Wendsday, July 25, 2012 / 7-11 PM
2 Copper Square (Bowery and E. 4th st)
Curated by Jason Patrick Voegele of Republic Worldwide, Samson Contompasis of The Marketplace Gallery, Keith Schweitzer of M.A.N.Y. and Tyler Wriston of The B.A.C.
Hosted by 320 Studios at 320 West 37th Street, 14th Floor
June 28 – June 30, 2011
6 to Midnight with VIP After Party
Concept by Jason Patrick Voegele
Much of what we know and how we learn comes through the study of explicit or subtle comparisons and contrasts. Meaningful opportunities for these comparative studies invite us into a more explicit and intentional approach that can both broaden our understanding of contemporary American art and help us draw connections and distinctions between the studio practices and conceptual intentions of today’s American Artist.
Produced and developed by four of New York State’s premiere curatorial teams, Town & Country presents just such an opportunity.
Much like the rest of the western world, our press, politics, and creative arts thrive on the institutions we have erected to illuminate our differences. We are often reduced to the divisive labels of righteous and heretical, pious and secular, liberal and conservative, formal and conceptual, urban and rural. Dressed up in the costume of duality it appears that we are a bisected people from the fundamentals to our personal tastes. This exhibition challenges those preconceived notions and offers a unique window into the collaborative state of American art. As a people, our founding fathers had faith in the principals of open dialogue, freedom of expression and the multiplicity of our intellectual and creative capacity to bind various philosophies into one singular union. As an exhibition, Town & Country celebrates these great strengths and offers up a chance to draw attention to the ties that bind us as a great creative culture wherever we are from. Through this lens, Town & Country proposes a new vision of American art reinterpreted for a new generation.
On June 28th through June 30th at 320 West 37th Street in New York City, Republic Worldwide, The Marketplace Gallery, Keith Schweitzer (M.A.N.Y.), and The Brooklyn Art Collective invite you to join the discussion and stoke the fires of debate as we present Town & Country: the very best of contemporary American art. Artists include: Scott Michael Ackerman, Doug Auld, Paul Brainard, White Cocoa, Hannah Cole, Annika Conner, Helen Dennis, Eric Diehl, Ira Eduardovna, Tara de la Garza, Charles Koegel, Elizabeth Livingston, Frodo Mikkelsen, OLEK, Sirikul Pattachote, Patrick Porter, Leon Reid IV, Julia Samuels, Tom Sanford, Chris Stain, Veng, Emma Wasielke, and Fedele Spadafora.
Much appreciation to John Stavros from 320 Studios.
No Longer Empty
Watch This Space
Opens September 24th, 2010 to October 23rd, 2010
Runs Thursday through Sunday, 12pm to 5pm
As a start to the Dumbo Arts Festival, No Longer Empty will be working with exteriors of buildings as well as mounting an exhibition in a vacant gallery space. United under the title of “Watch This Space”, both the exhibition and the mural works will allude to Dumbo’s industrial past as well as its current process of gentrification as the area remakes its image and purpose.
Working with the scaffolding, which surrounds the buildings in Dumbo, Chris Stain and Logan Hicks’s works will portray hauntingly photo realist images of New York crowds in gritty, urban scenery to elevate a sense of the working class hero.
In the gallery space at 55 Washington Street, NLE will be installing a site-specific exhibition, which unites the outdoors with the inner space again referencing the intensive construction of Dumbo in its march to gentrification. Artists to date include Alexandre Arrechea, Alejandro Almanza Pereda and Cal Lane.
Cal Lane creates “soft” or delicate images through “hard,” industrial tools. For instance, the artist has carved floral lace patterns into gardening shovels and car doors and carved intricate tapestries from oil drums.
The interdisciplinary quality of Alexandre Arrechea’s work reveals a profound interest in the exploration of both public and domestic spaces. He creates wry comments on the rapid expansion/demolition of cities mediating between the two impulses with his own push-pull sense of artistic negotiation.
Alehandro Almanza Pereda transforms the most basic objects from daily life or construction sites into poetic ruminations, which often seem to defy the laws of gravity. At once playful and conceptually strong, the viewer is compelled to see wood chips, crates, cinder blocks or florescent bulbs as aesthetic entities capable of transcendence.
Alexandre Arrechea
Alejandro Almanza Pereda
Michel de Broin
Logan Hicks
Cal Lane
Lincoln Schatz
Helen Dennis
Imminent Disaster
Jordan Seiler
Exhibition at 55 Washington Street, Suite 200
Murals on Plymouth, Main and Washington Streets Dumbo Brooklyn