All posts tagged: Greg Lamarche

BSA Images Of The Week: 09.01.24

BSA Images Of The Week: 09.01.24

Welcome to BSA’s Images of the Week.

In the past two decades, Asbury Park, New Jersey, has undergone a dramatic transformation, evolving from a struggling, economically challenged city into a pleasantly eclectic one. This shift, driven by gentrification, has attracted a wealthier demographic, including professionals and artists from nearby New York City, drawn by affordable housing, a revitalized waterfront, and the promise of a burgeoning cultural scene. For many, it has become a trendy, artistic destination.

The Wooden Walls Project, launched in 2015, has been central to its evolution, thanks to Jenn Hampton and Porkchop of Parlor Gallery. A slew of artists—officially and unofficially curated— have regaled Asbury Park with many large-scale murals and street art installations. This week, you’ll see a few examples of work we caught down by the beach as summer slowly burns toward fall.

We’re also regaled by a few other pieces we’ve caught recently elsewhere.

Here is our weekly interview with the streets, this week featuring Logan Hicks, Joe Iurato, Greg Lamarche, Beau Stanton, Hyland Mather, Ellena Lourens, Porkchop, Bradley Hoffer, H Kubed, Amberella, ONEQ, Ray Geary, Cameli, and Leaf 8K.

Joe Iurato and Logan Hicks. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Joe Iurato and Logan Hicks. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
A clever signature from Joe Iurato and Logan Hicks. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Joe Iurato and Logan Hicks. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
LEAF 8K (photo © Jaime Rojo)
Cameli (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Beau Stanton. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Beau Stanton. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Porkchop. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Porkchop. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Joe Iurato. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Greg Lamarche (photo © Jaime Rojo)
Ray Geary. Detail. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Ray Geary. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
ONEQ. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Amberella. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
H Kubed (photo © Jaime Rojo)
Porkchop and Bradley Hoffer. Detail. Asbury Park, NJ. (photo © Jaime Rojo)
Porkchop and Bradley Hoffer. Detail. Asbury Park, NJ. (photo © Jaime Rojo)
Hyland Mather. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Ellena Lourens. Wooden Walls Project. Asbury Park, NJ. (photo © Jaime Rojo)
Untitled. Summer 2024. Asbury Park, NJ. (photo © Jaime Rojo)
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“No Room For Racism” Begins Right Where We Are

“No Room For Racism” Begins Right Where We Are

We were just looking at this piece by graffiti writer and mixed media artist Greg Lamarche aka Sp.One, and we were reflecting that art-making and advocating for social/political change can be a one-person brigade.

Greg Lamarche (image courtesy of the artist)

We’re also reminded that borrowing from advertising campaign techniques doesn’t always mean selling wars or shampoo; sometimes it is a powerful force for changing society in a positive way.

The Premier League and other sports organizations have tackled racism head-on with the “No Room For Racism” campaign, and continue to do so. This active allyship with all our brothers and sisters is what must happen if we are to effectively combat our historical legacy, and you never know what your one resolute action will do, or how far it will travel.

No Room For Racism. (image courtesy of the Premier League)

American football player Colin Kaepernick stuck to his convictions and used his position to do so, and this past Sunday rapper Eminen used his influence during the Super Bowl. Action takes many forms: Rock Hill South Carolina just began its “No Room For Racism” college basketball classic in December, and T-shirt maker Teepublic dedicates a whole line of shirts that focuses on fighting racism graphically – the people wear those t-shirts to parties, to work, to the grocery store.

Person by person, sport-by-sport, game-by-game, people are being confronted and reminded. These are sometimes purely individual changes, but they send important messages to our peers and future generations.

Rapper Eminem takes a knee behind Dr. Dre at Super Bowl halftime show this past Sunday. (©Ben Solomon for The New York Times)

In this article about a recent act of racism in the sport of ice hockey, Canadian professional defenseman P.K. Subban reminds us, “But people have to start with their friends and their family. That’s where it comes from. But fans too. We need fans and everybody to make this a place where everyone feels comfortable.”

Sitckers. Fire Cracker Press
No Room For Racism. Australian sticker.
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Street Artists At The Fairs For Armory Week NYC 2014

Street Artists At The Fairs For Armory Week NYC 2014

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Not quite spring, the Art Fairs are arriving in New York ahead of the tulips. We strolled the impossibly long aisles and peered into the booths to find the folks who have at other times been called “Street Artists”. This weekend they’ll be fine artists, and the list is quite a bit longer than years past as the professionalization of the street continues.

Shows like the Armory, Scope, Volta, and Fountain are good testing venues to see the commercial viability for many of these artists and some have foregone representation – preferring to foot the bill on their own. Since walking the streets to see their work requires multiple layers and hats and gloves – traipsing through the fairs can be far preferable than dirty old Brooklyn streets. It’s also nice to see how some of these folks look in a tie or a blouse – or even just hit a comb. Here below we include some possible gems for you to hunt down.

THE ARMORY SHOW

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Pace Prints

How & Nosm at Pier 92

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How Nosm at Pace Prints (photo © Jaime Rojo)

For The Armory Show Art Fair location, dates, times, booth numbers, etc… click HERE

SCOPE ART FAIR

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Andenken Gallery

Amanda Marie, VINZ

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Vinz at Andenken Gallery (image courtesy the gallery)

Black Book Gallery

Judith Supine, WK Interact, Ben Eine, Cycle, James Reka, Cope2, Indie184, Shepard Fairey

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Judith Supine at Black Book Gallery (image courtesy the gallery)

C.A.V.E. Gallery

PEETA, Pure Evil

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Pure Evil at C.A.V.E. Gallery (image courtesy the artist)

Fabien Castanier Gallery

Speedy Graphito, Mark Kenkins, RERO

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Speedy Graphito at Fabien Castanier Gallery (image courtesy the gallery)

Fuchs Projects

Rafael Fuchs, Aakash Nihalini, Skewville

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Skewville at Fuchs Projects (photo © Jaime Rojo)

Krause Gallery

Ben Frost, Hanksy

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Ben Frost at Krause Gallery (image courtesy the gallery)

Moniker Projects

Beau Stanton, Ben Eine, David Shillinglaw, Greg Lamarche, Jon Burgerman, Pam Glew, Ron English,  Muffinhead, Keira Rathbone.

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David Shillinglaw at Moniker Projects (image courtesy the artist)

Natalie Kates Projects

Skullphone, Swoon

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Skullphone at Natalie Kates Projects (photo © Jaime Rojo)

 

ThinkSpace Gallery

Know Hope

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Know Hope at ThinkSpace (photo © Jaime Rojo)

Vertical Gallery

Stormie Mills, My Dog Sighs

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Stormie Mills at Vertical Galler (photo © Jaime Rojo)

For SCOPE Art Fair location, dates, times, booth numbers, etc… click HERE

VOLTA NY

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Jonathan LeVine Gallery

POSE

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Pose at Jonathan LeVine Gallery (image courtesy the artist)

For VOLTA NY Art Fair location, dates, times and booth numbers, etc… click HERE

FOUNTAIN ART FAIR

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Fumeroism, Jay Shells, Leon Reid IV, Vicki DaSilva are all showing at Fountain this year

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Vicki DaSilva at Fountain (image courtesy the artist)

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Fumero at Fountain (image © Jaime Rojo)

Urban Folk Art

Adam Suerte

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Adam Suerte (courtesy Urban Folk Art)

Street Art Installation curated by Mighty Tanaka

Alex Emmert will be curating the Street Art Installation and he has invited Chris Stain, Alice Mizrachi, Skewville, Cake, Chris RWK, Joe Iurato, Rubin, EKG, Gilf!, Omen and LNY.

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Rubin will be part of the installation of Street Artists at Fountain Art Fair (photo © Jaime Rojo)

For Fountain Art Fair location, dates, times, etc…click HERE

 

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The Power of Color via Street Art, Graffiti, and Murals

The Power of Color via Street Art, Graffiti, and Murals

No doubt it is the grey days of late winter that is making us think about this as we brace for the next snowstorm, but today we’re considering the impact that Street Art color has on architecture that never asked for it.

We’re not the first to think of hues, shades, tones, and palettes when it comes to the man made environment of course, but it does strike us that most of the buildings that are hit up by street art and murals today were designed by architects who never imagined art on their facade.

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Os Gemeos in Boston. (photo © Jaime Rojo)

Modern architecture for some reason is still primarily grey, washed out greens, beige, eggshell, snore.

“Color is something that architects are usually afraid of,” said internationally known and awarded architect Benedetta Tagliabue in an interview last May about the topic of color.  A generalization probably, and you can always find exceptions of colorfully painted neighborhoods globally like the Haight in San Francisco, La Boca in Buenos Aires, Portafino in Italy, Guanajuato in Mexico, Bo-Kaap in Capetown, the favelas of Rio de Janeiro and the Blue City of India, but many of those examples speak to color blocking and pattern.

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Interesni Kazki in Baltimore. (photo © Jaime Rojo)

We’ve been looking at the power of Street Art to reface, re-contextualize, re-energize, and re-imagine a building and its place in the neighborhood. Some times it is successful, other times it may produce a light vertigo. The impact of work on buildings by today’s Street Artists and muralists depends not only on content and composition but largely on the palette they have chosen. It sounds trite, and self-evident perhaps, but much of Street Art is about color, and primarily on the warm scale first described by Faber Birren with his OSHA colors and color circle in the 1930s .

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Faile in Manhattan, NYC. (photo © Jaime Rojo)

Birren developed his color system with the observation that artists favor the warm colors more than the cold, from the violet side of red and extending beyond yellow because “, their effect is more dynamic and intense and because the eye can, in fact, distinguish more warm colors than cold.

It’s common now to think of 21st century Street Art as the graffiti-influenced practice that primarily activates the detritus of the abandoned industrial sector blighting western cities in the wake of trade agreements that sent all the jobs to lands without protections and regulations. While that is definitely the sort of neglected factory architecture preferred for “activation” by many graffiti artists and Street Artists alike, we also see more curious couplings of color with the delicately ornate, the regal, or even modernist structures today thanks to artists being invited, rather than chased.

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Shepard Fairey in Manhattan, NYC. (photo © Jaime Rojo)

The results? Abstractionist, cubist, geometric, letter-based, illustrative, figurative, text-based, outsider, folk, dadaist, pop.  One common denominator: color.

“The environment and its colors are perceived, and the brain processes and judges what it perceives on an objective and subjective basis. Psychological influence, communication, information, and effects on the psyche are aspects of our perceptual judgment processes,” writes Frank H. Mahnke in his recent piece for Archinect. The author of Color, Environment, & Human Response has made it his mission to explore psychological, biological effects of color and light and to help creators of the man-made environment make good choices.

Whether all of these choices are good, we leave up to you. But it is worth considering that Street Artists have been part of the conversation on the street for decades now, making powerful suggestions to architects and city planners , so maybe it’s worth taking another look at what they’ve been up to lately.

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Ever in Baltimore. (photo © Jaime Rojo)

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Escif in Atlanta. (photo © Jaime Rojo)

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Kenton Parker and Roa in Miami. (photo © Jaime Rojo)

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LUDO in Chicago. (photo © Jaime Rojo)

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Anthony Lister in Los Angeles. (photo © Jaime Rojo)

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Kobra in Manhattan, NYC. (photo © Jaime Rojo)

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Smells, Cash4 and Spiro in Brooklyn, NYC. (photo © Jaime Rojo)

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Don Rimx in El Barrio. Harlem, NYC. (photo © Jaime Rojo)

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Agostino Iacurci in Atlanta. (photo © Jaime Rojo)

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Barry McGee in Brooklyn, NYC. (photo © Jaime Rojo)

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Jaz and Cern in Brooklyn, NYC. (photo © Jaime Rojo)

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Pose and Revok in Manhattan, NYC. (photo © Jaime Rojo)

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Rime, Dceve and Toper in Manhattan, NYC. (photo © Jaime Rojo)

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Pixel Pancho in Miami. (photo © Jaime Rojo)

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Deeker and David Pappaceno in Brooklyn, NYC. (photo © Jaime Rojo)

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Reka in Brooklyn, NYC. (photo © Jaime Rojo)

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RRobots in Brooklyn, NYC. (photo © Jaime Rojo)

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MOMO in Brooklyn, NYC. (photo © Jaime Rojo)

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Skewville in Brooklyn, NYC with an old NEKST tag on top. (photo © Jaime Rojo)

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3ttman and Elias in Atlanta. (photo © Jaime Rojo)

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Chris Stain and Billy Mode tribute to Martha Cooper in Brooklyn with ROA on the water tank. (photo © Jaime Rojo)

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Rubin in Brooklyn, NYC. (photo © Jaime Rojo)

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Os Gemeos in Manhattan, NYC. (photo © Jaime Rojo)

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JMR in Brooklyn, NYC. (photo © Jaime Rojo)

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Greg LaMarche in Brooklyn, NYC. (photo © Jaime Rojo)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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This article was also published on The Huffington Post

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The 2013 BSA Year in Images (VIDEO)

The 2013 BSA Year in Images (VIDEO)

Here it is! Our 2013 wrap up featuring favorite images of the year by Brooklyn Street Art’s Jaime Rojo.

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Before our video roundup below here is the Street Art photographer’s favorite of the year, snapped one second before he was singled out of a New York crowd, handcuffed, and stuffed into a police car – sort of like the Banksy balloons he was capturing.

“Among all the thousands of photos I took this year there’s one that encapsulates the importance of Street Art in the art world and some of the hysteria that can build up around it,” he says of his final shot on the final day of the one month Better Out Than In artist ‘residency’ in NYC this October. It was a cool day to be a Street Art photographer – but sadly Rojo was camera-less in a case of mistaken identity, if only for a short time.

Released two hours later after the actual car-jumping trespasser was charged, Rojo was happy to hear the Chief Lieutenant tell his officer “you’ve got the wrong man”, to get his shoelaces back, and to discover this photo was still on his camera. He also gets to tell people at parties that he spent some time in the holding cell with the two guys whom New York watched tugging down the B-A-N-K-S-Y.

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What’s everybody looking at? Jaime Rojo’s favorite image of the year at the very end of the Banksy brouhaha. (photo © Jaime Rojo)

Now, for the Video

When it came to choosing the 112 images for the video that capture the spirit of the Street Art scene in ’13, we were as usual sort of overwhelmed to comb through about ten thousand images and to debate just how many ‘legal’ versus ‘illegal’ pieces made it into the mix. Should we include only images that went up under the cover of the night, unsanctioned, uncensored, uncompromised, unsolicited and uncommissioned? Isn’t that what Street Art is?

Right now there are a growing number of legal pieces going up in cities thanks to a growing fascination with Street Art and artists and it is causing us to reevaluate what the nature of the Street Art scene is, and what it may augur for the future. You can even say that from a content and speech perspective, a sizeable amount of the new stuff is playing it safe – which detracts from the badass rebel quality once associated with the practice.

These works are typically called by their more traditional description – murals. With all the Street Art / graffiti festivals now happening worldwide and the growing willingness of landlords to actually invite ‘vandals’ to paint their buildings to add cache to a neighborhood and not surprisingly benefit from the concomitant increase in real estate values, many fans and watchers have been feeling conflicted in 2013 about the mainstreaming that appears to be taking place before our eyes. But for the purposes of this roundup we decided to skip the debate and let everybody mix and mingle freely.

This is just a year-end rollicking Street Art round-up; A document of the moment that we hope you like.

Ultimately for BSA it has always been about what is fresh and what is celebrating the creative spirit – and what is coming next. “We felt that the pieces in this collection expressed the current vitality of the movement – at least on the streets of New York City,” says photographer and BSA co-founder Rojo. It’s a fusillade of the moment, complete with examples of large murals, small wheat pastes, intricate stencils, simple words made with recycled materials or sprayed on to walls, clay installations, three dimensional sculptures, hand painted canvases, crocheted installations, yarn installations etc… they somehow captured our imaginations, inspired us, made us smile, made us think, gave us impetus to continue doing what we are doing and above all made us love this city even more and the art and the artists who produce it.

Brooklyn Street Art 2013 Images of the Year by Jaime Rojo includes the following artists;

A Dying Breed, Aakash Nihalini, Agostino Iacursi, Amanda Marie, Apolo Torres, Axel Void, Bagman, Bamn, Pixote, Banksy, B.D. White, Betsy, Bishop203, NDA, Blek le Rat, br1, Case Maclaim, Cash For Your Warhol, Cholo, Chris RWK, Chris Stain, Billy Mode, Christian Nagel, Cost, ENX, Invader, Crush, Dal East, Damien Mitchell, Dase, Dasic, Keely, Deeker, Don’t Fret, The Droid, ECB, el Seed, El Sol 25, Elbow Toe, Faile, Faith 47, Five Pointz, Free Humanity, Greg LaMarche, Hot Tea, How & Nosm, Icy & Sot, Inti, Jilly Ballistic, John Hall, JR, Jose Parla, Judith Supine, Kremen, Kuma, LMNOPI, London Kaye, Love Me, Martha Cooper, Matt Siren, Elle, Mika, Miss Me, Missy, MOMO, Mr. Toll, Nychos, Okuda, Alice Mizrachi, OLEK, Owen Dippie, Paolo Cirio, Paul Insect, Phetus, Phlegm, Revok, Pose, QRST, Rambo, Ramiro Davaro, Reka, Rene Gagnon, ROA, RONES, Rubin, bunny M, Square, Stikki Peaches, Stikman, Swoon, Tristan Eaton, The Lisa Project 2013, UFO 907, Willow, Swill, Zed1, and Zimer.

Read more about Banksy’s last day in New York here and our overview of his residency in the essay “Banksy’s Final Trick” on The Huffington Post.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Graffiti Coast-To-Coast on a Fleet of Trailers

Graffiti Coast-To-Coast on a Fleet of Trailers

It’s a rolling Street Art / graffiti museum as you fly down the highway and your car is suddenly surrounded by a fleet of 20 18-wheeler trucks all completely covered with pieces and tags.

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Greg Lamarche painting his side of the trailer. Wynwood Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

– Or it will be as soon as a certain events company based in Denver, Colorado finishes plans to paint its entire fleet of 20 trailers with graffiti. It began last week in the Wynwood District in Miami when graffiti artists looking for a big slab of flat wall to paint asked the owners if they could get up on the three trailers parked outside one of the fairs.

Greg Lamarche, or SP One, told photographer Geoff Hargadon about his truck while he was up on a ladder spreading his signature pile-up of collaged letters across it while other guys were breaking out the cans on theirs. According to Hargadon, the event company liked the results so much that now they plan to extend the invitation to other artist in Los Angeles and San Francisco. “The plan now is to do the entire fleet,” says Geoff, “So…. imagine driving down Interstate 95 and you see a fleet of graffitti’d trailers. It would be f-ing AMAZING.”

It would be sort of like painting entire freight train cars, but out on the pavement. Just think of all the small pristine towns and villages that don’t have an opportunity to see large complex burners suddenly seeing a mobile gallery of graff one day and then, faster than you can sing a verse of “Travelin’ Man”, they’re headed up the road.

I’m up high and rolling coast-to-coast baby!

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Asend. Jick in process on the right. Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

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Jolt . Asend . Jick Wynwood Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

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Jick. Wynwood Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

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Persue at work on his truck. Wynwood Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

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Persue at work in his truck. Wynwood Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

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Breeze 5317 at work on his piece collaborating with CZR PRZ on the right. Wynwood Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

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Nspire. Wynwood Art District, Miami Art Basel 2013. (photo © Geoff Hargadon)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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The High Line Loft Presents: “The Future Is Now” A Group Exhibition (Manhattan, NYC)

The Future is Now

The Future Is Now
Opening Reception: Thursday August 1st, 2013 4-11pm
Friday August 2nd, 2013 10 am-11pm
Saturday August 3rd, 2013 10 am-11pm
Sunday August 4th, 2013 10 am-6pm

The Highline Loft
508 W. 26th Street
New York, NY 10001

We are pleased to present “The Future Is Now” at The Highline Loft, NYC’s renowned gallery located on The Highland Park in Chelsea, NYC.

This unique Invitational brings together a curated selection of prolific street and urban contemporary artists and musicians for a weekend of cutting edge art, music, technology and performance. The Future Is Now serves as the blueprint for the 21st Century’s Multimedia art experience.

Please join us while we make history together.

Roster of Artists:

Jordan Betten, John Breiner, Ross Brodar, Allison Buxton, Garrison Buxton, John Arthur Carr, Cern, Deedee Cheriel, Chip Love, Steve Cogle, Joseph Conrad- Ferm, COPE2, Spencer Keeton Cunningham, Cycle, CYRCLE, Dalek, Adam Dare, Katrina Del Mar, ELLE DEAD SEX, Brian Ermanski, John FeknerEric Foss, Mike Fitzsimmons, Ellis Gallagher, Mike Giant, Maya Hayuk, Hellbent, David Hochbaum, David Hollier, Michael Holman, Ben Horton, Kimyon Huggins, INDIE 184 , Ian Kuali, Dave Kinsey, Koralie, Kool Kid Kreyola, Nick Kuszyk, Greg LaMarche, Craig LaRotonda, Don Leicht, Chip Love, Adam Ludwig, Joe Lurato, Tara McPherson, Alice Mizrachi, Billy Mode, Morning Breath, NDA, NOBODY, OLEK, David Ortiz, William Quigley, Leon Reid, Skewville, Specter , Beau Stanton, Chris Stain, Swoon, Nick Taylor, Thundercut, , Chris Uphues, Michel Bellici, Andrea Von Bujdoss, Kennedy Yanko, Deborah Yoon.

 

https://www.facebook.com/events/459280470833231/

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Design Matters Presents: “Word Play” A Group Exhibition (Los Angeles, CA)

Word Play

Word Play
a group exhibit curated by Stephanie Chefas

Opens Saturday, June 29th 7-10pm
To request an online preview, please email info@stephaniechefas.com
Design Matters is delighted to present Word Play, a conversational group exhibition featuring 7 conceptual artists handpicked by Contemporary Art Curator Stephanie Chefas. The exhibit showcases a collection of mixed media, acrylic, neon, and textile works by artists Ben Venom, Greg Lamarche, Gregory Siff, Meg Hitchcock, Meryl Pataky, Shawn Huckins (shown), and RERO.

Since the 1960s, language has been a fundamental tool for conceptual artists in emphasizing ideas over visual form to fuel creativity. Using words, phrases, and sentences to tackle topical issues of popular culture, significant artists of the late twentieth century such as Barbara Kruger, Jenny Holzer, and Glen Ligon, have consistently given text a prominent role in art.

 

http://stephaniechefas.com/#upcoming-projects

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Images of the Week: 05.19.13

Here’s our weekly interview of the street, this week featuring Andreco, Athens, Col Wallnuts, CrispyT, eL Seed, En Masse, Faile, Faust, Greg LaMarche, Henry Darger, James Rubio, JJ Veronis, Jon Hall, Katsu, Mr. Toll Phetus88, Rae BK, Reme821, Sure, and Toofly.

Top image > Toofly and Col Wallnuts at Bushwick Collective. (photo © Jaime Rojo)

Sure . Faust (photo © Jaime Rojo)

Reme821. (photo © Jaime Rojo)

Andreco. Athens, Grece. (photo © Andreco)

Mr. Toll. (photo © Jaime Rojo)

Jon Hall. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

James Rubio and CrispyT pay homage to the reclusive American artist Henry Darger. (1892-1973)  (photo © Jaime Rojo)

En Masse and Friends (photo © Jaime Rojo)

JJ Veronis (photo © Jaime Rojo)

eL Seed in progress. (photo © Jaime Rojo)

eL Seed (photo © Jaime Rojo)

Rae BK . EKG (photo © Jaime Rojo)

Faile in progress. Katsu (photo © Jaime Rojo)

Faile in progress. Katsu (photo © Jaime Rojo)

 

Phetus88 (photo © Jaime Rojo)

Greg Lamarche. Detail (photo © Jaime Rojo)

Untitled. Manhattan, NYC. 2013 (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of the Week: 05.12.13

Here’s our weekly interview of the street, this week featuring B.D. White, Col Wallnuts, Dan Witz, Greg LaMarche, Jon Hall, Josef Kristofoletti, JR, Mr. Penfold, Mr. Toll, and W.

The inaugural wall from a new program called “The Big Brush” by commercial outdoor advertising company Colossal went up this week in Brooklyn featuring a work by 1980s/90s New York graffiti writer SP One,  who is now better known as collage fine artist Greg LaMarche. The company figures at least tangentially into the street art scene by virtue of the sheer amount of work they provide for a large number of painting artists who create about 300 walls per year, all hand-painted. They even have an apprenticeship program for painters who would like to learn how to do this work. “Big Brush” will be unleashing a slew of new art on walls that are not zoned to be commercial, so they’re actually inching a little closer to Street Art than before.

For his part, LaMarche told us he was pretty blown away as he watched his original small collage go up over the course of a couple of days, painstakingly recreated on this same wall that had the D*Face piece not too long ago – with the view of the Williamsburg Bridge to the right. We can’t wait to see the video that was created, as we hear that some interesting techniques were employed in the shooting.

“Basically it’s a re-creation of a collage I made last year – it was on the cover of a magazine from Paris called Graffiti Art magazine,” said LaMarche as he guided himself up and down in a cherry picker to get shots of his work. “So it’s crazy that it was on the cover of that magazine this spring and now it’s on the side of a building in Brooklyn. The last year or two has been pretty amazing. I’ve painted some large murals myself but to have some of my smaller work, the collage work, realized in this larger format is really incredible.

Greg Lamarche. Detail. (photo © Jaime Rojo)

BSA: The original work was made with all hand-cut small pieces that are glued to canvas, right?
Greg LaMarche: Onto a board, yeah. It’s funny because when we did the ratio calculations – the actual piece is 15″ wide by 20″ tall and the way they set this up the width was actually perfect. These guys are professional and they know what they are doing. And artists like this are a dying breed – it seems like there’s no challenge that they can’t handle.

JR. The culmination of the “Inside Out” project that drew to a close Friday in Times Square, NYC. Congratulations to all the volunteers. (photo © Jaime Rojo)

B.D. White (photo © Jaime Rojo)

W (photo © Jaime Rojo)

Mr. Toll (photo © Jaime Rojo)

Dan Witz (photo © Jaime Rojo)

Dan Witz. Detail. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Mr. Penfold (photo © Jaime Rojo)

Josef Kristofoletti. Panama City. (photo © Josef Kristofoletti)

Jon Hall (photo © Jaime Rojo)

Col Wallnuts (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Untitled. New York City. May 2013 (photo © Jaime Rojo)

 

Top image > Greg Lamarche (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Joshua Liner Gallery Presents: “Direct Address: An Inaugural Group Exhibition” (Manhattan, NYC)

Joshua Liner Gallery is proud to announce the opening of its new home—a street-level, 2,600-square-foot exhibition space located at 540 West 28th Street in the Chelsea Arts District. The gallery’s relocation to a ground-floor space contributes to the life of this burgeoning block, which boasts new high-rise construction, the final section of the High Line, and redevelopment of Hudson Yards just to the north.

To celebrate this milestone move, the gallery is pleased to present Direct Address, an inaugural group exhibition featuring works in diverse media by longtime gallery figures as well as new additions to the program. Participants include the following artists:

Alfred Steiner, Clayton Brothers, Cleon Peterson, Dave Kinsey, David Ellis, Evan Hecox, Greg Lamarche, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Oliver Vernon, Pema Rinzin, Richard Colman, Riusuke Fukahori, Shawn Barber, Stephen Powers, SWOON, Tiffany Bozic, Tomokazu Matsuyama, and Tony Curanaj.

Direct Address makes full use of the gallery’s 500+ square feet of added space and 15-foot ceilings. Graphic design, typography, digital imagery, and assorted printing techniques variously inform works in painting, mixed media, and collage by the Clayton Brothers, Evan Hecox, Greg Lamarche, and SWOON. Allusions to cartoons, cultural icons, and the collective unconscious turn up in watercolor-on-paper works by Alfred Steiner, as well as in Cleon Peterson’s stylized depictions of mass violence. Working in enamel on aluminum, sign-painter-turned-artist Stephen Powers combines image and word in a new selection of his visual aphorisms, or Daily Metaltations.

http://joshualinergallery.com/exhibitions/direct_address_march_21_2013/?utm_source=Direct+Address+Reminder&utm_campaign=Direct+Address&utm_medium=email

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Black Book Gallery Presents: “Knock it Out” A group Exhibition And Fundraiser (Denver, CO)

Black Book Gallery is using art as a platform to support Love Hope Strength Foundation’s (LHSF) mission of saving the lives of people with cancer. Cancer took the life of Co-owner Thomas Horne’s twin brother, Tim, as well as millions of others world-wide each year. The show titled, “Knock it Out” is Tom’s tribute to all the families,patients, and victims of this devastating disease. (www.knockitout.org). Everyone, in every corner of the world, knows someone affected by cancer, and on the evening of Friday, April 5th, 2013, Black Book Gallery invites us all to come together to celebrate the lives of our loved ones.

Horne and his partner, Will Suitts, at Black Book Gallery, have been working tirelessly to put together an amazing group of both national and international artists; many of whom are creating original works specifically for this show. These artists are leading the way in supporting LHSF’s “Get On the List” campaign, as well as LHSF’s Children’s Cancer Center in Tanzania. The night will be filled with art, music, fun, and a bone marrow drive which will allow you to register with the Get On the List Campaign. Black Book Gallery hopes to make a donation of $10K from original artwork sales that will help fund a Doctor at the Love Hope Strength Children’s Cancer Center in Tanzania.

Featuring

Bask, Miss Bugs, Shepard Fairey, Doze Green, Retna, Lucy Mclauchlan, Faile, Rich Jacobs, Niagara, Mr. Brainwash, Mel Kadel, Travis Millard, Alex Pardee, Rowdy, Cope2, Dean Zeus Colman, James Reka, ROA, Swoon, Judith Supine, Handiedan, Greg Lamarche, Mike Stilkey, Eelus, Dave Kinsey, Pure Evil, Jason Thielke, CEPT, Alex Lukas, Souther Salazar, The London Police, Titi Freak, Lisa Solberg, Blek Le Rat, Dabs & Myla, Indie 184, Pose, Luke Chueh, ESPO, Adam Wallacavage, Sam Flores, Hush and more!!!!!!

DETAILS

OPENING RECEPTION:
April 5th, 2013
6-11PM
Free & Open to the public

http://www.theblackbookgallery.com/knock-it-out/

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