All posts tagged: Faith 47

Faith XLVII and “The Sacred Feminine” in Moscow

September 24, 2018 Artists

Hiding right out in the open is the spiritual journey that is FAITH XLVII playing an opus interlude in sepia across the Artrium in Moscow, Russia this month – just after completing her installation of overlapping electronic ideas with Lyall Strong for Artmossphere 2018.

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

This ‘Sacred Feminine’ mural pulled the spirit to the surface in stellar fashion surrounded by the rotation of the moon. It was completed over the course of “an exhausting, unforgettable week”, she says, and thanks the team who made it happen, including @esha_ega, @tylerbmurphy @the_spirit_boy.

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII Flies Her Flags “Unbound” in San Francisco

July 16, 2018 Artists

As an artist you can sometimes address, even resolve, emotional and intellectual conflicts with your creative practice, at least that it how it appears in this new “Unbound” campaign begun by Faith XLVII in San Francisco. A lifelong observer and analyst of socio-politico events and their greater implications, the South African graffiti/Street Artist tells us that today the state of many things cause her feelings of frustration.

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

“Watching the disharmony, the dismantling of human rights and the continuous struggle for equality is exhausting,” she says.
“The only way I can keep going is if I can transform some of this into my work.”

Each flag here at the corner of Golden Gate Ave and Hyde Street in downtown San Francisco speaks to the root of many societal ills, a coded reference to a poem/manifest by Dion Fortune named “The Cosmic Doctrine.”

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Here in the heart of the Tenderloin district where the fallout of emotional and physical pain and abuse is played out on the streets openly by those seeking to dull the torment with drugs, the winsome and lithe artist talks about the power of the manifesto for her.

“It is not that I believe in an idealistic future, on the contrary I am at times overwhelmed with cynicism. But despite this, I do think that we have to push for the betterment of the future, for the sheer love of the planet and for each other.”

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

And the flowing golden umber fabric at the tips of these poles? I spent time researching the symbolism of the white flag as well as the history of the Peace Manifesto,” she says, and talks about them taking many forms, “with voices spanning from the scientist who is protesting the use of the atom bomb, to Greenpeace and worker parties to Woman’s Rights associations.”

“The words speak of an existential search, for essentially, this is the root of our suffering and confusion.”

Avalon of the Heart
The Building of The Atom
The Beginnings of Consciousness
The Beginnings of Mind
The Creation of a Universe
Evolution Upon the Cosmic Planes
Influences Upon Humanity
The Natural Laws
The Law of Polarity
Influences Acting on Human Evolution
The Law of Action and Reaction
The Evolution of Form and Mind
The Evolution of Consciousness
The Evolution of a Solar System
Developing the Power to Communicate Thoughts
The Manifested Universe

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

The “Unbound” Mural Project is for UC Hastings College of Law in San Francisco, California.

FaithXLVII x Moniker x BSA

April 25, 2018 Artists, Interview

In advance of Moniker in Brooklyn this May, we are interviewing some of the artists who are influenced both by street practice and fine art as the contemporary urban art category continues to evolve. Today, BSA is talking to FaithLXVII.

A wistful interconnectedness is a common thread through the work of South African graffiti/Street Artist/muralist/fine artist Faith47, her calm monochromatic palette in service to eloquent expressions of internal, emotional and spiritual matters.

Painting and traveling around the world for two decades, her confident virtuosity is able to communicate with quiet strength, a subtlety not often found in the urban environment.

FaithXLVII (photo © Jaime Rojo)

“Through her work, Faith47 attempts to disarm the strategies of global realpolitik, in order to advance the expression of personal truth,” says her current bio, and we spoke with her for a minute about her participation in Moniker.

BSA:How would you describe your work to someone who is seeing it for the first time?
FaithXLVII: How can one explain in words a language that is not verbal?

BSA:What’s most important to you?
FaithXLVII: These days what is most important to me is keeping a calm and centered state of mind.

FaithXLVII (photo © Jaime Rojo)

BSA:Are graffiti and Street Art allowed to change, or should there be a strict definitions they adhere to?

FaithXLVII: One can’t stop the clouds from moving. Nothing is permanent. We all know that the essence/ethos of how things started is now watered down. Nevertheless there are things that have grown out of what was. That is what interests me, the progression and evolution of certain artists who expand and refine their practice over the years.

BSA: Name one artist whose work you admire today.
FaithXLVII: Blu

FaithXLVII (photo © Jaime Rojo)

For more information please go to Moniker Art Fair HERE.

Le Rat Has Arrived, Police Remove Cars from “Art Mile”, 2 Days to “Unstoppable” in Berlin : BSA Dispatch 3

September 13, 2017 Artists

Blek Le Rat arrived at the Urban Nation office today with his wife Sybille after a long car ride from Paris, ready for a coffee and possibly to take a look at the wall he’ll be painting here to celebrate “UNSTOPPABLE”, the inaugural exhibition of the UN museum this weekend. The wind taunted BustArt as he attempted to lay his irreverent stencil of Mother Mary coddling Pluto Jr. and the sliced cutout cardboard bent and bowed beyond an average person’s patience while his buddy Stephan helped hold it down for spraying.

Isaac Cordal. Detail of a larger outdoor installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Under the elevated train a legion of police and traffic cops removed 80 or so cars so the team could begin building stages, cages, platforms, lighting, electricity – for a slew of fresh outdoor pieces which will be installed Thursday and Friday for the weekend outside component.

Who is going to be on display as part of the Art Mile? Try Pixel Pancho, Franco JAZ Fasoli, Bordalo II, Mimi S., HowNosm, Zezao, Isaac Cordal, Olek, Seth Globepainter, Blek Le Rat, Hottea, Dot Dot Dot, Borondo, Herakut, Deih XLF, Faith 47, David De La Mano, Nespoon, Tank Patrol, Lister, Cranio, Sandra Chevrier, Aaron Woes M, Yok & Sheryo, Haroshi, Don John, Ben Frost, Various & Gould, Icy & Sot, Mademoiselle Maurice, the Juxtapoz newsstand, Mark Bode, Shepard Fairey, 1 Up, James Bullough, and 2501. It’s a real cross section of styles, influences, and voice that will be engaging guests this weekend.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

The Berlin police actually use a truss and truck that picks up the offending car, puts it on a flatbed. Then, believe or not, they look for an empty parking spot in the neighborhood an place the car into the new place – also signs are posted to let you know where your car was re-located to.

In New York City if you are unfortunate enough to park your car in the wrong place it is simply towed away to a massive car yard somewhere, banging into things occasionally on the way and flying through potholes – and then held for a King’s ransom. Then you have to simply guess if it was towed or stolen. No word on what the London Police do in regards to cars parked illegally.

Hot Tea at work on his site specific installation for the Art Mile. Florian couldn’t wait to take a peek. Urban Nation Museum For Urban Contemporary Art. (photo © Hot Tea)

Up on a lift for painting today also were Mademoiselle Maurice, David De La Mano, and James Bullough, and the company plastering the corner façade of the museum with pink letters. When the winds got to strong everybody was forced to bring the lifts down for an hour. Intrepid and lucky photographers like Jaime Rojo and Nika Kramer still managed to go up in the buckets to get some good shots in.

Hot Tea is spraying a big installation space with a rainbow of colors – on the walls and floors completely. People who are peeking through the plastic sheeting that protects the windows are wondering what this world of color is going to be.

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Meanwhile the onslaught of arrivals continues, including hopefully we’ll see Martha Cooper and Carlo McCormick. Martha of course will be here to celebrate the beginning of the Martha Cooper Library within the museum and Carlo will be here to see the didactics and texts he wrote for the exhibition and catalogue –as well as speaking at the Unlock Book Fair. This publishing fair for graffiti, street art and related practices is a must see for those who relish the independent thinking minds who publish on paper in this scene. Other great speakers featured will be Pedro Soares, Jens Besser, Susan Phillips, Thomas Chambers, and Javier Abarca.

Okay that’s your update for today. See you on the streets tomorrow.

Ron English. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE at work for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart fights with the wind. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Faith XLVII x Swoon x BSA and Her New Print for Heliotrope

April 4, 2017 Artists, Interview

Here is the first public look at the new print by Faith XLVII which she made especially to aid the programs in Haiti and Braddock, Pennsylvania for Heliotrope Prints. The limited run print will be released this week, April 6^th at a pop up show opening in Manhattan and we hope you can come.

Faith XLVII 315 – 317 BC (image courtesy of the artist)

Street Artist Swoon asked BSA to curate this special Spring 2017 edition of prints and we chose Faith XLVII as one of six world renowned Street Artists whose work we admire greatly and whom we think you will appreciate as well.

A visual poet, painter and urban explorer, the South African now Los Angelino Faith XLVII has created classically inspired works on the walls of inspiring ruins for the last few years and her print is exactly one of those hallowed interventions from her time in Detroit last fall. With some similarities in social consciousness to Swoon and her practice, Faith often expresses through her work a deep connection to people, stories, and political/social issues that affect communities and cultures. Perhaps its why Faith didn’t hesitate for a second when we asked her if she would participate in this benefit for Heliotrope Foundation.

BSA: Can you tell us about the image you have chosen for this new release?
FAITH XLVII: The painting is entitled “315 BC – 307 BC,” and it forms a part of the 7.83Hz series that is still ongoing. I’m interested in exploring the inner workings of my own psyche and the abandoned spaces, like this cathedral in Detroit, form perfect chambers for me to quietly explore notions of human connection, alienation, bare skin, the comfort of human touch in a brutal world.

BSA: Do you have a special connection with the people of Haiti or Swoon?
FAITH XLVII: We were in Haiti during the hurricane last year, for a project with Artists for Peace and Justice.

The history of Haiti is shocking. It is a country that highlights the true brutal force of imperialism and the consequences thereof.

It is truly heartbreaking that we as a human race have not been able to create a new system that would allow for us all to peacefully and sustainably share in the abundant resources that this planet has to offer. We have the technology but not the wisdom to make this happen.

The fact that there are people living in sub-conditions on this planet while others live in excess, is shameful.

A great culture and strength of spirit prevails in the people of Haiti, i am sure. But i can’t express enough the frustration i felt when i learnt the history, echoing too loudly that of other countries who have been systematically pillaged and raped by foreign powers.

I admire that Swoon is doing her project there, these kind of interventions, when done in conjunction with local teams on the ground, can be very effective on a personal and collective basis.

BSA: How do you see the role of an artist in relation to addressing socio-political/humanitarian issues in the world?
FAITH XLVII: In order for us to heal and to make better decisions, we need to open up more.

Creative thought can assist in this, so I guess all artists, musicians, writers, philosophers, dancers and filmmakers are naturally a part of this larger process. Whether their work is directly addressing socio-political issues or not, it is creating space for us to expand emotionally and intellectually.

**********

We are honored that Faith XLVII agreed to participate in this show with us and pleased that she is part of this great effort.

To learn more about Faith XLVII please click here.

WHAT: Swoon x Heliotrope x BSA Pop-Up Opening Reception
WHEN: Thursday, April 6 at 6 PM – 9 PM
WHERE: 88 1/2 7th Avenue, between 15th & 16th St., New York, NY

Heliotrope Prints Fundraiser
Curated by Steven P. Harrington and Jaime Rojo, Brooklyn StreetArt

Join us for the opening of our pop-up exhibit, featuring newly released sketches by Swoon Studio and limited edition prints by six world-renowned street artists:

Case Maclaim
Faith XLVII
Icy And Sot
Li-Hill
Miss Van
Tavar Zawacki (Above)

Prints starting at $50 apiece.

Proceeds support the cultural and education programs of the Heliotrope Foundation, a 501(c)(3) organization founded by Swoon aka Caledonia Curry.

Live DJ for your enjoyment. Refreshments provided by Stolen Rum and by Smart Beer

https://www.facebook.com/events/1174138686030369/

6 New Prints Pop-Up : Swoon x BSA x The Heliotrope Foundation

April 1, 2017 Artists

Hello and happy Saturday to you! Hope you are finding time to relax and to do some laundry and maybe bake some cookies or go out and paint or see some art today. We’re starting the day with an egg and cheese on a roll and a large coffee from the local deli – and thinking about how lucky we are to be curating a small print show for Street Artist Swoon next week. We hope you will be able to come by and support her and her team, our team, your team – next week in NYC.

And what a strong show it is! We’re honored to present six world-renowned Street Artists who each have established clarion voices of their own in the last decade or so – on the street and in more formal settings, with inspiring, sometimes breathtaking work. Additionally we know that each one of these artists hasn’t forgotten why they started doing work on the street and each have a deep connection to helping others – which is the real way of keeping it real.

Starting Monday, one by one, we’ll reveal each of the the new prints from works by Case Maclaim, Li-Hill, Faith XLVII, Miss Van, Icy & Sot and Tavar Zawacki (aka Above) for this brand new edition of Heliotrope Prints. You will have the first look! In addition to the prints Caledonia Curry AKA Swoon will present a new series of her hand drawings from Haiti – a selection you will totally dig.

Have a good Saturday! Sending love from Brooklyn.

WHAT: Swoon x Heliotrope x BSA Pop-Up Opening Reception
WHEN: Thursday, April 6 at 6 PM – 9 PM
WHERE: 88 1/2 7th Avenue, between 15th & 16th St., New York, NY

Heliotrope Prints Fundraiser
Curated by Steven P. Harrington and Jaime Rojo, Brooklyn StreetArt

Join us for the opening for our pop-up exhibit, featuring newly released sketches by Swoon Studio and limited edition prints by six world-renowned street artists:

Case Maclaim case_maclaim
Faith XLVII Faith47
Icy & Sot Icy And Sot
Li-Hill Li-Hill
Miss Van Vanessa Alice
Tavar Zawacki (Above) Above fanpage

Prints starting at $50 apiece.

Proceeds support the cultural and education programs of the Heliotrope Foundation, a 501(c)(3) organization founded by Swoon aka Caledonia Curry.

Live DJ for your enjoyment. Refreshments provided by Stolen Rum and by Smart Beer

https://www.facebook.com/events/1174138686030369/

Top 15 Videos on BSA Film Friday From 2016

In Memory: Giulio Vesprini

From BSA Film Friday: 07.15.16

“Murals have an entirely different function in the urban environment than Street Art and graffiti, although some folks use the terms interchangeably. One of the time-honored functions of a public mural in many cities has been the “memorial mural,” the one that recalls a person or people or a significant event that has impacted a neighborhood, even a nation. Because it is artwork mounted publicly, it can be used as a meeting point for people in a community to gather and talk about it, trading stories and impressions and gaining understanding. At its’ worst, a memorial mural can be superficial or overwrought, moralizing, even stunningly unartful.

Sometimes however, it can provide to a community a sense of pride or history, and it can be empowering. Other times there is a mental, emotional catharsis that takes place with the artwork providing a forum, a safe space to discuss the undiscussible in a public forum or simply to share in a common sense of loss, or experience some sense of healing.

‘It’s not mere decoration, but deals with ethics,’ says Giulio Vesprini as he paints this mural remembering Camp No.70 Monte Urano, a WWII prison camp a mile or two from the sea and Porto San Georgio, in Italy. ‘So it has been very important to me that I could give my contribution.’ “

We dedicate this compilation to the filmmakers who bring so much joy, knowledge and awareness with their artistry and technical wizardry every day and especially every Friday from BSA Film Friday to all of us here at BSA and to our readers. Cheers for a wonderful 2017…

Miami Basel/Wynwood 2016 Wrap: Parade of Eye-Popping Beauty at a Portentous Time

December 7, 2016 Artists

An embarrassment of riches in so many ways, the Wynwood Street Art and mural scene is outrageously sexy, flashy, ugly, posey, pretty, proliferate and quizzically content-free. The annual outdoor urban art visual carnival that accompanies Art Basel in Miami is full of hi/low expectation and spectacle, and it confidently delivers on both.

1010. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Long-limbed and shimmery sleek women are often working the sidewalks like runways, the men are carefully posing/not posing/posing with open shirts and genial braggadocio, and there are thousands, more likely millions of selfies taken in front of painted walls.

International art fans are mixing with skater kids and hip hop heads and egg-headed social scientists and teenage marching bands and they are all gawking and interacting with loquacious mamacitas and bearded lumbersexuals; this is not your average clambake.

Sometimes it is just weird; flourescence mixed with plaid, shot-callers and violins, strollers and stillettos, an undertone of aggression and sexual tension, salt-of-the-earth with self-admiring clubbers, perfect skin and aerosol painted hands, a whiff of weed and a sense of wonder waiting to be discovered.

Audrey Kawasaki at The Hotel. Goldman Global Arts. South Beach. Art Basel Miami 2016. (photo © Jaime Rojo)

While there was a parade of 40 or so citizens and activists carrying signs and handing out flyers down the street to protest the oil pipelines taking sacred lands from native tribes and polluting natural water supplies, the thousands of art fans flooding the Wynwood neighborhood of Miami would have been hard pressed to find any Street Art talking about those topics.

Ironically the political shockwaves this year in Miami seemed to emanate from behind doors at the fair with Sam Durant’s “End White Supremacy” piece that many interpreted as a direct response to the election of a president whose followers include radical organizations that champion white supremacy. Alas, the piece was made in 2008, and although its hand-style emulates the hit and run scrawl of some graffiti on the street, it was a thoughtfully executed piece constructed as an illuminated sign.

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

With one very notable exception, the enormous and frightful mural featuring Donald Trump as Heath Ledger’s Joker wielding a knife at the neck of the Statue of Liberty with the screaming headline “Come On… What the Hell Do You Have to Lose?” by 12 artists for The Bushwick Collective/Mana Urban Arts Project, the professionalization of Street Artists and their murals may be steering the paintings in Wynwood away from in-your-face activism.

Granted, no one is thinking that commercially branded ventures that actually pay artists to paint will encourage the outright expression of social or political opinions – that may challenge or frighten potential customers and investors. Hotel lobbies need murals, sport cars need decorative painting, beer cans need labels. A number of liquor and lifestyle companies have invited artists here over the last few years and paid them to make their special events and products visually appealing, but little else.

David Choe portrait of Martha Cooper and her cat Mélia. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The newly refurbished Hard Rock stadium a few miles north of Miami features huge mural installations by international Street Artists that are curated by Goldman Global Arts, a division of Goldman Properties, the same real estate organization that has brought artists from around the world to the Wynwood Walls compound and featured their fine art canvasses in gallery expositions since the late 2000s. The pieces are opus works in an unusual setting and now sports fans are going to be up close and personal with some of the bigger names in Street Art right now.

It would be hypocritical for anyone to expect that these artists should accept commercial work and yet disrespect guidelines about the content. Similarly, expecting artists not to seek commercial opportunities for fear of “selling out” is arrogant and unrealistic and often the convenient provenance of privileged youth who dabble in “slumming” as a rebellious lifestyle. Later they are bankers.

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Even so, where’s the anger right now? Why didn’t you see a lot of furious diatribes, challenges to power, and mockery of small-minded thinking on the street in Wynwood – and what would it take for Street Art to embrace its power to affect social and political change?

Just posing the question here now, again – as the topics of impending fascism, the increasing acts of racism, anti-Semitism, homophobia, corruption, oligarchy, state-corporatism, and a systematic eroding of respect for our institutions – all came up in conversations at bars, art openings, panel discussions, and roof parties.

Okuda. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

The murals you see here are often technically superb and their themes, while muted, may address some of the larger themes affecting society, but one wonders if there is an internalized censorship that we have accepted.

These images are admittedly of a modest percentage of the hundreds of legal murals and illegally dashed-off pieces we saw this week, but that’s only because we have edited for our individual aesthetics, not because of content. Also admittedly, as people in the arts, we are exhausted from the recent election and all it portends, and we were happy for some glorious eye candy to salve the psychic wounds – so maybe we were selectively seeing what we wanted to.

Probably not too much though.

For an art practice with some serious and proud roots in activism, the walls in Miami are curiously quiet. But they definitely look amazing.

Pixel Pancho. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Findac. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Faith 47. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Felipe Pantone. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Martin Whatson. The Raw Project. Eneida M. Hartner Elementary School. Wynwood / Art Basel Miami 2016. (photo © Jaime Rojo)

Mr. June. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © INO)

Shepard Fairey. Mana Urban Arts Projects. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Vhils. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Tristan Eaton. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

The London Police. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Hueman. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Jen Stark. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Fintan Magee. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

AVAF. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Case Maclaim. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Bordalo II. Uninhibited Festival 2016. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Peeta. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Knarf. Work in progress. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Our week’s coverage on BSA:

Wynwood Awakes: BSA x UN BERLIN ART BASEL 2016: Dispatch 1

Police Arrest in Miami: BSA x UN BERLIN ART BASEL 2016: Dispatch 2

You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

Clubhouse Chemistry in a Warehouse : BSA x UN BERLIN ART BASEL 2016: Dispatch 4

Paint, Protest, Party : BSA x UN BERLIN ART BASEL 2016: Dispatch 5

Urban Contemporary Inside the Fair : BSA x UN BERLIN ART BASEL 2016: Dispatch 6

This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

This article is also published on The Huffington Post.

You’ll Need Good Shoes: BSA x UN BERLIN ART BASEL 2016: Dispatch 3

November 30, 2016 Artists

You’ll Need Good Shoes.

That’s what most people will tell you in the Wynwood District of Miami if you want to see everything, especially now that the murals go further north up the grid.

Tatiana Suarez. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

Street Artists are participating in singular and group gallery shows, mural shows, special events, DJ parties, installations, dinners, openings, and the occasional garbage can fire with a plastic bag full of beers.

The crowds are going to start hitting these sidewalks and clogging the streets in the next day or two but until then, aaaaaahhh summer!

Tatiana Suarez signing her wall. Martha Cooper documenting it. Wynwood Walls 2016. (photo © Jaime Rojo)

Wait, tomorrow’s December. Technically not summer in the Northern Hemisphere.

Brooklyn clearly doesn’t know what to do when he gets to visit these palm treed parts of the country with his southern cousins.

Enjoy some of the action on the street from today.

Tatiana Suarez. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

Tatiana Suarez. Wynwood Walls 2016. (photo © Jaime Rojo)

Felipe Pantone. Wynwood Walls 2016. (photo © Jaime Rojo)

Ken Hiratsuka. Wynwood Walls 2016. (photo © Jaime Rojo)

Dasic Fernandez at work on his wall. Wynwood Walls 2016. (photo © Jaime Rojo)

Dasic Fernandez. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

Dasic Fernandez signing his wall. Martha Cooper documenting it. Wynwood Walls 2016. (photo © Jaime Rojo)

Dasic Fernandez. Wynwood Walls 2016. (photo © Jaime Rojo)

Faith 47. Detail. Wynwood Walls 2016. (photo © Jaime Rojo)

Audrey Kawasaki at work on her wall at The Hotel in South Beach. Wynwood Walls 2016. (photo © Jaime Rojo)

Shepard Fairey at work on his wall for Mana Urban Art Projects. Wynwood, Miami 2016. (photo © Jaime Rojo)

This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

Police Arrest in Miami: BSA x UN BERLIN ART BASEL 2016: Dispatch 2

November 29, 2016 Artists

The police here in Miami have taken over the Goldman family offices in the Wynwood district.

Correction: Those would be the artists named The London Police and they are painting a new wall inside the just-opened offices of Goldman Properties – which is a different situation entirely.

The London Police at work on their mural at the new Goldman offices in Wynwood. Wynwood Walls 2016. (photo © Jaime Rojo)

However there was at least one arrest.

Hoisted overhead and hauled down to the station, Martha Cooper still manages to throw a gang sign as she is carted away by The London Police. Wynwood Walls 2016. (photo © Jaime Rojo)

The real estate company has a new compound in Wynwood after years of supporting the famed Wynwood Walls compound where perhaps 100 or so international Street Art and graffiti names have brought their skillz since its inception as a living, breathing art project by family visionary Tony Goldman in the late 2000s.

David Choe. Detail. Portrait of Martha Cooper with her cat Mélia. The figure on the left that appears as half human/half whale is a reference to David’s graffiti days when whales were his signature. Wynwood Walls 2016. (photo © Jaime Rojo)

In a shaded, gardened area of Wynwood we found Ken Hiratsuka pounding away with hammer and chisel Monday on the large boulders that have distinguished this part of the compound for years. It may have been only for a minute, but we’re pretty sure we saw these boulders covered with paint by Anthony Lister at one point, and perhaps one of these was washed in color at the foreground of a Ron English wall not long after. Definitely they’ve been a foundation for the crocheted pink camouflage skin created for them by OLEK only a couple of years ago during one of Jeffrey Dietch’s curations.

Ken Hiratsuka. Wynwood Walls 2016. (photo © Jaime Rojo)

A close friend of Tony, who passed away in 2012, Mr. Hiratsuka has chiseled his continuous line-work into the sidewalks of Manhattan many times over the years – especially the ones made of slate and granite. Keep your eyes peeled and you’ll find his distinctive carvings where you walk in Soho right now, making him a true New York Street Artist.

Ken Hiratsuka. Wynwood Walls 2016. (photo © Jaime Rojo)

Since first bringing his hand-pounded mark-making into the nearly lawless lower Manhattan after arriving from Tokyo in 1982, Hiratsuka may have done as many as 50 large pieces in the pedestrian paths of New York. He didn’t stop there but created a full career of it; with sculpted environments and chiseled streets in 21 countries. In this particular context, these new pieces may call to mind the paintings of Haring (and LA2) and Basquiat. All considered, it is remarkable to find him here for Wynwood’s wall celebrations this year – kicking off with the huge ‘artists dinner’ tonight.

Faith 47. Wynwood Walls 2016. (photo © Jaime Rojo)

Speaking of artists, we caught a few on the street, somewhat feverish in this winter warmth, protected often by clouds. Trolling around this outdoor beehive with photographer Martha Cooper in the afternoon, we found that many murals have just been finished – like Pixel Pancho’s gilded and caged paradise, Faith 47s heroic poetry and Okuda’s blended portrait. Earlier in the day while touring the nearby new Hard Rock Stadium we found new pieces in progress, like those by Spanish duo Pichi and Avo and Australia’s Fintan Magee.

Fintan Magee at work on one of his two murals at the Hard Rock Stadium in Miami. Wynwood Walls 2016. (photo © Jaime Rojo)

This article is the result of a collaborative partnership with BSA and Urban Nation (UN).

BSA /Urban Nation Berlin “Picks for Miami Art Basel 2016”

November 26, 2016 Artists

It’s the annual peregrination from Brooklyn to Miami after the Thanksgiving holiday to see the sand, the surf, the aerosol masterpieces. For readers who have witnessed the growing spectacle of the Street Art scene in this city and are worried about the full-scale absorption of Street Art and graffiti culture into the larger Urban Contemporary Art rubric, this place is a tidal wave of evidence that the sub-culture/counter-culture is simply loved and adored by too many people.

Of course, tastes vary and not everyone is into the same aesthetic, message, style, technique, and there are still plenty of ruffians trying to stir sh*t up, thank God. But it’s probably psychologically healthy for artists and fans from the origins of this scene on the street to take some pride in the fact that this grassroots arts movement is producing some of the most compelling shows, exhibitions, and events – many rivaling what is happening inside the ART BASEL fair that all these events are associated with.

All week starting this Monday we’ll be there on the ground hustling from the formal to the informal, sponsored to the D.I.Y. – to at least capture some of that energy and insight to bring to you. In partnership with UN – the Urban Nation Museum of Urban Contemporary Art in Berlin, BSA will bring you action and excitement on the streets – here are some highlight to help you with your planning:

WYNWOOD WALLS MIAMI ART WEEK

An ongoing festival of murals begun in the late 2000s, Wynwood Walls’ theme for this year is “Fear Less” and the 12 new murals will for the double meaning of the expression. From the words of Jessica Goldman Srebnick, CEO of Goldman Properties, who are folks behind Wynwood Walls:

“Every year we choose a unifying theme and ask our artists to somehow address this in their work with the goal of pushing the narrative. This year, with everything going on in the world I felt it appropriate to advocate a message of courage, in the hopes that we can all embody courage in our everyday lives. Street artists by vocation are some of the most fearless people I’ve met — and here in Wynwood, we’ve grown from a marginal area that many feared to explore – into one of the most desirable art-filled locations in the world. My father (Tony Goldman) always said, ‘Don’t give in to fear,’ and this year we’re honoring that sentiment.”

Fear Less will showcase the work of a varied mix of outstanding artists – some household names in the street art world, others up and coming. In addition to Hiratsuka, artists include AVAF (Brazil), Beau Stanton (CA, USA), Case (Germany) Dasic Fernandez (Chile) David Choe (CA, USA), Faith47 (South Africa), Felipe Pantone (Spain), Findac (UK) , Okuda (Spain), Pixel Pancho (Italy,) Risk (CA, USA), Tatiana Suarez (FL, USA) . Artist Audrey Kawasak (USA) will be painting a mural at Goldman Properties’ The Hotel on South Beach. In addition to the murals artist Ken Hiratsuka will carve boulders in the style of his intricate carvings he did on the NYC streets during the 1980’s.

Artist Talk: Thursday December 1st. 6:30 PM at the Goldman Global Arts Gallery at Wynwood Walls. A panel discussion moderated by our own Co-Founder and Editor-in-Chief Steven P. Harrington with participating artists: Martha Cooper, Faith 47, Crash, Tristan Eaton and Pixel Pancho. This event is free and open to the public.

Goldman Global Arts Gallery Exhibition:

Featuring original works by the artists of the Wynwood Walls. Open Thursday December 1^st, 2016 thru December 4^th 2016 from 10AM-10PM and then 11AM-8PM thru February 2017, when the exhibit ends.
Wynwood Walls, Open to the Public during Art Basel Miami Art Week, Wynwood Walls is free and open to the public daily from 10 AM to Midnight.

Wynwood Walls is located at 2520 NW 2^nd Avenue between 25^th and 26^th Streets.

MANA URBAN ART PROJECTS X JUXTAPOZ MAGAZINE

This is an epic intersection that you’ve been waiting for – hi brow/low brow, East Coast raw with West Coast surreally pop, old skool graff with hyperreal, graphic, optic and pop-gold muralistas .

All of these people in bed together is going to make a lot of sweet love people – and babies, and possibly some communicable diseases. Can you imagine the mass of the swarming of creative bodies from Juxtapoz, Thinkspace, 1XRun, Mana Contemporary, Bushwick Collective, Jonathan Levine, and many unannounced guests? It’s a first date for many of these awkward actors but we are not missing this gorgeous clusterduck!

Details are still being ironed out in many cases – check Juxtapoz for Updates:

Juxtapoz Clubhouse: 2400 NW 5th Entrance

Juxtapoz bookstore 1xRun

Installations by:

David Ellis / Swoon/ Fintan Magee / Zio Ziegler / OLEK / Laurence Vallieres / Cey Adams / Velia De Iuliis / Ever Seipre / Franco Fasoli / Waeone Interesni Kazki / Chris Lux

MILK presents Scott Campbell: WHOLE GLORY.

Juxtapoz Clubhouse: 537 NW 24th Street Entrance

Along with Milk Studios , Juxtapoz is teaming up for this special two-day tattoo exhibition/interactive art installation/tattoo emporium. “Lucky recipients will be selected via a lottery on an hourly basis”

Juxtapoz Cafe/Cody Hudson

Dennis McNett installation

Jonathan LeVine Gallery “A Conversation Between Friends”

Jamie Adams / Brett Amory / James Bullough / Tristan Eaton / Dylan Egon / AJ Fosik / Ian Francis / Jeremy Geddes / Alex Gross / Handiedan / Haroshi / Andrew Hem / Hush / Erik Jones / Kehoe / Ludo / Eloy Morales / Tara McPherson / Dennis McNett / Joel Real / Shag / Ben Tolman / Adam Wallacavage / Martin Wittfooth Rostarr.

Juxtapoz Clubhouse Alley: 537 NW 24th Street Entrance

BASE 12 COLLECTIVE

BUSHWICK COLLECTIVE BLOCKPARTY

MANA X JUXTAPOZ NW 2nd and NW 22nd, Lane Mana Convention Center

Andrew Schoultz INFINITY PLAZA

Juxtapoz X 1XRUN NW 2nd and NW 22nd Lane Mana Convention Center

1xRun Mobile Print Shop

Installation mural by Shepard Fairey and OBEY

SCOPE MIAMI 2016 801 Ocean Drive Miami Beach

Just to help you navigate, here are some of the exhibitors who will be showcasing Urban Artists and whom we intend to check out:

Castle Fitzjohns Gallery – NYC
FIFTY24MX / Art Gallery – Mexico City
Graffik Gallery – London
Inner State Gallery – Detroit
NextStreet Gallery – Paris
Samuel Owens Gallery – Greenwich, CT.
Struck Contemporary – Toronto, CA
Think Space Gallery – Los Angeles
Macaya Gallery

X CONTEMPORARY ART FAIR Nobu Hotel, Miami Beach.

JONAS SUN 7 / Catherine Ahnell Gallery

SWOON – HELIOTROPE PRINTS MIAMI 2016

Swoon and The Heliotrope Foundation are pleased to present a launch reception for the Miami 2016 Heliotrope Prints release, featuring Aidan Koch, Rashaad Newsome, Ebony G. Patterson, Emilio Perez, Kenny Scharf, and Anne Spalter.

Thursday, December 1, Downtown Miami

6 – 9 p.m. at The Dog (1306 North Miami Avenue)Heliotrope Prints are $50 limited-edition fine art prints with 100% of proceeds benefitting the Heliotrope Foundation, a 501(c)(3) founded by Swoon in order to streamline her three art-based community building initiatives in Haiti, New Orleans, and the Rust Belt town of Braddock, Pennsylvania.Learn more: www.heliotropefoundation.org

Buy prints: www.heliotropeprints.org

RSVP to reception: www.molly.nyc/miami2016

ABOUT THE HOST VENUE:
Curated by Christopher “Jillionaire” Leacock of Major Lazer, The Dog is a weeklong popup in Downtown Miami that will bring together a group of friends—comprised of acclaimed musicians and artists—to form a hub for inspired expression across the creative disciplines. The Dog is bar, dancehall, and art gallery rolled into one; a site-specific and immersive experience that bridges the gap between contemporary art, culture, and music. www.molly.nyc/thedog

MORE SWOON NEWS:

Swoon’s Pearly’s Beauty Shop with Chandran Gallery, Saturday, December 3, 2016. 7pm-late

Art Creates Water (Dec 1-4)

Millerntor Gallery goes ART BASEL – MIAMI BEACH

Art with a social-environmental mission: ALL FOR WATER – WATER FOR ALL!

Artist Collective of LOW BROS, RAMBA ZAMBA, BOBBIE SERRANO und SEBASTIAN BIENIEK.

Mobile gallery shows works by BARBARA., BJÖRN HOLZWEG, BOBBIE SERRANO, FABIAN WOLF, FLYING FÖRTRESS, FROST, GUAPO SAPO, HEIKO MÜLLER, IT’S THE VIBE, JIM AVIGNON, JOBRAY WRITER, KLEBEBANDE, LOW BROS, MAXIMILIAN MAGNUS, NICO SAWATZKI, NILS KASISKE, PAPA SHABANI, PUSH, QUINTESSENZ, RAMBA ZAMBA, REBELZER, ROCKET & WINK, SADHUX, SASAN, SUTOSUTO, TASEK, TESE, ULI PFORR, WE ARE BÜRO BÜRO.

Millerntor Gallery goes Art Basel Miami Beach is supported by Hamburg Marketing GmbH.

ABOUT US

The Millerntor Gallery is a social business by and for Viva con Agua de Sankt Pauli. Our mantra is ”art creates water” – we use art as a universal language to inspire people and involve them in collective creative engagement. Revenues from art sales and donations are being transformed into clean water. The Millerntor Gallery came to life in 2011 as an art festival inside the stadium of the legendary football club FC Sankt Pauli. Growing rapidly it has already become a global cultural movement that blends individual creative energies into one collective force to change the world for the better. More than 1000 artists have contributed their talents, crafts and works for countless Millerntor Gallery art projects in many different countries.

vivaconagua.org facebook.com/vivaconagua

BSA Images Of The Week: 02.21.16

February 21, 2016 Artists, BSA Images Of The Week

Happy Sunday! Evidently Donald Trump is the Anti-Christ! Full disclosure, we already sort of suspected this because he is also anti-immigrant, anti-Mexican, anti-woman, anti-humility and so many other anti-s. The question is, who is going to break the news to Michele Bachman?

Also, does this mean that Obama is not going to stroll right into the United Nations and declare himself king of the world? Maybe he’s planning to appoint himself the replacement of Anthony Scalia on the Supreme Court and he’s so busy planning it that he skipped the funeral!

And what role does Formation play in all of this?

Meanwhile here on the dirty garbage-strewn sidewalk we have our our weekly interview with the street, this week featuring Barlo, CitiCop, City Kitty, Crisp, Faith 47, Flood, Hueman, JR, Madsteez, Mr. Renaissance Style, Otto “Osch” Schade, Queen Andrea, Specter, Stikman,Tim Okamura,WRSPNSK, XORS, and Zhu Hai .

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Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII. Artrium Project. Moscow. September 2018. (photo © Vasiliy Kudryatsev)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

Faith XLVII . Unbound. San Francisco, CA. July 2018. (photo courtesy of 2:32 AM Projects)

FaithXLVII (photo © Jaime Rojo)

FaithXLVII (photo © Jaime Rojo)

FaithXLVII (photo © Jaime Rojo)

Isaac Cordal. Detail of a larger outdoor installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Hot Tea at work on his site specific installation for the Art Mile. Florian couldn’t wait to take a peek. Urban Nation Museum For Urban Contemporary Art. (photo © Hot Tea)

Hot Tea at work on his site specific installation for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Ron English. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE at work for the Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Graffiti Writer CARE. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart fights with the wind. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Bustart. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Tankpetrol at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Mademoiselle Maurice detail and process shot of her installation for Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

David De La Mano at work. Art Mile. Urban Nation Museum For Urban Contemporary Art. (photo © Jaime Rojo)

Faith XLVII 315 – 317 BC (image courtesy of the artist)

To learn more about Faith XLVII please click here. WHAT: Swoon x Heliotrope x BSA Pop-Up Opening Reception WHEN: Thursday, April 6 at 6 PM – 9 PM WHERE: 88 1/2 7th Avenue, between 15th & 16th St., New York, NY

Heliotrope Prints Fundraiser Curated by Steven P. Harrington and Jaime Rojo, Brooklyn StreetArt

Join us for the opening of our pop-up exhibit, featuring newly released sketches by Swoon Studio and limited edition prints by six world-renowned street artists:

Prints starting at $50 apiece.

Proceeds support the cultural and education programs of the Heliotrope Foundation, a 501(c)(3) organization founded by Swoon aka Caledonia Curry. Live DJ for your enjoyment. Refreshments provided by Stolen Rum and by Smart Beer

Heliotrope Prints Fundraiser Curated by Steven P. Harrington and Jaime Rojo, Brooklyn StreetArt

Join us for the opening for our pop-up exhibit, featuring newly released sketches by Swoon Studio and limited edition prints by six world-renowned street artists:

Case Maclaim case_maclaim Faith XLVII Faith47 Icy & Sot Icy And Sot Li-Hill Li-Hill Miss Van Vanessa Alice Tavar Zawacki (Above) Above fanpage

Prints starting at $50 apiece.

Proceeds support the cultural and education programs of the Heliotrope Foundation, a 501(c)(3) organization founded by Swoon aka Caledonia Curry. Live DJ for your enjoyment. Refreshments provided by Stolen Rum and by Smart Beer

No. 12 “Street Food” from Mathieu Roquigny

“Some simple stencil activism well placed can be very effective. Vulgar, absurd, playful. Call it what you want, but Mathieu Roquigny is the first one we have seen do it. Do not view during your morning donut and coffee.”

The combined passages allow you to slow down and contemplate the whirring city and a handful of its moments as sweet parenthesis in this run-on sentence called New York. Okay, that’s enough, move along now, no standing.”

No. 10 Ella & Pitr: Utsira Island

“It is funny to see this video stamped with the name “Street Art, Utsira ” because Utsira is an island with about 200 inhabitants off the coast of Norway, and there not many streets. Also, this piece is not on a street.

“HERA + AKUT=HERAKUT – a back-to-basics introduction to Herakut today, since new fans are joining the fold and need to become acquainted with a duo that has been on the street around the world for years and has been moving into galleries for a while also.

Here at the white box Corey Helford Gallery in Los Angeles for their “Masters of Wrong” show it is a different view entirely from the street surely, including paintings evenly spaced across white walls as well as an area for a more immersive environment.

Outside, “The wolf that wins is the one you feed” is the Cherokee wisdom they paint on the side of the local high school, and in the commercialization of the Street Art world, we see this enmeshed dichotomy more daily.

Let the softly kinetic paddling of the marimba escort you through their political and social commentary, now more overt and obvious and satirical than ever, as they show you their new show and their new works for exhibition and for sale.”

No. 8 “Watching My Name Go By”

“Directed by Julia Cave and originally shown on the BBC documentary series OMNIBUS in December of 1976, this was actually the second half of a program that followed a tour through the art gallery scene of Soho.

A hidden gem that surveys the variety of opinions held by citizens, historians, police and front stoop sociologists about the graffiti scene on trains and the streets, the story is measured and inquisitive. It’s without glamour, although there may be guile.”

No. 7 Os Gemeos Mural: Hangar Bicocca Building

“This looks like a trailer for a larger piece:

No. 5 The Restoration of Blu for “Street Art Banksy & Co”

“Part II of a behind the scenes look by Good Guy Boris at the controversial show in Bologna that features art works by BLU and others that were originally not intended to appear in a museum, like most things in museums.

Additionally, the performance artist Ariel Brickman on stage at the show opening is the personification of Lister’s fantasic/heroic/treacherous figures; a spot-on example of his work come to life.”

“Narcelio Grud has a track record of transforming public space in an unassuming manner that actually engages people directly. Here is his latest urban intervention – a music box for pedestrians to listen to while waiting for the light to change.”

In Memory: Giulio Vesprini

1010. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Audrey Kawasaki at The Hotel. Goldman Global Arts. South Beach. Art Basel Miami 2016. (photo © Jaime Rojo)

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

David Choe portrait of Martha Cooper and her cat Mélia. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

David Choe. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Okuda. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

For an art practice with some serious and proud roots in activism, the walls in Miami are curiously quiet. But they definitely look amazing.

Pixel Pancho. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Findac. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Faith 47. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Felipe Pantone. Goldman Global Arts. Wynwood Walls. Art Basel Miami 2016. (photo © Jaime Rojo)

Martin Whatson. The Raw Project. Eneida M. Hartner Elementary School. Wynwood / Art Basel Miami 2016. (photo © Jaime Rojo)

Mr. June. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

INO. The Raw Project. Eneida M. Hartner Elementary School. Wynwood /Art Basel Miami 2016. (photo © INO)

Shepard Fairey. Mana Urban Arts Projects. Wynwood /Art Basel Miami 2016. (photo © Jaime Rojo)

Vhils. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Pichi & Avo. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

Tristan Eaton. Detail. Goldman Global Arts. Hard Rock Stadium. Art Basel Miami 2016. (photo © Jaime Rojo)

To learn more about Faith XLVII please click here.

WHAT: Swoon x Heliotrope x BSA Pop-Up Opening Reception
WHEN: Thursday, April 6 at 6 PM – 9 PM
WHERE: 88 1/2 7th Avenue, between 15th & 16th St., New York, NY

Heliotrope Prints Fundraiser
Curated by Steven P. Harrington and Jaime Rojo, Brooklyn StreetArt

Proceeds support the cultural and education programs of the Heliotrope Foundation, a 501(c)(3) organization founded by Swoon aka Caledonia Curry.

Live DJ for your enjoyment. Refreshments provided by Stolen Rum and by Smart Beer

Heliotrope Prints Fundraiser
Curated by Steven P. Harrington and Jaime Rojo, Brooklyn StreetArt

Case Maclaim case_maclaim
Faith XLVII Faith47
Icy & Sot Icy And Sot
Li-Hill Li-Hill
Miss Van Vanessa Alice
Tavar Zawacki (Above) Above fanpage

Proceeds support the cultural and education programs of the Heliotrope Foundation, a 501(c)(3) organization founded by Swoon aka Caledonia Curry.

Live DJ for your enjoyment. Refreshments provided by Stolen Rum and by Smart Beer

No. 12
“Street Food” from Mathieu Roquigny

No. 10
Ella & Pitr: Utsira Island

No. 8
“Watching My Name Go By”

No. 7
Os Gemeos Mural: Hangar Bicocca Building

No. 5
The Restoration of Blu for “Street Art Banksy & Co”