All posts tagged: Javier Abarca

The Tag Conference Hits Brooklyn

The Tag Conference Hits Brooklyn

May 13, 2023

Welcome to the first American celebration of graffiti studies.

The Tag Conference Brooklyn is set to be an impressive event, bringing together some of the most influential and pioneering voices in the field of graffiti studies. This groundbreaking event will take place on May 14th, 2023, in the heart of New York City. The conference focuses on the art of name-writing in public spaces and how it has evolved over time, with a particular emphasis on the history of American tagging.

The list of participants is impressive, including renowned scholars and storied professionals like Richard Goldstein, Joe Austin, Susan Phillips, and Carlo McCormick, as well as prominent graffiti artists with deep roots such as Steve ‘ESPO’ Powers, Alan Ket and Mr. Kaves. Events like this raise the consciousness and further establish the role of the mark-makers in shaping activism and influencing art – with positive and negative effects both fairly examined and interrogated. The conference also showcases the work of independent researchers and rogue archivists, providing a platform for their invaluable contributions to the field of graffiti studies.

The Tag Conference Brooklyn is an INVITATION-ONLY installment of the Tag Conference with a focus on contemporary tagging. Click HERE to read about the full program.

As graffiti continues to gain importance in both scholarship and institutional academia, the Tag Conference Brooklyn is a rather enthralling opportunity to explore this unsung art form and its impact on contemporary culture. With its focus on the history and evolution of tagging in New York City, this conference promises to be a landmark event, bringing together key voices from around the world for the first time in the United States.

The Tag Conference Brooklyn is an invitation-only installment of the Tag Conference with a focus on contemporary tagging.

THE TAG CONFERENCE BROOKLYN

NAME WRITING
IN PUBLIC SPACE

14 MAY 2023
NEW YORK CITY

RICHARD GOLDSTEIN, JOE AUSTIN, BILL DANIEL, CARLO MCCORMICK, SUSAN PHILLIPS, STEVE ‘ESPO’ POWERS, GREGORY SNYDER, FRANÇOIS CHASTANET, CHRISTIAN ACKER, ALAN KET, LACHLAN MACDOWALL, MR. KAVES, TOMMY REBEL, JAVIER ABARCA, EDWARD BIRZIN

“Where does American tagging come from, and how has it evolved? What special chapters in its history took place in New York City? How does tagging play with space, and how do artists play with tags?

The Tag Conference Brooklyn gathers an unprecedented lineup of speakers, including some of the key voices in American graffiti studies both underground and institutional, plus some special guests from Europe and Australia to discuss the unsung artform of tagging in the city that made it what it is today.”

‘THE TAG CONFERENCE BROOKLYN’

While the working field of graffiti studies is taking shape in Europe, its most veteran and fundamental voices hail from the U.S.A.

Industry City
33 35th St, Building 5
Brooklyn, New York
No entry fee

Directors: Edward Birzin (US), Javier Abarca (ES).
Chair: Susan Hansen (AU).

The Tag Conference is produced by the Unlock Book Fair team. The Tag Conference Brooklyn is an INVITATION-ONLY installment of the Tag Conference.

A full-format Tag Conference with an open call for papers is scheduled for June 29th to July 1st 2023 at the Museum for Hamburg History in Hamburg, Germany.

The exhibition “A CITY BECOMES COLOURFUL. Hamburg Graffiti History 1980-1999”, which runs from 2 November 2022 until 31 July 2023 at the Hamburg Museum, tells the story of the origins of this youth subculture in Hamburg.

Read more
“Punk and Graffiti”: Unlock & TAG 2018, Amsterdam : Javier Abarca Interview

“Punk and Graffiti”: Unlock & TAG 2018, Amsterdam : Javier Abarca Interview

December 11, 2018 , ,

Just completed this weekend in Amsterdam, a gathering of authors, readers, publishers, academics, and fans of graffiti and urban art all gathered in Amsterdam for the newest edition of the Unlock International Graffiti Publishing Fair and the TAG Conference.

Here graffiti and street art intersects with the world of publishing, specifically with books and zines and related obscure and/or scholarly publications known to relatively few. The list of publishers participating in this genre has steadily grown in the last few years to about 50 here; heavily Eurocentric at this point from countries like Netherlands, Russia, Germany, France, Australia, Japan, Czech Republic, the US and others.

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Previously hosted in Barcelona and Berlin, Unlock is coalescing around a growing interest in defining these movements from historical, artistic, and anthropological vantage points; documenting and even codifying an unruly canon of expression through discovery, sharing information, and teaching one another. Toward that end it also hosts talks, panels, and screenings – this weekend included speakers like Jens Besser, Suse Hansen, Hugo Kaagman, Carlo McCormick, and Diana Ozon,

Among the self-publishing authors represented at the fair this year are Adam Void and Chelsea Ragan, who have been operating a Graff Zine distribution / publishing house called Cut In The Fence. Mr. Void share’s with us today images of his new work, straight from the D.I.Y. / punk / cargo jumping scene that is always inter-marbled with graffiti and autonomous art making in the US, where he operates. Today we’re pleased to present a great interview with Mr. Void and Javier Abarca, the founder of Unlock, and who also is an artist, researcher, and educator.

TAG. Amsterdam 2018. (photo © Ka-Tjun Hau)

Interview with Javier Abarca by Adam Void:

Adam Void: Javier, in your 12+ years as a researcher and educator of graffiti and street art, what brought you to founding the Unlock Book Fair & the Tag Conference?
Javier Abarca: There is a whole scene of independent publishers working with graffiti and related fields an there was no meeting space for it. The idea immediately caught on, which showed there was a need for it. We also use the fair platform to advance the research on neglected but fascinating topics within the field. Last year we focused on hobo graffiti, this year we are delving into punk graffiti. We gather and display rare books on the subject, program talks and screenings about it and publish a companion book with obscure documentation.

TAG. Amsterdam 2018. (photo © Robin Vermeulen)

Adam Void:  How do you see the Unlock Book Fair differing from other zine fairs or celebrations of graffiti & street art?
Javier Abarca: Unlock is much like other book fairs, but it is focused on a particular field. It has little to do with other events related to graffiti and street art, which tend to focus on the production of commissioned artworks. Our job is independent research and documentation of furtive public art, mostly in the form of books and zines, but also screenings, talks, performances, etc.

Adam Void: This year’s showcase is focused on “Punk & Graffiti”, what are the core connected elements between these two cultures?
Javier Abarca: The core thread connecting punk and graffiti is of course the DIY ethics. Today graffiti has turned, to a great extent, into an act of consumption, but it used to be all about do-it-yourself. DIY is the defining quality of punk, of graffiti and of many other independent cultures.

Adam Void: Can you expand on this some? How do punk and traditional graffiti cultures exhibit the Do-It-Yourself ethos? What is the change you have seen in graffiti as of recent times?
Javier Abarca: Punk’s approach to creating music and graphic communication is of course quintessential DIY. And graffiti used to be that as well, kids had to find ways to hack the elements on hand –spraycans, markers, inks, the subway system– to create a fantastically visible city-wide graphic communications game starting from zero resources.

It is the specialized media –fanzines, then the internet– and the specialized market –with custom-made tools and materials of every kind– which have largely transformed graffiti from DIY to an act of consumption. People do not need to go out and seek the graffiti throughout the city to get inspired when a whole world of graphic references is just a few clicks away. And there is no more need to hack and customize tools –after learning how to do it from a mentor– when any specialized tool you can imagine is readily available and can be bought online.

TAG. Amsterdam 2018. (photo © Robin Vermeulen)

Adam Void: Most of the publications in the showcase are centered on punk & graffiti history. What do you see as the future for this element of graffiti?
Javier Abarca: Punk graffiti is mostly a thing of the past. The focus of the two “Punk Graffiti Archives” books we have published for the fair are the punk-originated tagging scenes that thrived in Amsterdam and Madrid in the late 70’s and 80’s with barely any knowledge of what was happening in NYC. These are largely ignored cultural treasures. Both cultures disappeared when the NY tradition of graffiti took over European youth through the 80’s. Punks may still write on walls, but graffiti as a culture is dominated globally by the NY tradition.

Adam Void: Unlock has exhibitors from all over Europe (19 countries), as well as Japan & the US. What are the main similarities and differences in the publications exhibited across this wide sampling?
Javier Abarca: Each publication is a unique, fascinating world. But most publishers work from a similarly independent, even DIY position, even if they are based in different continents. This means the possibilities and limitations they face tend to be similar, which can translate into their approaches and results.

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Adam Void: Are there other continents, countries, or parts of the world that you would like to get involved with the Unlock Book Fair and the TAG Conference? If so, how should they get in touch for next year?
Javier Abarca: Both the Tag Conference and the Unlock Book Fair are meetups of the international global scenes of graffiti research and graffiti publishing. They could take place anywhere. People can get in touch via email at info@unlockfair.com, or through our Facebook and Instagram accounts @unlockfair and @thetagconference. We are in conversation with people from a number of cities in Europe and America who have expressed their interest in hosting the events.

Adam Void: Will you share an anecdote from the three-year history of the Unlock Book Fair that best exemplifies the spirit of the event?
Javier Abarca: That would be the cantina. A central feature of the fair is the cantina serving complimentary, communal meals to publishers, speakers and staff. It is run by Unlock team member Akim, the Berliner legend of graffiti, street art and underground mischief, whose cooking abilities are well known in the scene. One of the main goals of the yearly Unlock Book Fair is to be a meetup of the publishing scene, and the cantina is its social heart.

Apart from this, the hilarious and fascinating readings and performances by team member Dumar NovYork –the legendary NYC bomber– are probably the moments that best portray the spirit of the Unlock Book Fair: knowledgeable, but just as fun.

Unlock Book Fair. Amsterdam 2018. Carlo McCormick was in da house. (photo © Rebecca Schaefer)

Adam Void: What have you seen at this year’s fair that brings you excitement about the current state of graffiti publishing?
Javier Abarca: The graffiti publishing scene is growing stronger and more interesting. It would be fair to say the Unlock Book Fair is playing a key role in this, in Europe in particular. A number of publishers have mentioned how this yearly meeting has become a motivation to put out more and better work, and how they leave the fair inspired by the contact with so many books and publishers. People are coming from as far as Moscow, Montreal, New York, Sydney, São Paulo or Tokyo to present their books, to talk, or simply to attend the fair and the Tag Conference.

Adam Void: What is next for you in your personal exploration in the dusty corners of graffiti culture?
Javier Abarca: Next year’s Tag Conference will again create space for the the study of barely known forms of name writing. There is a list of obscure topics we want to explore in coming installments of the Unlock Book Fair. And I am working on a new groundbreaking international project that will create more opportunities for shedding light on overlooked topics which deserve more exposure among specialized audiences. Stay tuned!

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Unlock Book Fair. Amsterdam 2018. (photo © Max van Boxel)

Cut In The Fence. Adam Void’s Misadventures and Musings. Train Brain. Unlock Book Fair. Amsterdam 2018. (photo © Adam Void)

Cut In The Fence. Adam Void’s Misadventures and Musings. Train Brain. Unlock Book Fair. Amsterdam 2018. (photo © Adam Void)

Cut In The Fence. Adam Void’s Misadventures and Musings. Raider Pack. Unlock Book Fair. Amsterdam 2018. (photo © Adam Void)

Cut In The Fence. Adam Void’s Misadventures and Musings. Raider Pack. Unlock Book Fair. Amsterdam 2018. (photo © Adam Void)

Cut In The Fence. Fishglue & MTN NGC. Unlock Book Fair. Amsterdam 2018. (photo © Adam Void)

Cut In The Fence. Fishglue & MTN NGC. Unlock Book Fair. Amsterdam 2018. (photo © Adam Void)

Cut In The Fence. Fishglue & MTN NGC. Unlock Book Fair. Amsterdam 2018. (photo © Adam Void)

 

Read more
Exposing Politics and Scholarship at “Open Walls Conference 2016” Barcelona

Exposing Politics and Scholarship at “Open Walls Conference 2016” Barcelona

November 23, 2016

Screenings, workshops, and talks – and murals of course.

brooklyn-street-art-open-walls-conference-2016-sixe-paredes-fer-alcala-web

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

These are the markings of at least some of the increasingly serious Street Art / Urban Art festivals that have emerged in the last few years thanks to calls for genuine scholarship and the creation of academic frameworks to help us understand something that began as a grassroots form of expression in the mid and late 20th Century.

brooklyn-street-art-open-walls-conference-2016-muretz-fer-alcala-web

Muretz. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

Open Walls Conference in Barcelona this year featured new public artworks by Dumar NovYork, Fasim, Muretz, Roc Blackblock, Sam3, Sheone, Sixe Paredes, and Syrup; a relatively small roster of artists compared to larger commercial festivals – and one that is heavily weighted toward local talents.

brooklyn-street-art-open-walls-conference-2016-sixe-paredes-fer-alcala-web-2

Sixe Paredes. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

But as an artist, researcher and educator in the fields of graffiti and street art, Javier Abarca will tell you that this fourth edition of Open Walls Conference holds the “conference” aspect on center stage, with heated debates about the politics of art in public space – and private space for that matter.

This years’ debate had as its central argument the propriety of bringing Street Art into the exhibition space, how, and under what circumstances. Among the questions posed were whether it is ethical to bring urban art into the museum or whether the arts true nature is to live out its natural life wherever it has been painted illegally.

brooklyn-street-art-open-walls-conference-2016-enrique-escandell-web-1

From Left to right: Elena Gayo, Christian Omodeo, Jorge Rodriguez-Gerarda and Javier Abarca during the panel discussion at the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell)

For fans, collectors, curators and artists in the Street Art world, this will sound like a familiar debate in light of an exhibition this spring in Bologna, Italy that was controversial to some because it contained illegal works taken from an abandoned factory.

The “Banksy and Co.” exhibit sparked a revolt by the artist Blu, who made a splendid show of his own by destroying others of his public artworks and inspiring the support of kindred painters to assist him, with some even holding a counter exhibition.

brooklyn-street-art-open-walls-conference-2016-enrique-escandell-web-2

The audience at the panel discussion during the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell

Says Abarca, who moderated the debate, “This year’s focus shifted on the very contentious topic of the conservation of public art pieces produced without permission, resulting in an extremely intense three-hour discussion in a packed auditorium where two opposed visions on the topic were scrutinized.”

On panel were one of the exhibition’s curators Christian Omodeo, along with artist Jorge Rodríguez-Gerada, and Elena Gayo, whom Albarca calls, “a prominent Spanish restorer and head of a think tank that for the last two years has developed a set of ethical parameters for the conservation of street art pieces.”

We all benefit from examinations and cogitations such as these, and it is good to see a level of popular support to attend discussions, panels, and lectures that help shape and codify our understanding of such a widespread art movement/practice.

brooklyn-street-art-open-walls-conference-2016-sheone-fer-alcala-web-2

Sheone. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

In addition the conference featured a publishing fair called “Unlock“, which was dedicated to graffiti and street art and gathered close to sixty publishers from Europe and America, a first for the field, say the organizers. Another first, they say, is the academic study of the British artist Banksy launched here in book form as Banksy: urban art in a material world, by Ulrich Blanché.

Finally the fair featured a lecture by British journalist Marcus Barnes, “who nearly went to jail last year for publishing a graffiti magazine,” says Abarca, as well as “a breathtaking reading of What Do One Million Ja Tags Signify? by Brooklyn artist and author Dumar NovYork.”

brooklyn-street-art-open-walls-conference-2016-sheone-fer-alcala-web-1

Sheone. (CLICK ON IMAGE TO ENLARGE). Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

brooklyn-street-art-open-walls-conference-2016-sam3-fer-alcala-web-1

Sam3. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

brooklyn-street-art-open-walls-conference-2016-sam3-fer-alcala-web-2

Sam3. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

brooklyn-street-art-open-walls-conference-2016-syrup-fer-alcala-web-2

Syrup. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

brooklyn-street-art-open-walls-conference-2016-syrup-fer-alcala-web-1

Syrup. (CLICK ON IMAGE TO ENLARGE). Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

brooklyn-street-art-open-walls-conference-2016-fasim-fer-alcala-web

Fasim. Open Walls Conference 2016. Barcelona, Spain. (photo © Fernando Alcalá)

 

brooklyn-street-art-open-walls-conference-2016-unlock-javier-abarca-dumar-novyork-web

Dumar NovYork reads from his book “What Do One Million Ja Tags Signify” at Unlock during the Open Walls Conference 2016. Barcelona, Spain. (photo © Javier Abarca)

brooklyn-street-art-open-walls-conference-2016-unlock-enrique-escandell-web-1

Scenes from Unlock the first Street Art Publishing Art Fair as part of the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell)

brooklyn-street-art-open-walls-conference-2016-unlock-enrique-escandell-web-2

Scenes from Unlock the first Street Art Publishing Art Fair as part of the Open Walls Conference 2016. Barcelona, Spain. (photo © Enrique Escandell)

 

 

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

 

This article is also published on The Huffington Post.
brooklyn-street-art-huffpost-740-open-walls-barcelona-2016-screen-shot-2016-11-23-at-3-23-28-pm
Read more

Featured Video | Martin Wong’s “Houston Street”

Recent Articles on BSA