Welcome to BSA Images of the Week. Congratulations to our Muslim neighbors in NYC on the occasion of Eid al-Fitr, and we wish them peace, joy, and blessings as they mark the end of Ramadan.
The popping rumble of customized mufflers is back on the streets, a rite of spring as familiar as purple crocuses and snowdrops pushing through browned grass, old 40 bottles, crumpled chip bags, and cigarette butts. The warming weather softens the ground and lets loose the mingled scents of hydrangea and dog pee. And once again, Saturday night Romeos are rolling down their windows, cruising slow, and blasting tracks like Jack Harlow and Doja Cat’s new banger “Just Us”—hoping someone’s paying attention.
On the street art tip, you’ll see Faile has come back with some of their new and old icons remixed, Trump and Elon are widely critiqued in caricature, and vertical graffiti is the new horizontal.
We continue with our interviews with the street, this week including Faile, John Ahearn, CRKSHNK, Modomatic, Qzar, EXR, Ollin, Sto, REW X, Want Pear, Batola, Ooh Baby, Thug Life, and Jayo.
Welcome to BSA Images of the Week! Feeling that Valentine’s chocolate buzz? Gearing up for President’s Day? Thank goodness for holidays—little pauses in the relentless, whiplash-inducing news cycle we’re all riding.
First, some street art news:
San Francisco street artist Rabi Torres taps into ad culture subversion with his new “We Buy Souls” campaign, echoing the tactics of Cash For Your Warhol artist Hargo—right down to the cryptic answering machine message and documentation website. This kind of remixing of commercial signage also has historical roots in Ed Ruscha’s experiments with text, Barbara Kruger’s billboard-style commands, Jenny Holzer’s wheat pasted provocations, Corita Kent’s screen prints, and the bold aesthetics of the Colby Poster Printing Co. Certainly Rabi is getting people’s attention in a San Francisco cityscape that some may describe as hammered with advertising. Call the number on the signs, and you might get pulled into an existential rabbit hole—if you’re up for the game. SF Gate breaks it down here.
It looks like the card company using Banksy-style artwork for its designs may soon put the anonymous street artist in the public eye, as its trademark case with Full Color Black continues to progress in court. Depending on the twists and turns of this legal case, you may see Banksy making a public appearance.
Meanwhile, here’s our interview with the streets this week, including Nick Walker, Clown Soldier, IMK, EXR, W3RC, Sluto, Short, Zaver, Katie Merz, Geraluz, Helch, HVC, TOD, Peter Daverington, Carve, and Kee:
Here’s our weekly conversation with the street, this week featuring Homesick, Degrupo, BK Foxx, Werds, EXR, Manuel Alexandro, Great Boxers, Wild West, Fred Tomaselli, Mr. Mustart, Imok, and Sokem.
Welcome to Images of the Week. Our hearts are heavy as we think about our brothers and sisters in Los Angeles—their losses, pain, and fears. We’re deeply grateful to the firefighters and communities who are stepping up and looking out for one another. The bond between the graffiti and street art communities in LA and NY runs deep, and hearing some of the stories coming out of this disaster is heartbreaking.
If you can help, please consider these reputable organizations:
Before donating items or volunteering, it’s advisable to contact these organizations directly to understand their current needs and ensure your contributions are most effective. Thank you.
Here’s our weekly conversation with the street, this week featuring Judith Supine, Rambo, Degrupo, Werds, Seoul, Hektad, Appleton Pictures, EXR, One Rad Latina, Notice, TABBY, Caryn Cast, Cram, Ratch, GRIDER, Zooter, Arsenio Baca, Zwoner, and Nice Beats.
Welcome to BSA Images of the Week! Set your clocks back one hour today.
A chilly but warm NYC welcome to the 50,000+ marathon runners from around the globe as they journey through the dirty, potholed streets of all five boroughs in this rudely friendly, alluring, and romantically gritty city. We’ve already forgotten that we lost the World Series this week and are concentrating instead on welcoming our haplessly plodding runners on the street—with raucous cheers in Queens, impromptu bands in Brooklyn, and dancing in the Bronx, the city becomes a big block party today.
Make sure to check out our graffiti and street art on the way!
Also, early voting is in effect in NYC. The new president of the US will be selected, possibly by you.
Here’s our weekly conversation with the street, this week featuring: City Kitty, Homesick, CRKSHNK, Degrupo, Modomatic, Sticker Maul, Leon Keer, Dot Dot Dot, Raddington Falls, D7606, SacSix, Muebon, Werds, RX Skulls, C3, EXR, OSK, She Posse, Outersource, Semz, Silkmoth, Glenn Ligon, Isa De Prez, and All Over Grey.
“Although different views and opinions are important for a healthy society, we can experience a greater increase in polarization in recent decades, which severely limits bridging or interactions.
In this work I would like to express that we are all connected despite differences in opinion. I see communication with positive sentiment and respect as a good carrier for social connection.” -Leon Keer
“The idea for the original Statue of Liberty was conceived in 1865, when the French historian and abolitionist Édouard de Laboulaye proposed a monument to commemorate the upcoming centennial of U.S. independence (1876), the perseverance of American democracy and the liberation of the nation’s slaves
Liberty holds a torch above her head with her right hand, and in her left-hand carries a tabula ansata inscribed JULY IV MDCCLXXVI (July 4, 1776, in Roman numerals), the date of the U.S. Declaration of Independence. With her left foot, she steps on a broken chain and shackle commemorating the national abolition of slavery following the American Civil War. After its dedication, the statue became an icon of freedom being subsequently seen as a symbol of welcome to immigrants arriving by sea.
In Dotdotdot’s version, just a few days before the upcoming election, much of whose campaign has been marred by racist and anti-immigrant rhetoric, the torch is replaced by a distress flare. A warning to us all.” ~ Nuart Festival, Stavanger, Norway
New York is slamming, as ever, when it comes to new street art and graffiti popping up in expected and unexpected places. Here’s our weekly conversation with the street, this week featuring: The Yok, Sheryo, Lexi Bella, Calicho Art, Humble, IMK, Manuel Alejandro, EXR, Zoot, Great Boxers, Thobekk, Aaron Wrinkle, OTOM, Poor Rupert, Paige Bowman, Elena Ohlander, MUSKA, Motomichi Nakamura, and TABBY.
The city of New York is hot, clammy, steamy, and caked with grime. It smells like fish, marijuana, musty A/C exhaust, curry, piss, fresh-cut grass, melting pavement, aerosol spray, watermelon, cucumbers, mint, fried zeppole, Axe body spray, laundromat detergent, and pizza. With this oppressive heat, the ‘crazy’ dial seemed turned up – some people on the street appeared to be delusional with baked brains and insufficient hydration. In its chaotic way, the street never stops moving. People are herded onto our crowded, damp, and sticky subway system with its pumping kinetic energy and no coherent schedule, our new airy modern electric tandem buses with chilly automatic voices, our electric bikes and scooters of every design with big puffy tires or small bagel sized ones, our statement cars and bloated SUVs with dark windows, our swerving and sleek skateboards, and our white box trucks slaughtered with wild aerosol sprayed styles and family business-named signage like Dragon Good Luck Delight and Bayridge Appliance Repair.
Graffiti and street art keep popping up and accompany New Yorkers to their next stoop sale, pickle ball game, house party, dinner party, or dog’s birthday party. If this visual feast disappeared, we would all be confused, a piece of our cultural DNA excised. For us, this is the proper visual language of New York, certainly better than most of the new architecture popping up like middle fingers, a rash of uninspiring rectangles formed by mediocrity, their design potential sapped by greed and spreadsheets.
Here is our weekly interview with the streets, this week featuring City Kitty, Chris RWK, Homesick, Degrupo, Kooky Spook, Muebon, Epic Uno, RX Skulls, MCA, EXR, CKONE, RZB, BILX, JEMZ, Joshua Montes, and Soupy.
Societal norms and entertainment ethics change, sometimes radically, as time progresses. It would be fantastic if you could determine which era is more shocking and if its behaviors indicate a golden age or a declining one. Just look at New York history at Coney Island, which may seem barbaric and beyond the pale by today’s standards, alongside oddly similar occurrences in contemporary Western society.
On Friday night, during the opening ceremonies of the Paris 2024 Olympic Games, X was all atwitter with self-proclaimed Christians expressing outrage over a small segment of the three-and-a-half-hour show that featured a few well-known French drag performers doing a campy modern homage to The Last Supper paintings of the Renaissance. Decades of austerity budgets have starved our education system, and it shows, as many were scandalized by this portrayal of ‘Sodom and Gomorrah’ and other ‘disgusting’ scenes referencing French history, such as the French Revolution, the Enlightenment, World War I and II, the Industrial Revolution, and the Cultural Renaissance. And that depiction of Marie Antoinette holding her head under her arm? There’s a story behind that.
And here is our weekly interview with the streets, this week featuring Aiko, Adam Fujita, Homesick, Degrupo, Optimo NYC, Werds, DEK2DX, Lee Holin, Snoeman, NAY 281, Bogus, EXR, Uwont, Jacob Thomas, Chido, Smooth, Kasio, Wild West, JDI, and FAQ COP.
As the graffiti and street art high season draws to a close, we remark on the stunning array of new faces on the New York scene this year, as well as a large crop of maturing talents from the last decade or so. The length of the cycle for artists working on the street varies some, but we’ve been around enough to see many of the early 2000s stars fade away or move on to other things. The voice of this new generation is as challenging as ever and perhaps more savvy in many ways. Still, it’s good to see the re-appearance this month of folks like Hera in New York – a talent whose global and studio escapades have made her a revered street artist over about two decades.
Our thanks to all the artists of all persuasions and longevity for giving voice and character to our public spaces.
Here’s our weekly interview with the street, this week featuring: Queen Andrea, Praxis,CRKSHNK, Lexi Bella, Danielle Mastrion, Homesick, Hera, Panic, Seo, Insane 51, Habibi, Didi, Keops, OSK, AAA, EXR, RJG Rock, L.O.U.R.S., Nohemi, Hazard One, and Emesa.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
