Superhero or superfan, there is something here for everyone, and usually high quality. Street Art festivals worldwide have become dull and safe, perhaps because some are funded by tax dollars or their curators lack vision. The selections at the Bushwick Collective may not make a cohesive story, it’s true.
However, a sense of history, respect for graffiti’s roots, community, narrative, and free-wheeling organic creativity cuts a through-line that still feels fresh as a summer breeze in the shade of a tree. We have so many images of this year’s block party celebration that we had to split the collection into two parts.
On this Summer Solstice, we wish you strength and the wisdom to see the truth. The false will fall away.
Jaime Rojo has built an impressive collection of photographs of these, capturing the essence of New York’s streets through his lens with an array of box trucks that weave and jolt their way through traffic, often seen opening their gates to load and unload amidst the noise of city life. These trucks, adorned with cryptic and crazily painted graffiti, have become pivotal platforms for urban expression, succeeding subway cars as the canvas of choice after the MTA’s crackdown on trains. Rojo’s vast archive features hundreds, perhaps thousands, of these nomadic art pieces, transforming ordinary vehicles into a main showcase for artists’ narratives and tributes to urban royalty, with eclectic themes and styles that span all five boroughs.
These mobile galleries, nestled on private property and often commissioned by the owners, navigate a legal grey zone, untouched by state or city regulations. They offer a transient exhibition space, constantly in flux, moving across bridges, navigating the FDR, or idly sitting in traffic, right beside you. Each truck is a fleeting installation, a snapshot of the city’s dynamic art scene that you may know or not.
Back in the wild days of 2014, we published a small survey of the ubiquitous box trucks roaring through the streets of NYC. Most commonly used by movers helping residents move in or out of their homes, these trucks obviously serve a more lofty purpose. You can see HERE our article from 2014.
As we present a new installation of this collection once more, we delve into the latest series of box truck artworks that continue to serenade New York’s streets. This ever-evolving display captures the spirit of the city, revealing stories and visions that are as mobile as they are momentary, reflecting the vibrant, shifting nature of urban life through the eyes of famed photographer Jaime Rojo. Step outside and enjoy a moving art fest on the street just for you.
Great to see everyone last night at the Museum of Graffiti for the book launch of Mana Public Arts. Somehow, the guest list ballooned, and suddenly, we needed half a football field to fit everyone in. Right next door, the Hip Hop 50 museum had a breaking (break-dancing) expo, and the museum was broadcasting a live podcast in their glass booth for passersby to watch, and @0h10mike was walking through the museum doing one-line portraits so the streets on the periphery were very crowded. The energy at Art Basel this year waxes and wanes; rather excited, subdued, and tense, perhaps because everyone is talking about the wars, the economy, plastic surgery, the soulless co-branding of the grassroots graffiti/street art movement, the persistence of the man bun, and the political polarization that grips the country and much of the world. Nonetheless, the wide variety of artists and artworks on the street in Miami is still exceptional, the party scene at night is still pumping, and Martha still loves her margaritas.
Here is our weekly interview with the street – a collection from New York, LA, and a little Miami- more Miami to follow: this week featuring Homesick, HOACS, Eternal Possessions, Such, Stanley Donwood, XSM, Tom Boy NYC, Trades only Bro, Slasher, Skeam, Kanos, Vokles, Tinta Rosa, Michael Relave, Las Chicas Que Pintan, and Indo 093.
Heartbeats are pounding and New Yorkers are chattering and gawking here as the city ploughs into an autumn bevy of exhibitions, new theater shows, concerts, street fairs, and fall semesters at schools and universities. The prices are climbing higher every week at the grocery store, pumpkins are popping up on street displays, and fresh aerosol graffiti and street art pieces are appearing on the street. In quintessential Brooklyn fashion, Spike Lee opens his private collection of art, black American history, Oscar statuettes, Knicks jerseys, film posters, memorabilia, Prince’s guitar, even a brownstone stoop in his “Spike Lee: Creative Sources,” show at the Brooklyn museum. The dance party in the rotunda after the opening this week was the best! Thank you DJ Spinna!
Here is our weekly interview with the street: this week featuring Dark Clouds, Lexi Bella, Free Humanity, HOACS, Zexor, Huetek, Roachi, Yok & Sheryo, Kwest, Jeff Henriquez, Fours Crew, Fire Flower, Nemz, Chaos, Kar Part, Belows, Crem, and TakerOne.
Following the evolution of The Bushwick Collective and its annual block party in Brooklyn has been a captivating journey akin to an anthropological exploration into the growing embrace of street art and murals within the realms of graffiti and HipHop. Back in the day, as the neighborhood began transforming with the influx of gentrifiers, street art faced outright dismissal or was treated as a rare phenomenon, a curiosity.
Unaware of the previous codes that roughly governed the practices of graffiti writers on the street, art-students-cum-street-art-poets often obtusely stomped their way into public view to circumvent a gallery system and to express their right to self-expression in public; something HipHop culture had been encouraging for years but had perhaps not envisioned this way. The rivalry between graffiti aficionados and street artists/muralists was sometimes palpable, with throwies vandalizing fresh paint, the OGs asserting territorial dominance, and at times, even resorting to threats and insults in person and in online forums.
As the block party, now in its twelfth year, unfolded, its early editions predominantly featured international and some local street artists eagerly seeking out BC’s visionary leader, Joe Ficalora, for an opportunity to leave their mark on his neighborhood walls. Local street art forums found fault with Ficalora, masking a barely hidden contempt for a streetwise guy taking a leadership role and betraying their own classist privileged opinions about the right to curation. That has all melted appreciably; this year’s event evidenced the remarkable shift that has been underway. Graffiti writers took the stage alongside the muralists in prime spots, sometimes seamlessly collaborating to create art transcending boundaries, all while the electrifying sounds of live HipHop performances reverberated through the air and TikTokers danced in front of them.
Let’s raise a bottle to those who always believed in the possibility of this transformative phenomenon, and to those who championed inclusivity over exclusivity. It’s yet another reason why our hearts beat for this extraordinary international art movement, the embodiment of the people’s democratic spirit and the unlimited creative spirit that is in every person. And most importantly, it’s a reminder of why we hold you dear.
It’s 4th of July weekend here, a patriotic holiday that marks the US independence. This year the overarching oft-repeated phrase is that America is more polarized than ever, perhaps on the verge of a civil war. But really? Where is this theme coming from? Is someone trying to con us into being deeply distrustful of each other and angry? Does anyone gain by making us fight?
We see New Yorkers, who are some of the most diverse and varied lot you are likely to ever find, treating each other daily with fairness; giving each other more space than ever to be who we are. We walk into restaurants, museums, buses, stores, laundromats, delis, offices, gymnasiums, parks – and usually find people being considerate, warm, respectful of differences, more inclusive than ever. New York proves time and again that people WANT to get along, and we DO get along with each other despite our huge differences, because we really have more things in common. That’s not rhetoric or glossing things over; that’s daily experience in this big weird melting pot of beautiful New York City.
Thanks to all the street artists who keep bringing it and sharing it.
Here’s our weekly interview with the street, this week featuring: Praxis, Gane, HOACS, Degrupo, Such, King Baby, Nemze, L.A. Hope Dealer, MFK, Renda Writer, Peek, and RB.
Just for fun, here’s a list of the artists we brought to that first auction in April 2008 – any of them sound familiar? Anera, Armsrock, Borf, Celso, C.Damage, DAIN, Dark Clouds, Deeks, DiRQuo, Elbowtoe, ELC, Fauxreel, Flower Face Killah, Gaia, GoreB, Haculla, Infinity, Judith Supine, Jp, McMutt, MOMO, Noah Sparkes, Royce Bannon, Skewville, Swoon, Dan Witz, and WK Interact.
How many of these names are still in the game? Some have faded, some have accelerated, and there are many new names bandied about on New York streets; It’s a constantly changing tableau.
Here’s our weekly interview with the street, this week featuring: Matt Siren, City Kitty, Hijack, Li-Hill, Raddington Falls, Rose Cory, HOACS, Voxx Romana, Jet, Nite Owl, HEFS, and HAVOC.
“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.” … The Raven. Edgar Allan Poe
A great beginning to summer with the Bushwick Collective Block Party this weekend – an enduring event that features ever larger hip hop names performing right on the street amidst a sea of street art and graffiti that still characterizes this Brooklyn neighborhood. Long gone are the naysayers and those who thought this international democratic people’s art movement was in the purview of a few tastemakers and gatekeepers. Joe showed that this form of creative expression was meant by the people to be for the people, and every year thousands traipse through to enjoy it.
Here’s our weekly interview with the street, this week featuring: Cycle, Faile, Lexi Bella, HOACS, Roachi, Duel, Trace, Zaone, Ligama, Carrasco, Minus, Foursome Crew, Feroz, Gerik Duenas, Rich Vagos, Loste, and HEFS.
We were battered like hell this week by the remnants of a hurricane – not the actual hurricane itself. Yet New York was unprepared for the onslaught of precipitation in such a short period of time – producing flooding like we haven’t seen in ages, or ever. Basement apartments were overtaken in hours, first floors soon after – and lives were lost. We mourn the victims and console their families.
Roads, tunnels, trains, streets, airports – all paralyzed. The seriousness of the damage makes many of us take a step back, take stock – and wonder how many more years the PR disinformation industry can cloud our minds with doubt about climate change. It worked for decades with cigarettes, has worked for decades with the war machine, the health industry, the financial industry, against voting rights, against labor unions….
Hmm… at this rate, it looks like we better buy some flippers and a snorkel.
And in the streets, we are comforted by images of our pop heroes, rock gods, and asundry archetypes.
Here’s our weekly interview with the street, this week featuring Allison Dayka, Almost Over Keep Smiling, Came Moreno, DEK2DX, Foxito, Goblin, Hek Tad, HOACS, Lorenzo Masnah, Lucas Official, Psycho Love, Ramiro Davaro-Comas, Roio47, Smet Sky, Tomer Linaje, Trace1, Ultramarine Dream, Vitruvian Truth, and Voxx Romana.
Welcome to BSA Images of the Week. The first day of February brought New York a blizzard – a foot and a half of snow, complete with winds and drifts and buried cars. It drives everyone outside to experience the new world, especially kids, big and small.
I am a poem of blizzards trapped in snow; paralyzed in a city of 8 million snow-poems digging out of record wind-fuelled drifts of snow; trapped in the wintery vice of its wintery vice-like grip of treachery.
–Rupert The Red Nosed, “The Language of Snow”
And like kids, we too like to stomp through the snowy streets in big boots, looking for hidden missives and pieces of poems, delighted by the mysteries buried in this cold and windy town.
Here’s our weekly interview with the streets, this week featuring Carl J. Gabriel, Chris RWK, Dare2, Eye Sticker, George Floyd, HOACS, Jeremy Novy, Par, Praxis VGZ, Roachi, Skewville, Sticky, Sule Cant Cook, Viler, and Zexor.
Good to see Mint and Surf on the streets again here in NYC. We wondered where they had gone.
Wishing all of you a Happy Thanksgiving this week, whether you are alone or with family, cooking a turkey or baking a pie, spraying a tag or slapping a sticker, collecting art or collecting bills. We hope that we can all count some blessings this week. Please stay safe from the Covid-19.
Here is our weekly interview with the streets, this week featuring Butterfly Mush, Dragon 99, Eye Sticker, Fours Crew, Graff Art Kings, HOACS, Invader, Michael Conroy, Mint & Serf, Mr. Can Do, No Sleep, Only Jesus NYC, Rawraffe, Roachi, Shniz, Shorty, Smells, and Surface of Beauty.
We praise the work and the love that mothers around the world are giving today and every day, with gratitude and recognition for their shaping of our global society. Salute to all the mothers! Without them, it goes without saying, we’d be nowhere.
So here’s our weekly interview with the streets, this week featuring Cake$, DG, Diez, GCG, HOACS, PREZ, Roachi, and Tag.
“Today people all over the world are wearing the keffiyeh to offer support to Palestinians in their struggle for freedom,” says Street Artists Cake$, who sends us this new piece he did near the separation wall. He says he considers the wall to be a symbol of oppression – but worries more now that Coronovirus has hit the region as well – so he depicts Jesus with a face covering. “Because of the pandemic, this stencil is also a caution sign for locals that you need to cover your face to protect yourself and others. A new study and computer model provide fresh evidence for a simple solution to help us emerge from this nightmarish lockdown. The formula? Always social distance in public and, most importantly, wear a mask, scarf or bandana.”
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
