Now that the thumping headache from too many orange sodas on New Year’s Eve is gone, it’s time to regale little Baby 2011 with some eyeball pleasing baubles from sunny Miami. In early December many Street Artists converged upon this city to add to the sparkling traffic of Art Basel and to crush some major wallage.
Of course, not everybody finished their piece in time because there were parties to attend, booties to shake, and pretty things to watch workin’ it on the street. Dust settled and work completed, last week we climbed walls, squeezed through fences, and raced up railroad tracks to catch all the finished pieces for you. In the process we met some barking bulldogs and charming new friends, because Miami is mad friendly yo, and we even got some inside tips on hidden treasure.
As we start a new year, we say thank you for the last one.
And Thank You to the artists who shared their 11 Wishes for 2011 with Brooklyn Street Art; Conor Harrington, Eli Cook, Indigo, Gilf, Todd Mazer, Vasco Mucci, Kimberly Brooks, Rusty Rehl, Tip Toe, Samson, and Ludo. You each contributed a very cool gift to the BSA family, and we’re grateful.
We looked over the last year to take in all the great projects we were in and fascinating people we had the pleasure to work with. It was a helluva year, and please take a look at the highlights to get an idea what a rich cultural explosion we are all a part of at this moment.
The new year already has some amazing new opportunities to celebrate Street Art and artists. We are looking forward to meeting you and playing with you and working with you in 2011.
We’re very grateful for a wildly prolific year of Street Art as it continued to explode all over New York (and a lot of other places too). For one full year we’ve been granted the gift of seeing art on the streets and countless moments of inspiration. Whether you are rich or poor in your pocket, the creative spirit on the street in New York makes you rich in your heart and mind.
To the New York City artists that make this city a lot more alive every day we say thank you.
To the artists from all over world that passed through we say thank you.
To our colleagues and peers for their support and enthusiasm we say thank you.
To the gallery owners and curators for providing the artists a place to show their stuff and for providing all of us a safe place to gather, talk, share art, laugh, enjoy great music and free booze we say thank you.
To our project collaborators for sharing your talents and insights and opinions and for keeping the flame alive we say thank you.
And finally to our friends, readers and fans; Our hearts go out to you for lighting the way and for cheering us on. Thank you.
Each Sunday we featured Images of the Week, and we painfully narrowed that field to about 100 pieces in this quick video. It’s not an encyclopedia, it’s collage of our own. We remember the moment of discovery, the mood, the light and the day when we photographed them. For us it’s inspiration in this whacked out city that is always on the move.
The following artists are featured in the video and are listed here in alphabetical order:
Aakash Nihalani,Bansky, Barry McGee, Bask ,Bast, Beau, MBW, Bishop ,Boxi, Cake, The Dude Company, Chris RWK, Chris Stain, Dain, Dan Witz ,Dolk ,El Mac, El Sol 25, Elbow Toe, Faile, Feral, Overunder, Gaia, General Howe, Hellbent, Hush, Imminent Disaster, Jeff Aerosol, Jeff Soto, JMR ,Judith Supine ,K-Guy ,Labrona, Lister, Lucy McLauchlan, Ludo, Armsrock, MCity, Miso, Momo, Nick Walker, Nina Pandolfo, NohjColey, Nosm, Ariz, How, Tats Cru, Os Gemeos, Futura, Pisa 73, Poster Boy, QRST, Remi Rough, Stormie Mills, Retna, Roa, Ron English, Sever, She 155, Shepard Fairey ,Specter, Sten & Lex, Samson, Surge I, Sweet Toof, Swoon, Tes One, Tip Toe, Tristan Eaton, Trusto Corp, Typo, Various and Gould, Veng RWK, ECB, White Cocoa, Wing, WK Interact, Yote.
Mint & Serf (Mirf), the New York City based Street Art Collective give a nod to the era of mega clubs as they proudly unveil an ambitious new nightlife project with the opening of District 36.
Since this summer the duo have been creating three site-specific permanent art installations inside the newly opened nightclub in the garment district.
No strangers to indoor walls Mirf collaborated recently on the interiors of rooms in the Ace Hotel, giving visitors very individual experiences according to their location. When Mirf heard of a new club being planned in a former garment warehouse in Manhattan, memories of their own wild fun times as teenagers in Gotham’s mega-clubs came rushing back. The artists jumped on the offer to help in the planning of the club as it was being built and what has resulted from Mirf’s concepting is a visual experience evocative of today’s richness and yesterday’s rawness.
For the epic staircase of District 36 Mirf’s inspiration was the iconic New York big clubs that drew crowds of students and creatives and freaks in the mid 1980s and 90s, a time when the city seemed to have a more robustly participatory artistic nightlife – and a feeling that they would like to bring back. Says Mint, “We both grew up in the nightlife in the 90s so when we met the owners they told us that we should reference the vibe of The Tunnel and Limelight.”
“Those days it wasn’t about bottle service – It used to be more about dancing and losing yourself for about three to four hours. So we wanted to create a piece that was site specific to this place and that referenced the NYC nightlife of clubs like Area, Danceteria, Palladium, The Tunnel and Twilo,” says Mint.
The two poured over press clippings for research and Lucien Samaha a friend, gave the guys photos from his days as a DJ in The Tunnel and Limelight and Osvaldo Chance Jimenez a friend as well, gave them photos from today’s nightlife. The resulting hallway staircase is a collage of vintage photographs and graffiti that merges the city’s nightlife over a few decades into one.
“The Tunnel was such a great inspiration to me. I started going there when I was 16 or 17 and you just would walk in, paid your $20 and lose yourself. It was fun. It was entertaining. The clubs now days are very bland. Getting in and enjoying is not just for rich people,” says Mint.
Brooklyn Street Art:Tell me about this middle wall. What was the process and inspiration?
Mint: Since the early 2000’s we started with the idea of mixing genres. We both have backgrounds in graphic design and we always wanted to combine the sensibility of graffiti and graphic design and mash it up. We wanted to create something very surreal and visually stimulating where people can look at it and say, “this is a beautiful thing” regardless of whether or not they know what it is. To me the nightlife then (1990s) was about seeing so many interesting things including the decorations like the Kenny Scharf room (The Lava Lounge) at The Tunnel. That room was also the inspiration for this wall.
Brooklyn Street Art:Did you get inspiration from the ocean/underwater landscape also?
Mint: This wall is not so much about aquatics as it is about plants. We went on trips and took photographs of individual plants and began processing them in Photoshop, creating these original compositions. I really didn’t think about the design being too aquatic until we put it on the wall and took a picture and we went “Wow it looks almost like a fish tank!”
Brooklyn Street Art:Yeah in certain spots it looks like you are underwater and the sunlight is coming through.
Mint: It is a surreal landscape with elements of graffiti. I draw a lot inspiration from nature. I like the translucency of light.
Brooklyn Street Art:And the Lounge; Is this a place for people to drink and have conversation?
Mint: The sound system in this place is amazing and it is loud so if you are spending three or four hours in this place you might want to get away from the sound, sit down and maybe have a conversation. That’s why is set up as a lounge.
Brooklyn Street Art: Can you talk about the images on this wall? It seems like some of these images were ever-present in the city this summer.
Mint: The original concept for the image was Mirf, which is Mint and Serf put together. When we used to write on roofs and there wasn’t enough room for both our names we would combine our names into Mirf. So back in April I designed the original Mirf poster and put a bunch of them in Russia. It was one of the first times I’ve seen graffiti being put up on the street but with wheat paste.
Back from their trip Mirf decided that they were going to grab their posters and go through the city over everything. Says Mint: “It wasn’t about beef it was creative because the conversation with Street Art a lot of times is how ephemeral it is, but the funniest thing is, once someone goes over someone it’s like ‘Oh my God I can’t believe someone went over a Swoon piece.’ But it is like if you are putting stuff on the street you have to realize that it is either going to be buffed or someone is going to go over it and you just can’t have these feelings about it.”
“If you say it’s ephemeral then you say is ephemeral that’s it. So we wanted to make that point present and we started going over everything to make sure people don’t take that seriously,” says Mint unapologetically.
Taking that message more formally into the gallery, Mirf’s show at Lyons Wier in Manhattan this summer shook some street art fans when they saw framed pieces by artists like Shepard Fairey and Gaia gratuitously tagged over by Mirf. “Collabo”, as Street Art term, instantly became muddied.
For his part, Mirf found the whole experience with their peers to be positive, despite some of the negative responses. “The response was great. This conversation needs to happen more often. When people think, “Oh Mirf went over us”, it is not going over you at all. We are kind of opening up people’s minds. So that’s what the whole idea behind what this Mirf thing is”
At the gallery show they also created fresh black and white posters using some of their graffiti friend’s tags and stylized them in the Mirf style – now reprised for the back wall of the new lounge.
Mirf (photo @ Jaime Rojo)
“When we saw this round wall we knew the posters would be perfect. We wanted to pay an homage to all our friends we did graffiti with over the years. So these are a series that will probably be an ongoing project and we’ll add more people to it”
– It’s a paraphrase of the Christmas crabby New Yorker who relies on the tourists who pump money into Broadway and Times Square restaurants and FAO and who actually eat those hot dogs and pretzels on the street. In the case of Miami, Art Basel 2010 draws to a close now and one billion dollars are estimated to have been transacted. When you pair that figure with the estimated 2-3000 artists participating, it looks like the artists must have made out rather well, right?
Certainly there were more Street Artists than ever attending the events and transforming walls everywhere with their work and creativity – at least in the unofficially sanctioned areas. At the moment Miami is “The only city in the US where graffiti appreciates property value,” ironically says Mint and Serf, a Street Art collective visiting the tropical city from frigid New York. In an odd twist on the “broken window theory” and urban blight, artists who are normally looking over their shoulder can actually wave to and talk with police who are driving by in some run-down areas where they are given free reign over large swaths of walls. At this sunny moment in time various agendas are intertwined and one wonders how long this golden age lasts.
Street Art photographer and observer Geoff Hargadon took in the breadth of the week on the street and attended a number of the events over the past weeks’ art orgies. He captured many jewels and quick moments with his camera and his 6th sense, which are below. As various larger pieces are unfinished right now, we’ll be going back in a few weeks for a year-end overview.
In addition to an intuitive eye about the art trends happening that impact the scene, Geoff gives a commentary about what else he’s thinking about: “Here is the other thing that’s a trend: property owners have their hands over all these walls for artists to takeover, and then suddenly they are leased out to restaurants, coffee shops, and other businesses. It’s hard to know who’s playing whom here – maybe it’s a happy co-existence – but when does the property owner step up to support these guys in other ways? (Unless, of course, it’s already happening.) Either way, artists are playing a big role in the development of these neighborhoods, and whether they know it or not, as the area gets more developed and gentrified, they will eventually run themselves out of town. Whether they are getting paid or not, they are creating their own extinction in Miami.”
The annual peregrination from all corners of the art world has begun to balmy Miami. Artists and the collectors who love them have converged in this friendly city to promote, sell, admire and make art during The Art Basel Art Fair.
Art Basel (Nov 30-Dec 5) is one of the most important art shows in the USA with about 250 art galleries showing more than 2000 artists from all over the world. Very impressive! Equally impressive are the satellite art fairs and events that orbit around. We’d like to point your attention to the art fairs and events that will include Urban and Street Art in their shows and to the organizations whose main focus is to celebrate and promote the work of Street Artists.
Check BSA out over the next few days for updates on who’s getting up in Miami.
PRIMARY FLIGHT
A favorite of BSA because of it’s accessibility to everyone, for the past three years Primary Flight has produced murals by hundreds of renowned artists and relative unknowns, easily gliding between Street Art and Graffiti culture and covering a ton of walls for the public to see. You may try to see it all in one day of zig-zagging the streets, but pack some energy bars.
Culminating in the largest curated street mural project in the world, the collective is now expanding beyond their Wynwood origins to launch their first-ever headquarters in the Design District.
“This year is about growth: Miami is set in motion, and Primary Flight paved the way,” says Books IIII Bischof, principal of Primary Flight. “Since our involvement, Wynwood has become a street art Mecca with legs of its own.”
From their web site and press release:
“Primary Flight is Miami’s original open air museum and street level mural installation that takes place annually throughout the Wynwood Arts District and the Miami Design District. Primary Flight is arguably the world’s largest event of its kind, having featured over 250 world class artists from around the globe since its inception, the majority of whom travel to Miami during Art Basel. Artists from all walks of contemporary art headline our annual event, collaborating on high profile walls throughout Miami’s urban landscape. Maps outlining the installation are circulated, providing patrons with an opportunity to view the works in progress.”
Make sure to check out the RETNA SOLO EXHIBIT
Outdoor murals and installations this year by Tristan Eaton, Charles Craft, Shepard Fairey, Typoe, Michael Vasquez and Tatiana Suarez.
A creation of Billi Kid, NYC street artist, curator, life-long doodler, art enthusiast and design junkie, this show takes basketball backboards and repurposes them as art via skillz of a number of Street Artists whose work is regularly on BSA. The show is curated by Jim and Karla Murray.
Text below from their press release:
LEADING STREET AND GRAFFITI ARTISTS
Public Works Department, announces its collaboration with the NBA to produce and curate 36 original street and graffiti artworks entitled the “Art of Basketball”. This extraordinary exhibition and event will open to the public on December 2nd and continue thru December 5th 2010, concurrent with Art Basel Miami, the leading art and cultural happening in North America. The exhibition and special events will take place in a dedicated venue located at 2048 NW Miami Court, in the Wynwood Arts District of Miami. A portion of the net proceeds from the sale of the artworks will benefit NBA Cares.
Cutting edge contemporary is the moniker, and it is possible that the 10th year of SCOPE Art Show will turn out some exceptional surprises.
Cementing its future with an 80,000 square foot pavilion across the street from Art Miami, SCOPE Miami’s high-profile venue is centrally located in the heart of the Wynwood Gallery Arts District. Running concurrently with Art Basel Miami, SCOPE’s Midtown Miami home is just steps from The Rubell family collection, Margulies Collection at the Warehouse and Goldman Collection. The fair opens to Press and VIPs on Tuesday, November 30 with the FirstView benefit.
Location Wynwood Gallery Arts District | 3055 North Miami Avenue | Miami, Florida 33127
A New York favorite, Fountain is the one we always check out for punk, funk, and unvarnished bolts of creativity. With a number of Brooklyn galleries, artists, and undercover rebels getting into this mix, you never know what you are getting, but there will be something mind blowing.
Fountain Miami 2010 exhibitors include Christina Ray, Front Room, Steven Gagnon, Leo Kesting , McCaig-Welles, Bego Art Project, Causey Contemporary, Jeanine Taylor Art Gallery, Cherie Dacko, Evo Love, Allison Berkoy, Greg Haberny, Phillip Simmons, We-Are-Familia, The Murder Lounge, Thaddeus Kwiat Projects, Wet Heat Project, Alice Chilton Gallery, Tinca Art, Francesca Arcilesi Fine Art, Susan Radau, Lindsey Brooke Wilner, and highly anticipated immersive video art projects presented by DCKT Contemporary. As logistical partners to the art fair, international art handlers Hedley’s Inc. will assist galleries in producing their large-scale installations.
Grace Exhibition Space, in conjunction with the Alice Chilton Gallery, will have 10 artists from around the world performing during the weekend’s evening events. Caveman robots and the full scale destruction of a car will be primary artist performances. Artists will include Adina and Ariel Bier, Erik Hokanson, Jason Bell and the Estonian Art Group Non Grata, Sarah Trouche, Quinn Dukes Marni Kotak, Kikuko Tanaka and Hiroshi Shafer.
Visitors entering the front lawn of the Fountain Art Fair space will be blown away with a 125 foot long street art installation by Chris Stain, Dick Chicken, Gaia and Know Hope.
About Fountain Art Fair
Fountain is an exhibition of avant garde artwork in New York during Armory week and Miami during Art Basel Miami Beach.
In this photography show accompanied by new works, this West Hollywood gallery will be boasting some of the non-reverential rough-riding boldface talents that give a slicing edge to the current Street Art scene. Just look at the names and you know what you’re getting. Or, maybe you don’t.
297 NW 23rd ST
MIAMI, FL 33127
OPENING RECEPTION FRIDAY, 3 DECEMBER 2010
7 – 10PM
“Now I Remember” photo installation featuring:
NECK FACE / JERRY HSU / TODD JORDAN/ CURTIS BUCHANAN / JEN REYNOLDS/ TINO RAZO / KEVIN “SPANKY” LONG
and new works by:
OSGEMEOS / JUDITH SUPINE / CLEON PETERSON/ BAST / SKULLPHONE / ALBERT REYES
Hours: Weds. Dec.1 – Sat. Dec.4 : 11am – 8pm
Sun. Dec. 5: 12pm – 4pm New Image Gallery
A quick home made video of Ad Deville suspiciously skirting the upper wall along an entire block in Bushwick during he and Ali Ha’s block party. Now the news is that they are talking about taking the whole block for a sculpture garden. Hell yeah! More public space for art? Whaddaya think?
Tara McPherson New Cheap Print “Searching for Penguins”
That’s all you really have to say to get people excited these days. And today in London a new piece by the anonymous Darth Vader in a hoodie debuts at a group show called “Marks & Stencils”. It also features Greg Haberny, a very strong and prolific artist showing in Brooklyn for a few years now.
“Marks & Stencils” , 1 Berwick Street, London W1. Read more about the mysterious confluence of shows opening tonight at Nuart >>>
And check out this entertaining look at French Street Artist DRAN, who is also in the show. The video features graff and Street Art living in harmony. Who says it can’t be done?
SACE Tribute on Houston Wall
“The ever-changing graffiti wall on East Houston Street took another turn Tuesday, with taggers covering the massive canvas with a tribute to a late Lower East Side artist.
Witnesses said a graffiti crew arrived at the wall, located at the corner of the Bowery, Tuesday morning and proceeded to cover the previous piece by street artist Barry McGee in large black letters spelling SACE — the tag name of artist Dash Snow, who died of an apparent drug overdose in 2009.”
The block party in Bushwick provided by Factory Fresh Gallery and the app called All City turned out a number of new Brooklyn Street Art pieces on a block long installation, complete with friends, fans, and a taco stand. Included in the offering was this surprise collab with Faile and Bast, auspiciously appearing the morning of the event like a pre-Christmas gift wrapped in razor wire. The news of the piece travelled fast and while Ad Deville couldn’t find his red carpet, he did post a velvet rope to hold back the crowd. That didn’t stop Futura from climbing on top of his car to get the perfect shot.
And here we move to a British invasion of sorts with Geishas and Primates from Hush and K-Guy respectively. XAM has been installing some pretty cool looking bird houses around town equipped with LED lights on their porches that illuminate when the sun sets. Infinity and VUDU’s pieces for the Showpaper box project adds to the conversation on the street with a beaming signal tower atop the box.
K-Guy’s recent “Primates” piece, including this one that appears to be pretty fresh, have been appearing around Brooklyn suddenly. Apparently its meaning is reference to the growing perception of hypocrisy in the Catholic church, particularly as pertains to pedophilia coverups, its position on contraception, gay rights, among other issues.
And finally the 800 pound pink gorilla in the group, Samson from Albany, began his audacious cityscape project directly beside his hero/shero Sten & Lex. The neighbor next door liked it so much Samson will be back to continue the piece – which is part of a much grander scale piece on urban decay, development, and renewal that he hopes to stage in the future.
“I’ve always been an artist in some form, or certainly always creative – it’s a lifestyle, I don’t think you choose art, its something you do, it is life. Well my life,” Hush explains to BSA. This week he’s been putting work up in the Lower East Side of Manhattan and tonight is his NYC solo exhibition debut at The Angel Orensanz Foundation For Contemporary Art. We’re not missing it.
172 Norfolk Street
New York, NY 10002
Tel: 212.529.7194
Rae McGrath at Brooklynite Saturday: Unconventional Conviction
The gallery is completely re-painted and Rae is standing on his head waiting for it to dry. Unconventional is right – the last two years as a ringmaster and co-proprietor of Brooklynite Gallery have put him squarely in the middle of a tornado of punchy Street Art and a panoply of personalities – always with a very defined focus, high level of quality, and total conviction. As a curator, marketer, and host, this modern carny is a font of new ideas and angles, backed up with straight up elbow grease.
Now Rae is taking a minute or two to let people see what snaps his elastic mind when it comes to making art. You can see how the curator and the artist merge in this poppy geometric collection; Bast, Miss Bugs, Dain, Ana Peru Peru Ana, Various & Gould and others each have a shout out. It’s all here; the dense graphic punch, the vibrant blue collar reverence, the deliberate slicing and refracting off a funhouse mirror ball. Always a surprise and always a reward, artist Rae MaGrath’s debut is bound to be a funkadelic bootilicious jam.
‘UNCONVENTIONAL CONVICTION” this Saturday November 20 6 to 9 pm at Brooklynite Gallery on 334 Malcom X Blvd, Brooklyn, NY 11233. Tel 347 405 5976
Bushwick Block Party Saturday
Tacos! And freshly painted street art by some of your favorite names on a street in Brooklyn. What’s not to like?
Factory Fresh and app maker All City Street Art are throwing a party for you and all you have to do is show up on the block Saturday afternoon.
Brooklyn Street Artists Paint a 200 foot wall and the Burning Candy Crew debut their new film!
• Live painting
• Calexico taco cart
• DJs
• Art for sale from participating artists
• Burning Candy’s Dots film premiere
James Brown was the Godfather of Soul, Aretha is the Queen of Soul, Michael was the King of Pop, and Jennifer Lopez is a judge on a TV talent show. Now we learn that one of New York’s first recognized street artists, having blanketed the L.E.S. with disconcerting shadow figures in the 1980s, is actually called “The Godfather of Street Art”. Thank Allah you don’t have to be the one in charge of handling these honorariums because you know that has got to be a thankless task. On the occasion of “Richard Hambleton New York”, The Dairy Gallery released this video.
Richard Hambleton. Image Courtesy of the Dairy Gallery
And Speaking of Dairy, Have You Seen the new Ron English Cow Painting?
Brooklyn Street Artists Paint 200 Foot Wall, Burning Candy Crew Debut Film at Bushwick Block Party
All City, the international street art and graffiti app, is partnering up with Factory Fresh gallery in Bushwick, Brooklyn to open up 200 feet of wall and turn it over to Brooklyn street artists. Chris Stain, Gaia, Skewville, Imminent Disaster and several guests artists will be tackling the project. Tek33 and Dscreet of London’s Burning Candy crew will also be in town painting and premiering their film Dots.
All City Block Party
Saturday, November 20
2:00 PM, Dots premiering at 7 PM
Factory Fresh – 1053 Flushing Avenue – Bushwick, Brooklyn
* Live painting
* Calexico taco cart
* DJs
* Beer
* Art for sale from participating artists
* Burning Candy’s Dots film premiere
Gallery Heist One Year Anniversary Group Exhibition
GALLERY HEIST / SAN FRANCISCO (USA)
NOVEMBER 13 – NOVEMBER 27, 2010
Opening Reception – Saturday November 13, 2010 7-11PM
Gallery Heist is pleased to announce the opening for its One Year Anniversary
Show, “Till Death Do Us Part” a group exhibition celebrating a year of work
since the gallery’s inception. The opening will be held on Saturday, November
13, 2010 from 7-11pm. The exhibition will be located at the Gallery Heist Annex
at 1036 Hyde Street.
A new venue specific to the anniversary show.
The anniversary show will present the work of emerging and established contemporary figures from the Bay Area, as well as artists hailing from New York, Los Angeles, Paris, and Melbourne. Along with paintings, photographs, mixed media works, and video, the show will include an installation by Ryan de la Hoz and a performance piece by Adam Rozan (of the Oakland Museum), as well as musical performances by Mark Aubert and TM.
Guest curators Allison and Garrison Buxton, of AdHoc gallery in NYC, will be co-curating and co-hosting the exhibition.
Featured artists include; Brett Amory, Adam Caldwell, Seth Armstrong, Mario Wagner, David Choong Lee, Oliver Vernon, Sean Desmond, Mike Giant, Mike Kershner, Gaia, Adam Flores, Justin Lavato, Ryan De La Hoz, Henry Gunderson, Mario Ayala, Roman Koval, Adam Rozan, Maja Ruznic, Ludo, Doodles, Helen Bayly, Miso, Daryll Peirce, Deborah Yoon, Allison Buxton, Garrison Buxton, Ezra Li Eismont, Shawn Whisenant and Bunnie Reise. These artists have come to represent what is and will continue to be the ethos of Gallery Heist.
The main location of Gallery Heist, at 679 Geary Street will feature an installation that will provide an opportunity for viewers to observe the obscured process of curating and running an art gallery.
Included in the installation will be various pieces of ephemera from the first stages of opening the gallery through the thought processes behind every show; photos, videos, notes, business cards, correspondence between the curators and artists, writers, editors, and figures within the art community will be displayed.
In conjunction with the exhibition, the artists will have access to several walls around the city to use as their canvases and to promote the show while contributing to the burgeoning local art movements. This process will be documented and displayed during the exhibition.
The exhibition will be on view at 1036 Hyde Street from Saturday November 13 – November 27, 2010. Viewing hours will be Tuesday – Saturday 4-8PM and by appointment. Gallery Heist is located at 679 Geary Street San Francisco, CA 94102.
For further information please visit www.galleryheist.com or contact Julianne Yates. info@galleryheist.com 415.563.1708
ABOUT THE GALLERY
Art is an extension of our culture and communities, serving as a vessel for the visual definition of our times. Art is not a luxury; it is a necessity.
Our mission is to foster innovative artistic expression and provide a sanctuary for the creative process and its importance and role in the redefinition of contemporary culture. Gallery Heist is a place for artists to gain exposure and develop their careers.
We encourage freedom of expression and experimentation within their work and artistic ideas. The walls of Heist will continue to house work that is representative of the contemporary generation, offering a venue for artists who challenge and analyze our social and cultural responsibility, traditions, and behaviors; specifically those who are leading the front of a conscious art movement.
Gallery Heist was opened in November of 2009 by twenty three year old Julianne Yates and has since become a destination for urban & new contemporary art in San Francisco. Located blocks away from the commercial galleries of downtown San Francisco’s Union Square, the gallery lies near the historical Tenderloin, which sees a demographical mix that serves as a microcosm for the whole of San Francisco.
Skulls are everywhere on the street today, and here is a collection to mark The Day of the Dead. The commemoration of people who have passed is observed nation-wide in Mexico every year at this time. Although it is not a national holiday, the strictly religious and cultural observance is revered and, depending on the region, it varies in the ways in which the holiday is marked.
The cultural aspect of this holiday has inspired many artists, filmmakers and poets. Here we have selected images of Street Art culled from our library to mark the Dia de Los Muertos, focusing on the most prominent symbol used to represent this holiday: “Las Calaveras” or skulls.
Mexico’s “Dia de los Muertos” or “Day of the Dead” takes place every year on November 2 to coincide with the catholic holiday of “El Dia de los Santos” or “All Saints Day”. The Day of the Dead is not the Mexican equivalent of Halloween. The Day of the Dead in Mexico is a celebration of Death and it does not carry any of the connotations of fear, fantasy and gore that Halloween does.
This religious and cultural holiday can be traced as long ago as 3000 years. Before the conquest of what’s now modern Mexico in the pre-Hispanic era the indigenous cultures celebrated death, rebirth and their ancestors by displaying human skulls as memento mori.
When the Spanish missionaries arrived more than 500 years ago they tried without success to eradicate such pagan and sacrilegious celebrations that seem to mock death while converting the indigenous people to Christianity. To the Spaniards death was the end of life but to the Aztecs it was a continuation of a journey not yet completed. The Aztecs embraced death and they celebrated it for the entire month of August, the ninth month of the Aztec Calendar, and the festivities were presided by the goddess Mictecacihuatl or “Lady of the Dead” presumed to have died at birth.
The Spaniards were met with fierce resistance in their attempts to vanish the rituals so in frustration they sought and found a common ground with the natives by moving the pagan rituals to coincide with the Catholic holiday of “El Dia de los Santos” or “All Saints Day” on November 2.
Modern Mexicans remember their friends and family members that have departed from life by honoring them with extravagant festivities that, depending in the region might include lavish offerings or “ofrendas” in private altars in the cemeteries at the tombs of their loved ones and/or at home. It is a day of celebration and many people elect to stay overnight at the cemetery for prayer, and remembrance but partying, eating and drinking is encouraged and expected always following the norms of respect and decorum for the defunct.
These “ofrendas” or gifts include the most favored dishes, foods and beverages that their loved ones enjoyed while alive. They also include photos and other personal mementos of the deceased ones. The “ofrendas” are meant to be eaten and shared by the relatives and friends of the departed and sometimes they are very elaborate five course dinners. Other times the relatives might choose to have a daytime picnic at the cemetery and return to their homes at dusk. The “ofrendas” are believed to nurture and help the souls of the dead while in their journey to heaven.
Some people use this day to just take their customary once a year trip to the cemetery to clean and maintain the tomb of their loved ones.
Regardless of the singular cultural distinction of each region two symbols are common throughout the country: “La Calavera” or The Sugar Skull and “La Catrina” or The Skeleton Lady. The Skulls can be made of sugar and chocolate and often are inscribed with the recipient’s names and are gifts to both the living and the dead. There is also “El Pan de Muertos” or “Bread of the Dead” which Mexicans give as gifts to the visiting relatives for their journey back home.
It is said that Mexicans not only celebrate death they also eat it.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Os Gemeos From 2005 (photo © Jaime Rojo)
Os Gemeos Detail (photo © Jaime Rojo)
Crotched objects began appearing on the street this year. © Jaime Rojo
