All posts tagged: Imminent Disaster

Fun Friday 12.14.12

December 14, 2012

Hey bro and sis! Here are some of our favorite picks for the weekend around the global way as we head into the final holiday and New Year beauty that we hope everyone is surrounded by. Happy 7th night of Hanukkah to the Jews, and Happy ongoing holidayz to the Christmas and Kwanzaa and Solstice people.

1. 215 “Orgullecida” (Barcelona)
2. “Kids Eat For Free” at Tender Trap (BKLN)
3. Fresh Low-cost Original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)
4. “Graffuturism” at Soze Gallery (LA)
5. “Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)
6. “Snap Back…” Rime and Toper at Klughaus (Manhattan)
7. New2 at White Walls (San Francisco)
8. Dave Kinsey “Everything at Once” at Joshua Liner (Manhattan)
9. Brett Amory at 5 Pieces (Switzerland)
10. RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)
11. Swoon’s Konbit Shelter in Haiti (VIDEO)

215 “Orgullecida” (Barcelona)

French Street Artist C215 has a new solo show titled “Orgullecida” at the Montana Gallery in Barcelona, Spain. The artist has been for awhile using a lot of color with his multilayered stencil work – expanding his established vocabulary bravely in a way that most artists are too afraid to do. His portraits are placed well, are individually hand-cut, and sprayed with a sense of the humanity he’s always giving center stage.  This show is now open to the general public.

A one color stencil from an earlier period by C215 on the streets of Brooklyn, NY. (photo © Jaime Rojo)

A detail from a more recent C215 (© and courtesy the gallery)

For further information regarding this show click here.

“Kids Eat For Free” at Tender Trap (BKLN)

A phrase lifted from restaurant franchises that serve food like you are livestock at a trough, “Kids Eat For Free” is a mini survey of train riders who know the back sides of the country well. Under the moniker of The Superior Bugout, curator Andrew H Shirley continues to explore fresh talent from the emerging margin, and this group exhibition features work by North Carolina’s NGC Crew. Now open, and don’t forget the kids!

For further details regarding this show click here.

Fresh Low-cost original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)

The best way to support your local artist is to give their stuff as a Christmas/Hanukkah/Kwanza/Soltice present. No kidding. Everybody wins. Tonight a show of original silkscreens at totally reasonable prices is at Low Brow Artique in Bushwick. For tonight’s opening of their silk screen print show where you’d be able to purchase prints for $20…yes you read it right $20 bucks buys you art from 25 artists – many of them with work on the street – from Sao Paulo, Brooklyn, Buenos Aires and Berlin. Participating artists include: Selo, Markos Azufre, Hellbent, El Hase, ND’A, XOXU, Daniel Ete, Salles, Baila, Anderson Resende, DOC, SHN, XILIP, Serifire, Vero Pujol, Marquitos Sanabria, Diego Garay, Desastre, and Head Honcho.

Head Honcho. (photo © Jaime Rojo)

Salles (photo © Jaime Rojo)

For further information regarding this show click here.

“Graffuturism” at Soze Gallery (LA)

This is like an exclamation point for the end of the year. No kidding.

POESIA, founder of Graffuturism, the term and website, continues to explore the depths of “Progressive Graffiti” or, as it was previously known, “Abstract Graffiti”. With great intelligence, passion and an acute eye for detail, POESIA brings to the forefront the importance and beauty of this emergent new direction that is impacting the Street Art and graffiti scene (with ramifications for others).

“Graffuturism” opening tonight at Soze Gallery in Los Angeles and promises a smart-headed visual feast of shapes, patterns and color from a mini-galaxy of talent from all over the world. Perhaps more significantly, it’s a bit of a decentralized movement that has been centralized for you. The artists list includes: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West and Will BarrasSoze Gallery in Los Angeles .

Also New York chronicler and enthusiastic lover of the graff/street art scene  Daniel Feral will be there with a  special edition of the Feral Diagram in glicee prints, and a couple other formats (salivate). An ambitious exhibition like this is rare and not easy to come by so if you are in Los Angeles you must go.

El Mac on the streets of NYC. (photo © Jaime Rojo)

For further information regarding this show and to read a great essay for the show written by Daniel Feral click here.

“Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)

Self-appointed moral custodians (mostly white men) have traditionally hampered the exploration of sexuality in formal art history and the academic canon of what gets celebrated and revered continues to evolve more quickly now. The sea change that modern social liberation that was once revolutionary is now a given, but the debate of the appropriate role of sex and sexuality in the arts is far from over. We may have just quashed one Trojan horse of social conservatism in the White House, but the radical right wing has pulled the center pretty far in the last decade and some have even said there was a war on women launched legislatively throughout 2012. So we are pleased to tell you about fine artist and Street Artist Robyn Hasty AKA Imminent Disaster, who has a new show in collaboration with Alex Pergament entitled “Dark Corners, Savage Secrets”. Furthering her exploration of photography Ms. Hasty has semi-retired her now well known hand cut paper pieces and lino prints on the street and traded the cutting knife for the camera. With this show of photographs, sculptures and performance art she’s aiming to tear apart the inhibitions associated with the  sexual act. “Dark Corners, Savage Secrets” opens tomorrow at Weldon Arts Gallery in Brooklyn.

Imminent Disaster and Alex Pergament (exclusive photo for BSA © courtesy of the artist)

For further information regarding this show click here.

“Snap Back…” Rime and Toper at Klughaus (Manhattan)

Freshly snapping back to New York from their successful truck trip to Miami, Klughaus Gallery brings Brooklyn natives RIME and TOPER for their new exhibition titled “Snap Back – Dangerous Drawings About New York”. The storytelling show features illustration and painting inspired by personal stories. Says RIME. “This show aims to tap into our life experience coming up in New York.” Show opens Saturday.

Rime and Toper shown here with Dceve in NYC. (photo © Jaime Rojo)

For further information regarding this show click here.

New2 at White Walls (San Francisco)

The White Walls Gallery in San Francisco are fortunate to host Australian artist New2 with his solo show titled “In One Hand a Ghost, The Other an Atom”. New2’s work on the streets is complex and dynamic with aerosol, but his handcut collage work for the gallery is moreso somehow – maybe because of a painstaking process of arranging thousands of hand cut pieces of paper. This show opens on Saturday.

New2. Detail of one of his hand cut paper pieces. (photo © courtesy of the gallery)

New2 on the streets of San Francisco. (photo © courtesy of the gallery)

For further information regarding this show click here.

Also happening this weekend:

Dave Kinsey with “Everything at Once” at the Joshua Liner Gallery in Manhattan. This show is now open to the general public. Click here for more details.

Brett Amory at the 5 Pieces Gallery in Berne, Switzerland opens on Sunday with his solo show “Lil’ Homies”. Click here for more details.

RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)

Art in the Streets from MoCAtv

 

Swoon’s Konbit Shelter in Haiti (VIDEO)

Street Artist Swoon is looking to return to Haiti to build more shelters for people in the rural part of the country. This video gives a great look at the families and community who are helped. You also can participate by donating to the Kickstarter campaign to help Swoon make it happen.

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Weldon Arts Gallery Presents: Robyn Hasty AKA Imminent Disaster in Collaboration with Alex Pergament “Dark Corners, Savage Secrets” (Brooklyn, NYC)

December 11, 2012 , , , , , ,

Robyn Hasty

DARK CORNERS, SAVAGE SECRETS

Referred to as perverse, neurotic, or bestial, our sexuality is often inhibited by fear and judgment. In “Dark Corners, Savage Secrets,” Robyn Hasty, in collaboration with Alex Pergament, reveals the most intimate moments of her sexual relationships, openly tearing apart these inhibitions in an interactive exhibition of photography, sculpture, and performance. Questioning the le- gitimacy of our socially-dictated taboos about sex, Hasty invites her audience to reveal their hesitations about sexual candor and transcend them.

Tucked away within a found wood installation, suitcases open to reveal nude photos taken clandestinely in the MoMA’s painting galleries, collodion tintypes suggest scenes of sexual dominance and vulnerability, and a nook with a slide projector allows the viewer to advance through an explicit slideshow of Hasty having sex with her partner. Opening night, the large-scale anthropo- morphized headdresses shown in her tintypes come to life atop semi-nude women chained to the gallery walls.

By offering up these intimate moments to the public eye,

Hasty defies our entrenched taboos about sexual transparency. Whether her work debases the moments of intimacy it records or whether this exhibition reveals a fundamentally

human connection is left to the judgment of the viewer. Will we choose to reinforce these taboos or to resist them?

Robyn Hasty, a.k.a. Imminent Disaster, has rafted the Mississippi River with the Miss Rockaway Armada, crossed the Adriatic Sea on a junk boat to attend the 2009 Venice Biennale, designed and built the sets for Jeff Stark’s “Sweet Cheat,” designed murals with the Philadelphia Mural Arts program, and collaborated with Swoon. Her work has been exhibited throughout the US and internationally. She has been featured on NPR for “Homeland,” a project which led her across 15,000 miles of the United States taking wet-plate collodion portraits. Her work has also appeared in The New York Times, New York Magazine,The Wall Street Journal, Juxtapoz, and The Village Voice. In 2013, she will be a resident at the Bronx Museum of the Arts.

Weldon Arts is a contemporary gallery in Bushwick promoting the work of emerging and street artists, and cre- ating a dialogue with the public about the relationship between art, culture and community. For more information, visit www.weldonarts.net.

Opening Reception: Saturday, December 15, 6–9pm
Exhibition Dates: December 15, 2012–January 12, 2013
Location: 181R Irving Ave., Bushwick, Brooklyn.
Hours: Friday and Saturday 12-6pm, and by appointment.
Directions: L to Dekalb Ave.; M to Knickerbocker Ave.; gallery is located between Stockholm St. and Stanhope St.

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Sex In The City: Street Art That is NSFW

October 24, 2012

This art is Not Safe for Work or School, even though it’s on public streets.

It sounds strange to say it but these images of Street Art are erotic, sometimes violent, and might even be considered prurient or pornographic by some viewers – yet they are part of today’s free-wheeling ever expanding visual feast on the streets that any random passerby may see. In New York, many of these pieces ride for a long time fully on display for hundreds or thousands before someone crosses them out or otherwise damages them.

Fila in Miami (photo © Jaime Rojo)

With flesh increasingly paraded across all manner of screen and print publications, it is no wonder that large public billboards in cities throughout the western world have grown increasingly blunt in their depiction of sexual themes and innuendo; with near-coital poses, barely covered breasts, and bulbous packages thrust into the public eye while we drive, walk, and sip a pumpkin frappuccino. As long as the image is in pursuit of the sale of a product, it’s hardly mentioned today.

Street Art today falls into that nether region of art too, where certain liberties for free expression and the depiction of the human body are protected from criticism because they can be classified as artful and part of our right to freedom of speech. As we continue to scan the streets for clues about ourselves and the direction that Street Art is taking, here are more than a handful of scintillating beauties that are beckoning for the attention of, well, everyone.

Insa in Los Angeles for LA Freewalls Project. (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

Faile in NYC (photo © Jaime Rojo)

Judith Supine in NYC. Detail. (photo © Jaime Rojo)

El Celso in NYC (photo © Jaime Rojo)

Anthony Lister in NYC (photo © Jaime Rojo)

Fuck Me in NYC (photo © Jaime Rojo)

Self Indulgence in NYC (photo © Jaime Rojo via Iphone)

Self Indulgence in NYC (photo © Jaime Rojo via Iphone)

Self Indulgence in NYC (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

RTTP in NYC (photo © Jaime Rojo)

RTTP in NYC (photo © Jaime Rojo)

RTTP in NYC (photo © Jaime Rojo)

Just Breathe in NYC (photo © Jaime Rojo)

LUSH in NYC (photo © Jaime Rojo)

Enzo & Nio in NYC (photo © Jaime Rojo)

Vinz in NYC (photo © Jaime Rojo)

Bik Ismo in Miami (photo © Jaime Rojo)

Sofia Maldonado in Miami (photo © Jaime Rojo)

Smile Your Beautiful in NYC (photo © Jaime Rojo)

Love For Rent in NYC (photo © Jaime Rojo)

Just Breathe in NYC (photo © Jaime Rojo)

Astrodub in NYC (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

Aiko in Miami (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

Imminent Disaster in NYC (photo © Jaime Rojo)

Artist Unknown in NYC (photo © Jaime Rojo)

We think this might be an ad campaign for the I’ll Be Your Mirror Festival but we like the inclusion of the famous collaboration between The Velvet Underground and Andy Warhol. Andy would have approved we think. (photo © Jaime Rojo)

David Choe in NYC (photo © Jaime Rojo)

J in NYC (photo © Jaime Rojo)

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Hendershot Gallery New Street Art Print Show

May 24, 2012 , , ,

Prints are often a good way for an artist to reach younger collectors and those with limited funds, and a good way for a gallery to get the doors open for traffic with a new generation of collectors. Hendershot Gallery new show in the Bowery opened last night with a Street Art centric collection of (mostly) prints that hit a nice cross-section of some of the current action on the streets. In addition they invited Gilf!, Clown Soldier, Chris Stain, and ASVP to hit some walls in the basement stenciling, screen printing or wheat pasting directly on the surface, so see if they’ll lend you the key to the dungeon while your are there.

Artists also included in the show are: Anthony Lister, Gaia, Gilf!, Icy & Sot, Imminent Disaster, Judith Supine, Know Hope, Labrona, Other and Paul Insect.

Gilf! Basement Installation. (photo © Jaime Rojo)

Gilf! Basement Installation. Detail of glittered shoes. (photo © Jaime Rojo)

Gilf! (photo © Jaime Rojo)

Imminent Disaster (photo © Jaime Rojo)

Clown Soldier’s work was screen printed directly on the wall for this installation in the basement. Now that is a print show! (photo © Jaime Rojo)

Clown Soldier. Detail of his piece that was screen printed directly on the wall for this installation in the basement. (photo © Jaime Rojo)

Clown Soldier. Detail of his basement installation. (photo © Jaime Rojo)

OTHER (photo © Jaime Rojo)

OTHER (photo © Jaime Rojo)

A.S.V.P. Basement Installation (photo © Jaime Rojo)

A.S.V.P. Prints with glitter. (photo © Jaime Rojo)

Paul Insect (photo © Jaime Rojo)

Judith Supine (photo © Jaime Rojo)

Anthony Lister (photo © Jaime Rojo)

Chris Stein. Basement Installation (photo © Jaime Rojo)

Chris Stein (photo © Jaime Rojo)

Know Hope (photo © Jaime Rojo)

Labrona (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Gaia (photo © Jaime Rojo)

For further information regarding this show click here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Hendershot Gallery Presents: “(Re)Print” A Group Show (Manhattan, NY)

May 9, 2012 , , , , ,

Hendershot Gallery

Hendershot Gallery
195 Chrystie Street • New York, NY 10002 • 212.239.1210 • www.hendershotgallery.com
Gallery Hours: Tues-Sat, 11am-6pm and by appointment
FOR IMMEDIATE RELEASE

 

May 23rd to August 15th, 2012
 
Opening Reception: Wednesday, May 23 from 6–8pm
195 Chrystie Street, New York, NY 10002 • 212.239.1210 • www.hendershotgallery.com
Anthony Lister, ASVP, Chris Stain, Clown Soldier, Gaia, gilf!, Icy & Sot, Imminent Disaster, Judith Supine, Know Hope, Labrona, Other, Paul Insect and more
New York, NY — Hendershot Gallery is pleased to announce the opening of (Re)Print, a group exhibition open to the public from May 23rd to August 15th, 2012, with an opening reception on Wednesday, May 23rd from 6 to 8 pm. This exhibition will transform Hendershot Gallery into a print shop and project space during the summer months, offering a place to see and purchase limited edition works by street artists from cities around the world. Throughout the course of the exhibition, (Re)Print will come to feature the work of over a dozen street artists, including Anthony Lister, ASVP, Chris Stain, Clown Soldier, Gaia, gilf!, Icy & Sot, Imminent Disaster, Judith Supine, Know Hope, Labrona, Other, Paul Insect and more.
While street art is increasing in popularity among the contemporary art world, the unique relationship between these artists’ public and print work is often overlooked.  In their attempt to reclaim public space, street artists apply repetition with a multiplicity of familiar aesthetics or imagery, allowing anonymous artists to create an easily recognizable identity for themselves. Printmaking’s potential for reproduction and circulation offers an alternative vehicle for the artists in this show to make their work more accessible to the public. (Re)Print celebrates the connection found between these salient aspects of both street art and printmaking.
Often limited to an online market, (Re)Print aims to create a more direct interaction for street art lovers and buyers alike. While not always known by name, familiar motifs found in both their prints and street work are what popularize these artists and enable them to create a visual identity. The exhibition will evolve as the work on view changes and grows throughout the twelve week run, creating an informal experience that offers an alternative to the typical gallery environment.
In conjunction with the exhibition, a select group of artists have been invited to create temporary, site-specific installations at an undisclosed location and will be open to the public for the duration of the show. However, the location will be kept a secret, attempting to preserve the excitement experienced when one unexpectedly discovers a work of street art.
While the rest of the art world may slow down for the summer, Hendershot Gallery will be hosting a program of parties and events to celebrate new additions to the show, special performances and projects around the Bowery. For more information, check www.hendershotgallery.com or follow us on Facebook and Twitter.
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Fun Friday 03.09.12 Armory Week BSA Picks

March 9, 2012 , , , , ,

Hells yes, it’s the invasion of the art fairs in New York – and all the associated events around them, including Bushwicks Beat Night and Williamsburg’s Arts Not Fair in the People’s Republic of Brooklyn and many galleries have special programming planned for the weekend around the city. The big fish is the Armory, which is apparently taming itself down a bit if last nights opening was any indication, and their door is a hefty $30 – boutique indeed.  But the hardy street art fan never pays anyway, from what we’ve seen.

Also this weekend are Fountain, PooL Art, Scope New York, Volta , Art Now, and Theorize which are more affordable or free and can be a lot more interesting frankly. Or, just hang out on the street with your bagged container and check out the street art on selected streets and abandoned lots in neighborhoods like the L.E.S, Bowery, Chelsea, Williamsburg, Greenpoint, Bushwick, Red Hook, Long Island City, Dumbo. It’s cheap and you might get invited inside for a party if you bring a couple cans of beer. As you know, it doesn’t cost money to access the creative spirit.

1. Armory Arts Week
2. Fountain
3. Volta
4. Scope
5. Lisa Enxing at Le Salon d’ Art
6. Ambush Gallery, “Project 5, Volume 4”
7. “Beat Nite”
8. “Hyper/Hypo” at Secret Project Robot
9. OBLVN “100 Paintings at Klughaus Gallery
10. Jef Aerosol “Hot Spots” @ Galerie Austral
11. Street Artist Ives.One (Video)

For further information regarding Armory Arts Week click here

Fountain

(Images © Steven P. Harrington)

This year Fountain has provided a 200 foot long wall for a slew of Street Artists, including Chris Stain, Know Hope, GILF, Imminent Disaster, Joe Iurato, LMNOP, Elle, ShinShin, LNY, Cake, En Masse, Sophia Maldonado, Hellbent, Radical! and Wing. See some behind the scenes photos posted yesterday here.

Joe Iurato at Fountain (photo © Jaime Rojo)

LNY will be at Fountain (photo © Jaime Rojo)

Fountain include a great line up of galleries that promote, support and represent Street Artists including:  Kestin/Ray Gallery, Mighty Tanaka Gallery, The Market Place Gallery and Marianne Nems Gallery.

XAM will be exhibiting at Fountain with Marianne Nems Gallery. (photo © Jaime Rojo)

The Brooklyn gallery Mighty Tanaka will be having a greatest hits collection of work by almost everyone in their stable of untamed horses. One of the best walls is the dual red white and blue side by side 3-D sculptural wall installations by Skewville and Miguel Ovalle – including swords on the bottom of the Ovalle piece for the kids.

Featured at Might Tanaka are Abe Lincoln Jr. Adam Leech, Adam Void, Alexandra Pacula, Alice Mizrachi, Andrew H. Shirley, Burn 353, Cake, CAM, Celso, ChrisRWK, Conrad Carlson, Criminy Johnson, Curtis Readel, Don Pablo Pedro, Drew Tyndell, ELLE, Ellen Stagg, EVOKER, Flying Fortress, Gigi Bio, Gigi Chen, Greg Henderson, Hellbent, Hiroshi Kumagai, infinity, JMR, Joe Iurato, John Breiner, Katie Deker, Lamour Supreme, Masahiro Ito, Matt Siren, Max Greis, Mike Schreiber, Nathan Pickett, Nathan Vincent, NEVER, Peat Wollaeger, Robbie Bush, See One, Sofia Maldonado, TooFly, UFO, Vahge, VengRWK, VIK with exclusive murals by Miguel Ovalle & Skewville.

For further information regarding Fountain Art Fair click here

Volta

Carmichael Gallery from Culver City, CA will be exhibiting new works by Aakash Nihalani.

Aakash Nihalani (photo © Jaime Rojo)

For further information regarding Volta Art Fair click here

Scope

The Corey Helford Gallery from Culver City, CA will be exhibiting works by D*Face, Ron English and Risk at Scope.

D*Face in Los Angeles for LAFreeWalls Project (photo © Jaime Rojo)

Ron English in Miami for Wynwood Walls (photo © Jaime Rojo)

White Walls Gallery from San Francisco will be exhibiting works by Blek le Rat at Scope.

Blek le Rat in Los Angeles (photo © Jaime Rojo)

For further information regarding Scope Art Fair click here

Also happening this Weekend:

Lisa Enxing at Le Salon d’ Art For more information about this show click here

Ambush Gallery in Sydney, Australia presents “Project 5, Volume 4”. For more information about this show click here

Don’t miss “Beat Nite” happening this Saturday in dirty Bushwick and presented by Norte Maar. For more information about this event click here

“Hyper/Hypo” group show at Secret Project Robot opens this Saturday. For more information about this show click here

OBLVN solo show “100 Paintings” opens this Saturday at the Klughaus Gallery. For more information about this show click here

Jef Aerosol new solo show “Hot Spots” opens this Saturday at Galerie Austral in Saint-Denis, France. For more information about this show click here

 

Amsterdam based Street Artist Ives.One

A nice stop motion piece made with Arden de Raaij:

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Fountain 2012 Lands in a Grand Old Location

March 8, 2012 , , , , ,

Armory Week is back in town and Fountain Art Fair is nailing it. At the moment – literally. Walls are going up as you are reading this. 200 feet of walls are dedicated to Street Artists – Enough said. Fountain has moved inland this year from the floating, sometimes harrowing, gallery and submarine Murder Lounge on the Hudson waterfront, and in many ways the new Fountain also feels more grounded. Don’t worry, not too much.

Joe Iurato (photo © Jaime Rojo)

Apart from being in an actual Armory building, a 106 year old institution that lends a certain New York Beau-Arts grandness to it all, Fountain is still anybody’s guess in terms of content and execution; which in our minds is precisely the point of going. The chaotic nature of the creative spirit as wielded by many of these youngish artists means that they are better thought of as corralled, rather than curated, into this grand sweeping space that has plenty of headroom.  Part punk D.I.Y. art party and part Occupy Art Fair, the promise of Fountain lies in the work and your own sense of exploration, rather than the prepackaged pomp of slick-talking retailers.

Naturally there are a slew of Street Artists in Fountain this year, including Chris Stain, Know Hope, GILF, Imminent Disaster, Joe Iurato, LMNOP, Elle, ShinShin, LNY, Cake, En Masse, Sophia Maldonado, Hellbent, Radical! and Wing.  BSA caught some of them working in the last couple of weeks as they completed pieces and we give you some sneak peeks here.

Joe Iurato (photo © Jaime Rojo)

Joe Iurato (photo © Jaime Rojo)

Chris Stain (photo © Jaime Rojo)

LNY working on his piece. (photo © Jaime Rojo)

LNY, one of the newer Street Artists of New York at the moment, talked to us as he prepared his Fountain piece deep in Bushwick. His careful illustrative style has an unassuming quality, a sort of hand rendered fantasy he is channeling, and discovering, mixing and remixing symbols and imagination.

Brooklyn Street Art: How did you arrive at your current hybrid style of human/animals? Your depictions keep the humans remaining wholly human and the animals remaining wholly animals. They just seem to be attached to each other?
LNY: Animals are very interesting on their own but at the same time they have been used symbolically so much everywhere. For instance I noticed that many countries use the eagle as a national symbol: Egypt, USA and Mexico all have eagles in their national symbols. When I have an inclination to draw I often find myself drawing animals.

Brooklyn Street Art: On this piece you are working on for Fountain you have NYPD Mounted Police with wings on them?
LNY: Usually my ideas just sort of pile up and then they get to something else. For instance the wings are going to be fire actually. I will add a couple more riders and they could be an apocalyptic kind of scene. The fun thing about symbols is that you can read whatever you want into them. I like the ambiguity of symbols a lot.

Brooklyn Street Art: How do you find the process of painting?
LNY: I really don’t paint anymore. I used to paint. What I used to do with painting doesn’t work anymore because I lost faith in the idea of painting – so I have to find something else.

LNY working on his piece. (photo © Jaime Rojo)

LNY working on his piece. (photo © Jaime Rojo)

Know Hope (photo © Jaime Rojo)

Know Hope. Detail. (photo © Jaime Rojo)

Hellbent working on his piece. (photo © Jaime Rojo)

Hellbent working on his piece. (photo © Jaime Rojo)

Mockup for Hellbent’s piece. (photo © Jaime Rojo)

Finished! A semi-blurry cellphone pic of it from last night. (photo © Hellbent)

I lo-lo-lala-lo-love you. Radical! (photo © Jaime Rojo)

Click here to learn more about Fountain Art Fair 2012

 

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Fun Friday 01.13.12

January 13, 2012

 

1. “Lost and Found” Tonight in Brooklyn
2. “On the River…”, Robyn Hasty AKA Imminent Disaster Open Today
3. SuperTwins Skewville in San Francisco Employing “Playground Tactics”
4. “Hybrid Thinking” at Jonathan Levine Saturday
5. Muhammad Ali Hits 70, and the Show Begins Saturday
6. Klughaus Gallery, Jesse Edwards show “Dialogue of the Streets”
7. Le Salon d’Art, Fumero and Joseph Meloy , “90 Stanton Street Art Show”
8. Jesse Edwards by Tom Gould (VIDEO)
9. Kophns One: Kophenjoy by The Site Unscene (VIDEO)
10. Ben Eine Off Canvas by Studio Stare (VIDEO)

“Lost and Found” Tonight in Brooklyn

“Lost & Found” opens today at Mighty Tanaka Gallery in DUMBO, Brooklyn with the participation of Adam Void, Alice Mizrachi, Curtis Readel, ELLE & John Breiner:

Avoid with friends in the wild. (photo © Jaime Rojo)

“On the River…”, Robyn Hasty AKA Imminent Disaster Open Today

Her first New York solo show “On The River…” is actually the joining of two strong and handsome rivers into one. Her Street Art work finds a sister in this new wet-plate photograph collection at the cozy Kesting/Ray Gallery in Manhattan.

Robyn Hasty. New Orleans 2011 (photo © Jaime Rojo)

To read our interview with Robyn click here

For further information regarding this show click here

SuperTwins Skewville in San Francisco Employing “Playground Tactics”

The Queens natives and New York wiseguys are re-wiring an entire band from their imagined musical teen heartthrob youth – the one where Droo was adding more gel to his perfect hair and punishing his Fender onstage and Ad was getting high in the mop closet. White Walls in San Francisco takes the risk of letting the Street Art duo put on a show this time, and you can expect more “Playground Tactics” Saturday.

Skewville “Playground Tactics” (image courtesy of the gallery)

For further information regarding this show click here

“Hybrid Thinking” at Jonathan Levine Saturday

“There’s a growing creative movement that we’ve dubbed Hybridism: a blend of both street art and fine art – a hybrid – as the raw meets the refined,” as the 2009 group show at Brooklyn’s Mighty Tanaka observed while giving evidence of what was happening on the streets and in galleries in the Brooklyn show “Hybridism”. Of course, Daniel Feral’s diagram points to 2008 as the beginning of “Hybridism”.

Similarly a year ago at Hold-Up Gallery in LA there was the “Hi-Graff” show that excitingly merged many Graff and Street Art movements as we observed at the time, “Those Cold War years are being chopped away brick by brick like the Berlin Wall 20 years ago, and a new language borrowing vocabulary from graffiti, street art, fine art, advertising, and pop/punk/hiphop/skater/cholo/tattoo culture continues to emerge in ways we never thought of before.”

Now in 2012 Manhattan’s Wooster Collective continues the conversation to reveal “Hybrid Thinking”, their collection of an international roster (South Africa, Germany, Spain, Amsterdam, Beijing) of names that have been successful in the galleries and streets, illustrating what you have been seeing alive and expanding for the last decade. In the curators’ words: “Hybrid Thinking refers to the current zeitgeist of our time: disparate cultures coming together to create something completely new.”

This roster includes Dal, Herakut, Hyuro, Roa, Sit and Vinz.

ROA in Miami. (photo © Jaime Rojo)

For further information regarding this show click here

Muhammad Ali Hits 70, and the Show Begins Saturday

An culturally interesting thematic show honoring the fighter Muhammad Ali called “Ali The Greatest”opens tomorrow at Evolve Gallery in Sacramento, CA. With new stuff from Joe Iurato and David Flores among others, the show is expected to travel to Vegas and New York and celebrates the 70th birthday of the man.

Joe Iurato. “Muhammad Ali: Almost Showtime” (photo © Joe Iurato)

For further information regarding this show click here

Also happening this weekend

At the Klughaus Gallery, Jesse Edwards show “Dialogue of the Streets” Click here for more details.

At Le Salon d’Art, Fumero and Joseph Meloy , “90 Stanton Street Art Show” is open to the general public. Click here for more details.

Jesse Edwards video by Tom Gould

Kophns One: Kophenjoy by The Site Unscene

 

Ben Eine Off Canvas by Studio Stare

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Robyn Hasty AKA Imminent Disaster: Journey Across The Heartland

January 12, 2012 , , , , ,

About a year ago you may remember the Kickstarter banner we ran on BSA to raise money for New York Street Artist Robyn Hasty AKA Imminent Disaster to travel across the US capturing portraits with a very old photographic process for a project called “Homeland”.  The campaign was successful, and despite an episode where her car “Cecelia” completely broke down and needed a new engine, Robyn set out to find another side of the country, seen through a new set of eyes. The first portrait result we saw was the image she put in BSA’s show last August in LA, but tonight you have the opportunity to see her first real exhibition of this work at Kesting/Ray Gallery in Manhattan. In addition she’ll be showing new cut paper  works that many will be familiar with from her work on the street as Imminent Disaster in the late 00s.

Robyn Hasty (Photo © Jaime Rojo)

Over the course of 15,000 miles with her wet plate collodion camera and her chemicals in hand, Robyn set out on a road trip across the country to take photographs of people living outside the established urban settings and gridwork that forms much of the US. These simple and complex works are “magical alchemy”, according to Hasty.

“Every time I took a picture it just surprised me how it looks when it comes up. The camera doesn’t see like your eye sees. So every time you see what the camera sees – it’s a discovery.”

The new portraits bring to mind the work of the late master photojournalist from Hoboken, New Jersey Dorothea Lange (1895-1965). Ms. Lange documented with her arresting images the plight of the migrant workers during the great depression for the Farm Security Administration from 1935 to 1939. Now amidst our great recession, her wet plate collodian tintype produce beautiful portraits of her subjects that seem strangely akin to those subjects of that time – captured in their surroundings as they live today.

Robyn Hasty. New Orleans (Photo © Jaime Rojo)

Ms. Hasty took a few moments from hanging the show to talk about the new work with Brooklyn Street Art.

Brooklyn Street Art: What did you think you were going to discover
Robyn Hasty: I guess I was hoping to find relationships between a community that I’ve been working with in New York, and across the country in various ways, to see how that community kind of extended beyond those boundaries and was formulating into a movement. It is a national movement creating an alternative way of living that is different from the capitalist system.

Brooklyn Street Art: In a way you kind of envisioned, or saw in a some way, what happened at Zuccoti Park but in different parts of the country?
Robyn Hasty: I think the thing that was significant about Occupy Wall Street was that it started in New York and within weeks it had spread to most other cities in the country. That seems to indicate that there is actually an unrest and a unity between people who feel that they want radical change and I think I do see a lot of commonalities with the different people I met. An overlap in ideologies; they may not agree in ideologies and there may not be an established ideology that is stated, that has been formalized.

Robyn Hasty. Brooklyn, NY (Photo © Jaime Rojo)

Brooklyn Street Art: You encountered people you didn’t know. Was it difficult for them to say yes to posing? How did you approach them?
Robyn Hasty: Most people were receptive to it. I just introduced myself and sometimes I would chat for a while and then eventually I’d show them the wet plates I’d already taken and ask them if they wanted to be involved in the project and have their portrait taken. Usually they said yes.  There were a few cases where they said no.

 

Robyn Hasty. St. Louis, MO (Photo © Jaime Rojo)

Brooklyn Street Art: What sort of inspiration do you get from these people?
Robyn Hasty: I feel like I choose the portraits that I take because I feel a connection to my subjects, like as a cohort. I respect what they are doing. I am inspired by what they are doing, and I feel like there is kind of an overlap between what we’re trying to do in our lives.  Based on that relationship, it is the reason why I’m taking the portrait and what I’m trying to convey in the portrait to other people.

Brooklyn Street Art: What was it like traveling across the country? Was it ever lonely?
Robyn Hasty: I rarely felt lonely. I think I had a very positive experience because I realized how large the country is, how beautiful it is, how many opportunities there are to build and to re-envision it. I think I saw that from traveling across it.

Robyn’s large scale, cut paper portraits for which she is mostly known with her work on the streets are part of this show as well.

Robyn Hasty. Self Portrait (Photo © Jaime Rojo)

Robyn Hasty. Detail (Photo © Jaime Rojo)

Robyn Hasty (Photo © Jaime Rojo)

Robyn Hasty (Photo © Jaime Rojo)

Robyn Hasty (Photo © Jaime Rojo)

The original banner we ran on BSA for the Kickstarter fundraiser. (left)

For more information and complete details about tonight’s show “On the River…” opening at Kesting/Ray Gallery, click here.

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Kesting/Ray Gallery Presents: Imminent Disaster “On The River…” (Manhattan, NY)

January 5, 2012 , , , , ,

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Robyn Hasty AKA Imminent Disaster “The Wind Kicks Up on the Flag-Ship” 2011. Wet plate collodion tintype. 8″ x 10″ (Image © courtesy of the gallery)

KESTING/RAY is pleased to present On the River: Stories from the heart of glorious abandon, where you cannot see what lies beyond the next bend, the first New York solo exhibition for Brooklyn-based artist Imminent Disaster. Known primarily for her large-scale street art works, the artist unveils a new body of work based on recent river journeys through the heartland of hard times. The installation functions as a cabinet of curiosities, featuring cut-paper, salvaged wood and screenprinted works alongside new, painstakingly-produced wet-plate photgraphs. The exhibition opens on January 12th and runs through February 5th. A reception will be held on Thursday, January 12th, 7–9pm at KESTING/RAY (formerly CHRISTINA RAY), located at 30 Grand Street, New York.

On the River… is an intimate portrait of contemporary life during the great recession, as seen through a lens of antiquity, that propels the viewer into a future in which the politics of Occupy Wall Street are but a distant memory.  On the River… is also a story about the river as muse, as inspiration for abandoning careful planning to spontaneous action. As the artist explains, “by allowing the river’s current to take me along without knowing where it might lead, I covered 15,000 miles of travel across the United States in 2011, taking portraits with a wet plate collodion camera and building a fleet of floating sculptures with the Miss Rockaway Armada in Philadelphia. On the River… attempts to span the distance between maker and object, object and audience – the way the river connects two shores.”

Imminent Disaster, whose given name is Robyn Hasty, has come to prominence through her work as a street artist. Her large-scale cut paper portraits can be found on cities throughout the world and she has collaborated with public-space artists including most notably Swoon, the Swimming Cities artists, Gaia, Chris Stain and Maya Hayuk. Within the past two years, Hasty has developed this body of photography that will be exhibited for the first time – along with cut-paper and print-based works, marking an important moment in her artistic development.

Hasty’s approach to craftsmanship in photography remains as meticulous as in her drawings and prints. The wet-plate colloidon process, first introduced in the 1850s, was “a very inconvenient form which required the photographic material to be coated, sensitized, exposed and developed within the span of about fifteen minutes, necessitating a portable darkroom for use in the field.” With the eye of a traveler seeking to understand the intertwined nuances of place and personality, Hasty captures incredible detail in her work. Although a young artist herself, Hasty’s imagery is suffused with compassion for living through and overcoming crisis, pointing to a maturity beyond her years. The artist’s own drive to connect with this often fragile emotional atmosphere is underscored by her process, which necessitated the construction and carriage of her darkroom throughout her travels.

Hasty states in a recent interview with NPR, “If you actually sit out there…you realize that – functioning or not –the economic world is affecting everybody. And I guess [it is] the will of the individual, even in certain circumstances that are very extreme, to still have this energetic, active, creative energy.”

Robyn Hasty, a.k.a. Imminent Disaster, (b. 1985, West Palm Beach, FL) is driven by the urge to achieve fluidity between aesthetic practice and life. Her approach spans sculpture, printmaking, photography and writing; she also works as a street artist under the name Imminent Disaster. Hasty’s often site-specific work adapts to changing environments inspired by remote travel and adventure. She has rafted the Mississippi River with the Miss Rockaway Armada; crossed the Adriatic Sea on a junk boat to attend the 2009 Venice Biennale; designed and built the sets for Jeff Stark’s renowned “Sweet Cheat” performance sited in an abandoned warehouse; and designed two murals with the Philadelphia Mural Arts program. Her work has been exhibited throughout the US and internationally at the Van Abbemuseum (Netherlands), Addict Galerie (Paris) and Urban Angel Gallery (London). In 2011 she built floating sculptures on the Schuylkill River as part of a grant awarded by the Philadelphia Exhibitions Initiative, designed and built a house in Ghana, and was featured on NPR for her project “Homeland” which led her across 15,000 miles of the United States taking wet-plate collodion portraits. Her work has also appeared in The New York Times, New York Magazine, Juxtapoz, The Wall Street Journal and The Village Voice.

KESTING / RAY is an innovative gallery and creative catalyst in New York whose mission is to discover and advance the most important contemporary artists transforming concepts of space and identity. For more information, visit www.kestingray.com.

Opening Reception: Thursday, January 12, 7–9pm
Exhibition Dates: January 12–February 05, 2012
Location: 30 Grand Street, Ground Floor . Hours: Wednesday-Sunday, 12-6pm
Directions: A/C/E to Canal Street or 1 to Canal Street; gallery is located between Thompson Street and 6th Avenue

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Anthony Lister Talks to BSA : Analysis and Constant Consideration

September 29, 2011 , , , , , , , , , , , , ,

“I’m like a hairdresser I guess.”

Painter Anthony Lister is also a Street Artist. His surreal pop and celebrity culture-infused abstractions are candy encrusted apples which may have something sharp inside. Many are figurative studies and wire frames bending wildly into characters who cavort and mock with blunt swipes of color, overlaid by costumed sexual role play… or is that a personal projection?  Did I mention elegance, defiance, wit? Wait, there is so much here!  Truth is, his work can be a cock-eyed psychological tempest, jarring to the head, strangely sweet.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

A decade of discovery under his superhero belt, Mr. Lister continues to analyze and build his creative practice and it always includes work inside the gallery and outside on the street. He’s currently preparing for his solo show in Sydney called  “Bogan Paradise” at Gallery A.S. At the same time he’s part of a group show with a gaggle of his Aussie expats on view at 941 Geary in San Francisco for “Young and Free”, including Kid Zoom, Dabs & Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta.  Not to mention his participation in our show last month in Los Angeles at C.A.V.E. with Thinkspace, “Street Art Saved My Life : 39 New York Stories“.

The artist took some time recently to talk to Brooklyn Street Art about his practice;

Brooklyn Street Art: How much of one of your painted portraits is autobiographical? In other words, what portion of Mr. Lister is super hero, super model, furtive schoolboy, or Homer Simpson?
Anthony Lister: I don’t really think about myself when I paint. My figurative works are more like reflections of characteristics I absorb from real life day to day.

Brooklyn Street Art: If you were to wear colored glasses, which color do you think you would most likely screen the world through?
Anthony Lister: Pink, like John Lennon.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: Francis Bacon said, “The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.” Would you drink that cocktail?
Anthony Lister: Nice words. I agree.

Brooklyn Street Art: What role does analysis play in your creative process when bringing a painting to fruition?
Anthony Lister: Analysis is the outcome of considered processing. Constant consideration is crucial.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: A big piece you did on Metropolitan in Brooklyn – you reworked that face a couple of times over a period of months, producing what appeared as a slowly morphing image. Were you covering up tags, or were you unhappy with the original, or maybe combating the effects of age with a little nip and tuck?
Anthony Lister: When I re-work street paintings I think of it like I am a hairdresser. When something is in the public it has a different existence to something living privately in a residence. I’m like a hairdresser I guess.

Brooklyn Street Art: You have spoken about your work as reality, or a reaction to realities. What realities are you depicting these days?
Anthony Lister: I just finished a body of work for a solo show in Sydney. This next body of work is about contemporary Australian culture. The exhibition is titled “Bogan Paradise.”

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: When you consider the Street Art scene that evolved around Melbourne, how would you characterize its nature in a way that differentiates it from the work in other cities around the world?
Anthony Lister: No different. This whole street art thing has sprung up post the turn of the digital revolution so it is on the Internet quick and the artists who inspire others and the ones who are easily inspired are constantly swimming in the same aesthetic pools of consciousness. Not to mention that most of the prominent artists travel lots so it is easy to see work of the same artist in multiple cities around the world at the same time.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: The titles you give your gallery pieces are entertaining, instructive, illustrative. Do you ever want to place a placard near a piece you’ve done on the street – just to make sure the message gets across?
Anthony Lister: No. My street practice is less thoughtful and therefore needs less commentary.

Brooklyn Street Art: When is a painting complete?
Anthony Lister: When it tells me so.

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Anthony Lister in Brooklyn (photo © Jaime Rojo)

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Anthony Lister in Manhattan (photo © Jaime Rojo)

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Anthony Lister in Miami for Primary Flight. Detail. (photo © Jaime Rojo)

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Anthony Lister in Los Angeles. LA FreeWalls (photo © Todd Mazer)

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Anthony Lister in Los Angeles LA FreeWalls (photo © Todd Mazer)

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Cry me a rainbow, Anthony Lister in Los Angeles. LA FreeWalls (photo © Jaime Rojo)

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Anthony Lister in Venice Beach CA. (photo © Jaime Rojo)

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Anthony Lister in San Francisco for Young and Free at 941 Geary (photo © Andrius Lypia)

Brooklyn-Street-Art-Screensave-Anthony-Lister-Website-Sept-2011

Want to see more work? Just “Lister” it.

www.anthonylister.com

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Gilf! “Back Talk” Conversation

September 2, 2011

Brooklyn-Street-Art-Juxtapoz-BANNER-Back-Talk-Street-Art-Saved-My-Life

Brooklyn-Street-Art-Juxtapoz-GILF-Back-Talk-Street-Art-Saved-My-Life

To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Gilf!

One reason you make art: I make art to change people’s perspectives, and to bring awareness to major issues that face our whole planet. I also do it to make people smile. Street art is an amazing tool that allows me to speak to people with whom I wouldn’t get the chance in real life.

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Gilf! (photo © Jaime Rojo)

Read “Back Talk: A conversation with Gilf!” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-gilf

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