)

Kenny Sharf “Squirtz” 2013 (photo © Jaime Rojo)

Kenny Sharf’s upcoming exhibition “KOLORS” will open to the public at the Paul Kasmin Gallery in NYC on April 4, 2013. Click here for more details.

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Paul Kasmin Gallery Presents: Kenny Scharf “KOLORS” (Manhattan, NYC)

March 20, 2013 Afghanistan

Kenny Scharf, Kolors

4 April – 4 May, 2013

515 West 27^th Street, New York
Opening Reception: Thursday, 4 April, 2012, 6 – 8pm

Paul Kasmin Gallery is pleased to present Kolors, an exhibition of new paintings and sculptures by Kenny Scharf, including ten new paintings and three large-scale sculptures, on view at 515 West 27^th Street. The paintings, inspired by Color Field masterworks, deceptively present themselves as backdrops for the sculptures. Upon closer inspection, the tonally unified paintings beckon the viewer into vibrant, other-worldly, biomorphic atmospheres composed of a variety of shapes, dimensions and details. The three never-before-seen sculptures revisit the classic icons of Scharf’s repertoire of symbolic imagery developed over thirty years. Scharf’s exhibition possesses a unique energy and exuberance, highlighted by both his monochromatic cosmic paintings and nostalgic sculptures. A fully illustrated catalog, published in collaboration with Standard Press and Damiani, will accompany the exhibition.

Two weeks prior to the opening of Kolors, Scharf’s large-scale sculpture “Squirtz”(2013) will debut outdoors in The plaza at The Standard, Highline March 15 – April 1, 2013.

http://www.paulkasmingallery.com/exhibitions/2013-04-04_kenny-scharf

Keith Haring 1978-1982 : Early Keith at The Brooklyn Museum

March 14, 2012 Artists, Events, Features, Museum, NYC

1978 and 2012 seem closer to one another than ever right now when we look at the blossomed Street Art scene in cities around the world. More than 30 years after Keith Haring moved to New York as an art school kid at the School of Visual Arts, a new generation of art school kids consider it almost a birthright to take their work directly to the street. Right now feels like an excellent time for Brooklyn to spotlight this study of his first four years in the city that blew his mind and inspired him to alter the whole system of how an artist reaches the public.

Keith Haring. Untitled, 1982. Courtesy of and © Keith Haring Foundation. The Brooklyn Museum. (photo © Jaime Rojo

Keith Haring: 1978-1982, a traveling exhibition first shown in Kunsthalle Wien in Vienna and The Contemporary Arts Center in Cincinnati, introduces a period of his work not often examined, taking you up to the edge of the seemingly sudden international fame he experienced as artist, activist and public figure through the rest of the 1980s.

“Raphaela Platow, who was the original curator of this show, went into the archives and pulled out things that had basically just been sitting there, ” explained Tricia Laughlin Bloom, the project curator for the current show as she gave a tour this week before its opening at the Brooklyn Museum Friday.

At a time when the small-town boy was developing his visual vocabulary as an artist, Haring was also discovering himself as a man in the world and in a city that he found endlessly fascinating and worthy of exploration. Capturing his spirit of hands-on experimentation, the show is almost entirely comprised of works on paper with one collaborative piece on plywood with his contemporary Jean Michel Basquiat, paper collage, video, and documentary photos.

Keith Haring. Untitled, 1982. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

In these years Disco was on a full force collision course with Punk, New Wave, and Rap, and Haring was embracing the nightlife of a college student sampling the downtown scene, exploring his sexuality, and commandeering entire rooms at SVA to mount shows on paper. Some of those “body involvement” painting sessions are documented well here in video; a sort of full immersion painting baptism. While jamming out to music he covers every white surface with thick black symbols and gestural marking, sometimes painting with both hands in a rhythmic automatic study of both the physicality of the process and his own interaction with space and materials.

Not to be missed in person is the 30 piece collection in the final room of actual subway black papers that Haring adorned with his white line drawings, energetically created symbols and characters throughout stations in New York’s train system. The frames and glass protect them for us to appreciate them today in their disarming simplicity, their collection ironically alleged by some to be why the artist discontinued the subway practice. Equally compelling is the projected large slide show of Haring in photos by Tseng Kwong Chi, whom the artist called to shoot almost every time he did an illegal piece in the subway.

Keith Haring. Matrix, 1983. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Manhattan Penis Drawings for Ken Hicks, 1978. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

With almost half of the pieces here never displayed publicly like this before, the show is a welcome revelation for fans hoping to peel back a little of the hype-like gloss that time and opportunism may have shined his legacy with. Whether it’s his hand-collaged flyers for the indie group shows he curated, his home movies of Klaus Nomi and Joey Arias performing in the living room, or the complete re-installation of a wall from his 1980 show at PS 122, you get the idea that this was an audacious observant art student gulping at the faucet of life in a pulsating dirty city that welcomed him.

“He’s such a thoughtful and complicated figure – at the same time with that really pure impulse of not wanting to alienate people but to bring them in,” says Laughlin Bloom as she describes the young artist she discovered en route. “He’s this combination of fun-loving, and life-loving, and intellectual, accessible – a total populist but not in an insincere way.”

Keith Haring. Twenty Polaroid self-portraits with glasses painted by Kenny Scharf and Peter Schuyff, 1979-82. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Still from Lick Fat Boys. April, 1979. Vide0 3 min. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Still from Lick Fat Boys. April, 1979. Vide0 3 min. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo

After 1982, Haring’s entire visual language of characters and symbols would become iconic, international; his work in dialogue with modern art history and everyday people eventually outlasted him to inspire a diverse generation of artists working on the street from Shepard Fairey and Swoon to Stikman and Specter, among many others.

“Haring saw the subway as the ideal platform for showing work – one of the few places to catch New Yorkers off-guard,” says Poster Boy, a Street Artist/collective who is credited/blamed for re-engineering and culture jamming subway posters with a razor in very recent years. Speaking of Haring’s chiding of corporate commercialism in the culture, Poster Boy observes, “For advertisers it’s the perfect opportunity for a commercial break. Haring saw it as a break from commercials.”

Respected for his early interest in busting down barriers in social activism, street art, and illegal art, it’s likely that many on the Street Art scene today will be checking out the pre-buzz Haring on display at this show. At the moment, it feels like one of New York’s adopted hometown heroes is back in Brooklyn.

Keith Haring. Untitled, 1982. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

“Art is for everybody. To think that they-the public- do not appreciate art because they don’t understand it, and to continue to make art that they don’t understand and therefore become alienated from, may mean that the artist is the one who doesn’t understand or appreciate art and is thriving in this “self-proclaimed knowledge of art” that is actually bullshit.” 1978

– Keith Haring Journals

Keith Haring. Cipher chart, 1971-73. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Wall papered with reproductions of hand collaged flyers to advertise shows that Keith Haring curated, 1981. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Detail. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

“These are flyers from 1981 – an aspect of his production that maybe people aren’t aware of. He did a lot of organizing shows in alternative spaces and curating 24 hour exhibitions, xerox exhibitions, neon exhibitions, open-calls for artists where they show your work for 24 hours and then it’s taken away. He designed these – the framed works are the originals of the collages and posters that he did for these shows,” Tricia Laughlin Bloom, the project curator for the show. Keith Haring. Detail. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Thirty untitled subway drawings, 1980-85. Private Collection. The Brooklyn Museum. (photo © Jaime Rojo)

With special thanks to Tricia Laughlin Bloom, Sharon Matt Atkins, Sally Williams, Marcus Romero, Matthew Branch, The Brooklyn Museum, and the Keith Haring Foundation.

The Pima Air & Space Museum Presents: “Round Trip: Art From The Bone Yard Project” (Tucson, Arizona)

January 26, 2012 Arizona, Artists, Events, Museum, Opening, Tucson

Art From The Bone Yard Project

The Retna Plane (photo courtesy of the curators)

THE BONE YARD PROJECT | PIMA AIR & SPACE MUSEUM | JANUARY 28 – MAY 31

The Pima Air & Space Museum is pleased to announce the opening of Round Trip: Art From The Bone Yard Project on January 28 in Tucson. Conceived in Spring 2010 by Eric Firestone, and organized with curators Medvin Sobio & Carlo McCormick, The Bone Yard Project resurrects disused airplanes from America‟s military history through the creative intervention of contemporary artists, taking entire airplanes and their elements out of aeronautic resting spots in the desert, known as “bone yards,” and putting them into the hands of artists. Re-imagined by Brazilian graffiti artist Nunca, an abandoned DC3 comes to life with a striking picture of an eagle leading men through the skies, and the idealized dreams of flight are able to soar once again in our collective imagination. With a nod to the airplane graffiti and „nose art‟ that became popular during WWII, the project offers a vision of the wonder by which humanity takes to the air through some of the most prominent and acclaimed artists working today.

Round Trip: Selections from The Bone Yard Project, will include selections from the previous exhibition along with more than a dozen cones interpreted by artists new to this project. It will feature five monumental works created on military planes by a dynamic selection of popular graffiti and street artists from around the world. The curatorial team includes Medvin Sobio, an independent curator and consultant, and Lesley Oliver of the Scottsdale Museum of Contemporary Art, a longstanding figure on the Arizona art scene.

More than 30 artists have participated in Round Trip including DC Super 3 planes painted by graffiti artists How & Nosm, Nunca, and Retna, and a C97 cockpit by Saner, and C45 planes by Faile and Andrew Schoultz. Additionally, Nose Job artists Aiko, Peter Dayton, Shepard Fairey, Futura, How and Nosm, Mare, Tara McPherson, Richard Prince, Lee Quinones, Saner, Kenny Scharf, and JJ Veronis will be on display, along with new nose cones by artists Colin Chillag, Crash, Daze, Daniel Marin Diaz, Tristan Eaton, Jameson Ellis, Ron English, Faile, Eric Foss, Mark Kostabi, Lisa Lebofsky, El Mac, Alex Markwith, Walter Robinson, Hector Ruiz, Randy Slack, Ryan Wallace, and Eric White, among others.

The Pima Air & Space Museum is the largest non-government funded aviation museum in the United States, and one of the largest in the world. It maintains a collection of more than 300 aircraft and spacecraft from around the globe and more than 125,000 artifacts. The museum is located at 6000 E. Valencia Rd. , Tucson, and is open 9:00 AM – 5:00 PM daily. Round Trip is open to the public from January 28 through the end of May 2012. Further details may be found at www.pimaair.org.

Fun Friday 12.16.11

December 16, 2011 Arizona, Artists, Brooklyn, Events, Gallery, Norway, Nuart, NYC, Opening, Phoenix

1. Play a New Holiday Video Game from Chris Uphues – “Holiday Jingle Rocket”
2. “Rezolution”, a group show at Hive Gallery Tonight (Phoenix, AZ)
3. “Paranormal Hallucinations” at Pandemic (Brooklyn, Yo!) (Saturday)
4. David Choe and DVS1 for Nuart 11 (VIDEO)
5. “Images of the Year 2011” From Brooklyn Street Art (Video)
6. VINZ FEEL FREE. Don’t be afraid. Feel Free (VIDEO)

Play a New Holiday Video Game from Chris Uphues – “Holiday Jingle Rocket”

Street Artist Chris Uphues uses his signature characters to create this very entertaining game for you to play with while chugging eggnog and rum today as you drink and drive at your keyboard. Try to keep your sled flying over the houses without being hit by giant blobs of snow! It’s a winter blast!

Make sure to click on the link below to play the game:

http://www.megadoug.com/xmasgame/

“Rezolution”, a group show at Hive Gallery Tonight (Phoenix, AZ)

Chip Thomas AKA Jetsonorama and a number of other artists open today in a group show that is getting a lot of pre-buzz here and on Twitter and FB. It should be a great scene tonight at The Hive.

Chip Thomas and Breeze. (photo © Chip Thomas)

For further information regarding this show click here

“Paranormal Hallucinations” at Pandemic (Brooklyn, Yo!) (Saturday)

Pandemic Gallery has a new show “Paranormal Hallucinations” opening Saturday. including, among others, Deuce 7, Swampy and Egyptian Jason.

Swampy. (photo © Jaime Rojo)

A very fun group show to end out the season before everybody goes into the holiday haze, featuring some unsung gems in the Street Art and graffiti scene, as well as others, including CHARLIE MARKS R.I.P, LLEW payote, Deuce Seven, Egyptian jason, Matt CRABE, Josh and Amy Shandick, Mikey Big Breakfast, Conrad Carlson, G II, Ryan C. Doyle, Mikey I.T., Tamara Santibanez, Othello Gervacio, Mike. P, and Swampy (above).

For further information regarding this show click here

David Choe and DVS1 for Nuart 11 (VIDEO)

David Choe and DVS1 (Photo Courtesy of Nuart11 © Mookie Mooks)

“Images of the Year 2011” From Brooklyn Street Art (Video)

It’s been an excellent year for Street Art all over the world and we’ve had the pleasure of seeing a lot of great stuff from big names to the anonymous. Eye popping, brain-teasing, challenging, entertaining, aspirational and inspirational – it’s all happening at once. We’ve been walking the streets, meeting the artists, going to shows, curating shows, speaking to audiences, providing walls, and asking questions. It ebbs and flows but never stays the same. With the rise of the Occupy movement this autumn, we’re already seeing an uptick in the number of people taking their messages to the street with a renewed intensity.

VINZ FEEL FREE. Don’t be afraid. Feel Free (VIDEO)

“Images of the Year 2011” From Brooklyn Street Art (VIDEO)

December 14, 2011 Artists

Left to Right: Shepard Fairey in Manhattan, D*Face in LA, Ludo in Chicago, JR in the Bronx, Barry McGee at LAMoCA, Mosstika in Brooklyn. All photos © Jaime Rojo

Let’s take a look at some of our favorite shots, whether from a rooftop in Bushwick, Brooklyn, a block-long wall in Miami, or the “Art in the Streets” show at LA MoCA. As you sample this eye-candy platter, dig the staccato soundtrack made of sounds culled from Brooklyn’s streets by electro duo Javelin, who spent a day in the Red Hook neighborhood collecting sounds and then mixed them in the back of their car. This is the kind of D.I.Y. ingenuity that is fueling the fire in artists neighborhoods all over the world, with people taking their stories and skills directly to the streets. With Javelin as the perfect auditory partner here’s 90 shots by photographer Jaime Rojo from 2011.

The scenes and scenester included here: 5 Pointz, 907Crew, Sadue, Gen2, Oze108, Droid, Goya, UFO, Aakash Nihalini, No Touching Ground, Aiko, Martha Cooper, Anthony Lister, Boom, INSA, Miami, Primary Flight, LA Freewalls, Los Angeles, Kim West, Kopye, L.E.T., Purth, Lisa Enxing, Baltimore, Banksy, LA MoCA, Barry McGee, Blek le Rat, Broken Crow, Albany Living Walls, Chris Stain, Billy Mode, AD HOC Arts, Chris Uphues, Monster Island, Wynwood Walls, Creepy, Brooklyn Street Art, Jaime Rojo, Steven P. Harrington, Dabs & Myla, How & Nosm, Vhils, Dain, D*Face, ECB, El Sol 25, Elbow Toe, EMA, The London Police, Kid Acne, Will Barras, Enzo & Nio, Faile, Bast, Faith 47, Gaia Clown Soldier, General Howe, Hellbent, Herakut, Invader, JA JA, Jaz, Cern, Joe Iurato, Welling Court, John Baldessari, JR, Kenny Scharf, Knitta Please!, LMA Cru, LUDO, Mosstika, ND’A, IRGH, Labrona, Overunder, Nick Walker, NohjColey, Nomade, Occupy Wall Street, Os Gemeos, Veng, Chris, RWK, QRST, Radical!, Rambo, Retna, Gifted, Demon Slayers, Read, Booker, Read More Books, ROA, Shepard Fairey, Shin Shin, Wing, Skewville, Specter, Swampy, Sweet Toof, Swoon, Toofly, Various & Gould, VHILS, XAM, YOK, Pantheon Projects

Art Basel Miami 2011 : BSA Picks

November 29, 2011 Art Fair, Artists, Events, Florida, Gallery, Miami, On the Street, Opening

Miami is basically “South Brooklyn” starting right about now, minus the bagels, the B62 bus, and the compulsive habit of cutting you off mid-sentence. Artists, galleries, fans, party girls and boys, djs, – they all head south the first few days of December for the big fair and all the little ones.

It already seems a little quieter here because Fountain took the weirdos, Wynwood Walls took the Soho softshoes, and The Underbelly collected the hardcore characters just long enough to sign a book and scarf some pizza before looking for a tunnel somewhere. Art Basel is a feast and the draw of Street Art and graffiti continues apace this year, with entrants from all the strata looking for a wall, and maybe a party, and a honey to go skinny dip with.

We picked a few Street Art related gems here that you might want to hit, but even if you show up in Miami this week with no plans, you’ll easily find some trouble to get into, we trust. Do your best.

Underbelly Project

Photo © Ian Cox courtesy of The Underbelly Project

After a full year underground, The Underbelly Project is coming to Miami during Art Basel. A pop up gallery, the show will feature original artwork from many of the 103 international artists who participated in the hidden subway project in New York. The exhibition will feature a video piece of multiple installations happening simultaneously, as well as new pieces by many of the artists. Additionally a book signing of the first volume to come out about the project, published by Rizzoli, will take place on December 2nd. Artists participating in the signing include: Dabs & Myla, Rone, Gaia, Lister, Eric Haze, Joe Iurato, Adam Feibleman, Know Hope, Jeff Stark, Jason Eppink, Jim and Tina Darling, The London Police, Dan Witz, Specter, Surge and other surprise artists.

Included in the show are street, graffiti and fine artists alike. The full line-up includes: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.

THE UNDERBELLY SHOW
29 November – Press Preview 5pm/ Private View 7pm
30 November – Collector’s Preview 7pm
1 December – Secret Wars US vs. UK 6pm
2 December – General Opening 5pm and Artist Book Signing 6pm
The show will take place in the heart of Wynwood at 78NW 25th Street

SCOPE

Jonathan Levine Gallery At Scope with WK Interact, Aakash Nihilani, Olek, and Jason DeCaires Taylor

“Placing a focus on public art for this program, the gallery will present a series of works that highlight a diverse range of distinct styles, cultural perspectives and unconventional mediums. Each of the four artists selected represent fresh directions in creating work in public space through their innovative vision and inventive use of materials. Photography documenting their interventional imagery, sculpture, and performances convey the transformative effect their work has on its surrounding

Aakash Nihalani with Jonathan Levine (photo © Jaime Rojo)

Olek with Jonathan Levine (photo © Jaime Rojo)

WK Interact with Jonathan Levine (photo © Jaime Rojo)

:SCOPE-Miami, Booth E09
NE 1st Avenue @ NE 30th Street, Miami, FL 33127

November 29—December 4, 2011
Tues 11/29, 4—8pm | Wed 11/30—Sat 12/3, 11am—7pm | Sun 12/4, 11am—6pm

Mallick Williams Gallery at Scope with Skullphone and Curtis Kulig

Skullphone + Curtis Kulig will be showing work from their recent collaborations this fall.

Skullphone with Mallick Williams and New Image Art (photo © Jaime Rojo)

New Image Art Gallery at Scope

This year New Image Art is proud to present Retna, Cleon Peterson, Paul Wackers, and Maya Hayuk at Scope Miami 2011.

Check out Retna with New Image Art (photo © Jaime Rojo)

White Walls Gallery at Scope

White Walls will be hosting four booths at SCOPE, situated in the center of Miami’s Wynwood Gallery Arts District, featuring a MTN Colors Group show with APEX, Neon, Estria, Vogue, Blek le Rat, HUSH, Kofie and Chor Boogie, a White Walls Group show with Casey Gray, Ben Eine and Greg Gossel, and solo shows for both ABOVE and ROA. APEX, Eine, Kofie, ABOVE, ROA and Chor Boogie will also be painting at the Kohn compound on 24th street.

Ben Eine with White Walls (photo © Jaime Rojo)

ROA with White Walls (photo © Jaime Rojo)

Chor Boogie and Augustine Kofie (photo © Jaime Rojo)

For a full listing of exhibitors and events click here SCOPE

Wynwood Walls

Wynwood Walls is premiering 7 new Street Art murals and 16 new pieces at Wynwood Doors and walls outside.

Debuting in tandem with the new murals and installations during Art Basel this year on Tuesday, November 29, 2011, the “Shop at the Walls” the first Wynwood Walls Pop Up gallery space that will offer artworks and the new Wynwood Walls book.The book has interview with Street Artists and photography by Martha Cooper.

Artists include Retna, The Date Farmers, How and Nosm, Gaia (USA), Saner and Sego (Mexico), Liqen (Spain), Neuzz (Mexico), Nunca (Brazil), Vhils (Portugal), Interesni Kazki (Ukraine), Faile (USA) and b. (Greece). Kenny Scharf is expected to augment his existing wall, and remaining work from the last two years from Nunca, Shepard Fairey, Aiko, Ryan McGinness, Stelios Faitakis and avaf will be on display.

Walls Outside the Wynwood Walls, encompassing key locations outside of the actual art park itself and in the surrounding neighborhood, will be created by Friends With You (USA), avaf (Brazil and France), Nunca, and Interesni Kazki (Ukraine); joining works previously completed by Swoon and Barry McGee.

Location:
Wynwood Walls and the Pop Up Shop are located at NW Second Avenue – between Joey’s Italian Café on 25th Street and the art-filled Wynwood Kitchen & Bar on 26th Street – and are open to the public free of charge.

HERE COMES THE NEIGHBORHOOD: WYNWOOD (Video)

Fountain Art Fair

“Our preferred punk rock lopsided Anti-Fair.” —Brooklyn Street Art

This year Fountain Miami’s signature on-site street art installation is curated by Samson Contompasis, director of Albany’s The Marketplace, and will feature over 150 feet of work Street Artists including Sharktoof, Chris Stain, Olek, Hugh Leeman, Chor Boogie, OverUnder, White Cocoa, Army of One, Clown Soldier, Joe Iurato, CAKE, Tip-Toe, Elle, Ian Ross, Know Hope, Depoe, and Zero Cents.

Brooklyn’s own Mighty Tanaka Gallery is showing at Fountain Participating artists include: Adam Void, Alexandra Pacula, Alice Mizrachi, ChrisRWK, Ellen Stagg, Gigi Chen, Hellbent, Hiroshi Kumagai, JMR, John Breiner, Max Greis, Mike Schreiber, Robbie Busch, Skewville, TooFly, URnewyork, VengRWK & Miguel Ovalle

For a full listing of events and schedules click here Fountain Art Fair

December 1–4, 2011
2505 North Miami Avenue (at the corner of 25th St) | Miami, FL 33137
General Hours: 12pm–7pm daily
Tickets: $10 daily / $15 weekend pass. All tickets sold at door.

Primary Projects

A new exhibit debuting during Art Basel Miami Beach 2011

Thursday, December 1
Opening Reception
7:00 to 10:00 p.m.

RETNA, Jessy NITE, Stormie MILLS, Evan ROBARTS, Lena SCHMIDT, Luis PINTO, Andrew SCHOULTZ, Karen STAROSTA-GILINSKI, Kenton PARKER, TM SISTERS, Samantha SALZINGER, Emmette MOORE, Anthony LISTER, Charles KRAFFT, Tatiana SUAREZ, Edouard NARDON, Andrew NIGON, Johnny ROBLES and Lawrence GIPE.

For further information regarding this event click Primary Projects

Primary Projects
4141 NE Second Avenue
Suite 104
Miami, FL 33137

Living Walls is working with with Primary Flight, one of the original graffiti and Street Art mural projects, to create 3 new murals in the Wynwood District.

Participating Artists:

PULSE Fair

Andrew Edlin Gallery at Pulse with Elbow Toe

Joshua Liner Gallery at Pulse with Stephen Powers

For a complete list of exhibitors and schedules of events click here PULSE

Getting High on Public Space: Old Rollers and Urban Planning

June 23, 2011 Artists, Features, Manhattan, NYC, On the Street

Seen from the perch of the Highline, surrounded by a carefully curated urban wilderbush and postmodern biosculpture, the boisterous cacophony of the honking screeching streets below fades into a minimalist Phillip Glass plain, peppered with sharpened and sweet Sufjan Stevens sonnets and Nina Simone longings. Sometimes NYC is best viewed and enjoyed from its high points. Most of the city is up here anyway.

Summer streets are a swirling gritty brew of culture and commerce, happenings and happenstance. To have the opportunity to go to heaven without leaving earth or NYC for that matter is what a well designed public space like the Highline is successful at. Of course it took years of fostering, finagling, financing. A melding of vision and vitriol, the outcome has been an astounding urban oasis. Opened in June of 2009 it has been an instant success, attracting thousands daily.

A once abandoned carcass winding through this lower west side swath of Manhattan, the reclaimed former elevated freight railroad once connected factories and warehouses. Unused for nearly 30 years except by youthful graffiti artists and couples in love, it has debuted as on open pedestrian thoroughfare, a private and public place for citizenry, born from the vision of people and planners. As the second section opened last week the talents of so many are on display : architects, landscape designers, furniture designers, lighting designers and engineers all continue to work on its development (a 3^rd phase is in the works) exhausting the limits of their talents and imagination to make this urban gem; a work of art in a city famous for being a difficult place to make things happen.

Here is a taste of the visual experience on the new section and some of the neighborhood it rises above and amidst; Blending the architecture with a bit of archeology, you can see old graffiti that was on the walls of the buildings next to it. It ads relevance, and interestingly, a sense of history, complimented by new commissioned public art installed along the park’s pathways and today’s Street Art below. Despite efforts to pressure wash some of these burners and rollers, one can still appreciate the outlines of the tags and the remnants of the paint on the brick walls; strains of an eroded and beautiful decay rising from the orchestra.

Ms. Sze’s sculpture is for birds, butterflies and insects wtih perches, feeding spots and birdbaths. (photo © Jaime Rojo)

The Park has been successful for business below with some new impresarios bringing amusements for children and adults (next to these balloons there is the beer garden). (photo © Jaime Rojo)

For information about The High Line Park click on the link beow:

http://www.thehighline.org/

Images of the Week 04.24.11 MOCA LA Part II

April 24, 2011 Artists

Here’s Part II of our tour of the museum at the “Art in the Streets” show that opened a week ago at MOCA LA. The breadth and depth of the show must have blown away many of the potential critics, because the grousing never really materialized. For our part, the review on the Huffington Post of the show itself (Red Hot and Street: “Art in the Streets” Brings Fire to MOCA) and the images of stuff on the street in 4 0r 5 neighborhoods in LA (Hitting Up LA: The Streets Outside the Show) have been fodder for some conversation (and voting!) and it’s a blast to see how this graffiti/street art movement sparks such intense opinion and feelings.

MOCA Part II Images of the Week, this week featuring Banksy, Barry McGee, ESPO,Steve Powers, Craig Stecyk III, Ed Templeton, Freedom, Invader, Martha Cooper, John Fekner, John Ahearn, Kenny Scharf, Lee Quinones, Margaret Kilgallen, Nunca, Os Gemeos, ROA, and Swoon.

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Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Andrew Kaufman “I’m In Miami Bitch” ( photo © Jaime Rojo)

Banksy (photo © Jaime Rojo)

Vor138 (photo © Jaime Rojo)

Duke A. Barnstable (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Vexta (photo © Jaime Rojo)

Post Mortem (photo © Jaime Rojo)

Obey (photo © Jaime Rojo)

Roberta’s Bushwick (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

The Yok and Sheryo (photo © Jaime Rojo)

Paolo Cirio. Google Ghosts, (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Magda Love (photo © Jaime Rojo)

Mocks108 (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Kenny Scharf (photo © Jaime Rojo)

El Niño De Las Pinturas (photo © Jaime Rojo)

Buff Monster (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Dug (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Deeker (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

BSA Special Feature: “End of the Line”with Anthony Lister

Fasim: “Ephemeral Mural”

Kenny Scharf in The Boneyard

Special Bonus – Rock and Rock Dance Party

Kenny Sharf “Squirtz” 2013 (photo © Jaime Rojo)

Kenny Sharf “Squirtz” 2013 (photo © Jaime Rojo)

Kenny Sharf “Squirtz” 2013 (photo © Jaime Rojo)

Kenny Scharf “Squirtz” 2013 (photo © Jaime Rojo)

Kenny Sharf “Squirtz” 2013 (photo © Jaime Rojo)

Keith Haring. Untitled, 1982. Courtesy of and © Keith Haring Foundation. The Brooklyn Museum. (photo © Jaime Rojo

Keith Haring. Untitled, 1982. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Matrix, 1983. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Twenty Polaroid self-portraits with glasses painted by Kenny Scharf and Peter Schuyff, 1979-82. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Still from Lick Fat Boys. April, 1979. Vide0 3 min. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Still from Lick Fat Boys. April, 1979. Vide0 3 min. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Still from Lick Fat Boys. April, 1979. Vide0 3 min. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Still from Lick Fat Boys. April, 1979. Vide0 3 min. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo

Keith Haring. Untitled, 1982. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Cipher chart, 1971-73. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Wall papered with reproductions of hand collaged flyers to advertise shows that Keith Haring curated, 1981. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Detail. Courtesy of and © Keith Haring Foundation, The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Thirty untitled subway drawings, 1980-85. Private Collection. The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Thirty untitled subway drawings, 1980-85. Private Collection. The Brooklyn Museum. (photo © Jaime Rojo)

Keith Haring. Thirty untitled subway drawings, 1980-85. Private Collection. The Brooklyn Museum. (photo © Jaime Rojo)

The Retna Plane (photo courtesy of the curators)

THE BONE YARD PROJECT | PIMA AIR & SPACE MUSEUM | JANUARY 28 – MAY 31

Play a New Holiday Video Game from Chris Uphues – “Holiday Jingle Rocket”

Make sure to click on the link below to play the game:

“Rezolution”, a group show at Hive Gallery Tonight (Phoenix, AZ)

Chip Thomas and Breeze. (photo © Chip Thomas)

“Paranormal Hallucinations” at Pandemic (Brooklyn, Yo!) (Saturday)

Swampy. (photo © Jaime Rojo)

David Choe and DVS1 for Nuart 11 (VIDEO)

David Choe and DVS1 (Photo Courtesy of Nuart11 © Mookie Mooks)

“Images of the Year 2011” From Brooklyn Street Art (Video)

VINZ FEEL FREE. Don’t be afraid. Feel Free (VIDEO)

Left to Right: Shepard Fairey in Manhattan, D*Face in LA, Ludo in Chicago, JR in the Bronx, Barry McGee at LAMoCA, Mosstika in Brooklyn. All photos © Jaime Rojo

Underbelly Project

Photo © Ian Cox courtesy of The Underbelly Project

SCOPE

Aakash Nihalani with Jonathan Levine (photo © Jaime Rojo)

Olek with Jonathan Levine (photo © Jaime Rojo)

WK Interact with Jonathan Levine (photo © Jaime Rojo)

Skullphone with Mallick Williams and New Image Art (photo © Jaime Rojo)

Check out Retna with New Image Art (photo © Jaime Rojo)

Ben Eine with White Walls (photo © Jaime Rojo)

ROA with White Walls (photo © Jaime Rojo)

Chor Boogie and Augustine Kofie (photo © Jaime Rojo)

BSA Special Feature:
“End of the Line”with Anthony Lister

Thursday, December 1
Opening Reception
7:00 to 10:00 p.m.