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“Hit The North” Belfast 2024: Completed Murals, Part 2

“Hit The North” Belfast 2024: Completed Murals, Part 2

The “Hit the North” street art festival in Belfast is possibly Ireland’s largest street art event, established in 2013 by Seedhead Arts and the Community Arts Partnership.

This is our Part II compilation of works completed from the 2024 edition, an annual festival directed by Adam Turkington, who invites over 60 local and international artists to transform the city’s walls and create an urban gallery. The event features a live painting, workshops, and a fair amount of beer and culminates in a “paint jam” on Kent Street.

BSA was proud to be invited to Belfast to witness this grassroots organization at work, producing opportunities and fostering a genuine community spirit. The DJ, food trucks, and picnic tables in the streets create a festive atmosphere enjoyed by both artists and spectators​. With open hearts and a wide variety of styles that engage an impressive range of art fans on the street, “Hit the North” is a vital creative force for Belfast and Northern Irish culture.

Dalal Mitwally. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Dalal Mitwally is a multidisciplinary artist based in Amman, Jordan, and Rotterdam, Netherlands. Her work focuses on the interaction between art and public space, often addressing themes related to community and social issues.

Dalal Mitwally. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
RAZER. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

RAZER is a graffiti artist from Derry City, Ireland, and has been active since 2006. As a member of the Choke On It (C.O.I) crew and Altered Mindz Crew (A.M.C), his works are found not only on the streets of Ireland but also in locations across Europe, the United States, and elsewhere. RAZER’s art emphasizes themes of unity, self-expression, and the transformative power of graffiti​.

Joke. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Verz. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Verz Art is a street artist and street art consultant from Belfast.

Solus. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

You’ve seen this guy many times in New York, so we felt like we were back home, even though we were on his turf for the first time. Solus is a prominent Dublin-based street artist. Using spray paint as his primary medium, he paints walls and canvases and creates sculptures across Europe, America, and Asia.

Shona Hardie. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Shona Hardie is an artist from Edinburgh, Scotland, specializing in painting, illustration, murals, and spray paint. Her style combines acrylics and spray paint, focusing on portraiture and community themes, and she also works with pyrography and sculpture. Influenced by the Scottish festival scene and collaborations with businesses like The Scotch Malt Whisky Society and Innis & Gunn, her work often features dynamic and colorful compositions​.

Sophi Odling. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Sophi Odling. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
JMK. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Alex Nora. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Danni Simpson. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Danni Simpson is an Australian artist based in Belfast, Ireland, who specializes in commercial murals and illustrations. She is well known locally for her vibrant murals throughout Belfast and has worked extensively with school groups and communities.

Dreph. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Neequaye Dreph Dsane, known as Dreph, is a London-based visual artist renowned for his large-scale portrait murals and perhaps less known for the early graffiti roots that led him here. Born in Nottingham to Ghanaian parents, Dreph’s work celebrates the everyday heroes and heroines from African and Caribbean communities, highlighting their contributions to society. His “You Are Enough” series is well known on the streets of East London, featuring portraits of inspirational women. Dreph’s murals are characterized by their strong sense of community engagement, aiming to present narratives through his powerful visual storytelling​.

Dreph. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Qwynto. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Somewhere between Ireland and London, Qwynto brandishes his pop culture illustration style that brings character and gentle wit to large commercial projects, and small personal ones as well.

K.S. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Sweat Tears And The Sea. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Sarah, the creator and illustrator behind Sweat, Tears and the Sea, is inspired by personal experiences and stories of resilience and connection with nature. Her illustrative style is full of positive affirmations that remind her of what is important.

CODO. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Kilians Art. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Kilian, a graffiti artist based in Belfast, began his journey in 2009. Initially focused on traditional graffiti lettering for about a decade, he has since expanded his repertoire to include a variety of subjects. A version of this piece is also currently on Belfast’s Peace Wall.

Lucy Jasmine. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
Mack Signs. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Mack Signs, led by Cormac Dillon, is a team of mural painters based in Ireland specializing in traditional and modern mural art.

Ana Fish. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
NOYS. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Looks nice doesn’t it? Noys is a graffiti artist originally from Derrycity, and is renowned for his vibrant and dynamic works that blend traditional graffiti elements with modern artistic techniques. Active since 2009, Noys has developed a unique style and is dedicated to pushing the boundaries of street art and muralism.

Malarko. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Malarko is a street artist originally from Southeast London, known for his playful murals that are heavily influenced by low-brow art and early skate consumer culture. Malarko’s artistic practice extends to ceramics, where he creates pieces that merge popular culture with found objects, giving his work a unique and outspoken character.

Leo Boyd. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Leo Boyd is a Belfast-based street artist and screen printer known for his playful and experimental approach to art. Born in Hastings and educated in Bristol, Boyd moved to Ireland where he has been involved in various artistic endeavors, including residencies and exhibitions locally and internationally. Portraying scenarios from day-glo pop culture to surveillance capitalism and the absurdities of modern life, Boyd is a founding member of Vault Artist Studios and contributes significantly to the Belfast art scene.

HorHay Design. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)
FENZ. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

Fenz is an Irish mural artist based in Belfast.

David McMillan. Hit The North Festival. Belfast 2024. (photo © Jaime Rojo)

“Drum & Bass” – David J. McMillan is a Northern Irish illustrator and mural artist based in Bristol, England. His work is characterized by bold shapes, strong colors, and playful compositions featuring eccentric characters. McMillan draws inspiration from cities like Belfast and Berlin, incorporating quick, sketchbook-like mark-making into his pieces.

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Biancoshock Switches Colors of Graff Pieces: Conceptual Project on Others Work

Biancoshock Switches Colors of Graff Pieces: Conceptual Project on Others Work

In his latest theoretical and conceptual performance project with the graffiti tags of others, Biancoshock (formerly Fra. Biancoshock) switches the color palettes of two pieces that are located near one another to “demonstrate that interchanging the colors doesn’t change the result.

Over the last two years the artist has done 3 of these “actions”, as he refers to them. “I’ve interchanged the colors of the graffiti without modifying the outline of the pieces,” he says, explaining that he took special pains to research and find “the exact color tone in order to substitute the color of each piece.”

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Joke and Kream original work. Italy. (photo © Biancoshock)

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Biancoshock “Commutative” intervention on the original pieces. (photo © Biancoshock)

In Biancoshock’s view the resulting pieces are the equivalent of a provocation to the original writers. “The act is minimal but very strong because in the graffiti world this could be perceived as an act of blasphemy; almost like writing “TOY” on someone else’s graffiti. Possibly it’s even worse because is like a sacrilege to alter a graffiti done by another.”

But he says that evoking the ire of various writers by making these color switches without permission is not the aim of the project. “I’ve done this to demonstrate that even if the order of the colors is changed, the result doesn’t change. Biancoshock sites his own interpretation of the commutative property in arithmetic.

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Biancoshock at work on Joke and Kream works. (photo © Biancoshock)

And truthfully, we could agree with him until he made that statement, then the argument falls apart for us. “Graffiti are graffiti- they have a presence in the urban context, they have a story, a message, are signs of a passage – all independently of their more technical aspects, such as coloring or style,” he says,

“I believe that if I showed to the author of these graffiti pieces after many years these ‘modified’ pieces, they probably would not remember the color, but they certainly remember to have done that piece, because graffiti are for writers a little piece of their life, of personal history.”

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Spid and Fish original work. Italy. (photo © Biancoshock)

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Biancoshock “Commutative” intervention on the original pieces. (photo © Biancoshock)

It is an interesting project and it would be interesting to hear what the original author of these changed works would think.

But with all due respect, to say that the results are the same is to be color blind and insensitive to the characteristics which cultures and traditions have historically assigned to colors. Red may infer urgent danger to one person, but good luck to another. White calls to mind a funeral in some cultures, a wedding in others. For years baby showers featured a predominance of pink items for a new girl and blue clothes and toys for boys.

Also, need we mention that many artists have favorite colors or palettes, and it is doubtful that colors here are completely arbitrary and lacking in meaning to their original creators. He mentions piece are a little piece of the writers life and personal history, which is precisely the reason why colors will be important to them ultimately.

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Biancoshock at work on Spid and Fish works. (photo © Biancoshock)

In math a binary operation is commutative if changing the order of the operands does not change the result, but in this case the result has changed as well. We are not sure we can agree with the artist that the outcome is the same using different colors.

But congratulations to Biancoshock for this visually and intellectually stimulating project and our sincere thanks for sharing these exclusive images with BSA readers. Biancoshock also asked if we would post his statement as follows: “I apologize to Fish, Spid, Kream, Joke, Draco and Pant for this action, I hope they understand my purpose.”

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Draco and Pant original work. Italy. (photo © Biancoshock)

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Biancoshock “Commutative” intervention on the original pieces. (photo © Biancoshock)

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Biancoshock at work on Draco and Pant works. (photo © Biancoshock)

 

 

 

 

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