All posts tagged: Italy

Images Of The Week: 02.02.14

Images Of The Week: 02.02.14

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Welcome to New York! Apparently there is some sort of sporting event happening today here. Or is in New Jersey? So hard to tell. Something to do with tobogganing or something. Winter Olympics maybe?

Here’s our weekly interview with the street, this week featuring Chor Boogie, Chromo, Dain, Deived, El Sol 25, Jesse James, Katsu, Luut, Mr. Toll, Reve, Sen2, The Orion, UNO.

Top Image >> El Sol 25 (photo © Jaime Rojo)

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A special message made of corporate logos from fine eating establishments on a new sticker that has been spotted around town. Can you identify them all? Artist Unknown with a Chromo tag. (photo © Jaime Rojo)

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Division of painting labor helpfully illustrated by Luut and Sen2 (photo © Jaime Rojo)

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Deived. Tijuana, Mexico. January 2014 (photo © Deived)

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Katsu (photo © Jaime Rojo)

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UNO walking a pig in Bologna, Italy. 2014 (photo © UNO)

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UNO. Bologna, Italy. January 2014 (photo © UNO)

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Dain (photo © Jaime Rojo)

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Chor Boogie. Detail of his Michael Jackson tribute in progress in Times Square. (photo © Jaime Rojo)

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Chor Boogie getting ready to paint Madonna next to Michael Jackson. Yes, he does look like Hellboy for some reason. (photo © Steven P. Harrington)

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The Orion in Romania pays tribute to Soviet Union era cosmonaut Yuri Gagarin (photo © The Orion)

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REVE in Italy (photo © REVE)

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Mr. Toll (photo © Jaime Rojo)

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Mr. Toll spilling his BK control advice. (photo © Jaime Rojo)

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Jesse James in Miami. (photo © Jesse James)

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Untitled. Times Square, NYC. January 2014 (photo © Jaime Rojo)

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Opiemme Bus Stops with Memorie Urbane and “In Attesa”

Opiemme Bus Stops with Memorie Urbane and “In Attesa”

Italian Street Artist and text-loving wordsmith Opiemme hit bus stops last month in the cities of Gaeta and Terracina  – about 75 miles from Rome.  While he has done a number of freelance customizations of public space in the past with his text pieces, this one is part of a project by Memorie Urbane called “In Attesa – Art at the bus stop”.  As you can see, Opiemme’s hand cut stencils are pure poetry – deliberately arranged.

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Gaeta, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

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Opiemme. Terracina, Italy. December 2013. (photo © Arianna Barone)

 

 

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Canemorto (Dead Dog) at the Side of Road

Canemorto (Dead Dog) at the Side of Road

There is something about the billboard takeover that still feels like a world of possibilities untapped. Billboard Liberation Front showed how to subvert with style, and urban pranksters like Ron English showed how to integrate soft social critique in the détournement dance, but in many cases the visual language has remained within the advertising rubric.

Canemorto shows that it’s possibly even more arresting to repurpose a commercial space with blunt hand-rendered artistic imperfection, converting the space into an actual painters canvas.

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Canemorto. Milano, Italy. (photo © Canemorto)

We have grown completely accustomed to the slick billboards alongside highways luring us with $69 motels and attorneys who promise to make you rich if you just put on a neck brace and dial 1-800-WESUE4U. When they are thoughtfully subverted/inverted/perverted you may run the risk of missing the new message entirely, so inured we have become to the medium and its methods.

Italy’s Canemorto troupe thinks that a large raw Picassoesque portrait painted on it, however maniacal and disturbed it may be, is an improvement. It is also possible that this visual jolt will cause you to steer your car into a ditch. Still, a wild-eyed portrait is possibly more edifying than seeing a real estate tycoon comb-over or a warning about the Judgement Day that came and left you here with the sinners.

Canemorto shared some images here of roadside madness they recorded last summer including three new pieces off a highway near Milan. They admit that the pieces themselves “are not our best”, but the personal hand, the brute rawness of the images, make them stand out in this impersonal no-mans land and offer perhaps a counterbalance to a different sort of  brutishness that sends roaring truck and car traffic to saw jaggedly through the natural beauty we inherited.

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Canemorto. Milano, Italy. (photo © Canemorto)

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Canemorto. Milano, Italy. (photo © Canemorto)

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13 from 2013 : Jessica Stewart “The Roman Nun and the Spray Can”

13 from 2013 : Jessica Stewart “The Roman Nun and the Spray Can”

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Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.
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If anyone knows Rome’s Street Art scene, it is photographer Jessica Stewart, who has been capturing a side of the city not typically seen since 2008, publishing Street Art, urban decay and more from the Eternal City on her RomePhotoBlog.

With a love of Renaissance and Baroque art as a baseline her eye is trained to see lighting and angles like a painter, and in this heart of Roman Catholicism, she is familiar with the iconic. In 2013, Jessica says she knew the exact moment when she had captured just such an image with her camera.

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Skeme. Rome, Italy 2013. (photo © Jessica Stewart)

The Roman Nun and the Spraycan

~Jessica Stewart

So it’s of course incredibly difficult to think of just one photo, but when it really comes down to it, this image is the one that for me was a stand out moment of 2013.  It’s one of those times that as it’s happening, you are internally jumping for joy at the fact that you’re on hand to capture it.

Plus, I really think to myself “in no place but Rome could this happen.”

I think with the whole street art and graffiti movement becoming more commercialized and organized, you can almost forget some of the original joy behind what made you get involved in the first place.  In this case, GraffDream, one of two graffiti shops in the city, was holding it’s 6th anniversary jam in May.  Skeme was in town from NYC for the occasion and already they day was special seeing him get swarmed by young Roman kids dying for an autograph.

As is the norm here, many of the wall spaces are owned by the church and in this case, the wall used for the jam was the side of a Catholic school who agreed for the usage in exchange for a lesson in graffiti for its young students.  We were getting toward the end of the day when two of the sisters came out to collect the ladders and lock up items in the school.

I’m not sure if they were just swept up in the congenial atmosphere of the day or what, but before I know it one of the sisters takes a can and starts to pretend to work on Skeme’s piece!  The look on everyone’s faces was priceless and Skeme lit up like a Christmas tree at the sight of it all.

To capture that moment was priceless and I love this shot for how happy the sister looks with her spray paint.  Only in Rome! You don’t know how many people have asked me, “Is this photo for real?”

Yes, it is, and it is a time like this that makes you fall in love with photographing all over again.

 

Artist: Skeme

Location: Rome, Italy. 2013

 

 

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Images Of The Week: 12.15.13

Images Of The Week: 12.15.13

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Here is our weekly interview with the street, this week featuring Ainac, Andreco, Axel Void, bunny M, Col Walnuts, FX Collective, Finbarr DAC, Killy Kilford, Kremen, LNY, Meer Sau, Mr. Toll, Rubin, Square, Starfightera, and Swoon.

Top image >>> OK this piece is signed and we should be able to decipher the tag. But we couldn’t. So help us out. (photo © Jaime Rojo)

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SQUARE and bunny M collaboration. All hand painted, one of a kind piece. (photo © Jaime Rojo)

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SQUARE and bunny M collaboration. Detail. All hand painted, one of a kind piece. (photo © Jaime Rojo)

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Finbarr DAC and Starfightera collaboration. (photo © Jaime Rojo)

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Finbarr DAC and Starfightera collaboration. Detail. (photo © Jaime Rojo)

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Finbarr DAC and Starfightera collaboration. Detail. (photo © Jaime Rojo)

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Meer Sau. Salzburg, Austria. “Never stop being childish,” he says.  (photo © Meer Sau)

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Artist Unknown. Detail. (photo © Jaime Rojo)

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Also, a nice framed piece. Artist Unknown (photo © Jaime Rojo)

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An LNY and Axel Void collaboration for The Bushwick Collective. (photo © Jaime Rojo)

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Swoon’s Studio. A quick demo from Swoon showing her guests at her Holidays Party the 101 of lino prints. She invited her guests to get in on the action. (photo © Jaime Rojo)

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Swoon’s Studio. Two test prints hanging out to dry. This is a brand new piece of a steel worker from Braddock, Pennsylvania. (photo © Jaime Rojo)

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A sculptor who places his work in public space, here is Andreco at work in his studio. Italy. (photo © Andreco)

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Andreco. The completed sculpture installed for Sub Urb Art 2 in Turin, Italy. (photo © Andreco)

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Ainac repurposes the image of Darth Vader to illustrate three ways to deny evil. (photo © Jaime Rojo)

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Let us prey. Artist Unknown (photo © Jaime Rojo)

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Kremen (photo © Jaime Rojo)

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Robert Janz (photo © Jaime Rojo)

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Col Walnuts (photo © Jaime Rojo)

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Artist Unknown (photo © Jaime Rojo)

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FX Collective. “Distributor of Ideas” Process shot. Italy (photo © FX Collective)

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Killy Kilford (photo © Jaime Rojo)

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Rubin (photo © Jaime Rojo)

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Mr. Toll (photo © Jaime Rojo)

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Untitled. Red Hook, Brooklyn. December, 2013. (photo © Jaime Rojo)

 

 

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A Freddy Mercury Tribute in Rome

A Freddy Mercury Tribute in Rome

Italian artist John Mayho has been on BSA a couple of times over the years with his commentary about the MOB and a tribute to John Lennon. This weekend he was thinking about another western pop idol when he did his own tribute to Freddie Mercury – exactly 22 years after he passed.  The powerfully over-the-top lead singer of the British rock band Queen had many electrified performances and fans during his career and he still inspires younger fans quite possibly because he gave them the sense that anything is possible.

And of course, it’s true.

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John J. Mahyo. South Rome. November 2013. (photo © John J. Mahyo)

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John J. Mahyo. South Rome. November 2013. (photo © John J. Mahyo)

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John J. Mahyo. South Rome. November 2013. (photo © John J. Mahyo)

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Opiemme Writes Poetry and Letterforms Across Italy

Opiemme Writes Poetry and Letterforms Across Italy

”What do you write?”

For decades graffiti writers have been checking out one anothers’ bonafides with this question. Even as tags turned to large complex pieces, evermore stylized through means of exaggeration or obfuscation, text has always stayed as a fundamental building block for graffiti writers.

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Opiemme. Edgar A. Poe. “The Raven” Torino, Italy. (photo © Opiemme)

Italian fine artist and Street Artist Opiemme took a variety of routes to employ the text-based art of writers and poets on the street this summer with his “journey through painting and poetry.” Breaking apart, recombining, stretching and spreading the written letterform, the public poetic paintings were conceived to be site-specific and included walls and pavement installations across Italy from north to south, including Torino, Bologna, Rieti, Pizzo Calabro, Faggiano (Taranto), Ariano Irpino, Menfi, Genova, Tirano (Sondrio), and finally Rome.

“I paint using stencil and letter to create images to be read and words to be looked at,” says Opiemme, who travelled more than 5,000 kilometers by train and bus to do his various installations that included 15 murals and a 7 kilometer long “River of words” painted on the pavement in Turin.

 

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Opiemme. Jupiter. Genova, Italy. (photo © Courtesy of Opiemme)

With the help of a webzine, a few galleries, and even the city of Turin, Opiemme found a receptive audience for his works, perhaps because he chose scribes known and admired in the locations he created works for. Among them are local writers and poets mixed with the American Jazz musician Louis Armstrong and Armenian-American rock band System of a Down.  Also included are Edgar Allan Poe, Giovanni Pascoli, S. Francesco D’Assisi, Franco Arminio, Giacomo Leopardi, and Riccardo Bacchelli.

Opiemme says he likes to explore the border between poetry and image, public and private, and to use the printed word as a graphic element on which to build more meanings, even as he sometimes disconnects the letters from their original context. With work that often touches on social or environmental themes  his work has evolved onto the street and into the gallery in the 10+ years he has been practicing. For the Turin born Opiemme it is about plumbing the fine lines between public art, Street Art, and the written word to bring poetry out into the open.

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Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Donato Aquaro)

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Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Sara Spallarossa)

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Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Donato Aquaro)

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Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Turin, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Fagginao Jaz Festival, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Bacchelli. Bologna, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Ariano, Italy. (photo © Livio Ninni)

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Opiemme. Pizzo, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Rieti, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Detail. Menfi, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Menfi, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Menfi, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Tirano, Italy. (photo © Courtesy of Opiemme)

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Opiemme. Italy. (photo © Courtesy of Opiemme)

 

 

Permission granted for photography used here by Opiemme, who wishes to thank photographers Cristina Principale (Bologna), Mario Covotta, Floriano Cappelluzzo (Ariano Irpino), Claudia Giraud, Thut Duong Nguyen (Torino), Livio Ninni, Ilaria Massaccesi (Tirano), Alessandro Orlandi (Rieti), Stencil Noire Cut (Faggiano), Giorgio De Finis (Roma), Donato Aquaro, Martina Serra, Sara Spallarossa, Francesco Mancini, Marco Pezzati (Genova), Anna Milano, Ivan Barreca (Menfi). Copyright is retained by photographer and the artist.

This project was covered/followed in stages by ZIGULINE webzine,

Opiemme’s journey was supported by: Elastico Studio and Antonio Storelli (Bologna), 3)5 Artecontemporanea (Rieti), Bi-BOx Art Space (Biella),  and Studio D’Ars (Milano).

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This posting is also published on The Huffington Post

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MTO and “Bunga Bunga” in La Casa Di Silvio

It’s been a rough year for Former Italian prime minister Silvio Berlusconi – In June he was found guilty of paying for sex with an underage prostitute, in September he was accused by judges of dealings with the Mafia, and just last Friday a panel of the Italian Senate recommended his expulsion from the chamber over his conviction for tax fraud.

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MTO “La Casa Di Silvio” Rome, Italy. October 2013. (photo © MTO)

Italian Street Artist MTO was responding to at least some of the various scandals when he put up this new piece next to a Sten and Lex outside a nightclub in Rome recently and the title in the flourescent sign seems to indicate that just past this door you are likely to encounter some “Bunga Bunga”. We weren’t sure exactly what this term meant either, but Google translates it to mean “flowers”. Judging from the description of events that allegedly took place during Berlusconi’s “Bunga Bunga” parties, it may be closer to “de-flower”.

Looks like a nice place but the guy by the door is kind of big, yo.

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MTO “La Casa Di Silvio” Detail. Rome, Italy. October 2013. (photo © MTO)

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MTO “La Casa Di Silvio”. Detail. Rome, Italy. October 2013. (photo © MTO)

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MTO “La Casa Di Silvio” Rome, Italy. October 2013. The portrait on the left is by the Italian duo Sten & Lex and it is not related to MTO installation. (photo © MTO)

 

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Dan Witz Darkly and With a Smile in Rome

Dan Witz Darkly and With a Smile in Rome

Piquing the public’s curiosity is a studied art. Dan Witz is now doing it darkly on Roman streets. It’s out in the open, but let’s keep it between us.

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

The hyperrealist is in this two and a half-thousand year old city drilling and pasting little portholes onto porticos, with illusions and reflections of countenances looking at you from behind them. For Public and Confidential his new show at Wunderkammern, he spent some time in the streets, where he has made a name for himself by tripping the eye, flagellating your fears, popping into your periphery. With his tattooed tapestry wrapped like sleeves around his arms, the wizened Witz studiously attaches his windows to darkness while on canvas he continues in route to mastering light.

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

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Dan Witz. “Public and Confidential” Rome, Italy 2013. (photo © Giorgio Coen Cagli)

“Public and Confidential” opens today at the Wunderkammern Gallery in Rome. Click HERE for further details.

 

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Basquiat Evoked on the Street in Sassuolo, Italy

Remember when we were with French stencil pioneer Jef Aerosol on a Brooklyn roof back in January ’10 where he created a portrait of Jean-Michel Basquiat? His influence has continued unabated among some Street Artists who talk with us today. When you travel around the world meeting different folks on the Street Art and graffiti scene you’ll get an idea of the impact that the New York downtown/uptown/train painting scene of the 1970s and 1980s had and continues to have on the imagination – from Millenials who were weened on MTV to Boomers who watched it evolve in real time.

Jean-Michel Basquiat stands as a composite of what the scene looked like and what it became – possibly because he straddled the pronounced demarcation between graffiti/Street Art/fine art so well, in a way that allowed them to compliment each other. It didn’t hurt that he had a great sense of personal style, an underlying defiance of anyone’s attempt to label him, and an innate political sense of who to hang with and how to garner attention.

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Collettivo FX. “Basquiat. May ’81”. Sassuolo, Italy. (photo © Collettivo FX)

Brooklyn’s Basquiat happened to be in New York when the artist community hotbed of performance, experimentation and avant-garde was bubbling in lower Manhattan, coinciding with a growing celebrity culture, cheap rents, and the ever-more affordable tools of audio and video that could capture the shenanigans. A bubble on Wall Street helped provide the fuel. Without simplifying his impact personally and as an artist, a danger of repeated storytelling that reduces people’s complex lives to smooth cornered app icons to poke, let’s just say that the image of Basquiat still inspires many artists around the world.

Today we take a look at a Basquiat tribute on the streets in the northern Italian city of Sassuolo, where Basquiat made an impact just by visiting in the spring of 1981. Street Artist collective FX just completed a small series of installations around this city of about 40,000 to commemorate that visit, which FX says was big news for a lot of people in a way that would not have necessarily impressed a larger metropolis. With stickers and hand painted posters FX brings the ghost of that visit to the streets – until the rain and wind washes it away.

“In May of 1981 Basquiat went outside of New York and came to Modena for two weeks for an exhibition,” says Collettivo FX. “During that time he lived in Sassuolo and some Italian guys brought him around town to see the city and go dancing. Since he was still SAMO he always had his pocket sprays, so Basquiat did many sketches on the wall, on windows, and on garbage.”

Thanks to FX for sharing these images with BSA readers.

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Collettivo FX. “Basquiat. May ’81”. Sassuolo, Italy. (photo © Collettivo FX)

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Collettivo FX. “Basquiat. May ’81”. Sassuolo, Italy. (photo © Collettivo FX)

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Collettivo FX. “Basquiat. May ’81”. Sassuolo, Italy. (photo © Collettivo FX)

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Alice Pasquini in Sicily for Emergence Festival

August has been brutally hot in Giardini Naxos in Sicily where Alice Pasquini joined a number of artists like Ericailcane, Oricanoodles, Bastardilla, The London Police Pork*Erya, Diamond, and JBrock for the Emergence Festival. It took a number of days to complete this mural in the heat, but says Jessica Stewart, who provides these exclusive photos for BSA readers, “We somehow survived!” At the end of the series of photographs you can see and hear a description of the project from the artist herself.

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Alice Pasquini. Giardini Naxos for Emergence Festival. Italy. (photo © Jessica Stewart)

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Alice Pasquini. Giardini Naxos for Emergence Festival. Italy. (photo © Jessica Stewart)

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Alice Pasquini. Giardini Naxos for Emergence Festival. Italy. (photo © Jessica Stewart)

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Alice Pasquini. Giardini Naxos for Emergence Festival. Italy. (photo © Jessica Stewart)

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Alice Pasquini. Giardini Naxos for Emergence Festival. Italy. (photo © Jessica Stewart)

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Alice Pasquini. Giardini Naxos for Emergence Festival. Italy. (photo © Jessica Stewart)

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Alice Pasquini. Giardini Naxos for Emergence Festival. Italy. (photo © Jessica Stewart)

In neighboring Taormina, Ms. Pasquni used some the found materials she collected in the port of Giardini Naxos to create new pieces for a show at NN Gallery. In “Di Rotta” she uses found wood and inspiration from Sicily. According to Stewart, some postcards she collected in London also were incorporated into the work. Here are a few in-studio shots of Alice as she prepares.

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Alice Pasquini. Taormina, Italy. (photo © Jessica Stewart)

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Alice Pasquini. Taormina, Italy. (photo © Jessica Stewart)

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Alice Pasquini. Taormina, Italy. (photo © Jessica Stewart)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of the Week: 06.16.13

Big week for street festivals on BSA where we blew up our server on the LODZ murals in Poland, the MURAL Festival in Montreal, and now the most community based of them all – the Ad Hoc Wellington Court block party Street Art jamboree thing in Queens, which we have some new images of today. Not to mention we got up on some roofs and Klub7 got down on the ground. So much fun, sun, and good times to be had with art and the creative spirit cut loose in the streets.

Here’s our weekly interview of the street, this week featuring Alice Mizrachi, Amuse, Andy Pants, Billy Mode, Chris Stain, Dan Witz, Dennis McNett, Droid 907, Icy & Sot, JCHM-IX, Lucx, Nice-One, Okuda, Olek, PRTL, Stefan Ways, This is Awkward, and UNO.

Shout out to Garrison and Alison Buxton for the big throw-down at Welling Court, which they do so well and with such love. We’ll have more images coming up.

Top image > Alice Mizrachi and OLEK’s 3-D collaboration for Welling Court 2013. Detail. (photo © Jaime Rojo)

Alice Mizrachi and Olek. Welling Court 2013. (photo © Jaime Rojo)

Droid 907 (photo © Jaime Rojo)

Dennis McNett for Welling Court 2013. Detail. (photo © Jaime Rojo)

Dennis McNett. Welling Court 2013. (photo © Jaime Rojo)

Okuda (photo © Jaime Rojo)

PRTL (photo © Jaime Rojo)

UNO for Cheap Festival. Bologna, Italy (photo © UNO)

UNO for Cheap Festival. Bologna, Italy (photo © UNO)

Alison Buxton for Welling Court 2013. (photo © Jaime Rojo)

Dan Witz for Welling Court 2013. (photo © Jaime Rojo)

Stefan Ways experiments with assemblage with his most recent piece in Baltimore. A mix of paint and sculpture. (photo © Stefan Ways)

Chris Stain and Billy Mode for Welling Court 2013. (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Nice-One, Amuse and Lucx collaborate on a large wall in Chicago (photo © Andy Pants)

Nice-One, Amuse and Lucx (photo © Andy Pants)

JCHM-IX in Barcelona (photo © Federica Marrone)

JCHM-IX. Barcelona, Spain (photo © Federica Marrone)

Untitled. High Line Park, NYC. Spring 2013 (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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