This week, we found ourselves amidst the vibrant energy of Los Angeles, uncovering hidden gems and reconnecting with old friends. One highlight was a visit to Roger Gastman’s dynamic ‘Beyond the Streets’ gallery, which celebrated its first year with a captivating show featuring Tim Conlon, HuskMitNavn, and Pose. A thrilling moment was when we had the privilege of moderating a panel that featured the artistic brilliance of Layer Cake’s duo – Patrick Hartl and Christian Hundertmark (C100), the iconic Chaz Bojórquez, recognized as the godfather of graffiti and the epitome of California Chicano artistry, and our host, the ever-passionate artist and activist, Shepard Fairey. The venue buzzed with artists and connoisseurs, each directly or deeply ingrained in the world of art in the streets. And as LA’s streets echoed with the spirit of Mexican Independence Day, the youthful beats of Mexican music star Peso Pluma serenaded us from passing cars. Truly, a week to remember.
Here is our weekly interview with the street: this week featuring Shepard Fairey, Vhils, Invader, Keith Haring, Nychos, El Mac, Add Fuel, Praxis, Hueman, Estevan Oriol, Hijack, Tempt, David Howler, Loks Angeles, Kook, Madre, and Downtown Daniel.
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family for your support in 2022. We have selected some of our favorite shots by our Editor of Photography, Jaime Rojo, and we’re sharing a new one every day to celebrate all our good times together, our hope for the future, and our love for the street.
So we begin with a witty take on the similarities between the US depression of a hundred years ago and the startling similarities forecast for it shortly. It’s good to remember that we’ve been through this before – or at least our grandparents did.
Unless you’re talking about the seismic Supreme Court decision to take away people’s right to have a legal abortion in the United States. The topic immediately appeared in street art. Abortions will still continue in the US of course. Rich women will pay for them, and go back to church the following week. Senators and congressmen will pay for their girlfriends abortions, with a crocodile tear and a wad of cash. Poor women? Not a consideration.
Clarence Thomas took a swing at other Americans by hinting that same-sex marriage may be in jeopardy. He didn’t mention interracial marriage.
One street art text piece we caught yesterday just as the abortion decision was being announced is appropriately in Spanish. Que voy hacer con llorar? or “What good does crying do?”.
Here’s our weekly interview with the street, this week featuring: Captain Eyeliner, JJ Veronis, Modomatic, Voxx Romana, Hijack, Fear Arte, IMK, 3784, Jaw1, Smoe, JC3, Mayd1, Spot KMS Crew, Heavylox, and Bongggblue.
The curator/owner of this wall, Jessica Goldman, posted recently on social media that the famed graff/street art/mural wall is “on pause.” The street has its own ideas of course and the wall has been very active for the last weeks in an organic manner. As usual, beauty is in the eye of the beholder.
Welcome to BSA Images of the Week! Happy Fathers Day to all the fathers and those filling that role for families. We know it’s not easy work. We’re thankful to all the guys who are there to raise our kids, to provide guidance and love, and to model love and respect for their partners and wives.
Also today is Juneteenth, one of our country’s newest official holidays, recognizing the foundational earthquake of African emancipation from slavery in the US. Institutional slavery and all its effects – events in our history that continue to impact our laws, institutions, education, civil and economic justice, our relationships with one another – are yet to be addressed in many ways. For Juneteenth, this is a sweet and joyful celebration that is also deeply needed.
It doesn’t get any better with the weather than at this time of the summer in New York – and street art and graffiti are enjoying a very prolific crop this season. The politics of this moment are also showing up the street, with abortion and gun rights and vaccines surfacing as themes alongside what seems like ever-present LGBTQ+ rights. We keep seeing the graffiti/street art spots enlarge, contract, and scatter like a sneeze from one neighborhood to another, largely do to the rampant gentrification rate in some areas and the tendency for people to kill off the very arts culture that attracted them to the neighborhood in the first place. Right now street art in Manhattan is concentrated on the Lower East Side and Chinatown – Chelsea has a few remaining pockets left but it could be gone soon, and a little still remains in Soho and Noho. In Brooklyn, the neighborhoods Bushwick of going strong, Williamsburg Industrial park Williamsburg and Dumbo not so much. In Queens there is Welling Court, maybe Ridgewood, and of course Mott Haven and South Bronx are still popping
But let’s not get distracted by the city topography – lets look at some new stuff Jaime Rojo caught this week.
Here’s our weekly interview with the street, this week featuring: Sipros, Adam Fu, CRKSHNK, Below Key, Modomatic, Hijack, Homesick, BK Ackler, Sally Rumble, Real Art Daddy, Yosnier, JG, The Eyeknow, Fear Arte, and Natalie Robinson.
Just for fun, here’s a list of the artists we brought to that first auction in April 2008 – any of them sound familiar? Anera, Armsrock, Borf, Celso, C.Damage, DAIN, Dark Clouds, Deeks, DiRQuo, Elbowtoe, ELC, Fauxreel, Flower Face Killah, Gaia, GoreB, Haculla, Infinity, Judith Supine, Jp, McMutt, MOMO, Noah Sparkes, Royce Bannon, Skewville, Swoon, Dan Witz, and WK Interact.
How many of these names are still in the game? Some have faded, some have accelerated, and there are many new names bandied about on New York streets; It’s a constantly changing tableau.
Here’s our weekly interview with the street, this week featuring: Matt Siren, City Kitty, Hijack, Li-Hill, Raddington Falls, Rose Cory, HOACS, Voxx Romana, Jet, Nite Owl, HEFS, and HAVOC.
“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.” … The Raven. Edgar Allan Poe