BROOKLYN STREET ART LOVES YOU MORE EVERY DAYNew show by Mike Snelle is about death, and Swoon Carves a Human Skull
Memento Mori in Latin translates as ‘remember that you will die’
Street Artist Swoon spoke to us yesterday about the 18th century skull of a woman that she spent weeks carving for a new show of Memento Mori inspired art for the Museum of Curiousity. Gallery owner Mike Snelle has transferred Black Rat Projects and is now dedicating his time to this curious effort, one which Swoon says has captured his attention for a while.
“Mike set up the Memento Mori show because he has kind of long been obsessed with how people reckon with their own mortality,” Swoon explains in her Brooklyn studio, “He studied philosophy at Cambridge partly out of an obsession with all of these kinds of questions like, ‘how do we die?’.”
In fact Memento Mori refers to a number of traditions throughout many cultures (German, Victorian, Mexican, Tibetan, others) of examining death and its role in our lives. The new group show is perhaps a more frank look at death than some of the traditions – but even those contain elements of light-hearted humor, so that may be an incorrect characterization.
Swoon. “A Slender Thread” Hand carved human skull, Book, Paper Cut Outs, Pill Bottle. (photo courtesy © Museum of Curiosity)
“It’s about wonder,” explains Mike as he speaks about the dream reliquary sculpture Swoon spent a week installing, “This exhibition mixes historical objects with contemporary interpretations of the theme and brings together an extraordinary selections of artworks.” Later he rattles off a list of other curiousities guests will see that include a hippo skull, a taxidermied ostrich from 1785, and paintings and carved human skulls commissioned specifically for the show.
And what about Swoon’s new contribution, a carved skull design that includes a symbolic birthing and her distinctive hand designs emanating from the natural lines and curvature of the cranium?
“I was wondering ‘what subject matter is befitting of this, something of this gravity?’ ,” she says of the carving project on this skull that came from a trader of artifacts who assured her of its rightful origins, “So I thought about it and I thought that the only thing that seemed to make sense was to draw a birthing scene. So I ended up doing the birthing scene and then created a lot of patterns around it.”
The Connor Brothers take a decidedly humorous and ironic approach to the Grim Reaper. “Death Calls” Acrylic on canvas. (photo courtesy © Museum of Curiosities)
While she was deeply interested in the project and is gratified with the results, she felt a certain sense of weight was upon her during the experience – partially because of the subject matter and partially because of her own examination of mortality, her family, her experiences. Naturally all of these elements contributed to the outcome, including the choice of the accompanying book and medicine bottle that she chose to adorn and serve as foundation for the skull.
“I really felt that I was re-sacrifying the remain. It was already in a museum. That was why I thought long and hard about what kind of a scene could really be equal to the subject matter, because you don’t feel like it is something that you can do casually. So one of the German traditions is that they often put it on a Bible. But at the time I was carving it I was looking at my bookshelf and I took down a book that is called “The Slender Thread”. It is about a woman who worked on a suicide hotline and about her experiences with trying to talk people down from suicidality,” she says as describes the serious considerations that went into her choices.
“I was thinking about this woman’s work and about my own thoughts about mortality and people’s relationship to that in their own life and so that became the book that I used.”
Dr. Viktor Schroeder Memento Mori With Heilige Schrift, 2013. Cast human skull, 19th Century Bible, Victorian syringe and pocket watch , taxidermy butterfly. (photo courtesy © Museum of Curiosity)
Brooklyn Street Art: That is some powerful imagery and symbolism that you chose to work with. What did it feel like – what kind of relationship did you have to the skull over this period of time? What was it like to let go of it?
Swoon: I was really glad. It wasn’t easy. It wasn’t an easy piece, you know? It felt like there was a heaviness that is not present in almost any other work that I have done and I was glad to be done with it. Like I said, you chose to be in the process of contemplating mortality and this has been tied into my own process of trying to understand.
In all creative endeavors there is a certain amount of anthropological and historical at play and Memento Mori may be more so, even as it sometimes includes humor by way of bringing to the fore a topic that many modern Western cultures find difficult to grapple with.
“It is a really respectful treatment of the subject,” says Swoon of her contribution, “ and it is out of a serious inquiry.”
From the Dance of Death by Michael Wolgemut (1493)
18th Century Memento Mori, Carved Human skull. (photo courtesy of Museum of Curiousity)
Artists exhibited for Memento Mori include:
Butch Anthony, Jake & Dinos Chapman, Mat Chivers, Darren Coffield, The Connor Brothers, Nancy Fouts, Tom Gallant, Keaton Henson, Heretic, Saira Hunjan, James Lavelle, Michal Ohana-Cole, Marcos Raya, Dr. Viktor Schroeder, Jim Skull, Paul Stephenson, Kai & Sunny, Swoon, Ian Wilkinson, Brian Adam Douglas and AVM Curiosities.
Memento Mori Opens on May 17th and continues until June 20th. 15 Bateman Street, Soho, London.
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