All posts tagged: Jaime Rojo

Dmitri Aske Gives Tribute to “Colleagues” in Moscow

Dmitri Aske Gives Tribute to “Colleagues” in Moscow

Great to see this new print by Russian graffiti/street artist Dmitri Aske (aka Sicksystems), who has been on the street since 2000 and has developed his fine art practice in studio, in commercial projects, and on large scale murals in recent years. A modern stained glass motif freezes the action of the mundane, catching a moment like a photograph, his figures are transmitted into archetypes in a modern scene.

Dmitri Aske

A student, editor, and lecturer on the Russian graffiti scene, Aske gave us a rare and unexpected personal tour of some of his favorite spots one afternoon in Moscow when we were there to curate at the Atmosphere Biennale in 2018. His ease transversing the margins of the city included revealing hidden walls and stopping into a gallery to show us interactive digital works. This multi-discipline approach is illustrated by his defined colorful graphic approach to mosaic reliefs made of plywood, large-scale murals, and sculptures in public and private.

Here in this new print issued by Winzavod Art Center in Moscow, Aske captures the staid, proforma stances of gallery-goers contemplating the work of an artist, in this case his own. By placing himself in the situation, he is showing you his world, and ours – without outward expression, but capturing the subtleties of spatial relationships and body language that may be expected in the formalized atmosphere of a museum or gallery.

Dmitri Aske

In fact, the new print is a distillation detail from a larger mural work he completed on the campus of Winzavod, a public/private exhibition complex in Moscow that serves as a social and educational platform for discovery and discussion of the legacies of graffiti and street art as they transition into all manner of urban contemporary art.

“Recently, I’ve made a new mural at @winzavod in Moscow (approximately 7x30m, 210m2). It’s called ‘Colleagues’ and is dedicated to viewers, art collectors, curators, and artists, people who are both my peers and whom Winzavod was made for,” he says.

Dmitri Aske
Dmitri Aske
Dmitri Aske
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BSA Film Friday: 02.18.22

BSA Film Friday: 02.18.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. BSA Special Feature: ‘Gold Mine’ by Pejac
2. Graffiti & Jail: Doug Gillen and FWTV
3. Said Dokins, Cix, and Spaik: Memoria Canera

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BSA Special Feature: ‘Gold Mine’ by Pejac

Pejac recently completed a series of interventions within the oldest prison in Spain, the Penitentiary Center of El Dueso. Located at the entrance of artist’s hometown of Santander, overlooking the Cantabrian sea and surrounded by marshes, the prison built at the beginning of the 20th century on the remains of an old Napoleon’s fort was another challenging setting to carry out his poetic interventions.

For 11 days, its walls, courtyards, and corridors became the artist’s workplace, giving life to the Gold Mine project in that sense. The project integrates three singular pieces, which as a whole represent the value of the human condition, its resistance to adversity, the need to create, and its desire, above all, to leave a mark.

“A prison itself is a place wrapped in harsh reality and at the same time, I feel that it has a great surrealist charge. It is as if you only need to scratch a little on its walls to discover the poetry hidden inside.” PEJAC


Graffiti & Jail: Doug Gillen and FWTV

And on another side of the coin, Doug Gillen of FifthWall TV talks about graffiti and street artists who go to prison as punishment for doing illegal graffiti on the streets.


Memoria Canera

Said Dokins, Cix, and Spaik: Memoria Canera was part of a three mural series made by the outstanding Mexican Street Artists Said Dokins, Cix, and Spaik at the Maximum Security Penitentiary in Morelia, Michoacán.

The project intended to shed light on a discussion about Cultural Rights and how artistic and cultural practices can be a valuable tool to mediate against exclusion and marginalization. By disrupting the space with color and text, symbols and patterns, the environment is transformed. The new murals are “Puedes Volver a Volar” (You can Fly Again) by Spaik, “Estado Mental” (Mental State) by Cix, and “Memoria Canera” (Memories from Jail) by Said Dokins.

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“No Room For Racism” Begins Right Where We Are

“No Room For Racism” Begins Right Where We Are

We were just looking at this piece by graffiti writer and mixed media artist Greg Lamarche aka Sp.One, and we were reflecting that art-making and advocating for social/political change can be a one-person brigade.

Greg Lamarche (image courtesy of the artist)

We’re also reminded that borrowing from advertising campaign techniques doesn’t always mean selling wars or shampoo; sometimes it is a powerful force for changing society in a positive way.

The Premier League and other sports organizations have tackled racism head-on with the “No Room For Racism” campaign, and continue to do so. This active allyship with all our brothers and sisters is what must happen if we are to effectively combat our historical legacy, and you never know what your one resolute action will do, or how far it will travel.

No Room For Racism. (image courtesy of the Premier League)

American football player Colin Kaepernick stuck to his convictions and used his position to do so, and this past Sunday rapper Eminen used his influence during the Super Bowl. Action takes many forms: Rock Hill South Carolina just began its “No Room For Racism” college basketball classic in December, and T-shirt maker Teepublic dedicates a whole line of shirts that focuses on fighting racism graphically – the people wear those t-shirts to parties, to work, to the grocery store.

Person by person, sport-by-sport, game-by-game, people are being confronted and reminded. These are sometimes purely individual changes, but they send important messages to our peers and future generations.

Rapper Eminem takes a knee behind Dr. Dre at Super Bowl halftime show this past Sunday. (©Ben Solomon for The New York Times)

In this article about a recent act of racism in the sport of ice hockey, Canadian professional defenseman P.K. Subban reminds us, “But people have to start with their friends and their family. That’s where it comes from. But fans too. We need fans and everybody to make this a place where everyone feels comfortable.”

Sitckers. Fire Cracker Press
No Room For Racism. Australian sticker.
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Manyak’s Transformative Perspective in Paris

Manyak’s Transformative Perspective in Paris

Transfigurative. Transmutative. Transformative.

Welcome to Manyak’s world.

Manyak in collaboration with L’association Art Azoï. Paris, France. (photo © Michele Garnier)

The Paris-based graffiti writer and aerosol transformer has been active around the world since the 1980s and has been anamorphosing letters and his home city once again with a scene of industrial destruction/deconstruction caught mid-collapse.

Manyak in collaboration with L’association Art Azoï. Paris, France. (photo © Michele Garnier)

Fresh from his successful exhibition with Aloha, Neok, and Raeone at Garlerie 59 Rivoli, Manyak here takes his brilliant mind outside again to paint with L’association Art Azoï.

It can be a serious challenge to coax some margins of the city alive, but Manyak has the experience and unique ability to create a vibrantly dimensional fantasy scene – even with a pile of broken concrete in a bombed out lot. Here the challenge is to transform this long expanse in Paris – and the length of the piece is difficult to capture well in its totality, so we bring you these details of his new work, courtesy of photographer Michele Garnier.

Manyak in collaboration with L’association Art Azoï. Paris, France. (photo © Michele Garnier)
Manyak in collaboration with L’association Art Azoï. Paris, France. (photo © Michele Garnier)
Manyak in collaboration with L’association Art Azoï. Paris, France. (photo © Michele Garnier)
Manyak in collaboration with L’association Art Azoï. Paris, France. (photo © Michele Garnier)
Manyak in collaboration with L’association Art Azoï. Paris, France. (photo © Michele Garnier)
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Valentines Day 2022

Valentines Day 2022

Let’s be fools in love, shall we? Let’s be exuberant in our love for this city, this life, this opportunity.

Life only happens once. Let’s fall in love with it.

Happy Valentine’s Day to the whole BSA family.

Claudia La Bianca (photo © Jaime Rojo)
Cupid (photo © Jaime Rojo)
Cody James (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Adam Fujita (photo © Jaime Rojo)
Sone Man (photo © Jaime Rojo)
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BSA Images Of The Week: 02.13.22

BSA Images Of The Week: 02.13.22

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Welcome to BSA Images of the Week.

The media is beating the war drums again. Where are we being led this time? Truckers protesting vaccine and mask mandates at the border with US|Canada are being painted as kooks, but most are vaccinated – they just don’t want the governmental overreach. Truckers are forming a ‘freedom convoy’ in Paris. Kooks again? New Zealand and Australia too? Oh heck let’s just watch the Superbowl. It will be fun to watch the fans reaction to a half-time show of Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige, and Kendrick Lamar.

You could watch the Olympics on you screen – and who doesn’t love those amazing athletes? So inspirational. Problem is there are so many reports across the media that Beijing is quashing dissent (NYT, Human Rights Watch, The Guardian) so its hard to separate the place from the event. The banner for this week’s collection is a sticker we saw in Berlin in October – and it’s small but shocking.

Meanwhile here in the city we’re dropping indoor masking in a number of places, and Covid cases are dropping like Kamala’s presidential expectations. So people don’t have to wear masks, but deer do? Our new Vegan mayor is giving school children Vegan Fridays for lunch and taking the bus to work – at least in his new commercials. Think Bloomberg did the same with the subway when he began too. Also, guess he called white people “crackers” way back in 2019.

No wonder our street art is frequently conflicted – full of beauty, rage, disgust, confusion, fear, flaunting, hope, and poetry. It’s a mirror to us collectively, individually.

And here’s our weekly interview with the streets, this week in Berlin, New York and Miami, featuring Tona, Batmanxi, Lahoedealer, Artist Diaz, Anne Baerun, Tinkers Trumpf, FCK WRS, C.M.B., Kiez Miez030, Huckleberry Fuckup, and Roberto Rivadaneira.

The Red Chair. Unidentified Artist. Berlin. (photo © Jaime Rojo)
Batmanxi. Berlin. (photo © Jaime Rojo)
#LAHOPEDEALER. Miami. (photo © Jaime Rojo)
Artist Diaz. Miami. (photo © Jaime Rojo)
Anne Baerun. Berlin. (photo © Jaime Rojo)
Unidentifed artist. Berlin. (photo © Jaime Rojo)
An unidentified artist in New York. According to the CDC, suicide rates declined in the USA during the COVID Pandemic, while the suicide deaths for young adults males and People of Color saw an increase. (photo © Jaime Rojo)
Santa Cruz. Berlin. (photo © Jaime Rojo)
Unidentifed artist. Berlin. (photo © Jaime Rojo)
Unidentifed artist. Berlin. (photo © Jaime Rojo)
Tinkers Trumpf. Berlin. (photo © Jaime Rojo)
Unidentifed artist. Berlin. (photo © Jaime Rojo)
Tona and Batgirl. Berlin. (photo © Jaime Rojo)
Unidentifed artist. Berlin. (photo © Jaime Rojo)
FCK WRS. Berlin. (photo © Jaime Rojo)
Unidentifed artist. Berlin. (photo © Jaime Rojo)
C.M.B. Berlin. (photo © Jaime Rojo)
Kiez Miez030. Berlin. (photo © Jaime Rojo)
Huckberry FuckUp. Berlin. (photo © Jaime Rojo)
Unidentifed artist. Berlin. (photo © Jaime Rojo)
Roberto Rivadaneira. Urban Nation Museum Berlin. (photo © Jaime Rojo)
Taking concrete steps in Brooklyn, NY. (photo © Jaime Rojo)
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Pejac Transforms Decay With a Fine Brush in Madrid

Pejac Transforms Decay With a Fine Brush in Madrid

“A minimalist artwork charged with surrealism,” says the press release about this new street art piece by Madrid-based Pejac in his city. Taking the opportunity of disrepair as an expanse in the imagination, the tiny forms are ant-like in their industry with flake paint providing oddly shaped morsels to save or cavort with.

Here in the neighborhood of Antoñita Jiménez, the artist adorns the exterior of the new VETA Gallery, perhaps as a meditation on artists role in gentrifying parts of cities – drawing attention to a place generally overlooked. In the southernmost area of the city, “this traditionally working-class neighborhood is one of the most diverse areas of the capital.” That is usually how it begins.

Pejac. “Everything Is Relative”. Madrid, Spain. (photo courtesy of the artist)
Pejac. “Everything Is Relative”. Madrid, Spain. (photo courtesy of the artist)
Pejac. “Everything Is Relative”. Madrid, Spain. (photo courtesy of the artist)
Pejac. “Everything Is Relative”. Madrid, Spain. (photo courtesy of the artist)
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BSA Film Friday: 02.11.22

BSA Film Friday: 02.11.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Global Street Art: “Cultural Vandals”?
2. DOES: Cement Graffiti piece at Amsterdam’s STRAAT Museum
3. New Border. Imagine a different kind of Southern Border between the USA and Mexico.

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BSA Special Feature: Global Street Art: “Cultural Vandals”?

Calmer, more measured perhaps, and still pissed off at those who appropriate the culture and then mow it over, here’s Doug Gillen examining a community led mural program being dissed by a fast food corporation in Cardiff, Wales. More alarming perhaps are the middle people who smooth the path and take a cut, according to this new episode of Fifth Walls, called “Cultural Vandals”.

DOES: Cement Graffiti piece at Amsterdam’s STRAAT Museum

An unusual feat of art-making that brings his piece into another dimension, DOES builds up the foundation for his lettering with a carefully applied layer of cement. STRAAT Museum has the story and DOES brings the skillz.

New Border. Imagine a different kind of Southern Border between the USA and Mexico.

The project is called “New Border” and it proposes a constructive alternative bilateral, ecological and humanistic solution to the wall erected (in part) under the Trump administration on the decaying US-Mexican border.

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Indecline Vs. Making Bill Cosby a Great Show Time

Indecline Vs. Making Bill Cosby a Great Show Time

We need to talk about men who abuse power, are supported by people looking the other way, and who expect to get away with it. This is not the Stone Age and we hold people accountable when they abuse women sexually – is that a revolutionary idea?

It’s a familiar critique in this new billboard-jacking by anonymous INDECLINE, who corrects the sentiment of Showtime’s ad for a shock-u-mentary series they’re promoting at the moment, and presumably profiting off of.

Gen Z grew up distrusting everyone, and who can blame them. Even foundational issues that affect our daily lives are sensationally packaged and sold.

Original billboard. Hollywood, California. (photo © Indecline Official)

We also need to talk about so-called “media” who try to coat their profit motive with a sheen of “journalism” or “community service”.

The corporate media quiver with excitement every time a new war is on the horizon. They dutifully “reported” with feigned outrage the orange man as he degraded his office, attacked our institutions, and debased everyone in his path daily, hourly – covering each sad development without true examination till the next commercial.

Indecline. Hollywood, California. (photo © Indecline Official)
Indecline. Hollywood, California. (photo © Indecline Official)

Like comedian Michelle Wolf said in that famous White House correspondents dinner a few years ago, “ I think that no one in this room wants to admit that Trump has helped all of you… he’s helped you sell your papers and your books and your TV. You helped create this monster and now you are profiting off him.

“The billboard was vandalized late Sunday night and is located on Fairfax Avenue & 6th Street,” the group says in an email, adding “We needed to talk about Cosby decades ago.”

Indecline. Hollywood, California. (photo © Indecline Official)
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Lakes, Mountains, Iron and Daniil Danet at Palace of Culture Zakharova, Kasli, Russia

Lakes, Mountains, Iron and Daniil Danet at Palace of Culture Zakharova, Kasli, Russia

A sophisticated layering of pieces and decorative patterns create a very effective feat of perspective on this new wall in the Chelyabinsk region, Russia, by artist Daniil Danet at the “Our Mural” festival organized by Graffiti Russia.

The apexed crescents frame a picturesque fishing scene and his added textures borrow from traditional decorative iron arts and street graffiti techniques – an act of equating vastly different histories that is common for those born into the Internet, as Daniil surely was.

Daniil Danet. “Our Mural”, Graffiti Russia Festival. Kasli, Russia. (photo courtesy of the artist)

He says that the city of Kasli (pop. 16,000) in southwestern Russian Federation is a reflection of the lakes and the Ural mountains that surround it – as well as the culture and industry that grew up around the iron plant and the iron castings it is famous for. Not to mention its proud heritage of sculptures.

Daniil Danet. “Our Mural”, Graffiti Russia Festival. Kasli, Russia. (photo courtesy of the artist)

“In the drawing, I combined these two elements into one through abstract fragments and thematic composition,” he says. “The main plot is a fisherman who fishes in the vicinity of the lake, enjoying the recreational areas of the city. And in the texture of the lake, patterns of Kasli casting from forged metal, rich in decorativeness, can be traced.”

Daniil Danet. “Our Mural”, Graffiti Russia Festival. Kasli, Russia. (photo courtesy of the artist)
Daniil Danet. “Our Mural”, Graffiti Russia Festival. Kasli, Russia. (photo courtesy of the artist)
Daniil Danet. “Our Mural”, Graffiti Russia Festival. Kasli, Russia. (photo courtesy of the artist)
Daniil Danet. “Our Mural”, Graffiti Russia Festival. Kasli, Russia. (photo courtesy of the artist)
Daniil Danet. “Our Mural”, Graffiti Russia Festival. Kasli, Russia. (photo courtesy of the artist)


Area: 216 sq m, 24x9m
Location: Palace of Culture. Zakharova, st. Lenina 16, Kasli city, Chelyabinsk region, Russia
Organizers: festival “Our Mural”, Graffiti Russia

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Urban Art and Science, Twee Muizen in Barcelona

Urban Art and Science, Twee Muizen in Barcelona

Artist couple Twee Muizen (Two Mice) complete a new mural for a scientific environmental organization.

20 meters of the mural has just been completed that organizers say celebrates science, art, and the International Day of Women and Girls in Science in Barcelona, which is next Friday, February 11.

Twee Muizen in collaboration with B-Murals and IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)

The center itself has a long name, so let’s get that out of the way first: Instituto de Diagnóstico Ambiental y Estudios del Agua (Institute of Environmental Assessment and Water Research), or IDAEA-CSIC for short.

Artist couple Twee Muizen integrated all of the ideas collected from an extended work session through a participatory process between IDAEA staff to decide what themes and symbols needed to be included in the multi-paneled work that welcomes visitors to the center.

Session to work on ideas for the mural with the staff IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)

“We had scientific, technical, administrative and maintenance staff,” involved in the process, says Alicia Arroyo, project coordinator. In collaboration with the urban art project called B-Murals and funded by the Barcelona City Council.

Staff from IDAEA participate in the execution of the ieas. IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)

Barcelona-based duo Twee Muizen (Cristina Barrientos and Denis Galocha) are now working professionally in their ninth year and are originally from Galicia. The two both grew up in towns near Santiago de Compostela surrounded by mountains, animals, and natural beauty. Full-time illustrators and doll makers with a workshop and gallery in Sant Pere, the two interpolated into this mural the IDAEA goals of integrating themes of natural resources, air, water, their molecular and chemical aspects, and the impact of human interactions with all these systems.

“This project arose from the need to raise awareness on the importance of the work and research we carry out at our center in a visual, approachable way and with an innovative format”, says Diana Blanco, coordinator of the project.

Twee Muizen in collaboration with B-Murals and IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)
Twee Muizen in collaboration with B-Murals and IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)
Twee Muizen in collaboration with B-Murals and IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)
Twee Muizen in collaboration with B-Murals and IDAEA. Detail. Barcelona, Spain. (photo courtesy of B-Murals)
Twee Muizen in collaboration with B-Murals and IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)
Twee Muizen in collaboration with B-Murals and IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)
Twee Muizen in collaboration with B-Murals and IDAEA. Barcelona, Spain. (photo © B-Murals/Fer Alcala)

To enjoy the mural in-person visit the IDAEA-CSIC facilities at c/Joan Obiols, 11. 08034, Barcelona.

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Lister’s Heroic Comic Book Covers Save the Day

Lister’s Heroic Comic Book Covers Save the Day

A hybrid of your childhood coloring books that you poured your creative energy into and the superhero comic books that helped you escape from home, street artist/fine artist Anthony Lister’s new one-off drawings that keep you forever 13.

Anthony Lister. Thor. (photo courtesy of the artist)

Marketing himself directly to fans through his website, the brashly bright brutalist with a certain foppish elegance offers blistering tributes to all of your childhood protectors like Thor, Aquaman, The Avengers, and Captain America. It’s a dizzying punk collection made with oil stick on 225gsm Museum quality paper – screamed out with the style of an early colorist and the rage of a misunderstood truant teen.

It’s a blast from the past.  

Anthony Lister. Captain America. (photo courtesy of the artist)
Anthony Lister. The Flash. (photo courtesy of the artist)
Anthony Lister. Green Lantern. (photo courtesy of the artist)
Anthony Lister. Aquaman. (photo courtesy of the artist)
Anthony Lister. X-Force. (photo courtesy of the artist)
Anthony Lister. The Avengers. (photo courtesy of the artist)
Anthony Lister. Silver Surfer. (photo courtesy of the artist)
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