“…multiple emotional states caught between contemplation and confrontation”
The Gateway Arts District is a vibrant arts community located in Mount Rainier, Maryland, near the northeastern border of Washington, D.C. It is a designated Arts and Entertainment District that encompasses several neighborhoods, including Mount Rainier, Brentwood, North Brentwood, and Hyattsville. The district is home to a wide range of artists, including painters, sculptors, musicians, dancers, writers, and performers. The district aims to foster creativity and support local artists by providing affordable live-work spaces, galleries, studios, and performance venues. It also serves as a hub for artistic collaboration, expression, and cultural exchange.
JAHRU. FLUX. Otis Street Arts Project. Mount Rainier, Maryland. (photo courtesy of the artist)
One of the main attractions is the Gateway Arts Center, a multi-purpose arts facility that features galleries, artist studios, and performance spaces. It hosts exhibitions, workshops, art classes, and community events, showcasing the talents of local artists and engaging the public in the artistic process.
JAHRU. FLUX. Otis Street Arts Project. Mount Rainier, Maryland. (photo courtesy of the artist)
Recently, Filipino-American artist Jeff Huntington, also known as JAHRU, painted a mural on the wall of the Otis Street Arts Project. This project is part of a complex of warehouse studios that mainly hosts artists from the Washington DC metropolitan area. JAHRU is the co-founder, along with Julia Gibb, of Future History Now, a nonprofit arts outreach program for teens that brings murals to walls in the community.
For his new mural named “FLUX,” JAHRU offers commentary on the divided attention and feelings of distraction that arise from our adoption of new behaviors with social media and smartphones. Using his niece as a muse, the artist positions the teenager as “existing in a rapidly changing world of daily updates and reconfigurations seen through an electronic screen.” He explains, “The superimposed faces capture multiple emotional states caught between contemplation and confrontation, punctuated by a pattern of vibrant vertical lines of varied widths that mimic a barcode.”
JAHRU. FLUX. Otis Street Arts Project. Mount Rainier, Maryland. (photo courtesy of the artist)JAHRU. FLUX. Otis Street Arts Project. Mount Rainier, Maryland. (photo courtesy of the artist)JAHRU. FLUX. Otis Street Arts Project. Mount Rainier, Maryland. (photo courtesy of the artist)
You know the shy kid at the party who won’t hit the dance floor even if Jesus himself begged him – and then he hears his jam and suddenly starts doing flips, tricks, and power moves?
That’s what it felt like last week when all the funk-tech-floral-social-abstract-steez planets spun together into a powerful 2021 solar system at the Jersey City Mural Festival. How many times did you hear the word community, as if we’ve all been starved of it?
And the aesthetics were solid – you would not have guessed how sweet some of these combinations could be – with just enough curation to let the sparks crackle in the gritty oil-coated zones that are surrounding the MANA Contemporary compound. This most diverse generation is now freely tossing any rules and hierarchies out the window; these inheritors of the winds now gathering speed.
The first annual Jersey City Mural Festival brought together dozens of street artists, mural artists, graffiti writers, photographers, and art lovers to this new New Jersey. This festival in another year would have been a festive event just like any other festival – formulas have been discovered for how to mount public cultural events like these around the world – and we’ve been to many.
But this time, the energy was extra charged by the undeniable fact that we’re all emerging to a familiar yet changed world formed by fear, death, insecurity, and longing. Artists were elated to see their peers once again doing what they love doing most: painting outdoors. There is a recognition from the artists, and everybody around that life is precious and the scars left on us by the Pandemic made this event a jubilant one.
The collection of artworks presented here are only a fraction of all the works painted during the festival. Half a dozen of murals were still not completed when we departed. We hope to bring you the rest soon.
The festival unfolded over several days of painting and rain and an oppressive heatwave on two locations in Jersey City. Both locations are the remnants of Jersey City as an industrial powerhouse. The complex in Newark Ave, Mana Contemporary, is now an art center with several galleries, exhibition spaces, and artists’ studios. The complex on Coles Street still conserves its industrial grit. Still, a storage company has replaced the factories, and empty buildings in the decay process appear ready to be demolished.
The Jersey City Mural Festival was presented by Mana Public Arts and the Jersey City Mural Arts Program with the imprimatur of Jersey City Mayor Steven M. Fulop, the city’s Municipal Council, and the Office of Municipal Affairs.
We would like to thank the organizers and production team for all their assistance during the duration of the festival and to Mario at Tost Films for helping man the lift for our final photo session.
Aside from a few breaks for afternoon June monsoons and scattered flash flooding on the greasy streets of this historically industrial region, the frantic and focused paintings by artists were setting Jersey City afire with color and character yesterday. By climbing on rooftops and flying on cherry pickers with a slew of aerosol pilots, our photographer Jaime Rojo got some of the best action in this inaugural mural festival.
The MANA Contemporary complex is comprised of an array of buildings – and many are visible from many passing highways and byways. As the melange of cultures here continues to come out to the streets due to lower Covid numbers and higher vaccine rates, the air is thick with expectation. Having a slew of new artworks from across a spectrum of styles and aesthetic sensibility – you will find much the new additions are directly adjacent to the illegal graffiti that started it all – which is as it should be.
Check out some of the new works here by Beau Stanton, Dasic Fernandez, Elle, Eric Karbeling, Erinkco Studios, Jahru, Max Sansing, MSG, Queen Andrea, Raul Santos, and Ron English.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
