“I didn’t know Christian and Patrick personally at the beginning of the project,” says graffiti writer/artist EGS, “but then we met and went spraying together.”
So many relationships on the street begin as easily, but this one is in service of a greater contemporary art effort – The Versus Project.
Now unveiling Part 2 of their collaborative canvasses exhibition here at Urban Nation’s special project space, Munich’s Patrick Hartl and Christian Hundertmark (C100) have combined their more painterly efforts as Layer Cake since 2015.
Reaching out to long-term and newer associates from the graffiti scene, they have been trading canvasses and ideas, and techniques for the last few years to discover how to work with others in a unique collaboration quest.
“The work on the canvases was very slow,” says EGS in the printed description of his participation in this second exhibition here. “One applied a layer of paint and then waited months again until it went on. But I wanted to take this time because the project was very close to my heart.”
“I’m super happy with the finished paintings and don’t even know who painted what in the end – that feels super. Working on the canvases together and sending them by mail seems extremely important to me in this age of digitalization, where everything is about speed It’s nice to send and receive art that’s measured by weight – not gigabytes.”
Here is a selection of the canvasses on display in the gallery now – each has its own fusion of minds and methods, an encoded presentation that contains the mark of two, presented as one. “In this way, an artistic dialogue is created,” say the project leads, “the canvases become the platform for a discussion on a painterly level – in this case by artists currently or formerly active in style writing from different generations, countries, and continents.”
The Versus Project 2 presented by Urban Nation and Layer Cake is currently open to the general public at Urban Nation Project Space in Berlin. Click HERE for additional information.
The brilliant Patrick Hartl & Christian Hundertmark (C100) have been at the graffiti/street art/contemporary art nexus for much of the last decade, delineating the boundaries, and then artfully shifting them.
A multi-year project now welcoming guests at Urban Nation’s Special Projects space in Berlin reveals the imprecision of terminologies and commonly-used nomenclature in this period of hyper-hybridization.
Mick La Rock/Aileen Middel VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
When you consider the volley of influences that bounce and collide on metro cars and street walls and digital screens these days, it makes sense to describe the experimentation now afoot as a dialogue. As the Munich-based duo called Layer Cake, the two artists have been doing exactly that with one another’s art for a half dozen years.
“One begins to paint, the other reacts,” say Hartl and Hundertmark in their recent interview for the UN website. “Thus (we) conduct an artistic dialogue. The marker asks a question, the paint can answers, the brush completes or provokes,” they say, “until both artists agree that the mural is finished.”
It is not an automatic process for graffiti writers to create work this way; as one of the basic tenets of the street, you don’t go over someone else’s work unless you mean to show disrespect or provoke a battle.
Drawing upon an eclectic selection of participants with experience on the street, the two act as curators of the new show called ‘Versus’. The rules are similar to their personal practice – produce a collaborative piece with another artist whose style and references may not match yours directly – with each contributor agreeing when the piece is complete.
The clashing and crashing can be seen on the canvass as each new addition rebalances the abstraction, and not everyone was sure it would work.
Bisco Smith VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
Artist Flavien Demarigny hesitated to participate versus Layer Cake because he wasn’t sure if he could work with their style that often incorporates calligraffiti techniques, he says. “As it is a major ingredient of Layer Cake‘s visual language I wasn’t sure if I was the right fit for it,” he says in a Facebook post.
“Then I remembered this is precisely what collaborations are about: pushing your limits, opening your perception, and create together new horizons. As a result, we started three collaborative pieces and one came out fantastic, which we decided to present in this show. Their choice of sticking to the repetitive pattern of my style was the wise one, so the two vocabularies can interact, as accidents make it unexpected and create the poetry of it.”
Dave The Chimp VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
With 13 different artists passing canvasses back and forth – each adding and subtracting, obliterating and augmenting, they say that at the root of the process was a rule not to consult, but rather, react.
The results fairly wrestle under the constraints, each cutting forward, marking and gesturing and claiming space on the canvass. These works illustrate the tension you may associate with the harshly pounding street in cities, sometimes still glittering insistently despite the struggle.
Usugrow VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
“It is not easy to make an intervention in someone else’s painting,” says graffiti style-writing veteran Mick La Rock of her ingrained hesitancy during the art-making process. “You want to avoid taking the painting over and make it your own style. Every part I added to the painting was thought over at least ten times before painting it,” she says in an interview for the show.
On view in the Special Projects room near the museum, “Versus” is a sharp reminder of the community that joins together on walls and surfaces all over the world. Each style challenges the one next to it, sometimes holds it accountable, other times revealing its true nature. The curators say “The Versus Project is an artistic experiment in communication, challenging dialogue, the struggle for a final form.”
Chaz Bojorquez VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)Wandal VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)Flavien VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
PARTICIPATING ARTISTS:
Layer Cake (Patrick Hartl und Christian Hundertmark aka C100), Chaz Bojorquez (Los Angeles / US), Mick La Rock / Aileen Middel (Amsterdam / NL), Sebastian Wandl (München / DE), Dave the Chimp (Berlin / DE), Bisco Smith (New York / US), Vincent Abadie Hafez (Zepha) (Toulouse / FR), Formula 76 (Hamburg / DE), Usugrow (Tokio / JP), Bust (Basel / CH), Jake (Amsterdam / NL), Egs (Helsinki / FI), Imaone (Tokio / JP) und Flavien (Apt / FR).
“The Versus Project” curated by Layer Cake is currently open to the general public at the Urban Nation Project Space. The exhibition will be on view until December 31, 2021. Click HERE to find more information about the exhibition, Covid protocols, and schedule.
Project space of the URBAN NATION Museum, Bülowstrasse 97, 10783 Berlin
As the scourge of financial immorality continues to sprint at top speed through the hallways of power the street artist commentaries are addressing the issue in a concrete fashion.
Here Street Artist Ronzo installs a “Credit Crunch Monster” in a film reminiscent made in the style of silent films during the Great Depression.
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Saturday Night Live Brings Back Previous Presidents to Talk to Obama
“I’ve come back from the dead to tell Mr. Reach-Across-The-Aisle here to grow a pair,” Reagan says.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
