All posts tagged: France

Sweden Starts “No Limit” Mural Festival in Borås

September 17, 2014 Artists

It isn’t just Nuart any more.

Scandinavia is taking their mural festivals seriously thanks to buoyant economies, arts programming support, and a growing global appreciation for art in the streets in general. Included in the list of recent festivals are Denmark’s Galore (Copenhagen) and We Aart (Aalborg) and Sweden’s Artscape (Malmö) as well as the more graffiti-inflected Örebro, Helsinki’s Arabia and of course the one-kilometer long graffiti/Street Art slaughter that accompanies the mammoth music festival Roskilde.

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ECB. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

This month humbly began No Limit in the small city of Borås, Sweden, and artist / curator Shai Dahan hopes to enliven the daily views for this population of 66,000 with his curated collection of international artists from street / graffiti / fine art backgrounds.

An artist and entrepreneur who moved here from New York three and a half years ago, Dahan has been rallying local building owners and government institutions to aid in his idea of mounting a show on walls in the city that emulates the success of such festivals elsewhere.

Isaac Cordal. The small scale installations by the Spanish artist provide a welcome answer to the ever more massive tendencies of wall installations in mural programs. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“I’ve been on quite a journey and accomplishing this project has been something I have been working on personally for over a year,” he says. With participation and funding from the city of Borås, No Limit this month invited and hosted artists from countries such as The Netherlands, Brasil, France, Italy, Germany, Poland, Spain and Sweden and included artists like Natalia Rak, ETAM Cru, Peeta, ECB, The London Police, Kobra, Ollio, Ekta, Carolina Falkholt, Issac Cordal and one of the earliest Street Art stencilists, Blek le Rat.

Isaac Cordal. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“And best of all, we had no bad weather. The day Natalia landed (she was the first to arrive) the sun came out, and it stayed out until the very last day,” says Dahan of the festival that he deemed “phenomenal” and included guided tours for over 200 people at a time.

“After everyone left, it began raining, ” he smiles.

For countries that have a so-called “zero tolerance” for illegal art or any kind like Sweden, mural festivals like these effectively circumvent the rigid approval process that typically characterizes public art projects and many make inroads into engaging public space with art in a new way that is emblematic of a vibrant global movement. It may be a tenuous line to walk, but more cities seem willing to embrace this swing of the pendulum with art in the streets.

The Brazillian Street Artist named Kobra created a portrait of Alfred Nobel, the Swedish chemist, engineer, industrialist, and inventor of dynamite. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Kobra. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The London Police began stripping because of the hot sun and of course, Jane Fonda. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The London Police. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Natalia Rak. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Natalia Rak. Detail. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The graffiti writing artist from Venice named Peeta basically killed his wall with a signature three dimensional tag that floats off of the wall. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Simple. No Limit Borås, Sweden. September 2014. (photo © Simple)

Ollio. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Carolina Falkholt. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Ekta. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Etam Cru. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Click HERE to learn more about No Limit Borås.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Michael Beerens: Stop Slavery

July 19, 2014 Artists

Modern slavery takes many forms, and is known by many names: slavery, forced labor or human trafficking.

A star of yesterday’s BSA Film Friday, here is French Street Artist Michael Beerens sharing pics of his latest mural somewhere in France. A student of character studies, especially zoological ones, Beerens makes one pretty powerful statement without pandering.

Michael Beerens. (photo © Michael Beerens)

Michael Beerens (photo © Michael Beerens)

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Bien Urbain 2014 in Besançon, France

July 16, 2014 Artists

Artistic Routes Through and with Public Spaces

The month long 4th Edition of Bien Urbain just wrapped in Besançon, France and the results are predictably rather awesome due to the quality of the work, the site selections, and the integrated nature of the entire presentation. “It is not about designing an open-air art gallery or about decorating the town,” say the organizers, and maybe that is why each artist seems to consider the whole before devising his or her addition to it.

MOMO. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © MOMO)

BSA has been tracking Bien Urbain since its introduction and each time the collection of artists is thoughtfully selected, with each helping to define and refine the measure of public art without the trite pleasantries of commercially sponsored festivals nor stultifyingly bland results of design by municipal committee.

Whether purely modernist (MOMO), cerebral (Brad Downey) or poetic (Pastel), the contributions to Bien Urbain are more edifying than edifice and enable one to experience “artistic routes through and with public spaces,” as the festivals’ motto intones.

MOMO. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Quentin Coussirat)

MOMO. Detail. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © L’Saint Hiller)

MOMO. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © MOMO)

Argentinian muralist Jaz chose the old citadel of Besançon (below) to pay tribute to his hosts and perhaps because his mind was on the World Cup, he also created a sepia-toned version of the Boca football club stadium in Buenos Aires. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Quentin Coussirat)

Jaz. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Elena Murcia Artengo)

Jaz. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Quentin Coussirat)

Jaz also brought a pair of wrestlers to end cap this building. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Quentin Coussirat)

Ever (or EverSiempre) was a surprise guest this year and immediately took over a space with his allegorical forms and flowing fabrics. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © David Demougeot)

Elian. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Elena Murcia Artengo)

Brad Downey. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Quentin Coussirat)

The American artist Brad Downey made a couple of interventions with existing materials in the Battant neighborhood. Brad Downey. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Brad Downey)

Zosen & Mina Hamada. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Quentin Coussirat)

Zosen & Mina Hamada. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Naara Bahler)

“It’s based on a poem for Victor Hugo ‘Les feuilles d`automne’ 1831,” says artist Pastel. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Elena Murcia Artengo)

Pastel. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Quentin Coussirat)

OX. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © OX)

Graphic Surgery. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Graphic Surgery)

Graphic Surgery. Detail. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Chloe Cura)

The Paris based collective Les Freres Ripoulain created this variation on the typical children’s rocking toy . Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Mathieu Tremblin)

Les Freres Ripoulain. Bien Urbain 4th Edition. Besançon, France. 2014. (photo © Mathieu Tremblin)

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This article is also published on The Huffington Post

Image X 100 : New Echoing Portrait Sculptures in Paris by Gwelm

January 27, 2014 Artists

Street Artist Multiplies Obama, Depardieu, and Rhiannon

New urban interventions from Gwelm in Paris speak to the power of a portrait in the image drenched twenty-teens, and surprisingly, the conceptual sculptures know how to break through to the most catatonic among us.

Gwelm. Rihanna. Paris, France. January 2014. (photo © Gwelm)

Entitled “Portraits 2.1” the collection of echoing images are placed in the public sphere for passersby to encounter and possibly be perplexed by. Gwelm says the new pieces begin with “the realization of the power of the image in the news and the collective unconscious, as propagated manifold by the Internet and social networks.”

Certainly the impact of some of these images is unchallenged, with the naked hungry child and dogs sniffing at the cadaver of a former Libyan president Muammar Kadhafi being perhaps the strongest. Others require more discernment or interpretation. Each choice is magnified by its repetition – a sort of electronic visual error that you associate with the screen and digital world, not this physical one. The series multiplication and superimposing of tens or even hundreds of the same image brings them to alternate life, subverting their meanings and warping them in the minds eye.

Gwelm appropriates Shepard Fairey into this portrait of Obama. Paris, France. January 2014. (photo © Gwelm)

Are they mocking indictments of human avarice, celebrity, hypocrisy? Commentaries on social conditions, advocacy of ideology, or just a clever reuse of imagery intended to prick your anterior lobe? Like a sophisticated artist and showman, Gwelm doesn’t always give you the easy answer, allowing you to decide. Describing his method of selection, Gwelm says, “Faced with the multitude of ‘ready-to-think’ images, the synergy of images diverts the mind and gives rise to questions about what we are supposed to see.”

Our digital life is full of disjointed imagery, but it is unusual when it takes this form in public space. We’ll give Gwelm points for pushing us into an uncomfortable place that implicates our involvement with these intelligent visual provocations. It’s not easy to do that these days.

Gwelm. Depardieu. Paris, France. January 2014. (photo © Gwelm)

Gwelm. Famine. Paris, France. January 2014. (photo © Gwelm)

Passersby must be startled to see dogs sniffing at the body of Muammar Kadhafi in this temporary sculpture by Street Artist Gwelm in Paris. Paris, France. January 2014. (photo © Gwelm)

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13 from 2013 : Spencer Elzey “A Once in a Lifetime Moment”

December 31, 2013 Artists

Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

To close out our 13 FROM 2013 series we bring you photographer Spencer Elzey who has been a contributor to BSA periodically and who took a cool trip to Europe this year and who was featured for a full week on this site. The image he chose of eL Seed’s piece on the side of a soon to be demolished building captures the “La Tour 13” project and the ephemeral quality of Street Art. It is an apt metaphor for the passage of time itself that reminds us to celebrate and cherish what we have today.

Tomorrow? Tomorrow is 2014.

Spencer followed his passion, seized the opportunity to meet new people and to experience new street environments and he shared with us all his sense of wonder and celebration. As we say goodbye to 2013 we thank him and all our readers for keeping that spirit of discovery alive and for being an active participant in the creative spirit.

el Seed. Paris, France 2013. (photo © Spencer Elzey)

A Once in a Lifetime Moment

~ Spencer Elzey

I selected this picture for a few different reasons. Firstly, I liked this picture from an aesthetic standpoint. The way that the orange building pops against the monochromatic Parisian landscape makes it hard to miss, especially to someone who is a fan of public art and has an eye peeled for these things.

The fact that this art – and even more so this building – was short lived made it almost a once in a lifetime moment. Usually a Street Artist goes into painting a mural with the awareness that his or her canvas is temporary and that within a few months it will be covered up.

Knowing that the whole building was going to be knocked down put this on a whole other level. Out of the 100 plus works of art that were painted and installed within the building there were lots that were better, however, I chose to submit the picture of the exterior almost as a symbolic tombstone for everything that it contained. This picture also represents a series of big accomplishments for myself from a personal level.

I couldn’t imagine a better way to memorialize my whirlwind trip around Europe then by having a weeklong feature on BSA. To top that off Steve and Jaime choose one of the articles for publication on their weekly column at The Huffington Post Arts & Culture and this photograph was the banner picture.

Thinking about these moments still puts a smile on my face.

Artist: el Seed

Location: Paris, France. 2013

#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Towering Gallery Full of Art to Be Demolished : “La Tour Paris 13”

November 20, 2013 Artists

The numbers are astounding; 105 artists, 9 floors, 36 apartments, 30,000 visitors.

One hour.

That is how much time Street Art enthusiast Spencer Elzey had to himself inside the largest gallery of Street Artists and graffiti artists ever assembled specifically to transform a building for a public show. As he looked out a window to see the snaking lines of Parisians and tourists restlessly waiting to get in, he couldn’t believe his luck to be able to walk through the exhibit by himself and get off some clear shots before the throng hit.

El Seed. La Tour Paris 13. Exterior of the tower. (photo © Spencer Elzey)

“The La Tour Paris 13 experience was something that I’ll never forget,” Elzey recounts as he thinks of himself nearly running from apartment to apartment with camera in hand, each room a new discovery, many of them inspiring awe.

“I was on an adrenaline rush while I was inside since I only had an hour by myself before it opened to the public. It wasn’t until later in the morning when I looked back at all of my pictures that I was able to fully understand exactly how much art I just witnessed,” he says.

Kan. La Tour Paris 13. Come in. (photo © Spencer Elzey)

Mehdi Ben Cheikh from Galerie Itinerrance, who curated the project La Tour Paris 13 gave permission to Elzey to get these shots for BSA before the crowds arrived and now he was snapping as many as possible.

Over the course of the year artists have devised specific paintings, sculptures, and installations inside the housing tower knowing that it would be exhibited for a month before being demolished. “The number of artists and the amount of space dedicated to this one exhibit is something that I don’t think will ever again be replicated,” he says.

a1ONE. Detail. La Tour Paris 13. (photo © Spencer Elzey)

While touring former living rooms, bathrooms, and kitchens Elzey quickly discovered that aerosol and markers were not the only materials used by this global pool of street/graffiti/urban artists who came from far places like Brazil, Iran, US, Tunisia, and even Saudi Arabia in addition to many European countries.

a1ONE. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Some artists had staged new perspectives and environments by combining sculptural elements that married into their wall pieces, others like C215 cut into the floorboards to create a relief, still others worked in and around the decaying, partially destroyed infrastructure to create venues that slid into the fantasies of subconscious. “It was a free-for-all in a sense that once inside the apartment the artist had free reign to transform it however they wanted,” he says.

“What isn’t apparent in the pictures is how dark a lot of the rooms were. There were at least three rooms that were essentially dark with the exception of a little black light, while others were dimly lit by a solo lamp or fluorescent bulb. Sometimes you had to walk through holes in the walls to access further rooms.”

Seth. Detail. La Tour Paris 13. (photo © Spencer Elzey)

In his images here you can see the variety of styles and influences that the artists brought to the game, each accepting that it was a one-time-only installation. Maybe this group wasn’t so hard to convince, since the very nature of art on the streets is ephemeral.

“Street Art on the street has an expiration date, but the exact amount of time in which it will stay up isn’t known,” says Elzey, “It can either be covered up by graffiti or another wheat-paste, it can be removed by the building owner, or it can just wither away from being exposed to the elements.”

La Tour Paris 13 brings to mind the multitude of urban explorers who regularly trek into abandoned and neglected places all over the world and leave their mark, activating previously moribund spaces with art, but no one has ever launched a show like this with such genuine quality or with this scope.

Uriginal. Detail. La Tour Paris 13. (photo © Spencer Elzey)

“The closest thing that I can compare it to is 5 Pointz,” Elzey says of the grouping of buildings in New Yorks’ Long Island City that provided what was perhaps the original group show venue for urban art from the 1990s until yesterday. In an ironic mirroring of events, 5 Pointz and its multitude of external paintings underwent “the buff” the night before last after running an every-changing show for about three decades.

The 5 Pointz factory buildings themselves are also slated for demolition and will make way for new condos. “We all knew that its days were extremely numbered,” he says sadly of what had become a New York cultural heritage icon to some and a holy place for graffiti writers and Street Artists and fans from around the world.

Tellas. Detail. La Tour Paris 13. (photo © Spencer Elzey)

The true impact from the La Tour Paris 13 project and 5 Pointz may happen in the mind and heart of the artist and the art fan; perhaps the beauty of this exercise, however short lived, is that the public is being encouraged to re-imagine old buildings for new uses, to consider what else we can do with private and public space.

When that conversation takes place we often realize how the limits of creativity are determined in no small part by imagination.

Sambre. Detail. La Tour Paris 13. (photo © Spencer Elzey)

While we keep tracking the routes and machinations of this first global people’s art movement that has evolved into Street Art, we fully expect that we will continue to be surprised and inspired by the creative spirit and by artists.

For Spencer, this Tour was a lot more personal. “Having experienced something like this on such an immense scale and with a definitive end date made me feel like I was part of something special.”

Stew. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Shoof. Detail. La Tour Paris 13. (photo © Spencer Elzey)

David Walker. Detail. Jimmy C in the background room. La Tour Paris 13. (photo © Spencer Elzey)

Guy Denning. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Katre. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Rea1. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Pantonio. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Jaz. Detail. La Tour Paris 13. (photo © Spencer Elzey)

C215. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Belem. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Add Fuel. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Dado. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Bom K . Liliwenn. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Agostino Iacurci. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Entes. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Inti. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Dan 23. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Maz. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Hopnn. Detail. La Tour Paris 13. (photo © Spencer Elzey)

JB Rock. Detail. La Tour Paris 13. (photo © Spencer Elzey)

el Seed. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Cekis. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Nebay. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Ethos. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Mar. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Loiola. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Mosko. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Cope and Indi 184. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Ludo on the exterior with a view of the line to get in. Detail. La Tour Paris 13. (photo © Spencer Elzey)

Visit La Tour Paris 13 site for a full set of photographs, details and a full experience of the project.

This article is also published on The Huffington Post.

Artists participating include: 108 ( Italy) – 2mil (Brazil) – Add Fuel ( Portugal) – AGL ( France ) – Lacurci Agostino (Italy) – Alexone ( France ) – A1one (Iran) – Amin ( France ) – Aous (Saudi Arabia) – awer (Italy) – Azooz (Saudi Arabia) – Belem (Portugal) – BOM.K ( France ) – Btoy (Spain) – C215 ( France ) – Celeste Java ( France ) – Cope2 (USA) – Corleone (Portugal ) – Dabro (Tunisia) – Dado (Italy) – Dan23 ( France ) – David Walker (UK) – Eime (Portugal) – eL Seed ( Tunisia) – Ethos (Brazil) – Etnik (Italy) – Fenx ( France ) – Flip (Brazil) – Gael ( France ) – Gilbert ( France ) – Guy Denning (UK) – Herbert Baglione (Brazil) – Hogre (Italy) – Hopnn (Italy) – Indie 184 (USA) – Inti Ansa ( France ) – Inti Castro (Chile) – Jaz (Argentina) – JB Rock ( Italy) – Jimmy C ( Australia) – Samina Joao (Portugal) – Jonone (USA) – Joys (Italy) – Julien Colombier ( France ) – Kan ( France ) – Katre ( France ) – Kruella (Portugal) – Legz ( France ) – Lek ( France ) – Liliwenn ( France ) – Loyola (Brazil) – Ludo ( France ) – Mrs. Sanbor ( France ) – March (Portugal) – Marko93 ( France ) , Mario Belem (Portugal) – Maryam (Saudi Arabia) – Mateo Garcia Leon ( France ) – Maz (Saudi Arabia) – moneyless (Italy) – Mosko ( France ) – Mp5 (Italy) – Myra ( France ) – Nano (Chile) – Nebay ( France ) – Nemi Uhu ( France ) – Nilko ( France ) – Orticanoodles (Italy) – PANTONIO (Portugal) – Paulo Arraiano (Portugal) – Peeta (Italy) – Philippe Baudelocque ( France ) – Rapto (Brazil) – Rea 1 ( France ) – Rodolphe Cintorino ( France ) – Roti ( France ) – Sambre ( France ) – Sean Hart ( France ) – Sebastien Preschoux ( France ) – Senso (Italy) – Seth ( France ) – Shaka ( France ) – Shoof (Tunisia) – Shuck2 ( France ) – Sowat ( France ) – Spazm ( France ) – Speto (Brazil) – Stew ( France ) – Stinkfish (Mexico) – Sumo (Luxembourg) – Tellas (Italy) – Tinho (Brazil) – Tore ( France ) -Uno ( France ) – Uriginal (Spain) – Vexta (Australia) – Vhils (Portugal) – / Maismenos (Portugal).

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Paris Street Art : Spencer Elzey in Europe

November 19, 2013 Artists

As we continue our one week residency on BSA for Street Art fan Spencey Elzey, he takes you to Paris to see what is happening on the street there right now. If you were to try to characterize the nature of the work, you may say that it favors illustration, a clean defined line, and a purposeful classical aesthetic.

For years we have associated the romantic city and it’s historical culture and architecture with Street Artists like the stencil pioneers Blek Le Rat and Jef Aerosol, along with Miss Tic, Invader, FKDL, Fred Chevaliar, C215, and Alice Pasquini, to name just a few. Spencer finds some of those artists’ work and and he shares some others here with you too. Naturally, because we don’t cover this city regularly, locals will surely tell you that some of these pieces are a couple of years old, but for an American tourist in Paris, it all looks new from here!

Jana & Js. Detail. (photo © Spencer Elzey)

“It did feel like there was some form of respect for the older architecture, especially in Paris,” says Spencer when comparing his observations of Paris, Berlin, and London. “While all three cities are old (especially compared to NYC), Paris feels the oldest and there seems to be certain buildings or doors that remained untouched.” Maybe that’s why we always think Paris is romantic. Also, Edith Piaf.

Speaking of romance we begin the image survey with two current giants on the Paris scene Jana und JS, who are a collaborating Street Art couple who basically bonded over their mutual love for shooting images. Advocates of photography on the street, you will find they’ve also an affinity for spray paint and stencils and their subject often is themselves. It’s rather a marriage made for the street. You can read a full interview with them here on Street Art Paris.

Jana & Js. Detail. (photo © Spencer Elzey)

“Walking around Paris I also found myself looking up a lot more as compared to other cities; while this was mostly due to the fact that I was looking out for the 100’s of Space Invader pieces, there were lots of other pieces stuck to the walls up high. I thought it was also notable that the walls within the metro tunnels between stations were covered with graffiti in Paris.”

“Paris has street art defined to a few areas specifically,” explains Elzey, “including some of the murals in the 13^th arrondissement that were put together by Galerie Itinerrance, a few areas up around Belleville, and areas throughout Le Marais, which includes sections of the 3^rd and 4^th arrondissements.”

Jana & Js. Detail. (photo © Spencer Elzey)

Jana & Js. (photo © Spencer Elzey)

C215 (photo © Spencer Elzey)

Finabarr DAC (photo © Spencer Elzey)

ETHOS (photo © Spencer Elzey)

Ella & Pitr. Detail. (photo © Spencer Elzey)

Clet Abraham (photo © Spencer Elzey)

A large wall by the Chilean Street Artist Inti (photo © Spencer Elzey)

Shadeek (photo © Spencer Elzey)

Alexis Diaz (photo © Spencer Elzey)

Shepard Fairey (photo © Spencer Elzey)

RERO (photo © Spencer Elzey)

Invader (photo © Spencer Elzey)

Not Invader. Megamatt. (photo © Spencer Elzey)

Daco (photo © Spencer Elzey)

Bristolian Nick Walker has a heart (photo © Spencer Elzey)

Tona and Alias (photo © Spencer Elzey)

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Street Art in Vitry-sur-Seine (France) : Spencer Elzey in Europe

November 18, 2013 Artists

BSA is lucky to be a clearinghouse for many people who participate in and celebrate the Street Art scene – artists, curators, designers, collectors, galleries, museums, researchers, academics, historians and fans. Because we have never taken advertising readers tend to trust our platform and people in the community give us great behind-the-scenes opportunities to learn and share freely with others about the creative process and the culture on the street. It also gives us the freedom to do whatever we want when planning editorial or content.

Claire Pinatel (photo © Spencer Elzey)

Recently we had this idea about giving our site out to artists or art-lovers a week at a time so they could also fully share their personal experiences of the Street Art/public art/graffiti/ scene. So this week before Thanksgiving we’re giving the whole week to one person as a “residency”, our way of sharing this valuable platform and inviting you to have a greater voice in this conversation.

Spencer Elzey loves art in general and is an avid Street Art fan in particular and he likes to take trips that include shooting images on the street in whatever city he visits. He also supports artists by buying their art, regularly attending art exhibitions, reading and studying about them and following their evolution. Over the last couple of years we have seen that he is also a dedicated Street Art hunter with camera in hand on the streets of New York City when he isn’t at his regular job – and he loves to share what he finds with others on social media and as an occasional contributor to BSA.

When we heard that Spencer was planning a trip to Europe this fall we proposed to him the idea of him keeping a photo journal to be shared exclusively with BSA readers and we offered to help connect him with some friendly guides on his trip so he could get some splendid and exclusive photos. He enthusiastically accepted the offer and here is the first day of Spencer’s one-week residency on BSA, an edited treasure trove of images and insights from the guy himself. We know you’re going to dig it.

STeW (photo © Spencer Elzey)

Here’s this weeks schedule:

Monday is Vitry-sur-Seine Street Art.
Tuesday will be Paris Street Art.
Wednesday will be a special collection of the installations from the Le Tour Paris 13 project.
Thursday will be his adventures in Berlin.
BSA Film Friday will feature a selection of videos reflecting the cities he toured.
Saturday will be Spencer’s London showcase.

ROA (photo © Spencer Elzey)

Of all four cities Spencer visited over a two week trip, this one seemed to really embrace the value of street art to the culture, he says. “In terms of which city was the most welcoming of street art I’d have to say Vitry-sur-Seine was because this is really a grassroots campaign kickstarted by C215,” he says of this city of 83,000 that is called a commune and lies on the outskirts of Paris.

It’s not hard to believe that the scene is attributed in large part to the influence of the well-regarded stencil artist C215 as this is a guy who considers his work to be community service and who regularly features people from the city he is in as subjects of his portraits. That’s why he was the perfect guide for Spencer, who says he learned a huge amount of information in a short time.

C215 (photo © Spencer Elzey)

“I have to say that C215 is one of the more interesting, opinionated and knowledgeable artists that I have come across. We started the morning at his local café with a coffee. I explored around a little by myself while he was attending to some prior engagements with his gallery and then he caught up with me out on the streets. We eventually had lunch and then went back to his house. Topics ranged from his opinion on the scene in general, on other artists, on galleries and it even touched on street art websites and documenters.

C215 (photo © Spencer Elzey)

“I hadn’t realized that he has only been doing stenciling for seven years but it was easy to see how far his pieces have come from the few monochrome stencils that still remain around Williamsburg (Brooklyn) from around 2008,” remarks Elzey.

C215 (photo © Spencer Elzey)

“What C215 has done in Vitry-sur-Seine is much bigger than I expected it to be, both in terms of quantity of work in the area as well as the impact on the community. The first piece that he put up there was about five year ago and within that time there have appeared at least 150 different pieces from him and other artists throughout the area,” says Spencer.

Naturally, Elzey was shooting whatever odd or curious or thrilling piece he found on his travels through this city that celebrates artists, in addition to the work done by his host. “I was definitely surprised with how much Street Art there was in Vitry-sur-Seine. I took around 200 pictures of different pieces while there and I’m still seeing pictures on Instagram of things that I had missed,” he says.

One piece in particular by C215 impressed him a lot – because of it’s impact visually and its perfectly contextual placement. Additionally, Elzey felt that it illustrated the regard that the residents have for the artists work and the fact that people didn’t appear to think of it as illegal or vandalism, per se. “While I was exploring and taking pictures, various residents pointed with excitement about pieces just around the corner that I should go look at,” he says.

“There was one older gentleman, probably in his 70s, who just simply said “La porte” and smiled while pointing in a certain direction. I rounded the corner to see a stencil of the Virgin Mary on the back door of the main church,” he says of one of the few religious themed pieces that the artist has created. “C215 had indicated that this was one of his favorite pieces in the area and it was nice to see that residents appreciated it as well. Had it not been for this project there really would be no other reason for me to have travelled down to Vitry-sur-Seine but it was definitely worth it.”

We hope you enjoy this one week residency on Brooklyn Street Art and we congratulate Spencer for his dedication, professionalism and enthusiasm.

Our sincere thanks also go to those who offered their hospitality and agreed to give Spencer a tour on our behalf; to the stencil artist C215, who graciously took him around Vitry and who shared with him a history and background on the scene there, to Maroune and Mehdi at Itinerrance Gallery for providing Spencer with special solo access to Le Tour Paris 13 while hundreds were queing outside, and to the dynamic German duo Various & Gould who welcomed him into their studio and showed Spencer some really cool spots around Berlin. This open and generous community spirit really makes the work that we do feel so inspiring to us, and we thank each of you for playing host to Spencer and for sharing your knowledge with the BSA family.

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Images Of The Week: 11.10.13

November 10, 2013 Artists

Dang, this city is full of a lot of energy and the streets are showing a new-found enthusiasm for art in the public sphere since getting goosed by _____________ (we can’t say that name one more time). And we have a new mayor, by the way, straight outta Brooklyn, yo. And he’s not a billionaire for the first time in 12 years and his family looks just like New York.

So here is our weekly interview with the street, this week featuring B.D. White, Chuck Berrett, Cost, Hellbent, Hot Tea, Icy & Sot, Marko93, MOR, Mr. Toll, Myth, NM Salgar, Rambo, Smart Crew, The Lurkers, and Vicki DaSilva.

You wonder how the above image was accomplished? Check out this interview with the artist Vicki DaSilva, who has loved graffiti for decades and has found a way to express her appreciation for art and activism in the public sphere using her own unique approach.

Bien Urbain 2013 Update

September 26, 2013 Artists

With a theme of “Recover the Streets” the Bien Urbain festival is not so much a Street Art festival as an experiment with public space and our interaction with it. It has been interesting to see how the current romance with Street Art is absorbed by a variety of constituencies during the last decade – whether as tools of change, gentrification, commodification, commercialization, education, or simply celebration, artists are being challenged to see their work differently as well. Here in Besancon, France, we find a very inclusive experience where students and citizens and planners are all invited to participate, discuss, and evaluate the impact of the artists work on the built environment. It’s culture as a wholistic practice.

108 from Italy at work. Bien Urbain 2013. Besançon – East of France (photo © Elisa Murcia Artengo) His bio says he spent 15 years working with traditional graffiti abstract shapes and feels that all of which contain organic roots.

Erosie from The Netherlands. Bien Urbain 2013. Besançon – East of France (photo © Yorit Kluitman) With a background in graffiti and lettering, Erosie has been working on a series of paintings and cycles and is a fervent proponet of urban art without blinders.

OX has been repurposing billboards and commercial space to bring it back to its more basic elements. With relatively simple changes directed at the viewer, his reconfiguring gives a new sense of context and purpose to these places, now acting as geometry and sculpture instead of simply a vehicle for commercial messages. The result also makes you reconsider the environment it is placed in.

With our gratitude to David & Johanna for sharing these exclusive images with us.

http://bien-urbain.fr/en/

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Exposition Art Urbain – Colletion Nicolas Laguero Laserne (Paris, France)

July 28, 2013 Afghanistan

Exposition Art Urbain
Vernissage le mercredi 4 septembre 2013 de 18h à 21h
Exposition du 4 au 15 septembre 2013.

La collection d’art urbain sera accueillie dans les 200m2 de la Mairie du 1er arrondissement de Paris.

Environ 50 œuvres seront présentées à cette occasion. Des grandes figures de l’art urbain telles que Barry Mc Gee, Banksy, Blu, Boris Hoppek, Dem 189, Dran, Faile, Invader, Jacques Villeglé, Jef Aerosol, Jonone, JR, Lek, Ludo, Rero, Roa, Shepard Fairey, Sowat, Speedy Graphito, Swoon…
Mais aussi des nouveaux talents de la scène urbaine tels que Roti ou Studio 21 bis…

Exposition Art Urbain – Collection Nicolas Laugero Lasserre

Massive Installation by Isaac Cordal in Nantes “Follow The Leaders”

July 22, 2013 Artists

New Installation Expands His Critique of Global Capitalism and Its Soldiers

Street Artist and Public Artist Isaac Cordal has just finished his most expansive installation of his little corporate and military men to date in Nantes, the city once known as the European capital of the human slave trade. “Follow the Leaders” is “a critical reflection on our inertia as a social mass,” explains Cordal as he describes the massive installation of about 2000 individual pieces.

As part of the summer long Le Voyage à Nantes, a large series of installations and cultural events throughout the French city, Cordal’s sad little men again trudge through a grey and soulless world, sometimes staring, sometimes drowning, their dour and thoroughly spent demeanor only lightened by their miniature scale.

It is meant as “a metaphor for the collapse of capitalism and the side effects of progress,” he says of the three month installation whose main stage at the Place du Bouffay occupies a 20 m x 18 m space that is illuminated at night. While you may recognize the businessmen figures you may not remember seeing the military soldiers that now mingle freely in these barren and destroyed landcapes. With these slight alterations, including the technological addition of wiring and electricity, common area feels like occupied area in a state of continuous war. The effect of Cordals work is now is darker than before, even in the daylight, and deserves our attention.

Mr. Cordal would like to thank all the people who helped him to realize the project, Le Voyage Nantes (especially David, Marie, Nathan, Gregoire and Catherine), his fantastic team; Cyril, Xavier, Eric, Pierre,Wielfried, Fabienne, Elizabeth Coutant and Elizabeth Ausina, Cristophe, Elliot, Luis, Stephan, Julian, Romain, Yves, Jan (Beaufort), Valérie, and his friends and family.

For more information on Follow the Leaders, please click HERE

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