All posts tagged: Eve Sussman

SPRING/BREAK ART SHOW: Benefit Auction 2018 – 475 Kent Artists

SPRING/BREAK ART SHOW: Benefit Auction 2018 – 475 Kent Artists

Every Armory Week, the SPRING/BREAK Art Show hosts a benefit auction—giving you the opportunity to buy great artworks and support a great cause. This year, your bids will help fund the 475 Kent Tenants Association, which advocates for affordable artist spaces in Williamsburg, Brooklyn.

475 Kent Tenants Association (475KTA) teams up with SPRING/BREAK for an auction to benefit the creative community at 475 Kent Avenue in Williamsburg, Brooklyn. Celebrating the 20th anniversary of this legendary artists’ building on the Southside, the 475KTA is working to ensure livework tenants are secure in their homes for decades to come. The 475KTA advocates with New York City Loft Tenants, representing NYC’s greater livework community. Artwork from around the globe has been donated by an international community of artists, friends and tenants who have passed through 475 Kent. (#475KentLives)

The auction features 67 works including: limited edition prints by Shepard Fairey, a photograph by the legendary feminist artist Laurie Simmons, a woodcut by activist street artist Swoon, Magnum photographer Christopher Anderson’s renowned Obama portrait, and a still from Eve Sussman’s video 89 seconds at Alcázar.

The artworks will be on view at the SPRING/BREAK Art Show, March 6th-12th, at 4 Times Square on
the 22nd floor, room #2237. Bidding for the auction will close on March, 12th at 8pm ET.

Below we offer you a small selection of the lots being offered for auction:

Jaime Rojo. Untitled, 2006. Silver Gelatin Print. 16 x 20 in. Edition 3/3

Eve Sussman. De Espaldas (still from 89 seconds at Alcázar), 2004. C Print. 14 x 26 in

Swoon. Construction worker, 2016. Silk screen, acrylic, gouache on paper and wood. 11 x 37 in. Edition 3/35

Michael Brown. Omak, 2017. Pigment Print. 6 1/2 x 10 in

Deborah Masters. Two Cows Talking, 2014. Inkjet Print. 43 x 56 in. Edition 3/5

Robert Clark. Ape Hand, 2017. Pigment Print. 20 x 14 in

Fred Tomaselli. Bloom 2011. Silk screen on digital print. 14 x 12 in

Laurie Simmons. Yellow Hair/Red Coat/Umbrella/Snow, 2014. Inkjet print. 12 3/4 x 8 3/4 in

Shepard Fairey. Oil Lotus Woman, 2018. Screen Print. 24 x 18 in. Edition of 450

Shepard Fairey. Home Invasion, 2014. Screen Print. 24 x 18 in. Edition of 450

Shepard Fairey. Peace Guard, 2016. Screen Print. 24 x 18 in. Edition of 450

To peruse the auction and to register to bid click HERE

For more information about SPRING/BREAK ART SHOW click HERE

Please visit us at room #2237 on the 22nd floor.

SPRING/BREAK Art Show

March 6 – 12, 2018
4 Times Square, NYC (Chashama)
Entrance at 144 West 43rd Street

Preview Day: March 6th

Collectors Preview 11am – 5pm

Press Preview 3pm – 5pm

Opening Night 5pm – 9pm

Regular Show Days: March 7 – 12

Daily Hours: 11am – 6pm

 

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Spring / Break 2017 : This Years’ Times Square Show in Corporate Office Space

Spring / Break 2017 : This Years’ Times Square Show in Corporate Office Space

Braving the crowds at the 2017 Spring/Break show means meandering the floor plan of former corporate offices and encountering the daydreams of artists who usually work as temps here. After traversing the un-grand lobby and showing your ID, this high-flying glass and steel Times Square fantasy flips the lights on the funhouse as soon as the doors open to Greg Haberny’s elevator bank installation of hundreds of rough wooden sculptures dangling overhead while a hardcore soundtrack rams you through the glass doors to the reception area.

Greg Haberny. Detail. Curated by Ambre Kelly . Andrew Gori . Catinca Tabacaru. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

This curator-focused show never allows you to be bored, ensuring an alternate-world full of possibility, often delivering on its promise, sometimes fooling you. Like a beehive of compartmentalized activities and scenarios playing out in a fractured psyche, you find comedy, fluid sexuality, bejeweled fantasies, a satiric art-factory performance, D.I.Y. cardboard set design, light illusions in closets, wide photographic vistas, costumed performers, photo shopped hyperfantasy, Basquiat photos by his ex-roommate, and fully immersive environments like a live barbershop delivering dramatic haircuts with multi-screened secret surveillance in the backroom – tracking movements and conversations here and on the street below.

Alexis Adler’s photos of her room mate Jean-Michel Basquiat. Curated by Jane Kim. Spring / Break Art Show 2017. NYC, 02-2017 (photo by Jaime Rojo)

While the aesthetic/mythic/pop culture influences are Diluvian and flattening our traditional hierarchies in this information age, shows like this also highlight our level of distraction – and test your ability to edit. It’s not as libertine or scummy as you would expect from a Times Square show in a what looks like a former den of lawyers, but then Times Square is not the flawed and blinkered glam and muck and whirl that it once was. Although who knows what lurks behind those brightly Disneyesque and moldy fur costumes…

Here is a pile of laundry from one perspective. From another it is an anamorphic portrait of activist Hellen Keller. Noah Scalin. Curated by Dawne Langford. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Noah Scalin. Curated by Dawne Langford. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Ask Jane Dixon, whose “Male Nourished” paintings of men and their dicks fill an office and overlook the action on the street below. She says she is rather celebrating men’s continuous love affair with their genitalia and portrays them as nearly obsessive relationships.

Jane Dickson. Curated by Michelle Loh. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Dixon knows these scenes better than most since she and husband Charlie Ahearn made their own Times Square home movies out the window and overlooking the street action in this famous nexus when gangs beset passersby, drugs were not delivered to your door via text message, arcades were dark  rooms full of pinball machines, and hookers and Johns were just “locals”. Dixon is also an alum of the famous “Times Square Show” mounted with 100 artists in 1980 in a massage parlor on 41st and 7th Avenue. The show later became regarded as a turning point in New York low/hi art and uptown/downtown culture with a list of young artists who became well known in certain circles; Tom Otterness, Jean-Michel Basquiat, Kiki Smith, Jenny Holzer, Kenny Scharf, Nan Goldin.

Jane Dickson. Curated by Michelle Loh. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

For a moment you can forget the high rents that have driven most of these artists out of Manhattan and into the crowded lofts of Brooklyn, Queens, even Jersey. Quirky, searching, forcefully unique and hoping for a break. The excitement among these 150 curators and 400 artists is palpable on opening night and you want these visionaries to succeed, and indeed they do through this dark lookingglass. Many themes continue out to the street, and for a few boisterous moments this chaotic labyrinthine in fluorescent glow mimics the streets below.

Lee Quinones takes a US propaganda ad which he salvaged from the Brooklyn Navy Yard and adds modern military bombing of Babylon as a backdrop. Curated by Sara Driver. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Lee Quinones. Detail. Curated by Sara Driver. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

A barbershop in the front, a surveillance room full of screens in the back. Curated by Eve Sussman . Simon Lee. Barbershop. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Cate Giordano creates an apartment of papier mache. Curated by Suzanne Kim. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

 

Michael Zelehoski. Curated by Che Morales. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

 

David Kramer. Curated by Ambre Kelly . Andrew Gori. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Artist, writer, publisher and jazz saxophonist Noah Becker does a self portrait against a backdrop of Basquiat. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Curated by Carole Vobe playfully displays that great leveling force of death. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)

Tamara Santibañez and a monochrome hand-drawn teen bedroom from the 1980s. Curated by Justin De Demko. Spring / Break Art Show 2017. NYC, 02-2017 (photo © Jaime Rojo)


Check out Spring/Break 2017 March 1-6.

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