Yesterday, we shared with you the current edition of The Crystal Ship, a Belgian street art festival located in Ostend, which is located in the Flemish Region of Belgium. The collection of images that we presented was taken by photographer Martha Cooper, a frequent collaborator of BSA, during her recent trip to Ostend as a special guest of the festival.
In line with her usual practice, Ms. Cooper did not limit her work to capturing photos of the murals being painted for this year’s festival edition; she also endeavored to take as many photos of murals painted during previous editions of the festival. We are pleased to present a selection of these murals, painted over several years, with photographs taken by Martha Cooper herself.
This selection of murals is an exciting representation of the diverse and captivating street art that has been featured at The Crystal Ship Festival throughout the years, much of it creating a gallery of contemporary artists whose work is arresting and appealing to a general audience. The dedication and hard work put forth by Martha Cooper in capturing these pieces in all their artistic glory is genuinely commendable. We hope you enjoy this glimpse into the festival’s vibrant history and the incredible art showcased in the public square in Ostend over the years.
Both the Portuguese Underdogs Gallery and the Spanish Ink and Movement (IAM) project have been building respectable artists rosters with a sense of intention – of current and former graffiti/street artists who have contemporary art aspirations for about a decade each. We’re lucky to have visited both locations in person and have high regard for the organizers and artists. Now they join together to present a selection of these confident artists who have been making names for themselves, perhaps as a generation that has defined itself uniquely, in all its many variations.
They’re calling it “I don’t wanna be, I am”. Since you have seen a majority of these artists on these BSA pages during our last 15 years, you probably already know that.
Elian Chali. “La Insoportable Cotidionidad del Ser”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
“They are creators who combine their work outdoors, performing in public spaces through murals and large-format sculptures, alongside their work in the studio, where they produce their creative work through painting, sculpture, and the conception and development of artistic installations,” says the promotional material sent with the announcement.
These creative voices are certainly strongly original and many of these minds are focused on becoming masters. We’re pleased to see such a strong group, and are looking forward to the new exhibition as they traverse into new areas of the art world. Included artists are Elian Chali, Franco Fasoli, Martí Sawe, Misterpiro, Nano4814, Okuda San Miguel, Sabek, , Sixe Paredes and Spok Brillor.
Franco Fasoli. “En la manana suena musica de vecino”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)Misterpiro. Untitled. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)Sabek. “Dog”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)Okuda San Miguel. “The Rest of The Rainbow Muses”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)Sawe. “Lampara del Pato Donald”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)Sixe Paredes. “Paisaje Zoomorfo”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)Spok Brillor. “Redondo1”. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)Nano418. Underdogs Gallery/Ink and Movement. Lisbon, Portugal. (photo courtesy of Underdogs Gallery)
The group exhibition “I don’t wanna be. I am” curated by Ink And Movement, opens today at Underdogs Gallery in Lisbon, Portugal. Click HERE for more details.
“We are committed to improving our town centre and art and culture has a big part to play in its future,” says Leader of Basildon Council Councillor Andrew Baggott. “We are also committed to climate change and are working towards a carbon net-zero borough by 2050.”
With a new street art initiative called Our Towns, curators Doug Gillen and Charlotte Pyatt are tying together environmental and social concerns with new large-scale murals here in the Essex, UK town.
Partnering artists with the local schools, university, market and community organizations, Gillen and Pyatt have been introducing new public artworks all summer by international artists like Arches (Ireland), Franco ‘JAZ’ Fasoli (Argentina/Italy), and Marina Capdevila (Spain), as well as homegrown UK talents including Erin Holly, Gabriel Pitcher, INSA, Michele Curtis, and Helen Bur.
While some on the roster are known for their street art and others have backgrounds in more formal studio practice, collectively perhaps their works are softening some of the brutalist edges of this town of just over 100,000 residents.
Owing its name to an idea of challenging ourselves to see art and public space in original and meaningful ways that affect positive change, the Re:Framed project is steered by two pros in street art cultural production and analysis. “We are dedicated to developing new and innovative strategies to reposition the role of culture in social and environmental conversations,” says a joint statement by the curators.
“The Our Towns: Climate project will be our most ambitious to date, the legacy for which will see Basildon join the growing number of cities and towns across the world adopting the Global Goals.”
Giving their partnership the moniker Re:FRAMED, Pyatt and Gillen have worked in production, strategy, consultancy and documentation with art on the streets for approximately the last decade and plan to coalesce artists and organizations around social and environmental themes going forward. With high-quality artists and artworks like these, you can look forward to the two reframing both contexts and conversations in public space in their future.
At a time when Barcelona has received criticism for allowing iconic murals to disappear, it is a joyful sight to witness street artist and muralist Jaz create a new iconic one after full immersion into the neighborhood of Trinidad Nova. Similarly, it is gratifying to see a contemporary painter creating something relevant and new for a community rather than creating banal niceties or, worse, using public space to sell a sneaker or brand.
Intended as part of a permanent dialogue between the neighborhood and artist, this clearly links to the people’s fighting spirit here, complete with pugnacious bulls, roaring boars, and rebels on motorcycles. The Argentinian consulted closely over a period of weeks with panels of leaders, circles of residents, experts, and historians in the square.
A coalition project under the auspices of B-Murals, Centro de Arte Urbano, and School of Restoration and Conservation of Cultural Heritage of Catalonia, Jaz integrated histories and aspirations into a triumphant, defiant, and uniquely expressive tableau worthy of a people. With his talents, the artist reflects the community and empowers it – honoring a TIME of the past while propelling its intentions of actualization into a TIME of the future…
Taking a decade long view of your creative life can be astoundingly instructional if you are brave enough; perusing over the body of work that you have taken with eyes focused and blurred may reveal broad outlines and finer features of a creative life-path – a psychological mapping of the inner world and its outer expression with all its impulses, longings, expressions of received truths and newly discovered wisdom.
Publico. Privado. Jaz Franco Fasoli. 09-2019
Franco Fasoli aka JAZ has looked over his last decade (2009-2019) of work as a street artist and fine artist and offers you the opportunity to examine his public and private side as well in this new two-volume compendium. Painting on the streets since the mid-nineties and his mid-teens in his hometown of Buenos Aires, the visual artist knew his path would be a creative one. His family and role models, comprised of well-schooled artists and educators, had provided a foundation of critique and appreciation for him to build upon from the earliest years.
Now with many miles of travel on his personal odometer and introduction
to greater opportunities and institutions his visual output is here codified,
examined, and assessed in printed and bound form, to be respected and valued.
As observed in an essay by his street painting compatriot Elian, “Today it is
no longer about what physical space we select for each of these terms and their
respective experiences, it is about extremely sensitive decisions on what we
decide to transport from mental territories to others.”
Extremely sensitive is an appropriate descriptor. These massive and fragile and indestructible works all respond to weighty matters of history, struggle, nationalism, mythology, archetypical roles; now mingled uncomfortably with the ethereal nature of modern living that collapses, compresses, cheapens aesthetic values and relationships. Here is adolescence clamoring for maturity, idealism melting with monsters of the imagination, truth abutting uncomfortable irony.
In “Publico: Privado” JAZ has invited you to go on the trip with him. Artist,
teacher, and curator Diana Aisenberg writes in her essay, “I imagine the work
as a ship, a means of transport, as close to teleportation. It is the one that
moves and finds its place, there where it is necessary.”
A new sharply political campaign championing the freedom of expression has caught fire in Spain in the last few weeks under the hashtag #NoCallaremos, and Street Artists are now adding their talents to the protest. Rather shockingly for a modern European nation, a rapper’s prison sentence for offensive lyrics was upheld in Spanish Supreme Court in February (Billboard) and that decision along with other recent events has sparked a number of creative protests across the art world in cities across the country. Today BSA contributing Street Art photographer Fer Alcalá shares his opinions and new images of the murals in progress with BSA readers.
THE NO CALLAREM PLATFORM
~ by Fer Alcalá
…or how some of Spanish top artists react against censorship and repression of the freedom of speech from the central government…
It’s now known worldwide: the Spanish government is imprisoning hip hop artists like Valtonyc and Pablo Hasel because of their sharp and truthful lyrics as well as sentencing people like you and me because of their critical posts on social media.
As a reaction to these acts against the freedom of speech that are more in tune with a well established dictatorship than with 40 years of democracy, some projects like the No Callarem (we won’t shut up) platform have raised their voices.
One of the direct actions organized by the platform for fighting against Partido Popular’s civil rights oppression was to film a video clip featuring some of the most renowned lyricists on the scene as Frank T, Elphomega, Los Chikos del Maíz, La Ira, Rapsusklei, and César Strawberry, among others, at the old La Modelo prison. The location is an accurate metaphorical scenario when you are seeing that your liberty is being cut off thanks to laws like ‘Ley Mordaza’.
The song ‘Los Borbones son unos ladrones’, which alludes directly to the Spanish monarchy, includes some excerpts from some of the songs created by rappers serving a prison sentence. The video clip for the song, which you can watch at the end of this article, has become viral and almost all media outlets in the country are speaking about this big shout-out in the name of freedom.
I was invited to witness the filming and painting session by local artist Javier de Riba, from Reskate Studio, who invited some fellow artists to paint at La Modelo walls as a part of the whole process. Franco Fasoli JAZ, Twee Muizen, Txemy, Joan Tarragò, Enric Sant, Milvietnams, Werens and Fullet gave a new voice to the walls surrounding that backyard, providing 2D images that perfectly matched the spirit behind the beats and the rhymes.
This is what Javi has to say about his collaboration with the project:
“Our involvement with No Callarem happened thanks to the Catalan rap artist Pau Llonch. He lit the spark for recording a clip against the Valtonyc and Hasel sentences. They wanted to do it at La Modelo no matter what and the No Callarem platform supported the action. We helped to spread the word for putting together a team with different languages together to visually enhance the video clip.
At the beginning, was what meant to be an ‘atrezzo action’ turned into a bunch of pieces that can be visited in the backyard of Gallery 4. In fact that backyard is not open to the public, but you can see it from the watch guard pit. We think that, from a conceptual point of view, it’s very powerful to keep those pieces locked – especially when thinking about how things are going in Spain regarding freedom of speech.”
Additionally it’s worth mentioning Reskate’s initiative about shouting against the suffocating atmosphere that we are experiencing here for some time: ‘Our idea is that every artist post one piece / illustration / painting / picture (old or new) supporting our initiative promoting freedom of speech in order to criticize the lack of democracy within the Spanish government.
Some of the hashtags that we will use are #NoCallarem #EzGaraIsilduko #NonCalaremos #NunVamosCallar #NonCararam,#NoCallaremos being the main one.
Visual artists from Madrid, Zaragoza, Almería, Oviedo, Valencia, Vila-real, Barcelona, Bilbao, Valladolid, Tenerife…are supporting this initiative. Some of them are: Malakkai, Escif, Paula Bonet, Aryz, Ricardo Cavolo, Enric Sant, Twee Muizen, Franco Fasoli, Hyuro, Javier Jaén, Boa Mistura, Conrad Roset, Jordi Borràs, Danjer, Cinta Vidal, David de las Heras, Juan Díaz-Faes, Chamo San, and Marina Capdevila, among others.
La Semana por la Libertad de Expresión (Freedom of Speech Week) is happening now, with different activities taking place all over the country. The funds raised from these activities will go to a resistance fund for the platform in order to defend all those people chased and brought to justice because of censorship and repression. You can check the whole program of the week HERE.
So, yes: we have a fight going on. Comedians, actors and actresses, musicians, journalists, visual artists, the guy / girl next door who is active in social media… It’s kind of a Russian Roulette game where, if you are critical with the established system and you are using 3rd grade humor as a weapon, you can end in jail. And all of it is happening in a country whose government is accused of being the most corrupt on the whole continent.
I have a very well informed friend who has been kind of disappointed with the absence of critical vision and combative behaviors from most of the big names in the local street art / graffiti scene. Thanks to initiatives such as No Callarem and the impulse of people like Javi de Riba, she is reconciling herself with this small, but powerful little world whose images have the strength for making important things happen.
Finally, I’d like to recommend that you check the publications under the hashtag #nocallaremos that are out, as there will be some fine and unique art being produced for the occasion in the upcoming days.
As it’s being said in Los Borbones son unos Ladrones:
– rap music is not a crime
– we need scratches, we need paintings
– I don’t dream about Versace, I dream about barricades
– …because of the poetry that still sleeps in the ditches…
Big props to Javi de Riba, Xavier Urbano and all the artists behind the No Callarem movement.
This week BSA is in Mexico City in collaboration with Urban Nation Museum of Urban Contemporary Art (UN) to see what is steering the scene on the street, meet artists, visit artist compounds, museums, galleries, and studios – and of course to capture the wild and dynamic Street Art and graffiti scene here. Where Mexico City goes in art and culture makes big waves elsewhere in Latin America, and its Street Art scene has been quickly evolving in the last decade. Join us as we investigate the character and players in this modern/traditional city of more than 21 million people.
In a cacophonous neighborhood in downtown Mexico City that sells musical instruments and equipment the second floor verandas are emitting an aerosol fragrance, a cloud of lime green to mix in the air. Some how it mixes well with the honking cars and roaring live rock and roll concert across the street in a musical equipment store where they are performing covers of 80s metal bands like Mötley Crüe and Judas Priest.
Elian is balancing his new pieces on saw horses and fumigating them with bright paints which he normally might be covering a huge mural wall with.
“I’m trying to break with my tradition of being a painter do you know,” he says, one of three close friends on the Street Art scene from Argentina here in this studio.
Each of the artists say they are taking a little break from the work they normally do to experiment for their upcoming show at Toba Gallery here at the beginning of December.
The year-old gallery is owned by a local Street Art celebrity named Smithe, who still pursues his own art career while choosing artists from his peers to show at this location in el Centro de la ciudad.
“I want to build these kinds of objects and to create a dialogue with the space by changing the focus of attention by placing them around the gallery,” Elian says, pointing to imaginary spots in the air above and punctuating with his pointed index finger.
“Sort of like tick-tick-tick, like acupuncture needles, and I will mount all these pieces try to mix with the pieces of the guys.”
The guys are Franco “JAZ” Fasoli and Nicolas “EVER” Romero, who each have their own small room in this artists’ studio enclave that is sort of hidden, requiring you to look carefully for an entrance hall behind a lottery ticket vendors signage on the street.
All three have often travelled and work together with a fourth Argentinian named Pastel in festivals and exhibitions over the past half decade, and these three consider this a happy reunion to work again with one another.
Nicolas “EVER” Romero is next door sitting cross-legged on the floor trying to balance a chunk of raw meat inside a papaya, accented by a jalepeno pepper. Around him are various tropical fruits and everyday vegetables teetering upon each other and bottles of sugary sodas.
He says his newest still-lifes are mixing traditional subject matter with pieces of modern life to draw attention to the contrasts and as a critique of the commercialized consumer culture that is eroding our connection with history.
“I feel like Mexico has the combination of ancient roots like the Mayan and Incan culture,” he says, “and their culture of cultivation of fruits and vegetables edit is in huge contrast with the modern world.” He blames a lot of the commercial junk food that has come into the country on the neighbor to the north, the United States.
“You can go to this store chain called Oxxo, like the 7-Eleven of Mexico, and you can see what the Mexican People are being offered to eat,” he explains.
“Basically they have tacos and tortillas and basically shitty food like Lays or Bimbo – super unhealthy foods.”
“That, for me, is a metaphor for Mexico. This super amazing strong food history and then you have this stuff – for me working with these real foods is part of the description for what is happening in Mexico today.”
The still-lifes are a departure for EVER from his figurative work as well, and he is enjoying concentrating on craft in this way.
Free from the large walls and magic surrealism of his street murals, he says he can also hide his identity in this kind of painting that is a respected practiced thought to help artists “warm” their hands.
Another figurative painter known for his muscular strong characters and people, JAZ is taking a few steps back from realism to abstract. His studio features a large pile of ripped papers that he is gluing onto a sketch on brown paper.
The sketch comes from a digital collage on his laptop. He says he needed to separate himself from direct painting by creating a multi-step process like this. “I am kind of forcing myself into more abstract in a very artificial way because if I try to do it by myself.”
The 10 meter long fragile piece will hang from wires in the gallery and it reminds you that he was a sceneographer before he was know for graffiti or Street Art.
The finished rolls feature figures running with backs to the viewer in a jumbled, violent chaos of hooligans in the street. Strung overhead across the ceiling is a colorful fiesta decor, denoting a sarcastic overlay to the lawlessness. It’s contrast he enjoys.
“This is a typical hooliganism that happens in South America but I also mixed up with this idea of a party or a celebration so I’m going to have these decorative streamers papers hanging from above,” he says. “It may be difficult to understand because it looks like it’s a party but at the same time there’s this clashing and it is in a sort of carnival environment in a formal way – it’s more of scene in a cinematic way.”
Having lived in Europe for the last couple of years, JAZ talks about his home town of Buenos Aires and his new ability to have perspective on some corrupt behavior and social structures that he has been examining.
“Argentinian hooliganism is also a very strong political force,” he says. “It is not just about the activities related to the sport, it’s the mafia. It is 100% connected with politicians and drugs and crime all under one roof or protection of the sport.”
“It is a very social tool used for manipulation… extortion. It is very integrated into our society you can talk with any of us three Argentinians and talk about how deep inside our society it is. I do a kind of x-ray of how the society works by looking into just that particular segment of society.”
With Mexico City considered as a doorway to the Americas, it is interesting to note that these three Street Artists all express a certain admiration and solidarity with Mexico and are very familiar with the cultural traditions, heros and artifacts of the history and society; a pronounced departure from the neighbor to the north.
It is good to see again the maturation and evolution of these thirty-something artists as they dare themselves to try new techniques in pursuit of an art practice apart Street Art, and to witness the network of support that they create for each other regardless of their stylistic differences.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening :
1. PROCESS: BSA Raw Video with Tres Gauchos Elian, JAZ, Ever Siempre
2. “See Her” by Ann Lewis
3. The Grifters. RAGE DFS
4. Yoko Ono: Imagine Peace
BSA Special Feature: PROCESS: BSA Raw Video with Tres Gauchos Elian, JAZ, Ever Siempre
The process of making art in the studio is a privilege to see and be a part of. This week in Mexico City we have been invited into that sacred space where three Street Artists from Argentina are working in rooms of an old building in the central part of the city as they prepare for an upcoming show.
Here are a few minutes of creativity in the moment as we watch Elian, Franco JAZ Fazoli, and Nicolas EVER Romero each work in mediums that they were not originally known for. Each is stretching themselves creatively- JAZ is working on ripped paper collage instead of sculpture or painting, Elian is creating extruded shapes and objects to hang rather than painting geometrics, and EVER is constructing “still lifes” to paint with oil on canvas instead of surreal figures.
“See Her” by Ann Lewis
Formerly GILF!, now Ann Lewis, the activist Street Artist and fine artist completed a mural called “See Here” this summer in Boston as part of the Now and There program. A compelling image raises awareness of women incarcerated and the route to inclusion in society and the many challenges that accompany that route. For our part, it is important to see her.
The Grifters. RAGE DFS
Commemorating 20 years of hitting up trains with RAGE, here is graffiti bombing as action movie, courtesy of Boris and the Grifters and RAGE DSF.
Yoko Ono: Imagine Peace
Every Christmas season we look forward to Yoko Ono and John Lennon’s “War is Over (If You Want It)” sign in Times Square. A few weeks ago we were fortunate to see in person Yoko’s latest project withCreative Time’s Pledges of Allegianceprogram. Here is a bit of video showing the flag flapping in the wind in Manhattan.
“I think it’s a real turning point as far as seeing three dimensional things,” says Street Artist and fine artist Ben Frost while hand painting text on the side of the large facsimiles of pharmaceutical boxes that he’s creating for the UN Art Mile. “I think sculptures and installations have been paving a way forward for Street Art.”
In fact sculpture and all manner of three dimensional installations as Street Art have been a part of the current century for sure, from the variety of lego and yarn artists to the soldiered steel tags of REVS and eco-bird houses of XAM and small little men made of wood by Stikman – among many others.
The traveling exhibition “Magic City” curated by Carlo McCormick and Ethel Seno that displays the wide range of works by todays’ interventionists now features a section devoted to sculpture including a selection of Street sculpture photography by Jaime Rojo.
Certainly when fine artists began joining the graffiti game they brought many additional techniques to the street, most of them applied to the surface of existing walls – stencils, wheat paste, rollers, for example.
Others have procured objects and attached them to the city; either creating new sculpture or replacing or adapting existing sculptures. For the public the experience may feel more intimate and evocative of the museum and gallery experience, encouraging one to regard the work from many perspectives. Naturally one would like to take selfies with them as well.
For the opening of UN this weekend, the Urban Nation Museum of Urban Contemporary Art in Berlin this week, a curated selection of artists working in such dimensions were invited to create substantial pieces – including video installation, mobile, interactive, the purely static. Enjoy the variety of works by Street Artists who are working today.
It’s the annual peregrination from Brooklyn to Miami after the Thanksgiving holiday to see the sand, the surf, the aerosol masterpieces. For readers who have witnessed the growing spectacle of the Street Art scene in this city and are worried about the full-scale absorption of Street Art and graffiti culture into the larger Urban Contemporary Art rubric, this place is a tidal wave of evidence that the sub-culture/counter-culture is simply loved and adored by too many people.
Of course, tastes vary and not everyone is into the same aesthetic, message, style, technique, and there are still plenty of ruffians trying to stir sh*t up, thank God. But it’s probably psychologically healthy for artists and fans from the origins of this scene on the street to take some pride in the fact that this grassroots arts movement is producing some of the most compelling shows, exhibitions, and events – many rivaling what is happening inside the ART BASEL fair that all these events are associated with.
All week starting this Monday we’ll be there on the ground hustling from the formal to the informal, sponsored to the D.I.Y. – to at least capture some of that energy and insight to bring to you. In partnership with UN – the Urban Nation Museum of Urban Contemporary Art in Berlin, BSA will bring you action and excitement on the streets – here are some highlight to help you with your planning:
WYNWOOD WALLS MIAMI ART WEEK
An ongoing festival of murals begun in the late 2000s, Wynwood Walls’ theme for this year is “Fear Less” and the 12 new murals will for the double meaning of the expression. From the words of Jessica Goldman Srebnick, CEO of Goldman Properties, who are folks behind Wynwood Walls:
“Every year we choose a unifying theme and ask our artists to somehow address this in their work with the goal of pushing the narrative. This year, with everything going on in the world I felt it appropriate to advocate a message of courage, in the hopes that we can all embody courage in our everyday lives. Street artists by vocation are some of the most fearless people I’ve met — and here in Wynwood, we’ve grown from a marginal area that many feared to explore – into one of the most desirable art-filled locations in the world. My father (Tony Goldman) always said, ‘Don’t give in to fear,’ and this year we’re honoring that sentiment.”
Fear Less will showcase the work of a varied mix of outstanding artists – some household names in the street art world, others up and coming. In addition to Hiratsuka, artists include AVAF (Brazil), Beau Stanton (CA, USA), Case (Germany) Dasic Fernandez (Chile) David Choe (CA, USA), Faith47 (South Africa), Felipe Pantone (Spain), Findac (UK) , Okuda (Spain), Pixel Pancho (Italy,) Risk (CA, USA), Tatiana Suarez (FL, USA) . Artist Audrey Kawasak (USA) will be painting a mural at Goldman Properties’ The Hotel on South Beach. In addition to the murals artist Ken Hiratsuka will carve boulders in the style of his intricate carvings he did on the NYC streets during the 1980’s.
Artist Talk: Thursday December 1st. 6:30 PM at the Goldman Global Arts Gallery at Wynwood Walls. A panel discussion moderated by our own Co-Founder and Editor-in-Chief Steven P. Harrington with participating artists: Martha Cooper, Faith 47, Crash, Tristan Eaton and Pixel Pancho. This event is free and open to the public.
Goldman Global Arts Gallery Exhibition:
Featuring original works by the artists of the Wynwood Walls. Open Thursday December 1st, 2016 thru December 4th 2016 from 10AM-10PM and then 11AM-8PM thru February 2017, when the exhibit ends.
Wynwood Walls, Open to the Public during Art Basel Miami Art Week, Wynwood Walls is free and open to the public daily from 10 AM to Midnight.
Wynwood Walls is located at 2520 NW 2nd Avenue between 25th and 26th Streets.
MANA URBAN ART PROJECTS X JUXTAPOZ MAGAZINE
This is an epic intersection that you’ve been waiting for – hi brow/low brow, East Coast raw with West Coast surreally pop, old skool graff with hyperreal, graphic, optic and pop-gold muralistas .
All of these people in bed together is going to make a lot of sweet love people – and babies, and possibly some communicable diseases. Can you imagine the mass of the swarming of creative bodies from Juxtapoz, Thinkspace, 1XRun, Mana Contemporary, Bushwick Collective, Jonathan Levine, and many unannounced guests? It’s a first date for many of these awkward actors but we are not missing this gorgeous clusterduck!
Along with Milk Studios , Juxtapoz is teaming up for this special two-day tattoo exhibition/interactive art installation/tattoo emporium. “Lucky recipients will be selected via a lottery on an hourly basis”
Juxtapoz Cafe/Cody Hudson
Dennis McNett installation
Jonathan LeVine Gallery “A Conversation Between Friends”
Jamie Adams / Brett Amory / James Bullough / Tristan Eaton / Dylan Egon / AJ Fosik / Ian Francis / Jeremy Geddes / Alex Gross / Handiedan / Haroshi / Andrew Hem / Hush / Erik Jones / Kehoe / Ludo / Eloy Morales / Tara McPherson / Dennis McNett / Joel Real / Shag / Ben Tolman / Adam Wallacavage / Martin Wittfooth Rostarr.
Juxtapoz Clubhouse Alley: 537 NW 24th Street Entrance
BASE 12 COLLECTIVE
BUSHWICK COLLECTIVE BLOCKPARTY
MANA X JUXTAPOZ NW 2nd and NW 22nd, Lane Mana Convention Center
Andrew Schoultz INFINITY PLAZA
Juxtapoz X 1XRUN NW 2nd and NW 22nd Lane Mana Convention Center
1xRun Mobile Print Shop
Installation mural by Shepard Fairey and OBEY
SCOPE MIAMI 2016 801 Ocean Drive Miami Beach
Just to help you navigate, here are some of the exhibitors who will be showcasing Urban Artists and whom we intend to check out:
Castle Fitzjohns Gallery – NYC
FIFTY24MX / Art Gallery – Mexico City
Graffik Gallery – London
Inner State Gallery – Detroit
NextStreet Gallery – Paris
Samuel Owens Gallery – Greenwich, CT.
Struck Contemporary – Toronto, CA
Think Space Gallery – Los Angeles
Macaya Gallery
X CONTEMPORARY ART FAIR Nobu Hotel, Miami Beach.
JONAS SUN 7 / Catherine Ahnell Gallery
SWOON – HELIOTROPE PRINTS MIAMI 2016
Swoon and The Heliotrope Foundation are pleased to present a launch reception for the Miami 2016 Heliotrope Prints release, featuring Aidan Koch, Rashaad Newsome, Ebony G. Patterson, Emilio Perez, Kenny Scharf, and Anne Spalter.
Thursday, December 1, Downtown Miami
6 – 9 p.m. at The Dog (1306 North Miami Avenue)Heliotrope Prints are $50 limited-edition fine art prints with 100% of proceeds benefitting the Heliotrope Foundation, a 501(c)(3) founded by Swoon in order to streamline her three art-based community building initiatives in Haiti, New Orleans, and the Rust Belt town of Braddock, Pennsylvania.Learn more: www.heliotropefoundation.org
ABOUT THE HOST VENUE: Curated by Christopher “Jillionaire” Leacock of Major Lazer, The Dog is a weeklong popup in Downtown Miami that will bring together a group of friends—comprised of acclaimed musicians and artists—to form a hub for inspired expression across the creative disciplines. The Dog is bar, dancehall, and art gallery rolled into one; a site-specific and immersive experience that bridges the gap between contemporary art, culture, and music. www.molly.nyc/thedog
MORE SWOON NEWS:
Swoon’s Pearly’s Beauty Shop with Chandran Gallery, Saturday, December 3, 2016. 7pm-late
Art Creates Water (Dec 1-4)
Millerntor Gallery goes ART BASEL – MIAMI BEACH
Art with a social-environmental mission: ALL FOR WATER – WATER FOR ALL!
Artist Collective of LOW BROS, RAMBA ZAMBA, BOBBIE SERRANO und SEBASTIAN BIENIEK.
Mobile gallery shows works by BARBARA., BJÖRN HOLZWEG, BOBBIE SERRANO, FABIAN WOLF, FLYING FÖRTRESS, FROST, GUAPO SAPO, HEIKO MÜLLER, IT’S THE VIBE, JIM AVIGNON, JOBRAY WRITER, KLEBEBANDE, LOW BROS, MAXIMILIAN MAGNUS, NICO SAWATZKI, NILS KASISKE, PAPA SHABANI, PUSH, QUINTESSENZ, RAMBA ZAMBA, REBELZER, ROCKET & WINK, SADHUX, SASAN, SUTOSUTO, TASEK, TESE, ULI PFORR, WE ARE BÜRO BÜRO.
Millerntor Gallery goes Art Basel Miami Beach is supported by Hamburg Marketing GmbH.
ABOUT US
The Millerntor Gallery is a social business by and for Viva con Agua de Sankt Pauli. Our mantra is ”art creates water” – we use art as a universal language to inspire people and involve them in collective creative engagement. Revenues from art sales and donations are being transformed into clean water. The Millerntor Gallery came to life in 2011 as an art festival inside the stadium of the legendary football club FC Sankt Pauli. Growing rapidly it has already become a global cultural movement that blends individual creative energies into one collective force to change the world for the better. More than 1000 artists have contributed their talents, crafts and works for countless Millerntor Gallery art projects in many different countries.
Our founding myths, our myths of origin, contain the DNA of a cultures’ existence and from that story all developments that occur are measured. When we cloak our present day with the origin myth we imbue our actions with some sense of the sacred, since that revered story is an old one that has been repeated over generations, even centuries.
Here is a new mural commissioned by the town of Campana, where Argentinian Street Artist JAZ lived as a teenager, referencing one of this culture’s Mito Fundacional (myth of origin). In a circular composition that is an earmark of his symbolic softly surreal style, JAZ commemorates the 130th anniversary of the first foundation of Buenos Aires between Campana and Escobar, which was near the river.
The menacing movement of unbridled animals surrounds a federalist symbol in flames in this often repeated story about the friction that historically exists between the City of Buenos Aires and the rest of the country. Like many simplistic depictions, this one belies deeper complex implications that can only be appreciated by the people who have lived there and repeated this story to one another, so we won’t try.
In a ceremony two weeks ago this newly painted founding myth near the “Arco de Campana” was inaugurated by the Mayor Stella Maris Giroldi and JAZ and some assembled guests, so this Mito Fundancional will continue to be told for a while.
Dude and Dudette it’s not even officially summer (June 21) but New York streets are off in the deep end of the public pool with all these new backflips and cannonballs and arched dive art in the streets. Can someone please say UNPRECEDENTED? Everybody jump in!
Here our weekly interview with the street, this week featuring Bifido, Case Ma’Claim, City Kitty, Crummy Gummy, Dain, Damien Mitchell, Dee Dee, EC13, FKDL, JAZ, Jerk Face, Lambros, Mark Samsonovich, Pixel Pancho, Pyramid Oracle, Rubin, SheWolf, Skount, Solus, UAI, and Zio Siegler.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
