There is a lot of activity on the street right now, and despite the rain in Florida and the upcoming Heat Dome we’re promised here in the Northeast, the graffiti and Street Art never stop. Here, we mix some pieces from Belfast with Brooklyn. See if you can tell regional differences in style.
Here is our weekly interview with the street, this week featuring Veng RWK, Praxia VGZ, Below Key, Fanakapan, Christina Angelina, Reme821, BK Ackler, WRDSMTH, KVLR, Staylo, CHAZ, Visual Graficalia, NEVOC, Voyder, REGOR, AMC, ESTEME, and Rob Hilken.
Happy Memorial Day Weekend! – we are smack in the middle of it today.
Colloquially thought of as the first weekend of summer in the US, it is also the first weekend when there are lifeguards at the beach. Since New Yorkers love to head to the Jersey Shore (no offense Coney Island) we thought we’d regale you with some fresh shots this week of cool murals on the boardwalk in Asbury Park, New Jersey.
Most of these are part of the “Wooden Walls” a program created by Jenn Hampton, co-director of Parlor Gallery, who tells us that it was inspired by the destruction of a hurricane here that pulled up so much of the wooden boardwalk that is iconic to the shore experience here.
“I started doing it after Hurricane Sandy because they were all these boards up from the devastation,” she explains. “It kind of reminded me of when you go into an artists’ studio and there are little excerpts of paintings that the artist is working on. Some may feel sad because they see unfinished paintings – but for people who are creative it creates excitement because it is about ‘what’s to come.’”
She’s always trying to bring art
to the public space, so this devastation prompted her to write proposals to
start the program and it worked. “It’s weird that it took a natural disaster
for me to get funding for an art project!” she laughs. Five years of steadily
growing the list of artists, the project now includes local, national, and
internationally recognized street artists.
Wooden Walls producer Angie
Sugrim says that this project is as personal as it is public. “Jenn
and I both feel a deep sense of stewardship in our community and this project
and all it entails are our way of giving back and helping to grow what we love
about our town. We both are eternal believers in the power of art and seeing it
help to transform Asbury Park.”
“I try to curate it from
the eyes of a six-year-old and a 20-year-old and a 80 year-old – because we get
such a diverse crowd on the boardwalk,” says Hampton. “I just want to make sure
that there is art in that spirit of creation next to the ocean. I think that
there is something really poetic about.”
Time and the elements have begun
to fade and weather the walls, but she thinks it just adds character.
“I think people get too
attached to public art,” she says. “The impermanence of it makes it really
special and you have to see it and engage with it – Mother Nature will take it
back when it wants!”
So here’s our weekly interview with the street (or boardwalk), this time featuring Ann Lewis, Art of Pau, Beau Stanton, Dee Dee, Fanakapan, Haculla, Hellbent, Indie 184, James Vance, Jessy Nite, Joe Iurato, Lauren Napolitano, Lauren YS, Logan Hicks, London Kaye, Porkchop, RC Hagans, Rubin 415, and Shepard Fairey.
Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. Icy & Sot Overview 2. Imaginary City. Teaser from MZM Projects (UA) 3. “Martha Cooper: Evolucion de una Revolucion” Queretaro, Mexico. 4. Fanakapan x 1UP Crew in Berlin.
BSA Special Feature: Icy & Sot Overview
The Iranian brothers have been toiling and innovating and taking risks on the streets of Tabriz and Brooklyn now for more than a decade. Now commercial brands are discovering them as well. These guys just keep marching forward with purpose, staying true to their beliefs.
Icy & Sot Video Project
Imaginary City. Teaser from MZM Projects (UA)
Entirely of their own volition and vision, filmmakers Kristina Borhes & Nazar Tymoshchuk created this ode to Stavanger and the Street Art festival called Nuart.
Two BSA quickvids in a row here from our recent travels in Berlin and Queretero…
“Martha Cooper: Evolucion de una Revolucion” Queretaro, Mexico.
Urban photographer Martha Cooper now has 101 of her photographs on the streets — literally on the streets of Queretero, Mexico. Part of the Nueve Arte Urbano festival, the exhibition is called “Evolution of a Revolution” and we were pleased to be a part of the opening events with Ms. Cooper, who said she was very pleased with the quality of the large format photos and the reception of the people on the streets.
Thanks to a new big empty city lot this building seems primed for the big stage! First the Alanis angel has ridden on this wall for a long time with grace and beautiful realism. Secondly, Berlin Kidz climbed vertically down from the roof in their distinctive and colorful language.
But we were lucky to see the British Fanakapan working with the worldwide, Berlin-based, anonymous graffiti crew 1UP for a stunning collaboration. This kind of shit can turn you into a fanboy or fangirl in a heartbeat. If you had a heart.
It was a name used by my mother when I was growing up,” says the British Street Artist as he talks about his new mural for Urban Nation in Berlin. “She used to call my sister Fanny Fanakapan – it was just sort of a term of endearment,” he says.
It’s a cold/rainy/sunny/windy/calm Monday and we’re in the thick of Aprilwetterhere at the end of March, and Fannakapan is stirring old memories to recall his entirely unusual name for Nika Kramer, the photographer who has captured these shots.
“I know there was this song made in wartime by a lady named Gracie Fields about a useless man named Fred Fanakapan, he says. “So it’s been stuck in my head from a very early age. I always had tag names that were sort of something to do with my family – like the name I had before this was TRIPE because my granddad used to say “that’s a load of tripe!” – which refers to a cow’s stomach.”
The new mural, part of the ongoing “One Wall” program by UN, features his signature chrome texture – this time as a heart shaped balloon. He tells Nika why he’s positioned the cartoon character Snoopy, based on the Charles Schultz comic strip, looking quizzically at his own reflection in the balloon.
He says that with this mural he is actually giving a tribute to his own dog, which he credits with giving him love and support during a tough time in his life.
“It
is kind of dedicated to her. At the time I was quite unhappy and she cheered me
right up so basically I say that I believe in dog. I called the piece “Believe
in Dog”.
Fannakapan
talks more about the two dimensional dog quizzically gazing up at the balloon
and points out that the background is taken directly form the location. “I took the
photographs next to the wall so it’s reflecting the trees and the buildings
around it. When I do that I think it always makes the
local people appreciate it more to see their street reflected in something.”
Our special thanks to Nika Kramer for sharing her talents with BSA readers here.
Shepard, Findac, Stikki Peaches… and that’s before we even get into the UN exhibition space or the main museum space – both locations a combustible beehive of painting right now with perhaps twenty artists working at once.
Somehow this is the frenetic energy that we have grown to expect of a typical Urban Nation event. It is simply not enough energy unless the event you came for is compounded by three or thirteen other Urban Nation events happening simultaneously, due in large part to the omnivorous aesthetic and cultural appetite of director Yasha Young and her big-thinking and resourceful team.
In the three years of Project M exhibitions leading up to the official opening of the UN museum this September, Ms. Young has spread the curatorial wealth, mixed multiple metaphors, ignored stylistic boundaries, stirred myriad emotions and fired up a lot of talk on the street with weeks like these.
Evan Pricco’s description to us of his own curated show here helps to define this moment as well, “It’s sort of a nod to not really having to have boundaries, or a proper definition, but a feeling that something is happening. Its not street art, its not graffiti, but its this new wave that is looking out, looking in, and finding new avenues to share and make work.”
In New Orleans, they would call this savory multi-layered sensory-rich dish something like Jambalaya. In the Gambia it would be an Oyster Stew, in Spain it would be one of Valencian restaurateur Juan Galbis gargantuan paellas. Hungry yet?
At this moment there are artists and production folks preparing a new curated show by Pricco, Editor in Chief of Juxtapoz magazine in the UN auxiliary gallery called. He’s calling it “What in the World?”. Simultaneously there are preparations down the block for a huge dinner and night of live performances and temporary art installations inside the actual evolving museum space called “We Broke Night!”
And there are several outdoor installations roving throughout the neighborhood at the same time, with passersby interacting with and engaging the artists in discussions. All levels and disciplines of artists from the Street Art/Graffiti continuum are converging in this neighborhood painting, pasting, stenciling, hanging, installing, — enormous wall pieces (Shepard), smaller collaged wheatpastes (Stikki Peaches), hand-painted murals on a ladder outside walls (Findac), hand painted signage and calligraphy (Serge Lowrider), multi-layered stencil portraits (Snik), optically dizzying tape installations (Tape Over Crew), post-graffiti bucket painted organic geometries (Erosie and Daan Botlek), and yes, much more.
Variety and quality like this is unthinkable at best and un-pragmatic at worst in formal exhibition spaces and institutions. But witness the panoply unfolding before your eyes and this hybrid may strike you as a truer contemporaneous representation of this complicated generation than most organizers have the gall to attempt.
Somehow, this all works. Being in the midst of this UN kitchen feels as alive as the scenes it convenes.
The powerful use of words and images is playing an important role in directing the events that lead us forward, or backward. It is right for us to be alerted to fake news, although the recent bashing of news sources has more to do with de-legitimizing and seizing power than any sincere interest in truth.
If anyone uses words and images to create fake news it would be PR companies and the related industries who have been creating entire campaigns and planting them in newspapers and in electronic media and Reddit and Facebook comments for years now. Posing as everyday folk or genuinely respectable “think tanks”, they tear down people, sowing fear, confusion, and disinformation. Their persuasive words are often effective.
We can divine a lot about a person by listening to the words, as well the ones they leave out. We always say that the street is a reflection of society back to itself and today we share with you these text-based messages that give you an idea of what people are talking about.
Political, social, straightforward, evasive, confrontational, poetic, strident, aspirational, inspirational, inclusive, loving, hateful, witty, simple, confusing; The average passerby regards, absorbs or dismisses the sentiment, feeling that their opinion is re-affirmed or neglected. Possibly they consider a perspective that is brand new.
Because of the anonymity and the lack of context, sometimes a well-placed missive appears as a message from the Universe, or from God, or another kindred soul.
Berliners called it the “großes Ohr”. The Big Ear.
Run by the American NSA and the British in their sector, this “listening station” stands atop a man made mountain of rubble, at the bottom of which is said to lie the unfinished Nazi military-technical college (Wehrtechnische Fakultät) designed by Albert Speer. These structures with round orbs could be seen above the city from many angles rising from deep in the Grunewald Forest and yes, we can confirm that the one complete geodesic orb at the very top has such astounding acoustics even now that the sound of a camera clicking or clearing your throat or stepping on a piece of broken glass is instantly amplified anywhere within it, then re-echoed multiple times.
“In its day,” says security expert and former employee Bill Scannell in a video online, “Teufelsberg (‘Devil’s Mountain’) was one of the most secretive intelligence facilities in the entire world.” Now it is a relic of the NSA behind three rows of barbed wire fences and a sort of freewill painting destination but the hulking grey and ivy clad compoung is a strong reminder of the extensive spy apparatus that the general public continues to get glimpses of in leaks and reports today.
Today this is a graffiti haven and hippie/punk love-in where people go to experiment with cans and rollers and brushes, drink beer, listen to scratchy voiced acoustic versions of Amy Winehouse, and pad around barefoot wearing nothing but a towel. The “guard” at the entrance, also shirtless and barefoot with a somewhat serious gaze requires from you a toll of 7 euro per head to get in, then smiles benignly as continue your trudging up the hill.
On the sunny hot sticky day that our guide took us, we saw enough good international and local artwork to offset the mediocre, boxes of old electronic doodads laying around on the ground and sticking out of boxes, blackbirds singing in trees, and strips of open asbestos fluttering in the breeze. Art themes ranged from standard graffiti name-making to the apocalyptic, the darkly sarcastic, pop culture parody, and a frequent critique of the surveillance stories we find in the news today.
It’s almost breathtaking with the Berlin views of the valley below – including another man-made mountain nearby that is often used for kite-flying, the Olympic Stadium from 1936, and the The Fernsehturm television tower close to Alexanderplatz in the central neighborhood of Mitte; this devilish mountain definitely had us entranced. Then we hiked back down the mountain through the deep wood and fields looking for air conditioning and cold beer.
Here’s our weekly interview with the street, this week featuring Alaniz, Biko, Crisp, Deuce7, Fanakapan, JBAK, Jule, Icy & Sot, Jule, Low Bros, Moe79, Mundano, Nasca, Never, Plotbot, Self Made Crew, Strøk, Tony Bones, and Wing.
Here’s our weekly interview with the street, this week featuring 2:12, Boxhead, Buff Monster, bunny M, City Kitty, drscO, Fanakapan, Haculla, Icy & Sot, Jilly Ballistic, Jorit Agoch, Lungebox, Miishab, Myth, REVS, Stikman, Voxx, WA, and What Will You Leave Behind.
The UK’s Fanakapan popped by Brooklyn for some balloon lettered mural painting recently, something he has been doing for about five years — when not painting cakes, sweets, and phallic shaped balloon creatures that spell out your name or initials. He calls his signature metal work a bit of nostalgia on acid and people have been dropping whatever he’s giving out in Jersey City and at The Bushwick Collective. He’s floated off to Texas but you can still check out the sound of the balloon underground here in BK.
Thanks to everyone who came out to talk to us and listen to a conversation we had with FAILE on the stage of the Brooklyn Museum – where everybody learned facts that are fundamental to understanding this dynamic duo; Where the name came from, why they write “1986” on everything, and what role religion plays in their work, among other things. More on this Tuesday.
In other news, Pope Francis brought the city to a standstill – especially in Manhattan where he hit the United Nations, Central Park, and held a mass at Madison Square garden with his messages about immigration, greed, climate change, and the burgeoning wars that heads of state (there were 170 in town) appear powerless to prevent and woefully inadequate at protecting the people from. Throngs of faithful and long security lines greeted him all over the city. There was some Street Art here and there to mark the occasion, and we will continue to keep our eyes open for it now that he has gone to Philadelphia to hold an enormous mass on the steps of the Philadelphia Museum.
Also, tonight is the Blood Moon! Not sure what that means but the name is sort of scary. If we all die in an apocalypse remember we love you. If not, same.
And all the while these two French guys were dragging their furniture down Broadway from 125th Street on a city-wide tour…. Full story tomorrow on BSA.
Here’s our weekly interview with the street, this week featuring 2501, City Kitty, Fanakapan, Jose Parla, JR, Mark Samsonovich, Mosher Show, Punk Me Tender, Renauld & Boijeot, Rubin415, Sandra Chevrier, Shin Shin, Stikman, and Wing.
In her latest mural, Faring Purth delivers a powerful reflection on connection, continuity, and the complexity of evolving relationships—a true …Read More »
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
