All posts tagged: H101

The Weeknd: Fer Alcala in Cardedeu, Granollers and Baladona, Catalunya, Spain.

The Weeknd: Fer Alcala in Cardedeu, Granollers and Baladona, Catalunya, Spain.

Today we take a random walk around some of the most interesting street art in the metropolitan area of Barcelona with photographer and fervent observer of the scene, Fer Alcala, who shares with BSA readers about his own participation in the scene as a documentarian and vibrant part of the street ecosystem. An insatiable chaser of Street Art and murals, Fer doesn’t let a recent back operation keep him down for long and soon you are off discovering more in Granollers, Cardedeu, and who knows where else!


– by Fer Alcala

2017 was a weird year for me. It’s been more than 6 months that I’m trying to learn how to live in pain as I have a problem in my backbone which is healing as a Work In Process (WIP). At the same time, I’ve had the chance of collaborating with lots of artists, taking part in very interesting projects and shooting tons of photos. However it has not always been easy for me to find the motivation and the energy to go out there and hit the streets.

Roc Blackblock. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Apart from all this, you know how it works; There’s that spark, that unavoidable feeling that pushes you to do what you love to do despite everything else. So, this is what happened to me some weeks ago while being alone at home: I HAD to go for a walk, yes or yes. So, I did.

I had the need to go to Badalona and check some of the latest pieces of Spogo out. Spogo’s work is familiar to the BSA readers:  One of the finest abstract artists in the country, Spogo opens walls in his hometown and gives the chance to other artists to paint in his playground, developing a homeland legacy that is appreciated by neighbors, pedestrians and fellow artists. In these times when street art and gentrification are becoming almost synonymous, Spogo’s personal effort contributes to beautify the city through collabs with Elbi Elem, Tayone, Ángel Toren, Lost Optics, Kazzius or Nico Barrios & Toni Cuatrero.

Aryz . Gurtel. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

In the meanwhile, it’s nice to find a big wall by H101 by chance, almost feeling it as a tribute to the defunct Sixe wall in the opposite side of the highway which was replaced by some useless gardening ad. It was also a great pleasure to find ‘Inocente II’, the great mural by Mohamed Lghacham and Iván Floro, two friends that hadn’t painted together in 6 years and whose figurative skills are reaching mastership levels.

So, in order to keep on feeding my hunger for art, I decided to visit the always interesting city of Granollers with about 60,000 inhabitants which is 40 minutes away from Barcelona by train, after seeing online what Velvet and Zoer had created for ‘Murs que parlen (Walls that speak)’. Murs que parlen is a project promoted by Granollers’ town hall, a project which they say is seeking to give life and color to some medium and large scale walls of the city. The result of the work of the French artistic duo, who were advised by Aryz on the occasion, is one of my personal faves in Catalunya this year.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

I love how Zoer has explained the whole process in his IG account:

‘One month ago, Velvet and me started painting this mural in Granollers / Catalunya. Relating an artistic action to its close environment and context is a big question as: Does the mural/ public space/ art have to make a clear connection with its time or to a special meaning? The population of Catalunya expressed recently its will of autonomy and most generally the possibility of reorganizing the society around a strong regional and cultural defense. As foreigners, we can only watch and interpret the information from a certain distance.

The Can Bassa district in Granollers is a very quiet district, let’s say mostly Castillan, or inhabited by people from all of the country. We were invited to take a look at the academic system here, by giving a class to young art students and by visiting the primary school though the high school. The focus is set on the personal development and awakening in creative fields, developing an atmosphere of exchange and curiosity.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

In a dance class, where children were training, we found dozens of drum sticks in a blue plastic basin. Besides that we had the chance to meet Toni Cumella and to visit his splendid ceramic factory. Their ceramics are designed for architecture mainly, where a million single pieces can shape an ensemble, become a pattern, a second skin to a concrete structure.

Well known for having designed this sophisticated ceiling ceramic map for the Santa Caterina market in Barcelona, they worked as well with Renzo Piano on the Centro Botin, creating a sensational floating pattern from thousands of ceramic disks modeling the facade and reflecting the light. During the inauguration, musicians were playing percussion using the ceramic facade as a giant drum with thousands of pads’.

Aryz . San . Zoer. Granollers, Spain. December 2017. (photo © Fer Alcalá)

It’s great to see how interacting with the locals and taking into account the neighbors’ participation is becoming so important and giving meaning to the artist’s work, even becoming a norm in several projects all over the world.

My next stop was another Murs que parlen wall. It’s strange because almost no one out there has taken pics of this colossal Sixe Paredes piece. I tried to shoot it from the courtyard of the school, but the place was closed and nobody was working that day. To know more about this beautiful work, please check this nice documentary that a local TV filmed for the occasion.

Sixe Paredes. Granollers, Spain. December 2017. (photo © Fer Alcalá)

It has been approximately four years since I had the chance to visit Roca Umbert. This cultural facility keeps some almost hidden gems by Aryz, Zoer, and Daniel Muñoz ‘SAN’ and Roc Blackblock, among others. Born as a tribute to Ferrer i Guardia and the modern school, with 250 students taking part in the process, this is what Roc said about it on his FB page at that time: ‘We arrived to the conclusion that education, knowledge and wisdom are the real superpowers that allow us to face all the challenges with success’.

One of the things that I love about Granollers is that it has everything: big walls, random ones all over the city, abandoned factories…and the ditch. Home of a superb, but now buffed old smoking bird by Aryz, this never ending urban canvas offers tons of great art by some of the biggest and more interesting names in da house: Aryz, Rostro, Cinta Vidal and Peeta, Japon, Treze … this list could go on forever, so here you have an small selection of what you can find down there. And, please, be careful if you decide to cross the river.

Velvet. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

As I was on fire, I decided to take the train and go to Cardedeu. This almost 13 km2 village is a creative gold mine. Aryz’s and Cinta Vidal’s homeplace, Cardedeu’s outskirts gives shelter to one of the most admired abandoned factories in the biz: Ofidirect. I’ve been here several times with lots of different friends, artists and colleagues and everybody loves the place.

It was the first time that I was there alone and I have to say that I was almost overwhelmed by the silence and the majesty of this concrete and brick space. Being some kind of a private playground for the MixedMedia Crew and other artists and graffiti writers, Ofidirect is still alive preserving its urban decay beauty and charm. It was funny for me to see how Zoer, Velvet and Aryz had got some fun in there apart from the big Wall in Granollers.

Zoer. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

After a 40 minutes walk to go back to Cardedeu, some beer, and a train and back to Barcelona, I was at home editing pics and speaking with friend artist @elbielem. She asks me about an Aryz mural in Cardedeu. ??? I had no clue about what she was talking and Aryz painting in his hometown on kind of a big wall? He’s one of my favorite artists and I had been there for hours and I haven’t got any f*cking idea about it? Well: sh*t happens. Best street art hunter (hate this title…) ever.

I went back to Cardedeu the next day very soon in the morning, but that, my friends, is a different story

Velvet . Aryz . Gurtel . Zoer. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Treze. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Los Ratos. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Sergi Marqués. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

KIKX. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Aryz. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Japon VLOK. Ofidirect/Cardedeu, Spain. December 2017. (photo © Fer Alcalá)

Aryz. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Rostro. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Aryz . Rostro. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Cinta Vidal . Peeta. Granollers, Spain. December 2017. (photo © Fer Alcalá)

Mohamed Lghacham . Iván Floro. “Inocente II” Baladona, Spain. December 2017. (photo © Fer Alcalá)

‘This wall is the second part of another one that I painted two years ago about the same issue,” says artist Mohamed Lghacham who painted this wall with assistance of Iván Floro.

“Its main character is a friend of mine who was born on December 28th which is the ‘Santos Inocentes’ day in Spain (note: this is the equivalent of the April’s fool day in the States). Basically, it consists on playing little jokes on your friends and relatives. When my friend was a little kid and it was his birthday his classmates didn’t trust him, thinking that he was just kidding. There’s not a big concept behind the piece: it’s just something anecdotal that seems funny to me.

The idea about painting that mural came from Badiu Jove Badalona as one of the activities of Conect’Art which is an art fair for young creators that takes place in the city.” Lghacham says he would like to thank his assistant Floro.  “Everything went great and I guess that we will work together often in the near future.”

Spogo . Nico Barrios . Tony Cuatreros. Baladona, Spain. December 2017. (photo © Fer Alcalá)

Spogo . Elbi Elem. Baladona, Spain. December 2017. (photo © Fer Alcalá)

H101. Baladona, Spain. December 2017. (photo © Fer Alcalá)


Instagram handles:

Sixe @sixeparedes, Spogo @spogo15, Elbi Elem @elbielem , Tayone @tayone.abz , Ángel Toren @angeltoren , Lost Optics @lostoptics, Kazzius @kaz.zius or Nico Barrios @mrnobodysmind ,Toni Cuatrero @tonicuatrero, H101 @h1_01, Mohamed Lghacham @oiterone, Iván Floro @van_vuu, Velvet @velvetcsx, Zoer @zoerism, Aryz @mr_aryz, Daniel Muñoz ‘SAN’ @danielmunoz_san, Rostro @rostrovalseca , Cinta Vidal @cinta_vidal & Peeta @peeta_ead , Japon @japonvlok , Treze @acidcollapse, Peeta @peeta_ead , Japon @japonvlok , Treze @acidcollapse

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Discovering a “Magic City” in Dresden, Germany

Discovering a “Magic City” in Dresden, Germany

A couple of weeks ago BSA was in Dresden, Germany to help lay plans for a new Street Art show opening there this fall called “Magic City” and naturally we hit the streets with bicycles three days in a row to see the city’s graffiti, Street Art, and murals whenever time would permit. The first day we had the honor of getting a tour from Jens Besser, an artist, author, lecturer, and producer of mural festivals in the city who sped ahead of us through a labyrinth of streets to show us a number of the impressive murals he and partners have brought to the city in the last decade or so.

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Unidentified Artist (photo © Jaime Rojo)

Jens is also a local historian and cultural observer so whether we were talking about a graffiti tag, aerosol hand styles, the Fürstenzug mural of 23,000 porcelain tiles, the overflow of the Elbe River during a European flood in 2002 or the architectural subterfuge of a former cigarrete factory/mosque named Yenidze that escaped allied bombings in 1945, he proved a friendly, adept and educational host.

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Optic Ninja – a hand rendered wheat paste. (photo © Jaime Rojo)

We did some investigating on our own later through Dresden’s more bohemian/neglected gritty neighborhoods but that first tour clued us in to some of the magic that can be found in this city that lies only two hours south of Berlin. The multitude of skills and voices on the street added additional color to the rich conversations we were invited to contribute to by sage and storied writer, critic and chief curator Carlo McCormick. Carlo generously asked us to be a part of his vision of a “Magic City”, a constructed simulacrum and somewhat surreal streetscape with 30+ artists creating new works of many disciplines and mediums inside a former plane engine factory here, and for years we have provided a platform for this form of storytelling on BSA so it’s fantastic to bring to a theater setting here.

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Optic Ninja (photo © Jaime Rojo)

McCormick has an intense affinity for the artists and the creative spirit that rivals how extensively he is versed in the antecedents, undercurrents, and greater intellectual and cultural implications of this world that is loosely described as Street Art or Urban art. We’re honored that Carlo tapped us to create a BSA Film Program to work within this newly designed city and to expand the definitions and perceptions of freewill art in the public sphere. Likewise we are grateful to the incredibly talented and ingenious Magic City team under the leadership of Christoph Scholz for inviting us on board for this project – all of which we’ll tell you more about soon.

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“Auch das Team von Brooklyn Street Art (Steven P. Harrington und Jaime Rojo) und das Kuratorenteam um Carlo McCormick und Ethel Seno freut sich, Euch als Magic Citizens ab 1. Oktober in der Magic City in der Zeitenströmung Dresden begrüßen zu dürfen. Der Vorverkauf startet am 3. August!” #MagicCityLife  (Photo © Frank Embacher)

In the meantime, here are new images from Dresden for you along with some more information about the upcoming show.

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Frm-Kid . Otecki for CityBilder – Collaborative Murals in DresdenFriedrichstadt . Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

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Other . Saddo for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curarted by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

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Mono Gonzalez. Dabtar . Gregor for Time for Murals. Curated by Jens Besser and Denise Ackermann. (photo © Jaime Rojo)

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Graphic Surgery for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

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JBAK. Detail. For CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

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Ryan Spring Dooely . Moneyless for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

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Kenor . H101 for CityBilder – Collaborative Murals in Dresden Friedrichstadt. Curated by Jens Besser and Frank Eckhardt. (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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Artourette (photo © Jaime Rojo)

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A day and night diptych from Jens Besser (photo © Jaime Rojo)

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Jens Besser. Detail. (photo © Jaime Rojo)

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Jens Besser. Detail. (photo © Jaime Rojo)

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Jens Besser (photo © Jaime Rojo)

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No Name . No Game. – An “open source” roller tag repeated often and seen in many locations in Dresden. We found this one poignant because of the placement of a commercial real estate developer above it, effectively showcasing two uneasy players in the ongoing discussion about the role of art and artists in the gentrification of neighborhoods. (photo © Jaime Rojo)

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ZCKR Crew (photo © Jaime Rojo)

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SMC . GWK . ZBG (photo © Jaime Rojo)

For more check out #magiccitylife  magiccity.de

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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A version of this article was also published on The Huffington Post

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Fanzara, Spain: “MIAU” Marries Street Art & Cats, Breaks Internet

Fanzara, Spain: “MIAU” Marries Street Art & Cats, Breaks Internet

You knew it would happen eventually, like peanut butter and chocolate on their first date. One day the Internet would deliver to you two of your favorite things together – like cats and Street Art. Yes, it is called MIAU, an acronym that translated from spanish is The Unfinished Museum of Urban Art. The festival is pronounced the way you thought – meow!

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Thiago Goms. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

Cynics among you, please turn your eyes away from the screen as we show you adorable scenes of murals by Street Artists who basically have adopted a tiny town of Fanzara, 35 minutes from Castellón de la Plana on the east coast of Spain. And by tiny we mean 323 people, most of them senior citizens.

It all happened innocently, according to stories heard by photographer Lluis Olive Bulbena and published reports, when two local guys wanted to invite a small number of Spanish Street Artists to paint murals in the town in the wake of bitter debates that had been happening around a proposed incinerator in town and creating rancor between citizens.

 

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Animalitoland. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

The pay would not be high; you’d sleep on somebody’s couch and eat home cooked kitchen cuisine, but it would be appreciated. An “adopt an artist” program was started and people volunteered to host a visiting painter. The town board came up with a small budget. Word spread quickly and the number of artists interested grew to 20. In little time, as citizens responded favorably, there were 40 new murals in town and many of them were done with some participation of residents.

That was 2014. Last month 21 more artists arrived, worked with local folks, did workshops, had film screenings, a few photo exhibits, had a PechaKucha night, involved youth in painting projects, helped create community, and were serenaded live while painting by La Rondalla Santa Cecilia, a 13 piece local band formed in 1983.

 

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Borondo. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

If you are wondering how much of this adorable story is the product of clever marketing strategies by savvy Gen X professionals who made their money in digital advertising campaigns and how much of this is genuine, we understand your suspicions: it is awfully cute. But the murals are real, and the town is real. And yes, there are a number of cats in the compositions as well.

Miau.

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Borondo at work on a larger wall. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

The list of artists invited this year are: ANIMALITOLAND, BIBBITS, BORONDO, BTOY, CHLYO, D.JUEZ, EMILIO CHERRY, GAEL, FLU, H101, Joaquín Jara, JULIAN ARRANZ, Kenor, LOLO, LUIS MONTALVO, PICHI & AVO, PINCHO, SGER, THIAGO GOMS, Xelon XL and DEIH.

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Xelon XL. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Bibbits. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Gripe. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Gripe. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Gripe. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Emilio Cerezo. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Emilio Cerezo. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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GR170. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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H101. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Julian Arranz. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Sger. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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BToy. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Chlyo. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Costi. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Pincho. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Xabier XRTM Laguna. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Kenor. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Pichi and AVO. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Natxuta. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Lolo at work on his wall. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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D.Juez. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

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Deih at work on is wall. MIAU. Fanzara, Spain. July 2015. (photo © Lluis Olive Bulbena)

 

Our most sincere gratitude to Mr. Bulbena for sharing his photos with BSA Readers.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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BSA Film Friday: 05.31.13

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Las Calles Hablan : Street Art in Barcelona, RONZO Goes pre-historic with Skatersaurus, SAMO© by Aaron Rose and Thomas McMahan.

BSA Special Feature:
Las Calles Hablan : Street Art in Barcelona

“Las Calles Hablan is a story about discovering a hidden world, an extraordinary subculture and the struggle between an artistic community painting for freedom of expression and an increasingly restrictive dogmatic government,” says Justin Donlon as he speaks about this hour long documentary he made with Silvia Vidal Muratori and Katrine Knauer.

An educational and unpretentious study of the spectrum of Street Artists and techniques currently at play in Barcelona, the team traces  the scene through personal observations and their network of local and international artists, local gallerists, and their connections globally via the Internet.


The film traces the trajectory from the Street Art/graffiti’s emergence at the end of the 70s following the Franco dictatorship and the rise of international hip-hop culture through the 90s into a sort of freewheeling golden era in the early 2000s. It also explains the current unease with the city, the professionalizing of the artists through a growing gallery practice, and the collaborative initiatives of some community leaders with artists.

Taking a straightforward documentary approach, the motivations and inspirations of current artists on the scene are presented without much of the exaggerated myth-making that more commercial hype vehicles often contain. Included in the examination are how community and local citizens and authorities have taken a constructive role in facilitating space and opportunities for some artists here and elsewhere, while the definition and appetite for illegal work ebbs and flows.

Featured artists:Zosen, Mina Hamada, Kenor, Kram, El Xupet Negre, Debens, Fert, Dase, SM172, Ogoch, Kafre, Aleix Gordo, Meibol, Eledu, C215, H101, Miss Van, Btoy, El Arte Es Basura, Konair, Gola, Vinz.

(Image above a screenshot of Vinz © Las Calles Hablan)

RONZO Goes pre-historic with Skatersaurus

A quickie with RONZO, who quickly demos how his latest charactor, the Skatersaurus, is created and installed.

SAMO© – Jean-Michel Basquiat
By Aaron Rose and Thomas McMahan

An electric train switch clicking and collaged short of distressed city clips paying homage to the free floating and cryptic phraseology of Basquiat as his street writing alter ego SAMO© . This new video directed by Aaron Rose and Thomas McMahan is a thrill cut to a New York graffiti era ever more cast in amber, a choppy popping scratching archival image soaked indictment/celebration of conformist chaotic consumerist culture and the struggle to pay the bills, backed by a mechanical nihlist beat you can pop and lock to while name-dropping like Fab Five Freddy.  Don’t push me cause I’m close to the Vogue.

Music by N.A.S.A. featuring Kool Kojak, Money Mark and Fab Five Freddy
Animations by Maya Erdelyi and Alexis Ross

 

 

 

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Los Brujos: Gola, Kenor and H101 Nude Before The Third Eye in Italy

Gola Hundun, Kenor and H101 otherwise known as the Art Collective Los Brujos, recently participated in the Sub Urb Art 2 in Torino, Italy with a patchwork hand-painted re-creation of the mystic Eye inside a large open warehouse space.

Los Brujos: Kenor, Gola and H101. (photo © Garu-Garu)

Call it The Eye of Glory, The All Seeing Eye, The Eye of The World, The Eye of Providence or the Eye of Horus, the human eye has been imbued with supernatural powers, omnipresence, and intuitive abilities for centuries by various cultures and belief systems worldwide. Three members of Los Brujos pose carefully here with the new piece by way of drawing our focus back to it’s various meanings.

Los Brujos: Gola, Kenor and H101. (photo © Garu-Garu)

As they draw your attention to the third eye looming behind them, Los Brujos appear in various costume while positioning themselves symbolically in front of the work, adding a decidedly pagan connotation to the work. The juxtaposition reminds you that dimension, abstraction, and geometry have roots in folk art, religion and mysticism – far predating the modern age fascination with geometry and minimalism. While these guys and many in the alt-art party circuit are sometimes thought of as avant-garde, you can also see them as revivalists of our clan-based past.

Los Brujos: Gola, Kenor and H101. (photo © Garu-Garu)

Los Brujos: Gola, Kenor and H101. (photo © Garu-Garu)

Los Brujos:  Kenor, Gola, and H101. (photo © Garu-Garu)

 

 

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