All posts tagged: Jaime Rojo

BSA Film Friday: 12.09.22

BSA Film Friday: 12.09.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. The Artist Who Paints Folks on the Street, Faces of Santa Ana
2. Meet the Artists Changing the face of New Brighton
3. Banksy – Rage, Flower Thrower NFT…but for free (2022)

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BSA Special Feature: Painting People Experiencing Homelessness

You can use your talents to build walls or build bridges. It’s up to you. Brian Peterson shows through his actions that art is a force for good, for healing, and even to pay someone’s bills in the process.

The Artists Who Paints Folks on the Street

Faces of Santa Ana


Meet the Artists Changing the face of New Brighton

Doug from Fifth Wall returns to New Brighton a few years after his first video here to find how the interaction between art and public space has begun to transform the town’s image of itself. Interesting to hear the primary proponent of the public art program here to say that success is contingent on a public/private partnership here in a seaside resort in Wallasey, Merseyside, England.

“Maybe this is exactly the model that we should be looking towards,” says Doug of the highly individualized approach the businesses and residence are taking toward building a community and an economy. Set your clocks; he’s looking like he might be moving in shortly. Maybe he’ll begin Nuart New Brighton and ask Juxtapoz to run some programming for a few days?


Banksy – Rage, Flower Thrower NFT…but for free (2022)

Banksy – Rage, Flower Thrower NFT… but for free (2022) – or so goes this murky offer of an NFT posted right now on Open Sea for the next three days. More confusingly, the press release for it is over a year old. – whereupon it infers that the original image is shot by Andrew Bayles but has copyright attempted by the International Street Art Man of Mystery himself.

Regardless of the veracity of any of this storytelling – and we have not way of verifying it – the animation is attractive and well done. Good luck to all the parties!

“This is not an official Banksy NFT… read below for more information. Press Release: October 14, 2021 “Attack Attack Attack” is a non-fungible token for sale on OpenSea, the world’s first and largest digital marketplace for crypto collectibles and NFTs. This digital creation is an artwork co-signed by Unikz, a digital artist from Bristol and Andrew Bayles, a photographer from Leeds (UK). The two artists created a digital artwork that reveals a little more about the identity of the street artist Banksy. This NFT is unique because it allows you to discover part of Banksy’s creative process. Indeed, the work, which is a digital video loop of 50 seconds, begins on the world-famous image of Banksy’s “Rage, the Flower Thrower” and then a picture representing a man throwing a molotov cocktail appears in overprinting. This photo, taken in Leeds (UK) in 1987, is obviously the base image that was used to make the famous Banksy stencil in 2005. Banksy has recently tried unsuccessfully to register this artwork as his personal trademark. The photo, shot by Andrew Bayles, was published in 1987 in an anarchist newspaper, called Attack Attack Attack, produced and distributed anonymously due to the radical information it contained. According to the artwork authors, only a member of the punk / anarchist movement in the late 1980s in England could have seen and used this image to create the famous stencil. This relaunches the discussions about the past of Banksy. According to the artist’s official biography, he was only 12 years old in 1987. It’s hard to imagine him as a punk, at that age, reading anarchist newspapers. Coïncidence? in 1988, few months after the publication of the photo in “Attack, Attack, Attack” newspaper, Robert del Naja (born in 1965) created the trip hop band, Massive Attack. The non-fungible token, certified by Verisart is available for sale on OpenSea, including an original photo print signed by the artists.”

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Beastie Boys “EXHIBIT” Opens in LA at CONTROL Gallery

Beastie Boys “EXHIBIT” Opens in LA at CONTROL Gallery

Beastie Boys EXHIBIT. Control Gallery – Beyond The Streets. (photo © Ari Marcopoulos courtesy of Beyond The Streets)

Here, for a few stolen moments, you can look at these items, most previously unseen, which floated through the lives of that nice Jewish boy band named Beastie back when Reagan was trickling down and the Dead Kennedy’s held forth. It’s called simply “Exhibit”; lending a bit of institutional weight to a curious and eclectic collection of personal items, artifacts, and ephemera— the kind of stuff you scan and absorb, inferring its weight, volume, and texture. You may imagine what the moment was like – and imagine what it was like to be a Beastie Boy.

Beastie Boys EXHIBIT. Control Gallery – Beyond The Streets. (image courtesy of Beyond The Streets)

Artists Cey Adams and Eric Haze figure strongly into the street-inspired visual aesthetic that packaged the unruly New York punk-hip-hop-abstract jazz trio during their rise in the 1980s and 90s. Just gazing across the collection, it strikes you again how our modern era gets much of its character from the legion of designers and artists who have presented it – in addition to the talent projected by the names on the marquee.

Now 40 years in and one very loved man down, the brash, uncouth manners and frankly nasty lyrics are tempered by our collective maturity, admitted to almost apologetically, and the ephemera and the work is what remains. The enthusiastic zestful energy that first busted a new identity in a chaotic sound field is here for you; in these displays, these videos, these vibes, and their intergalactic funk.

Beastie Boys memorabilia from Beyond The Streets NYC. June 2019. (photo © Jaime Rojo)

The first show of its kind about the Beastie Boys opens Saturday, December 10, at CONTROL Gallery on the US coast opposite New York – possibly more sun-drenched and skate culture inflected – but certainly bringing the “sonic irreverence of hardcore and punk, blended with the bawdy and rebellious sounds of emergent hip-hop,” they became known for.

“The story of punk rock, hip-hop, skateboarding, and graffiti wouldn’t be complete without a chapter on Beastie Boys and the inedible mark they made on a movement that harmoniously merged the worlds of music and youth culture into a soundscape and experience all of its own,” says curator and co-founder Roger Gastman in a press release.

Beastie Boys fans will see a full sweep of ephemera and priceless idiosyncratic memorabilia they collected while making and promoting their albums – from Licensed To Ill, to Paul’s Boutique, to Check Your Head & Ill Communication, Hello Nasty, The Mix-Up, and Hot Sauce Committee Part Two.

“We’re happy that someone besides us appreciates all the weird shit we’ve collected,” says Adam “Ad-Rock” Horovitz.

EXHIBIT is produced by CONTROL Gallery, BEYOND THE STREETS, and Goldenvoice.

For further details and information on Beastie Boys Exhibit click HERE

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SKI Curates Friends in “Won For All!” at Pop Gallery

SKI Curates Friends in “Won For All!” at Pop Gallery

This time of the year, many people become nostalgic, remembering earlier times that seemed simpler, bathed in sepia tones. Walking into the Pop International Gallery a couple of weekends ago – fresh from a Swoon talk with Jeffrey Deitch and on the way to the opening of Graffiti Kings at HOWL – it was a surprise trip to the mid-2000s of New York streets when the graffiti scene was adjusting to a fleet of new street art kids on the block.

Fernando “SKI” Romero. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)

Fernando “SKI” Romero was one half of a graphic team called UR New York at the time with co-writer 2Easae, and they were making their own transition from the street to the studio. In the new show at Pop called WON FOR ALL!, Mr. Romero takes us back to see a cluster of youth who were in his orbit, and if you were walking on the streets of Brooklyn and Manhattan, probably yours.

Fernando “SKI” Romero. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)

“I’ve known these artists for years,” he says, “Many of us came up together in the art world. They are my friends and family.”

Born and raised in New York, Romero is very familiar with the graffiti scene that made the city famous, even recently curating a show of some graffiti-writers-turned-artists who originally inspired him, like CRASH, DAZE and Tats Cru. After attending Parsons School of Design and selling his own stuff on the street in SoHo for six years, he took a decade to dedicate himself to developing his own deconstructed letter style for the gallery.

Fernando “SKI” Romero. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)

Now SKI is reflecting on a golden age for his own development as an artist with WON FOR ALL and shows solidarity with a small cluster of talents who have pursued their professional careers that were supercharged by their experiences on the street and around the culture. Here’s Dark Clouds with his patterned and swooping pockets of rain, alongside the graphic output of Matt Siren that hints at superheroes and graphic novels.

Elsewhere the bright font-centric Queen Andrea evokes 1980s teen mag optimism, while Gigi Chen’s formal painting techniques venture into fantasy and photo-realism. In the main window on the Bowery is perhaps the most recognizable top-hatted character, Optimo, another true born and bred New Yorker whose love for the culture is evidenced by a prodigious mass of street stickers incorporated into one of his canvasses. Partnered perhaps in their historical reverence for graffiti writers are SKI, with his sideways blown layers of bright letterforms and gritty graphic cityscapes, and Cerns’ omnivorous forays across realities – anchored by colorful characters that may remind some of the train writers during the 1970s.

Matt Siren. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)

“I chose these people because of talent, skills, and dedication,” he says. “During the pandemic, these artists were the ones who kept me sane and motivated during a time when I felt alone. This show is a way to bring them all together to say ‘Thank You”. 

WON FOR ALLI
FEATURED ARTISTS include
Queen Andrea
Dark Cloud
Gigi Chen
Matt Siren
Optimo NYC
Victor Ving
Emilio Martinez
Cern
Chris Boss

Matt Siren. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)
Cern. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)
Dark Clouds. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)
Queen Andrea. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)
Gigi Chen. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)
Optimo NYC. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)
Optimo NYC. “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)
Jeff and Lynell at “Won For All!” at Pop International Galleries. Curated by Fernando “SKI” Romero. (photo © Steven P. Harrington)

Won For All! is currently on view at Pop International Galleries in Manhattan. Click HERE for further details, schedules, and location.

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Through a Post-Graffiti Lense: Erosie In Pursuit Of Freedom

Through a Post-Graffiti Lense: Erosie In Pursuit Of Freedom

“You didn’t have a lot of input – and the input you did have had a lot of impact!,” says abstract painter Jeroen Erosie (b.1976, Netherlands) about his beginnings as a graffiti writer in the early 1990s. The revelation of seeing new works in print or on street walls was not something to be taken for granted, as with thumbing through an Instagram feed.

Tracing the evolution of an artist from graffiti writing to personal life and professional art practice – this is what some broadly refer to as Post-Graffiti. With graffiti at its genesis, it is also fascinating to witness how practices and techniques progress in later times at the hand of older practitioners.

Today we have a new documentary that is part of a larger series planned to study just this from a historical, anthropological, and art-historical perspective. Kristina Borhes, one-half of MZM PROJECTS with Nazar Tymoshchuk has been studying and researching in light of our ongoing exploration of post-graffiti – including her white paper Another Attempt to Explore the Transient Nature of Post Graffiti Through the History of a Term.

“We want to discover the stories from artists’ graffiti past and to understand what role it played in the process of forming their artistic practices,” Borhes tells us. ‘Every episode is dedicated to different artists from a particular scene.”

The Ukraine-born/France-based duo of independent researchers and documentarists have had to delay production of this long-planned project due to the ongoing war in their home country, but are proud to have reached this benchmark. This is the first of two completed interviews, but there will be many more if they can follow their planned program.

Ms. Borhes tells us that one of their influences is the work of documentary filmmaker Michael Blackwood, who collected valuable video interviews “with Rothko, Guston, the New York School, and many other artists.” The filmmakers are in awe of the opportunity to study the artist up close without unnecessary packaging, filtering, or attempts to otherwise manipulate the viewer. Borhes says one of the aspects she admired of Blackwood’s earlier documentaries allowed the viewer, “This possibility to see how they talked, to follow their emotions, gestures.”

BSA is proud to premiere this work and series days after its release. Shot and produced in collaboration with last year’s Bien Urbain Festival, this one will be followed by a second interview with street artist/fine artist and master experimenter Eltono.

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Meet Us in Artwork Alley; Artists Bring New Life to Downtown Salinas, Kansas

Meet Us in Artwork Alley; Artists Bring New Life to Downtown Salinas, Kansas

Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)

Those organic, often narrow and winding, street art/graffiti tagged thoroughfares that we are drawn to are often an open secret to bohemian neighborhoods in cities; so full of life, these alleys of discovery tell you that dynamic minds are here, ready to interact with you. In recent years the concept has been adopted as a way to revitalize a vein that has gone dormant in downtowns as well – inviting, encouraging a series of artists to adorn one patch of the public dispatch, paving a visual tour by foot to remind you that planned public space can be welcoming place.

Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)

Here in Salina, Kansas, murals are a part of a greater downtown art rejuvenation along with multiple construction projects in the historic district is being revitalized and transformed – with a combination of publicly and privately funded initiatives. Directed by Salina Arts and Humanities, the selection of artists painting friendly themes and styles are mainly local and regional in origin.

Today we have a good selection of recent murals in Artwork Alley and shots of the artists at work.

Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Hannah Scott & Tim Stone. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
AMP. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
AMP. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Mindy’s Murals. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Sadat. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Saeb. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Saeb. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Darren Morawitz. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Darren Morawitz. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Darren Morawitz. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Brady. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Brady. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Brady. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
AMP, Sadat, Saeb, Hanna Scott, Tim Stone, Darren Morawitz, Brady, and Kamela Eaton. Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
Artwork Alley – Salina Arts and Humanities in collaboration with The Salina Kanvas Project. Salina, Kansas. (photo © Tanner Colvin)
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BSA Images Of The Week: 12.04.22

BSA Images Of The Week: 12.04.22

Welcome to BSA Images of the Week!

A splendid selection this week of very entertaining pieces across the city. As we enter December, you can see that graffiti and street artists are going full-steam ahead into the new year – with personal, political, philosophical, and even romantic sentiments.

Here’s our weekly interview with the street, this week featuring: Faile, SRKSHNK, Modomatic, Sara Lynne-Leo, Molly Crabaple, Cope, Riisa Boogie, Ollin, Short, Rezones, Asker Uno, Danielle BKNYC, McManiphes, Kojo Hilton, Rad Bio, Duster, My Name is Annie, and The Jolly.

… but we appreciate the thought. Sara Lynne-Leo (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Molly Crabapple love letter to Tbilisi via Brooklyn. (photo © Jaime Rojo)
Coloring your hair is such a big job. The Jolly (photo © Jaime Rojo)
As the festivities in Wynwood are ablaze, the Bowery/Houston Wall is similarly ablaze with a holiday assortment of delicious organic home-made graffiti. Ollin, Duster For Mayor, My Name is Anna, Cope. The Houston-Bowery Wall. (photo © Jaime Rojo)
Short (photo © Jaime Rojo)
Now available on CD-ROM! Faile (photo © Jaime Rojo)
Unidentified artist…what’s with the mushrooms…we’ve noticed an uptick in mushrooms imaginary on the streets both in ads and in art. The National Mushroom Association must have contacted all the street artists to do a campaign or something. (photo © Jaime Rojo)
Modomatic (photo © Jaime Rojo)
Rad Bio (photo © Jaime Rojo)
Asker Uno, Danielle BKNYC, McManiphes, Koho Hilton. (photo © Jaime Rojo)
Asker Uno, Danielle BKNYC, McManiphes, Koho Hilton. (photo © Jaime Rojo)
Asker Uno, Danielle BKNYC, McManiphes, Kojo Hilton. (photo © Jaime Rojo)
Riiisa Boggie. Rezones (photo © Jaime Rojo)
CRKSHNK (photo © Jaime Rojo)
Untitled. Love. Brooklyn, NY. fall 2022. (photo © Jaime Rojo)
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Bartek Swiatecki / Pener: Selected Works 15-21

Bartek Swiatecki / Pener: Selected Works 15-21

A new book here features six years of selected works from a Polish graffiti writer, muralist, and professor of art and painting at a secondary school in his hometown of Olsztyn, Poland. He reckons that his life is one of ‘Planned Freestyle,’ meaning that having structure imposed upon him is very helpful in focusing his creative mind. You may quickly appreciate this characterization if you know any artists.

Bartek Swiatecki / Pener. Selected Works 15 – 21. Printed in Poland © Bartek Swiatecki

The collection of selected works here by Bartek Swiatecki is as luminous and optically rewarding to the viewer as they are opaque to the mind and stirring to the heart. With prolific and gently evolving abstractions in movement, you can see an artist at work, at play, and at his personal best – topping his previous work. The grandson of another painter and professor (of philology), Miroslaw Swiatecki, and the nephew of a famous painter and animator, Marek Swiatecki, perhaps it was only a matter of time before this 90s graffiti writer moved into more formal practices on canvas and walls.

In an in-depth interview, Pener reveals his sometimes complex feelings about the label of street artist, almost as if it diminishes his abilities and craft.

“Almost all of my friends I paint with are graduates of art faculties at universities or academies; most of them are architects or graphic designers,” he says. “Each of us works hard, so I get angry sometimes when we are labeled street artists because it is a huge simplification.”

The sentiment rings true, although we have never had anything but respect for street artists, regardless of their formal training. We witness a struggle for definitions at nearly every juncture along this graffiti/street art/fine art/mural art/contemporary art continuum.

In the end, the work speaks for itself, as this book can attest.

Bartek Swiatecki / Pener. Selected Works 15 – 21. Printed in Poland © Bartek Swiatecki

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BSA Film Friday: 12.02.22

BSA Film Friday: 12.02.22

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Edward Hopper’s New York. Via Whitney Museum of American Art
2. The enveloping work of Barbara Kruger: MoMA
3. Man Who Turned Trash Into Family Treasures / The Garbage Man

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BSA Special Feature: New York Through Edward Hopper’s Eyes

“The city of New York was Edward Hopper’s home for nearly six decades (1908–67). For Hopper, New York was a city that existed in the mind as well as on the map, a place that took shape through lived experience, memory, and the collective imagination. It was, he reflected late in life, ‘the American city that I know best and like most.’ “

Edward Hopper’s New York. Via Whitney Museum of American Art


The enveloping work of Barbara Kruger: MoMA

“Margarita Lizcano Hernandez, curatorial assistant in the Department of Drawings and Prints, takes a close look at Barbara Kruger’s ‘Thinking of -You-. I Mean -Me-. I Mean You.’ and describes the sometimes overwhelming feeling of being surrounded by the colossal installation.”


A Man Who Turned Trash Into Family Treasures / The Garbage Man / A film by Laura Gonçalves.

At a long table laden with traditional dishes, a family shares fond memories of an uncle, who fled Portugal’s dictatorship and became a garbage collector in Paris, in this film by Laura Gonçalves.

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Henry Hang – Le Degas De La Street Dance

Henry Hang – Le Degas De La Street Dance

Bringing two of the elements of Hip Hop together on his latest mural, painter and photographer (and occasional professor) Henry Hang shows his enthusiasm here in his native Paris with an aerosol can and brush with equal passion.

Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo © Henry Hang)

A former graffiti tagger with ALB in the early 1990s, Mr. Hang also practiced dance as a bboy – saying that he is bringing it all together on canvas and walls with the energy of graffiti. Last year he was teaching students at the Figaro fair about all of the plastic and performative arts that contribute to the “aestheticization of hip-hop culture.” This new wall with Art Azoi combines his appreciation for all of it.

The figures are lifted and turned with a certain elegance: always in motion and gravitating above the ground with a resolute honesty found in street performance sometimes. Not that he is trying to be too literal; his appreciation for impressionism is evidenced by the title he has given himself, “Le Degas De La Street Dance.” Seeing his enthusiasm and his expression of it is inspiring in itself.

Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
Henry Hang – Le Degas De La Street Dance. Elise Herszkowicz | Art Azoï. Centre Ken Saro-Wiwa. Paris, France. (photo courtesy of Art Azoï)
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Miami Art Week 2022: Highlights

Miami Art Week 2022: Highlights

It’s time for Street Art and graffiti fans of all flavors to make their annual peregrination to that Mecca of murals and art fairs and performances on the street, Miami, during Art Basel.

Specifically, we constantly roam through Wynwood, which began with a very healthy graffiti scene a couple of decades ago. Now people of all kinds roam the streets here to see newly commissioned and uncommissioned works commingle.

We also include a list of the official art fairs to hit below. Expect to hear Bad Bunny on the streets, see a lot of hot pink fashion, and New York’s Chainsmokers at LIV this weekend.

Smell the aerosol, the tacos, and lather on the coconut sunscreen – and be ready to mingle with some of the best this gritty commercial and the still organic street scene offer.

WYNWOOD WALLS

Click HERE for further information, schedules and tickets.

MUSEUM OF GRAFFITI

Click HERE for further information, schedules and tickets.

SCOPE ART FAIR

SCOPE HIGHLIGHTS BELOW: Click HERE for further information, schedules and tickets.

ART BASEL

Click HERE for further information, schedules and tickets. Below are highlights from the list of participating galleries:

Jeffrey Deitch, Andrew Edlin, Eric Firestone, James Fuentes, Pace Prints, Almine Rech

BELOW IS A LIST OF ALL THE ART FAIRS PARTICIPATING AT MIAMI ART WEEK 2022

Aqua Art Miami

1530 Collins Avenue Aqua Hotel, www.aquaartmiami.comAqua Art Miami November 30 – December 4, 2022

Art Miami

One Herald Plaza at NE 14th Street On Biscayne Bay The Art Miami Pavilion, artmiami.comArt Miami November 29 – December 4, 2022

Art Basel | Miami Beach

1901 Convention Center Drive Miami Beach Convention Center, Hall A and D, artbasel.com/miami-beachArt Basel | Miami Beach December 1 – December 3, 2022

CONTEXT Art Miami

One Herald Plaza at NE 14th St The CONTEXT Art Miami Pavilion, contextartmiami.comCONTEXT Art Miami November 29 – December 4, 2022

Design Miami/

Convention Center Dr & 19th St, designmiami.comDesign Miami/ November 30 – December 4, 2022

INK Miami Art Fair

1849 James Avenue SUITES OF DORCHESTER, inkartfair.comINK Miami Art Fair November 30 – December 4, 2022

NADA Miami Beach

1400 North Miami Ave Ice Palace Studios, newartdealers.orgNADA Miami 2022 November 30 – December 3, 2022

PINTA | Miami

225 NE 34th Street, pintamiami.comPINTA | Miami November 30 – December 4, 2022

Red Dot Art Fair

2217 NW 5th Ave Mana Wynwood Convention Center, reddotmiami.comRed Dot Art Fair November 30 – December 4, 2022

SATELLITE ART SHOW

1655 Meridian Avenue, satellite-show.comSATELLITE ART SHOW November 29 – December 4, 2022

SCOPE | Miami Beach

801 Ocean Drive SCOPE Miami Beach Pavilion, scope-art.comSCOPE Miami Beach 2022 November 29 – December 4, 2022

UNTITLED, ART Miami Beach

Ocean Drive at 12th Street, untitledartfairs.comUNTITLED, ART Miami Beach November 29 – December 3, 2022
Reception: Tuesday, November 29th, 12:00 am – 12:35 pm

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C215 Gives You “The Stencil Graffiti Manual”

C215 Gives You “The Stencil Graffiti Manual”

If you want to learn how to do it correctly, you would be wise to study from a master. When it comes to stencil art on the street, this is a brilliant place to begin.

C215 – The Stencil Graffiti Manual. Schiffer Publishing 2022

The Paris-based stencil artist C215 learned his skills in the street and in the studio beginning in the mid-2000s after being influenced by the burgeoning practice in the street art scene of Barcelona and recognizing the practitioners in his home in Paris. Within a few short years, he was watching the evolution of all his peers – and even curating their work into shows. You can see many styles and techniques by surveying the field, and you’ll decide whose work is a cut above.

“The book that you are holding in your hands is therefore, a manual, an inventory of techniques to be appropriated in order to get yourself started in the art, or to help you develop stenciling’s potential. Stencils have no limits and can be adapted to all styles,” says the author in his introduction.

The Stencil Graffiti Manual is a ‘how-to’ book that gives you room to experiment while clearly pointing you in the correct direction. He shows you the tools needed, describes the techniques often used, provides a primer on historical uses of stencils, reviews principles of style, reflection, pattern repetition, figurative work, abstraction, and how to manipulate your work using Photoshop and Illustrator. It would be fair to say that your skill level is probably addressed here, regardless of whether you are beginning or have been looking for a way to expand your practice.

In a friendly, straightforward tone, C215 also interviews and features some of his friends and peers known for excelling at the techniques of cutting and spraying. A small selection of the pre-eminent stencil artists is featured here whose work has been found in many international cities dating back to the 1970s, including artists like Add Fuel, Ben Eine, Evol, M-City, Miss.Tic, Jef Aerosol, Monkey Bird, Nick Walker, Snik, Sten & Lex, and Stinkfish – all of whom have appeared here on BSA over the years. Each has a different interpretation of the art-making form, and each has formulated a unique voice and perspective.

“Many artists agreed to take part in the interviews,” says C215. “Throughout these pages, they share with you their expertise and their passion for stenciling. This multi-voiced manual is not only the fruit of my experience, but also, and above all, of the meetings and links forged over time with other artists in this field.”

C215 – The Stencil Graffiti Manual. Schiffer Publishing 2022

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Dourone Paints “The Internet” in Aix-en-Provence

Dourone Paints “The Internet” in Aix-en-Provence

Dourone has done it! They’ve painted the Internet!

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)

You didn’t think it could be done; depicting this far-flung mass of hot-n-bothered pixels teaming with the past, the present, and the Google across two screens. However, the duo has painted the platform that informs and clouds your understanding simultaneously at the École de Communication (EFAP)  and the BRASSART school of design in Aix-en-Provence, France.

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)

The duo keeps it all within their range of the color palette, an appealing, disconcerting combination of hues lit from behind, combined as if through a software filter to be just two shades beyond real. “They were both made with our color range which consists of 41 different shades of acrylic and brush paint,” they tell us of these new paintings upon the two schools.

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)

Somewhere in here is the DNA of this painting pair, an involuntary echo that reveals their true figurative nature, but passed within a screen of thousands of emoting, reflecting, archiving, gesticulating, glitched verbiage. The walls are in concert, yet not related. Painstakingly painted without automatic lifts, the creatively, kinetically connected artists tell us returned to the age-old tradition of scaffolding.

“This mural in two parts evokes the current state of communication,” they say, “or how we are constantly connected to each other and sometimes so alone.”

Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)
Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)
Dourone. “INTERNET”. Ecole Brassart in Aix-en-Provence, France. (photo courtesy of the artists)
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