All posts tagged: Gaia

Carmichael Gallery Presents: Martha Cooper “Remix” (Culver City, CA)

April 3, 2011 Artists, California, Culver City, Events, Gallery, L.A., Los Angeles, Opening

Martha Cooper

Photographs by Martha Cooper

with

Original remixes of these photographs in a range of media by Aeon, John Ahearn, Aiko, Bio, Nicer & B-Gee, Blade, Blanco, Mark Bode, Burning Candy, Victor Castillo, Cey, Cekis, Claw, Cosbe, Crash, Dabs & Myla, Anton van Dalen, Daze, Dearraindrop, Jane Dickson, Dr. Revolt, Shepard Fairey, Faust, Flying Fortress, Freedom, Fumakaka, Futura, Gaia, Grotesk, Logan Hicks, How & Nosm, LA II, Lady Pink, Anthony Lister, The London Police, Mare 139, Barry McGee, Nazza Stencil, Nunca, José Parlá, Quik, Lee Quinones, Kenny Scharf, Sharp, Skewville, Chris Stain, Subway Art History, Swoon, T-Kid, Terror161 and more.

Carmichael Gallery

5795 Washington Blvd

Culver City, CA 90232

April 9 – May 7, 2011

Opening Reception: Saturday, April 9, 6-8pm

For Immediate Release:

Carmichael Gallery is pleased to announce Martha Cooper: Remix, an expansive group show featuring highlights from Martha Cooper’s photographic archive and works by over 50 artists who have created their own unique interpretations of her iconic, historically significant imagery. There will be an opening reception for the exhibition on Saturday, April 9 from 6 to 8pm with Martha Cooper and several of the participating artists in attendance. The exhibition will run through May 7, 2011.

Martha Cooper, Photographer of Art on the Streets for Six Decades

Written by Steven P. Harrington, this article is featured in tasj vol ii – issue v.

The daughter of a Baltimore camera store owner, Martha Cooper’s romance with photography began in the 1940s when bobby-soxers and penny loafers were the sign of edgy youth culture. Her dad, an amateur photographer himself, gave his small girl a camera and together they hit the streets in search of adventure. “Yeah, my father used to take me out and we would take pictures. That’s what I thought photography was…we were just looking for pictures,” she recalls. Six decades later, Cooper is still looking for pictures; meanwhile, many works from her archive are cited as pivotal recordings of the birth of hip-hop culture and its plastic art form, graffiti.

During the cultural upheavals of the 1960s, Cooper earned a Bachelors of Art degree in Iowa, taught English for the Peace Corps in Thailand and rode a motorcycle from Bangkok to obtain a graduate degree at Oxford. As a freelancer and staff photographer in Japan, Maryland and Rhode Island in the early 1970s she moved to the media and art center of New York City to catch bigger fish. Landing a job on the staff of The New York Post in 1977, she discovered that the resistant and competitive boys club of photographers there were reluctant to countenance this scrappy young woman shooting hard news stories and Studio 54 celebrities.

Hungry for discovery, Cooper would spend her time to and from assignments in bombed-out neighborhoods, where she took pictures of kids entertaining themselves with games they devised on the street, often with the humblest of materials. It was during one of those trips that she stumbled on graffiti and the members of its community. She met a young boy who suggested she photograph the work she was seeing, then showed her a stylized drawing of his name, or piece, in his notebook.

Then he asked her if she wanted to meet “The King”.

Following this lead to Brooklyn, Cooper met Dondi, the citywide-famous graffiti writer who kept a published photo of hers in his black book because its background contained one of his graffiti throw-ups. Cooper quickly realized that she had stumbled into a lively street culture and became an avid student of the teen writers she befriended. By the time she took her last news picture for the New York Post in 1980, her primary desire was to capture as many pieces, tags, and trains as she possibly could find. Today, she remarks on her near-obsessive devotion to documenting New York’s graffiti: waking before dawn to hit the street, waiting five hours for a freshly painted #2 train to pass with the sun at her back and countless secret adventures with vandals in train yards, evading transit police in order to pursue a shot.

Joining efforts with fellow graffiti photographer, Henry Chalfant, Cooper proposed putting together a book of their documentation. The pair endured multiple rejections from publishers while lugging around a big “dummy” book with their pictures glued to the pages. Eventually, however, they landed a deal and Subway Art was published in 1984. Although not an immediate success, it came to sell half a million copies and established itself as a holy book for fans, aspiring artists and art historians worldwide. By the time the 25^th anniversary edition was published in 2009, generations of graffiti and street artists had been influenced by it and the hip-hop culture Cooper and Chalfant had captured had gone global.

In the intervening years, Martha Cooper never stopped shooting. Her love of serendipity on the street and the exploration of cultures led her to publish thousands of photos in books such as R.I.P.: Memorial Wall Art, Hip Hop Files 1979-1984, We B*Girlz, Street Play, New York State of Mind, Tag Town, Going Postal, and Name Tagging. Her work has been exhibited in museums and galleries worldwide and published in numerous magazines including National Geographic, Natural History, and Vibe. While she is still shooting graffiti, street art and the occasional break dance competition today, Cooper’s current project involves documenting people and events in Sowebo, a drug-riddled neighborhood in her birthplace of Baltimore.

Steven P. Harrington is editor-in-chief of BrooklynStreetArt.com and co-author (with Jaime Rojo) of Brooklyn Street Art and Street Art New York, both by Prestel Publishing. He and Jaime Rojo are also contributing writers on street art for The Huffington Post.

About Carmichael Gallery:

Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.

For information on current, past and upcoming shows, visit www.carmichaelgallery.com. For additional information and press materials on this show, please contact the gallery at art@carmichaelgallery.com and

+1 323 939 0600 and Andi Baker at andi@carmichaelgallery.com.

Martha Cooper, Photographer of Art on the Streets for Six Decades

April 2, 2011 Artists

Martha Cooper landed in LA yesterday and will spend the next week installing her photos and their remixed new versions beside them, even flanking hers like stereo speakers. Since the press release has gone out we thought we’d share with you the bio written by Steven P. Harrington and the promo photo by Jaime Rojo which will appear in a special issue of The Art Street Journal dedicated entirely to her to come out this week.

Martha and Pablo at home, with a portrait of her sitting on a train car with camera in hand painted by Os Gemeos overlooking the scene. (photo © Jaime Rojo)

Martha Cooper, Photographer of Art on the Streets for Six Decades

Written by Steven P. Harrington, this article is featured in The Art Street Journal vol ii – issue v.

During the cultural upheavals of the 1960s, Cooper earned a Bachelors of Art degree in Iowa, taught English for the Peace Corps in Thailand and rode a motorcycle from Bangkok to obtain a graduate degree at Oxford. As a freelancer and staff photographer in Japan, Maryland and Rhode Island in the early 1970s she moved to the media and art center of New York City to catch bigger fish. Landing a job on the staff of The New York Post in 1977, she discovered that the resistant and competitive boys club of photographers there were reluctant to countenance this scrappy young woman shooting hard news stories and Studio 54 celebrities.

Then he asked her if she wanted to meet “The King”.

Following this lead to Brooklyn, Cooper met Dondi, the citywide-famous graffiti writer who kept a published photo of hers in his black book because its background contained one of his graffiti throw-ups. Cooper quickly realized that she had stumbled into a lively street culture and became an avid student of the teen writers she befriended. By the time she took her last news picture for the New York Post in 1980, her primary desire was to capture as many pieces, tags, and trains as she possibly could find. Today, she remarks on her near-obsessive devotion to documenting New York’s graffiti: waking before dawn to hit the street, waiting five hours for a freshly painted #2 train to pass with the sun at her back and countless secret adventures with vandals in train yards, evading transit police in order to pursue a shot.

Joining efforts with fellow graffiti photographer, Henry Chalfant, Cooper proposed putting together a book of their documentation. The pair endured multiple rejections from publishers while lugging around a big “dummy” book with their pictures glued to the pages. Eventually, however, they landed a deal and Subway Art was published in 1984. Although not an immediate success, it came to sell half a million copies and established itself as a holy book for fans, aspiring artists and art historians worldwide.

By the time the 25^th anniversary edition was published in 2009, generations of graffiti and street artists had been influenced by it and the hip-hop culture Cooper and Chalfant had captured had gone global.

In the intervening years, Martha Cooper never stopped shooting. Her love of serendipity on the street and the exploration of cultures led her to publish thousands of photos in books such as R.I.P.: Memorial Wall Art, Hip Hop Files 1979-1984, We B*Girlz, Street Play, New York State of Mind, Tag Town, Going Postal, and Name Tagging. Her work has been exhibited in museums and galleries worldwide and published in numerous magazines including National Geographic, Natural History, and Vibe. While she is still shooting graffiti, street art and the occasional break dance competition today, Cooper’s current project involves documenting people and events in Sowebo, a drug-riddled neighborhood in her birthplace of Baltimore.

********************

Steven P. Harrington is editor-in-chief of BrooklynStreetArt.com and co-author (with Jaime Rojo) of Brooklyn Street Art and Street Art New York, both by Prestel Publishing. He and Jaime Rojo are also contributing writers on street art for The Huffington Post.

********************

Photographs by Martha Cooper

Martha Cooper ; Remix

with

Click on the link below to read BSA interview with Martha Cooper:

http://www.brooklynstreetart.com/theblog/?p=19366

Carmichael Gallery

5795 Washington Blvd

Culver City, CA 90232

April 9 – May 7, 2011

Opening Reception: Saturday, April 9, 6-8pm

Maxwell Colette Gallery and Pawn Works Present Gaia “Resplendent Semblance” (Chicago, IL)

March 22, 2011 Artists, Chicago, Events, Gallery, Opening

Gaia

Maxwell Colette Gallery and Pawn Works have joined forces to bring internationally lauded contemporary artists to Chicago, who are known for their involvement in the Street Art movement. The first of these joint ventures, GAIA: Resplendent Semblance, launches this month with a series of projects showcasing the artist Gaia. The events will include a show of new, large scale paintings and decollage on wood art works at Maxwell Colette Gallery, a site specific installation and show featuring additional pieces at the Pawn Works space and a massive window installation at State Street and Adams presented in conjunction with The Chicago Loop Alliance’s Pop Up Art Loop initiative.

Maxwell Colette Gallery and Pawn Works will co-host an opening reception for GAIA:Resplendent Semblance on Friday, March 25th from 6 – 9 pm in Maxwell Colette’s space at 833 W. Chicago Ave, suite 200.

Martha Cooper Remixed by Chris Stain and Billy Mode

March 17, 2011 Artists

More pictures and an interview here with Martha Cooper, Chris Stain, and Billy Mode about their new mural in Brooklyn and her new show next month. An inspiration to many graffiti and street artists, her photos are the basis for the Martha Cooper: Remix show at Carmichael and why she and Street Artist Aiko are wheat pasting 170 of them on a wall at the MOCA Art in the Streets exhibition opening the following Saturday.

When we were thinking of Martha’s work and and the concept of remix, it easily tapped into the span of her career; both the hip-hop analog dj technique of vinyl sampling as well as the digital cut-and-paste practice of modern mashup artists who are running the streets at the moment. While it is true that Ms. Cooper has captured a vast archive of history, it’s the high regard she has earned and the relationships she has engendered that are the reason that many of these Remix pieces are so powerful. An ethnographer by training and one of the most important photographers of street and street art culture for the last four decades, Ms. Cooper remains amazingly approachable and outright enthused about her photographs and the people in them, as if she had snapped them just yesterday. And she’s pleased to meet you.

Brooklyn Street Art: Of course the city has changed a lot in the last 35 years, and you probably have also. Can you share some insight with us about what the city was like for young photographers at that time?
Martha Cooper: I first came to NY in 1975 and for me the city was a place of opportunity. Although it was the center of publishing at the time, there weren’t that many photographers. You could call up an editor and he (usually he) would pick up the phone. I loved roaming around neighborhoods looking for pictures. Graffiti was very much underground and few people even realized that what kids were writing on walls and trains was their name. My fascination with graffiti and b-boying grew out of photographing the unknown, of being allowed entry into a world that most adults didn’t know existed. The city was going bankrupt, very few security systems were in place, and both photographers and graffiti writers could get away with a lot.

This original photo taken on Houston Street in NYC in 1978 from which Chris Stain borrowed the boy on the right. (photo courtesy of Ms. Cooper © Martha Cooper)

Brooklyn Street Art: You used to get up before dawn to catch a picture of a train, and sometimes wait 5 hours for the right shot. How did you pass the time when you had to wait for hours? Crossword puzzles?
Martha Cooper: There was no down time. Trains were constantly going by in both directions. I had to stay alert watching for just the right painted car. All of the trains in my photos were moving.

Brooklyn Street Art: So how did you get this idea for the theme for the show?
Martha Cooper: From you! (laughs) Over the years I’ve seen a lot of people using my photographs, authorized and unauthorized. The Carmichaels had asked me to do a solo show. After considering a number of options, I thought about what we had done, what you had done in that blog post. We talked about how artists had used my work and I thought, ‘Why don’t I do that?’ So that’s how it happened.

Brooklyn Street Art: Way before this show, Street Artists like Chris Stain and Shepard Fairey interpreted a number of your photographs in their work.
Martha Cooper: Some photographers don’t want their photos to be used as a basis for someone else’s art but mostly I don’t mind. Both Chris and Shepard asked permission and in both cases the collaboration has had unexpected positive results, one of which was connecting with BSA.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: And what have the responses been like so far?
Martha Cooper: I got a lot of really heart-warming responses from people I’ve been in touch with over the years. A lot of old-school and new-school artists and that made me feel good.

Brooklyn Street Art: Was it surprising to see the response?
Martha Cooper: I didn’t know what kind of response I was going to get. It was a little scary to write to people. I decided right in the beginning that I was going to write personal notes to everybody. So you guys and I talked about it and we made a list.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: Well, we tried to include old-school people you were very familiar with and a number of the new people that we were familiar with.
Martha Cooper: Yes, many of whom I had met. As it turns out, Miami was really a hotbed of street artists for me in the two years I went down there to shoot at Wynwood during Art Basel. And I would not have known some of them had it not been for Basel, so I have to thank Tony Goldman for that.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: We’ve worked with Chris Stain before and we’ve been talking to him about doing another wall together. When we told him about this show he said “Why don’t I do a Martha piece?”
Martha Cooper: I didn’t know who Chris Stain was. He contacted me a couple of years ago by email and just said that he had done work using my photographs. And a little dialogue developed and I went over to his studio in Brooklyn and I met him and it all worked out. He had already seen my books – he doesn’t take the exact picture, he takes parts of it.

Brooklyn Street Art: Yeah, he takes elements from your photographs and puts them in a different context. And that’s okay with you, it doesn’t offend you that he takes a portion of it?
Martha Cooper: No! It flatters me. You know, just the idea that people are looking at these pictures and liking them enough to base their own art on them, to me is flattering. Maybe not to everybody, but to me, I like it. Especially if you asked permission and at least you are acknowledging that you are borrowing work from me. Then it is fine.

Chris and Bill take a break from the cold winds to talk about the piece (photo © Jaime Rojo)

Brooklyn Street Art: So tell me about this piece and the boy in the picture. Do you remember when you first saw that picture?
Chris Stain: The first time I saw that picture was in Martha’s book, “Street Play” because she gave me that book. The image is from her photograph. I had been working from other images of hers and I felt bad working from all these photographers work. I thought, “Maybe I should just try to contact them and seeing if it’s okay if I work from them.” Because some of this stuff was going into paintings and I’m selling them and some of them are going into the streets, which doesn’t really matter.

So she was the first photographer I contacted. I was like, “Dear Ms. Cooper, I’m a big fan of yours, have been for a long time….” I talked about Subway Art, this and that. “…and I’m making paintings from some of your photographs and I was just wondering how you felt about it.” She wrote me back and she was really into it and she was really cool with me using the images and we just kept going. She said, “I want a painting” and we met up one day and I gave her a painting and she gave me her book “New York State of Mind”. It went from there.

…..This whole wall, Billy and I did it in Miami but we’ve changed it up.

Chris Stain and Billy Mode. The second day in the late afternoon begins (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: You did it for Wynwood? Primary Flight?
Chris: Yeah Primary Flight like three years ago. The train behind the boy says “Cries of the Ghetto” and I was told that it was originally a piece done by Dezz and Ski, and somebody else told me it was Shane. So I’m not sure who originally did it. But I’ve always liked that train a lot and I liked the words a lot so we just incorporated the whole thing together.

And tonight Bill re-did the lettering to bring it up to date a little bit and to add our own kind of twist to it and that’s what we got.

Brooklyn Street Art: So really it’s a collage of a few images.
Chris Stain: Actually it’s a collage of a photo that I took, a photo of Martha Coopers’, and I don’t know who originally photographed that “Cries of the Ghetto” train – I’m not really sure exactly who did it – whether it was Martha or Henry or somebody else but I’ve always liked it.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: But thematically it is a good way to tie together her history ..
Chris: Yeah because it has the kids, which she was always photographing, together with the graffiti aspect that she’s really well known for.

Brooklyn Street Art: And then as a technique that you use, it brings the whole into the Street Art thing that is going on today.
Chris Stain: Yeah it’s bringing it up to what people are doing with street art now.

Brooklyn Street Art: How many pieces of hers have you done?
Chris Stain: I’ve probably done six or seven, with one that’s unfinished. I’ve done the one with Lady Pink holding the spray paint cans, the one with boy taking the tire off (or putting it on, I can’t tell), the one on the roof, the “Cries of the Ghetto”.

Billy Mode: You did that one with the kid holding the dove on the roof.

Chris Stain: Yeah the kid holding up the pigeon on the roof with one hand and there’s another one with the same boy where he’s holding two pigeons close together.

A Chris Stain piece from a couple of years ago is based on a photograph by Martha Cooper (© Chris Stain)

Brooklyn Street Art: Oh yeah! Gaia is doing that one for this show!
Chris Stain: He is? Cool, that’s cool.
Brooklyn Street Art: Well he loves doing birds, and feathers, and animals.
Chris Stain: Well Gaia’s a bird brain, that kid, so it makes sense.

Chris Stain’s reference screenprint for the wall (photo © Jaime Rojo)

Billy Mode updated the letter style for this new piece. Here’s his sketch. (photo © Jaime Rojo)

Brooklyn Street Art: So Billy you changed the style of the lettering for “Cries of the Ghetto”. How would you characterize this new style?

Billy Mode: Windy style! It’s loose, I don’t know. The original style in some ways it’s fitting to the imagery in that it is classic but I kind of see the “Cries of the Ghetto” as being more victorious now. I want those letters to be more celebratory and have more energy to them. A lot of my letter styles are, not necessarily flamboyant, but they have a lot of flair, a lot of motion. I’m really just bringing in my own take on it. There’s some influence from other people’s style, and I think that’s what happens in graffiti art is you get motivated by what other people are doing.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: Martha, your blog for 12oz Prophet is followed quite heavily. What is your favorite part about writing a blog?
Martha Cooper: My favorite part is not the writing part! For me the best thing about blogging is that I get to make use of photos immediately instead of just archiving them for possible future use as I formerly did.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: Stickers are a really popular medium for expression on the street today and you point to Twist, Cost, and Revs as some of the first to use them. What makes stickers so interesting?
Martha Cooper: Stickers are everywhere and yet they’re invisible to the uninitiated. Keeping your eyes peeled for stickers turns a walk down any street into a treasure hunt. It’s a fun way to navigate a city.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: After years of searching for perfect shots, what’s the Holy Grail now?
Martha Cooper: Now I’m more worried about archiving my photos than taking them. I have enough pictures to last several lifetimes but I need to be able to find and access them.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Brooklyn Street Art: Your photographs of New York City youth and their art inspired the art of the next generations. What do you think is your legacy as a photographer of this pivotal period?
Martha Cooper: In the pre-digital era, culture was disseminated by newspapers, magazines and books. I was part of a small corps of mostly freelance photographers, filmmakers, and journalists who documented early hip hop. By paying attention to subjects that might have been overlooked by mainstream media, we helped start and spread the art, dance, and music movements, now called hip hop, worldwide.

Martha with her beloved 21 year old cat Pancho (photo © Jaime Rojo)

BSA…………..BSA…………..BSA……………

Martha Cooper : Remix
Featuring original photography from Martha Cooper and original remixes from Aeon, Anton van Dalen, Aiko, Barry McGee, Bio, Nicer, B-Gee, Blade, Blanco, BurningCandy Crew, Cey, Cekis, Chris Stain, Claw, Cosbe, Crash, Dabs & Myla, Daze, DEARRAINDROP, FAUST, Flying Fortress, Freedom, Fumakaka World Dominator, Futura, Gaia, How & Nosm, Jane Dickson, John Ahearn, Jose Parla, Kenny Scharf, LA II, Lady Pink, Lee Quinones, Anthony Lister, Logan Hicks, The London Police, Mark Bode, Nazzareno Stencil, Nunca, Mare, Quik, Evil Dr. Revolt, Shepard Fairey, Skewville, Subway Art History, Swoon, T-Kid, Terror161 and Victor Castillo.

Coming to Carmichael Gallery April 9.

Chris Stain and Billy Mode “For Martha”

March 14, 2011 Artists, Brooklyn, NYC, On the Street

This weekend for BSA was a little bit of street art and graffiti history alchemy, transmuted by the presence of the lady we were all doing it for, Martha Cooper. To celebrate her birthday and the soon to be unveiled “Martha Cooper: Remix” show at Carmichael Gallery in Culver City, CA, Street Artists Chris Stain and Billy Mode sprayed aerosol into gold using imagery from her photography as base inspiration.

Chris Stain and Billy Mode (photo © Jaime Rojo)

On this bitterly cold and windy Brooklyn night, the good humored boys were blowing through cans on tops of shaking ladders, continuously working against the elements for what Chris called “some xtreme painting”. While taking a break to warm up inside, everybody had some chocolate birthday cake and Martha flipped through Subway Art with Chris and Billy, answering questions and relating stories about what it was like for her to capture graffiti on trains in New York in the 1970s and what it’s like to see Street Artists like Chris Stain interpreting her photographs today.

Chris Stain and Billy Mode in the reflection of rainwater pooled (photo © Jaime Rojo)

Our first conversations in September ’09 with Martha for a posting on BSA that discussed art inspired by her work evolved into a 50-artist “remix” show featuring old-school graff writers and new guard street artists next month.

“I thought about what we had done, what you had done in that blog post. We talked about how artists had used my work and I thought, ‘Why don’t I do that?’ ,” Martha remarks on the formation of her show plan.

It has been a genuine honor to be a part of the process and to see the pieces coming in to Ms. Cooper’s studio for the show. It’s also been intoxicating to imagine the relationships and personal paths that have intersected in the pursuit of artistic expression. Each invited artist has a very personal take on the influence of her photographs from a 40 year span, and the directions they take the work are myriad. Watching Chris and Billy create this large scale wall tribute in Brooklyn reminds us of the interconnected worlds of Graffiti Art and Street Art and how Ms. Coopers’ photography has contributed to the history and artistry of both.

Here are a few shots by Jaime Rojo of the installation for a sneak peek of this great experience – with a full length feature interview with Martha and commentary about the nature of the image from Chris and many more images coming this week.

Chris Stain and Billy Mode (photo © Jaime Rojo)

Photo © Jaime Rojo

BSA…………..BSA…………..BSA……………

Coming to Carmichael Gallery April 9.

Stick Out Your Tongue : Street Art So Close You Can Lick it at Fountain

March 5, 2011 Art Fair, Artists, Manhattan, NYC

Our preferred punk rock lopsided Anti-Fair, Fountain, is in full effect right now and this year is showing Street Artists like none of the stuffy one’s could bear; Just one step removed from the street. Some of New York’s current players hit up a 100 foot long wall with whatever they wanted. The eclectic result is a bit more “finished” than raw, but it’s a cross-section of chaotic influences that feels authentic. Here are a few shots of the art from the wall, followed by pieces inside the main exhibition. Fountain is running right now and has a musical show planned tonight with Ninjasonik and NSR and a Lomography Picture Party featuring thousands of blinding flashbulbs.

Shark Toof. Detail (photo © Jaime Rojo)

Joe Iurato (photo © Jaime Rojo)

Clown Soldier (photo © Jaime Rojo)

Chris Stain (photo © Jaime Rojo)

Elle (photo © Jaime Rojo)

Faro. Detail (photo © Jaime Rojo)

Gaia (photo © Jaime Rojo)

Hellbent (photo © Jaime Rojo)

Ellis G. Detail (photo © Jaime Rojo)

Danni Rash “CruciFiction” performance piece as part of the Grace Exhibition space. (photo © Jaime Rojo)

Inside the tent several galleries are offering the works of other Street Artists from around the country.

Gilf takes on polarizing Sarah Palin with this on-target crosshair pattern that doubles as a religious icon halo. (photo © Jaime Rojo)

Gilf grabs a logo and puts it in pumps (photo © Jaime Rojo)

Street Artist JMR at Mighty Tanaka’s booth (photo © Jaime Rojo)

Street Artist Radical! shows at Marketplace Gallery’s space (photo © Jaime Rojo)

Street Artist Samson as part of Marketplace’s selections (photo © Jaime Rojo)

The sky landscape above Pier 66 on The Hudson River. (photo © Jaime Rojo)

PLAYING TONIGHT AT FOUNTAIN – Ninjasonik

Armory Week NYC 2011: BSA Picks

March 2, 2011 Art Fair, Artists, Brooklyn, Events, Fundraising, Gallery, Manhattan, NYC, On the Street, Opening

Armory Week, the annual art deluge in New York is about art Fairs, Art Fans, and Fiddy Dollars, Daddy. While a fair bit of the traffic at the various fairs is about the benjamins, it’s also just about having a good time and getting out to see what your favorite street artist is up to in this milieu. In short – a whole lotta street artists are getting busy this year in the booths, on the walls, and in the streets to show you their stuff.

This year the NYC madness officially opens Thursday March 3rd. Here are some of the things we are looking forward to – you might like them too.

FOUNTAIN

A BSA favorite, Fountain is held in an old maritime vessel docked on the Hudson River on the West Side of Manhattan. Each year, and this is the sixth, the fair promises to rock at least a few boats.

Fountain is an excitedly directed directionless cacophony of hits and odd couple of misses every year. The hits usually are upside your head. We are looking forward to the 100+ feet wall of fresh Street Art as you enter and the Murder Lounge down below. As you wend your way past the bar and the flash bulbs at the Saturday night musical melee with Ninjasonik you will swear you are floating. Because you are.

An interior shot of the The Frying Pan, where Fountain splashes on the Hudson River at 26th Street. (photo © Jaime Rojo)

If you are lost, look for the mast. Fountain is the only water vessel based fair at Armory, baby (photo © Jaime Rojo)

Elle does final prep to her wall piece for Fountain (photo © Jaime Rojo)

Hellbent installing his Fountain piece (photo © Jaime Rojo)

Joe Iurato installing his piece (photo © Jaime Rojo)

Ellis G. Detail (photo © Jaime Rojo)

Highlights:

FOUNTAIN NEW YORK ANNOUNCES
MASSIVE STREET ART INSTALLATION FOR 2011 FAIR

Adding to Fountain’s signature overwhelming visual and sensory experience, visitors entering Fountain Art Fair will encounter a 100-foot long street art installation stretching along the entrance and exit—a massive collaborative installation by a number of street artists. It features Chris Stain, Dickchicken!, Faro, Gaia, Shark Toof, Clown Soldier, Love Me, Ellis G, Allesandro Echevarria, Lee Trice, Imminent Disaster, Elle, Hellbent, Joe Iurato, and Anthony Sneed. “The medium and movement referred to as Street Art has played an integral role in Fountain Art Fair’s development,” said David Kesting, Fountain Art Fair Co-Founder.

Location:

Pier 66 Maritime @ 26th Street & 12th Avenue in the Hudson RIver Park

March 3 – 6, 2011
General Public Hours:
March 4–March 6, 12pm–7pm

Special Events:
Thursday March 3, 12am – 5pm – VIP & Press Preview
Friday, March 4, 7pm – 12am – Opening Night Reception – Performance: Gordon Voidwell and Tecla
Saturday, March 5, 7pm – 12am – Performance: Ninjasonik

Go to Fountain official site to see the full list of exhibitors and to learn more details about the special events and full program:

http://fountainexhibit.com/

SCOPE

A mouthwash and an art fair, we’re checking out Scope mainly to see the new collaboration called Contra Projects, put together by brothers Tristan and Matthew Eaton – comprised of some rockin’ Street Artists who will be taking their show on the road around the globe this year. We’ve had a blast watching them put up new work on Brooklyn streets this week, and can’t wait to see the installations at Scope.

TYPOE

Also you will want to check out the sculpture work by Miami graff artist Typoe, whose friend have been saving their caps from spray cans for a minute. He laughs when he talks about graffers mailing them to him too and as a co-founder of Primary Flight, Miami’s original open air museum and street level mural installation, he’s got plenty to work with.

TYPOE | Fountain, 2011| Confetti Death Series
Represented by SPINELLO GALLERY

To see the full list of exhibitors, details of the programs and fees to enter go to the Scope Art Fair site:

http://www.scope-art.com/Index.php/

Location
320 West St (West Side Highway)
Across from Pier 40
New York NY 10014

Opening Schedule
FirstView
(For VIPs and Press
or $100 donation at the door)
Wednesday | March 2 | 3pm-9pm

VOLTA

California’s Carmichael Gallery is showing new work by Street Art brain jammer Mark Jenkins, whose well-placed human installations in public places cause people to stop and ponder. Apparently, his work has a similar effect on cats.

Mark Jenkins, Family Room

From the press release;

“Mark Jenkins’ installation at VOLTA NY will transform Booth A1 into an unconventionally furnished family room. “I’ve been doing a lot of experimentation with resin and fiberglass,” says the artist of this new series, which includes five and a half life-size sculptures and a range of smaller pieces, “finding more original ways to make hand casts and improving structural solidity through new bracing techniques.” For the first time, Jenkins will present his works within a site-specific environment purposefully created to provide greater contextual authority and definition to his aesthetic and thematic considerations. “An empty space can feel sterile,” he observes, “as if a giant eraser has removed all context. The works become more like pinned butterflies. I have taken a different approach with (the presentation of) Family Room. This time it’s about creating a place for the sculptures to live in, so, in addition to clothes, I’ve been thrift store shopping for plants, drapes, rugs and chairs.” Both individual works and the installation as a whole will propose non-traditional commentaries on the institutions of family and home.”

Booth A1
7 West 34th Street
between 5th and 6th Avenue / 11th floor
New York, NY 10001
USA

To see the full Volta exhibitors list and details of all events please click on Volta’ site:

http://ny.voltashow.com/

To learn more about Carmichael Gallery please click on the gallery’s site:

http://www.carmichaelgallery.com/

PULSE

Brooklyn’s David Ellis at Joshua Liner is one painter/sculptor/film maker always worth checking out. As a founding Barnstormer, Ellis continues to stretch and swerve with painterly illustrations and installation.

VISIT
PULSE Contemporary Art Fair at http://www.pulse-art.com/ or contact by phone at +1 (212) 255-2327.

FAIR HOURS
Thursday March 3	10am-1pm
	Press and VIP Private Preview
Thursday March 3	1pm- 8pm
Friday March 4	12pm – 8pm
Saturday March 5	12pm – 8pm
Sunday March 6	12pm – 5pm

::ADMISSION TO ALL VERGE ART BROOKLYN
EXHIBITION LOCATIONS IS FREE::

PUBLIC HOURS
Thursday, Friday & Saturday, 3 – 5 March, Noon to 10 pm
Sunday, 6 March, Noon to 6 pm
OPENING NIGHT PARTY
Thursday, 3 March, 2011, 10:00 pm to 4 am

TOMORROW’S ART TODAY: THE INAUGURAL ART BROOKLYN
Coming Thursday, March 3, Verge Art Brooklyn invites you to experience a paradigm shift in art fairs as we know them, a show that recovers the standard of an art fair as a platform for presenting the best work by living artists. Art Brooklyn throws open the doors for attendees to a whole new universe of artists, music, art, and community. Verge Art Brooklyn is proud to announce a list of exhibitors that includes gallery exhibitors, resident DUMBO galleries and Brooklyn Art Now participants for a combined total of over seventy gallery exhibitors at nine locations, nearly forty participants for “Material Issue: Artist’s Projects Spaces” and fifty artists for “Tomorrow Stars: The Art Brooklyn Open Call Exhibition.” Chosen by a distinguished panel of jurors, “Tomorrow Stars” represents the brightest and best Brooklyn has to offer, as selected by Courtney Wendroff of the Brooklyn Arts Council, artist and former president of the NYC chapter of the American Society of Media Photographers Stephen Mallon, blogger and art critic Steve Kaplan, and Danny Simmons, chairman of the NYC chapter of the National Conference of Artists. Don’t miss out on this opportunity to own the work of tomorrow’s stars today!

GALLERY EXHIBITORS
81 Front Street, Ground Floor / One Main Street, Ground Floor ANTIDOTE, Brooklyn, NY, Albrecht Art Enterprise, New York, NY, Art Project International G77 Gallery, Tokyo, Japan, Phoenix Gallery, New York, NY, G2 Gallery, Tokyo, Japan, MoCADA Gallery, Brooklyn, NY, Cue Art Foundation, New York, NY, Firecat Projects, Chicago, IL, Stilllife Gallery, New York, NY, Fine Art Consultancy, London, UK, Arch 402, London, UK, A.R.T. Module R, Brooklyn, NY, Mayjune Gallery, Seoul, South Korea, Brooklyn Art Project, Brooklyn, NY, and others TBA.

BROOKLYN ART NOW: 2011 SURVEY EXHIBITION CURATED BY LOREN MUNK/JAMES KALM
111 Front Street, Second Floor, Suites 200, 204 & 222 Tabla Rasa Gallery: selected artist(s) and work, Audrey Anastasi, “Spoken Birch.” BAC Gallery selected artist(s) work, RahulAlexander, “Golden Chamber”, Greg Lindquist, “ntitled.” Like The Spice Gallery selected artist(s) and work, Jenny Morgan and David Mramor, “View Quan Yinha.” Micro Museum: Selected artist(s) and work, Kathleen and William Laziza “THE KISSING INSTALLATION 2.0.” Open Source Gallery: selected artist(s) and work, Peter Feigenbaum, ”02″, Katerina Marcelja “02.” Camel Art Space: selected artist(s) and work, Rob de Oude, “Hither fro Yonder”, Carl Gunhouse, “Development Nashville, TN.” MoCADA: selected artist(s) and work, Jeff Sims, “Straddle 72.” WORK Gallery: selected artist(s) and work, Eric Ayotte, “Protest Painting”, Karin Stothart, “Ileostomy Drainage.” Central Booking: selected artist(s) and work. Despo Magoni, “The Thousand and One Nights series”, Lothar Osterburg, “Zion Homestead.” BRIC Rotunda Gallery: selected artist(s) and work, Jeesoo Lee, “Darkening Blue”, Pinar Yolaçan, “Untitled (from Mother Goddess series), Lael Marshall, “Compact Florescent.” Famous Accountants: selected artist(s) and work, Meg Hitchcock, “Nausea, The Sunyatasaptati (Seventy Verses on Emptiness) by Nagarjuna, from Neasea by Jean-Paul Sartre”, Ben Godward, “Shhh! I live here.” Spring Gallery: selected artist(s) and work Charles Lahti, “First Eyes on Jura.” Front Room Gallery: selected artist(s) and work, Tom Broadbent, “Floating Camouflaged Pants” Manhattan Bridge Tunnel proposal, Stephen Mallon, “Virginia Placement”, Patricia Smith, “Mapped Location of Pronounced Situation Density.” Janet Kurnatowski: selected artits(s) and work, Craig Olson, “Murcury in the Philosopher’s Egg (Oh! Hospitable Jupiter! And the Trust)”, Ben La Rocco, “Minerva’s Pallette.” English Kills Gallery: selected artist(s) and work, Don Pablo Pedro, “jpg #1”, Andrew Hurst, “EOS Digital Rebel ETi.” 440 Gallery: selected artist(s) and work, Tom Bovo, “BOVO_TOM_02”, Richard Eagan “EAGAN_RICHARD_01.” LUMENHOUSE: selected artist(s) and work, Jeremiah Teipen, ” Untitled, digital video with screen and player.” Side Show Gallery: selected artist(s) and work, Shari Mendelson, “Bumpy Blue-Green Vessel”, James O. Clark, “Orestes 2006.” Parker’s Box: selected artist(s) and work, Steven Brower, “Child Astronaut Test Suit 1999-2000”, Joshua Stern, “Untitled V” Patrick Martinez “Jesus video.” In addition, a list of Special Projects for Brooklyn Art Now is forthcoming.

PUBLIC HOURS
Thursday, Friday & Saturday, 3 – 5 March, Noon to 10 pm
Sunday, 6 March, Noon to 6 pm

OPENING NIGHT RECEPTION
Thursday, 3 March, 2011, 10:00 pm to 2 am

To read more details about Verge Art Brooklyn click on the link below:

http://www.brooklynartfair.com/

Non-Art Fair Recommendations

Brice Wolkowitz Gallery Presents: José Parlá “Walls Diaries and Paintings” (Manhattan, NYC)

José Parlá “Order, Pattern, Organization, Form and Relationship”. Image Courtesy of the gallery.

Mint&Serf Present: Well Hung: The Chelsea Chapter at +ART. A Fundraiser for Free Arts NYC

Images Of The Week 02.27.11 – Art Fairs Bring New Street Art to Walls

February 27, 2011 Artists

Brooklyn and NYC are Getting Hit! – New stuff is being installed on walls this week from Nick Walker, How & Nosm, TesOne, Bask, Tristan Eaton, Gaia, Clown Soldier, Hellbent, Chris Stain, and more. It’s a hot week in late winter.

We interrupt our regular weekly program of new shots of the street with IN PROGRESS new shots on the street by Nick Walker and How and Nosm and Bask.

This week art fairs will draw huge crowds of collectors and fans, bringing a number of Street Artists with spray paint and brush and wheatpaste in hand to hit up walls with their new pieces. From Fountain to Scope to Volta to Verge to Independent , the city is poppin with new pieces and new installations by scheduled Street Artists, and most likely a fair amount that isn’t scheduled on the streets too.

Nick Walker “Anonymity” (photo © Jaime Rojo)

As reported here Friday BSA was with Nick Walker this week as he installed “Anonymity” a brand new stencil in a couple bricked up windows in Brooklyn. While in New York he’s also hit up walls inside and outside the Cooper Square Hotel in Manhattan (see below).

Nick Walker “Anonymity” (photo © Jaime Rojo)

As he worked he talked about the significance of this new piece:

Nick Walker: This piece is all about anonymity. When you are a graffiti artist some people play the anonymity card. But then there are those who play the anonymity card one minute and the next minute you see them on the Internet not playing the anonymity game. This piece reflects what I see around me and I see other artists doing. I think that if you are going to play the anonymity game you have to play it from the start and never slip up. For a lot of the artists that I see now is “on-off” thing.

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Southern Street Art talents Bask and TesOne are braving the cold temps in Brooklyn right now to hit walls with How and Nosm and Tristan Eaton as part of Contra Projects, a newly formed alliance of Street Artists who will be traveling around the globe in 2011 lead by visionary Eaton and his equally dynamic brother Matthew.

Opening at Scope this week the roster includes the above with Mr. Jago, DFace, Thomas Thewes, Ron English, James Marshall and TrustoCorp. Before the big Scope opening some of these cats will be hitting walls in BK and here are here are the first progress shots of the wall by How and Nosm from yesterday. They don’t have a name for it yet – suggestions are welcome! Finally a shot of Bask as he traces out the new piece.

How and Nosm (photo © Jaime Rojo)

Bask (photo © Jaime Rojo)

Images of the Week 02.20.11

February 20, 2011 Artists, Berlin, Brooklyn, Denmark, Germany, Manhattan, NYC, On the Street

Our weekly interview with the street; this week featuring Aarhus, Clown Soldier, Don John, El Sol 25, Gaia, Michael DeFeo, CB23, Tats Cru, and Voina.

Images Of The Week 01.16.11

January 16, 2011 Artists

Our weekly interview with the street, this week featuring CBS Cru, Ryan McGinness, Kopye, Gaia, M-City, Wing, UR New York, Sonni, Tati, Nekst, Sera, Tizie, Wing and Clown Soldier.

Praise the Lord and pass the paint can – This Gospel Montage Break brought to you by Ms. Aretha Franklin

Fun Friday 01.07.11

January 7, 2011 Artists

Tonight in Brooklyn: “Wholetrain” Screening at Closing Party for H. Veng Smith

Tonight at Pandemic they’ll be screening the film “Wholetrain” to close the “Identifiable Reality” show by H. Veng Smith.

“Florian Gaag manages to recount a tale colored by tension and aggression. The result is a many-sided portrait of characters whose world has never been documented in this way before. Their subculture remains authentic and realistic. Edgy editing and grandiloquent camerawork, a pulsating soundtrack and an excellent ensemble of actors, make WHOLETRAIN a film experience not to be missed.” – Wholetrain Website

SCREENING BEGINS AT 8:00 PM.

PANDEMIC gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

Walk All Over Shepard Fairey If You Like

On the streets of Milan, Italy five artists (Shepard Fairey, Invader, The London Police, Flying Fortress and Rendo) has been invited to create about 20 manhole covers.

more at The Street Art Blog

West Coast Holla! – Here’s Three;

Carmichael Gallery “After the Rain”

Carmichael’s first show of the year “After the Rain” featuring new work by Boogie, Guy Denning, Aakash Nihalani, and Pascual Sisto.

5795 Washington Blvd Culver City, CA 90232
January 8 – February 5, 2011

Opening Reception: Saturday, January 8, 2011, 6-8pm

Whoops, “There It Is” at ThinkSpace

“There it Is” at ThinkSpace

‘There It Is’
Featuring new works from three Oakland CA artists:
Brett Amory / Adam Caldwell / Seth Armstrong
(Main Gallery)
Paul Barnes
‘Happy Valley’
(Project Room)
Both exhibits on view: January 8th – January 29th
Opening Reception: Sat, January 8th 7-10PM

Thinkspace Art Gallery
6009 Washington Blvd.
Culver City, CA 90232
(310) 558-3375 | Open Wed. – Sat.
1pm-6pm
or by appointment
contact@thinkspacegallery.com

“Street Degrees of Street” – Abztract Collective

Abztract Collective and Crewest Gallery group show “Street Degrees of Separation”

Opening Reception Jan 2008

CREWEST GALLERY

110 Winston Street

Los Angeles, CA

213 627 8272

BOXI and BANKSY TAKE No. 1 Spots

Here are the Final Results of the Year End 2010 BSA Polls

It was a blast to watch the images jumping positions like a horse race for the last weeks of the year as two BSA Polls were up on the Huffington Post. Thousands of people participated in the voting and we got lots of funny emails, and some varying opinions – and here are the results;

As voted by readers on Huffing Post Arts page , here are the top 10 Brooklyn Street Art images from 2010.

1. Boxi

2. ROA, “Ibis”

3. ROA, “Squirrel”

4. Retna & El Mac

6. Os Gemeos and Futura

7. Jef Soto

8. El Mac

9. Gaia

10. Gaia

********************

And in our highly subjective and fun compilation of 10 Best Street Art Moments of the Decade, here are the results of the votes – The Top Five

1. “Exit Through the Gift Shop”, Banksy

Image promotional still from movie.

2. Tate Modern hosts “Street Art”

3. Nuart Festival Established by Martyn Reed

© CF Salicath

4. Shepard Fairey’s Obama Posters

© Jaime Rojo

5. Swoon’s Swimming City Arrives at Venice Biennale

© Tod Seelie

Crewest Gallery X Abztract Collective present: “STREET DEGREES OF SEPARATION” A Group Show (Los Angeles, CA)

January 6, 2011 Artists, California, Events, Gallery, Los Angeles, Opening

Abztract and Crewest Gallery

Crewest Gallery X Abztract Collective present:
STREET DEGREES OF SEPARATION

An art opening featuring the artwork of:
CHRIS CLARK
CHRIS RWK
CLOWN SOLDIER
DAMON GINANDES
DAVID FLORES
ERNESTO YERENA
EYEFORMATION
FAKE
GABE COPELAND
GAIA
HIDDENMOVES
JOE IURATO
JMR
PHILIP LUMBANG
SHAI DAHAN
and special guest artist and Pro Skater:
DANNY GONZALEZ

Opening Reception: Jan. 8th
Downtown Artwalk: Jan 13th – 6:00-10:00

CREWEST GALLERY
110 Winston Street
Los Angeles CA 90013
213-627-8272
info@crewest.com
www.crewest.com

Photos of 2024 on BSA – #7: Optimo NYC and Friends Under the Bridge
December 24, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #8: Never Satisfied “Forever Forward”
December 23, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #9: Nekst, Guess, and Ethics in Street Art
December 22, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #10: Flaco the Owl a Folk Hero for a Minute in NYC
December 21, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #11: Support the Kids
December 20, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #12: Lady Pink’s Love Letters to the City at UN
December 19, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of 2024 on BSA – #13: Inkman’s Thin Line
December 18, 2024
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »

This original photo taken on Houston Street in NYC in 1978 from which Chris Stain borrowed the boy on the right. (photo courtesy of Ms. Cooper © Martha Cooper)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris and Bill take a break from the cold winds to talk about the piece (photo © Jaime Rojo)

Chris Stain and Billy Mode. The second day in the late afternoon begins (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

A Chris Stain piece from a couple of years ago is based on a photograph by Martha Cooper (© Chris Stain)

Chris Stain’s reference screenprint for the wall (photo © Jaime Rojo)

Billy Mode updated the letter style for this new piece. Here’s his sketch. (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Martha with her beloved 21 year old cat Pancho (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode in the reflection of rainwater pooled (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Chris Stain and Billy Mode (photo © Jaime Rojo)

Photo © Jaime Rojo

Shark Toof. Detail (photo © Jaime Rojo)

Shark Toof. Detail (photo © Jaime Rojo)

Joe Iurato (photo © Jaime Rojo)

Clown Soldier (photo © Jaime Rojo)

Chris Stain (photo © Jaime Rojo)

Elle (photo © Jaime Rojo)

Faro. Detail (photo © Jaime Rojo)

Gaia (photo © Jaime Rojo)

Hellbent (photo © Jaime Rojo)

Ellis G. Detail (photo © Jaime Rojo)

Gilf takes on polarizing Sarah Palin with this on-target crosshair pattern that doubles as a religious icon halo. (photo © Jaime Rojo)

Gilf grabs a logo and puts it in pumps (photo © Jaime Rojo)

Street Artist JMR at Mighty Tanaka’s booth (photo © Jaime Rojo)

Street Artist Radical! shows at Marketplace Gallery’s space (photo © Jaime Rojo)

Street Artist Samson as part of Marketplace’s selections (photo © Jaime Rojo)

The sky landscape above Pier 66 on The Hudson River. (photo © Jaime Rojo)

FOUNTAIN

An interior shot of the The Frying Pan, where Fountain splashes on the Hudson River at 26th Street. (photo © Jaime Rojo)

If you are lost, look for the mast. Fountain is the only water vessel based fair at Armory, baby (photo © Jaime Rojo)

Elle does final prep to her wall piece for Fountain (photo © Jaime Rojo)

Hellbent installing his Fountain piece (photo © Jaime Rojo)

Joe Iurato installing his piece (photo © Jaime Rojo)

Ellis G. Detail (photo © Jaime Rojo)

Location:

SCOPE

TYPOE

VOLTA

PULSE

Non-Art Fair Recommendations

José Parlá “Order, Pattern, Organization, Form and Relationship”. Image Courtesy of the gallery.

Mint&Serf Present: Well Hung: The Chelsea Chapter at +ART. A Fundraiser for Free Arts NYC

Brooklyn and NYC are Getting Hit! – New stuff is being installed on walls this week from Nick Walker, How & Nosm, TesOne, Bask, Tristan Eaton, Gaia, Clown Soldier, Hellbent, Chris Stain, and more. It’s a hot week in late winter.

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker “Anonymity” (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

Nick Walker (photo © Jaime Rojo)

How and Nosm (photo © Jaime Rojo)

How and Nosm (photo © Jaime Rojo)

How and Nosm (photo © Jaime Rojo)

How and Nosm (photo © Jaime Rojo)

Bask (photo © Jaime Rojo)

CB23. Recession Era Cartoons. Photo © Jaime Rojo

If you love something, set it free. Gaia (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

Berlin, Germany (photo © Er1cBI41r)

Berlin, Germany (photo © Er1cBI41r)

Don John Stencil in Aarahus, Denmark (photo © Don John)