“I didn’t know Christian and Patrick personally at the beginning of the project,” says graffiti writer/artist EGS, “but then we met and went spraying together.”
So many relationships on the street begin as easily, but this one is in service of a greater contemporary art effort – The Versus Project.
Now unveiling Part 2 of their collaborative canvasses exhibition here at Urban Nation’s special project space, Munich’s Patrick Hartl and Christian Hundertmark (C100) have combined their more painterly efforts as Layer Cake since 2015.
Reaching out to long-term and newer associates from the graffiti scene, they have been trading canvasses and ideas, and techniques for the last few years to discover how to work with others in a unique collaboration quest.
“The work on the canvases was very slow,” says EGS in the printed description of his participation in this second exhibition here. “One applied a layer of paint and then waited months again until it went on. But I wanted to take this time because the project was very close to my heart.”
“I’m super happy with the finished paintings and don’t even know who painted what in the end – that feels super. Working on the canvases together and sending them by mail seems extremely important to me in this age of digitalization, where everything is about speed It’s nice to send and receive art that’s measured by weight – not gigabytes.”
Here is a selection of the canvasses on display in the gallery now – each has its own fusion of minds and methods, an encoded presentation that contains the mark of two, presented as one. “In this way, an artistic dialogue is created,” say the project leads, “the canvases become the platform for a discussion on a painterly level – in this case by artists currently or formerly active in style writing from different generations, countries, and continents.”
The Versus Project 2 presented by Urban Nation and Layer Cake is currently open to the general public at Urban Nation Project Space in Berlin. Click HERE for additional information.
The brilliant Patrick Hartl & Christian Hundertmark (C100) have been at the graffiti/street art/contemporary art nexus for much of the last decade, delineating the boundaries, and then artfully shifting them.
A multi-year project now welcoming guests at Urban Nation’s Special Projects space in Berlin reveals the imprecision of terminologies and commonly-used nomenclature in this period of hyper-hybridization.
Mick La Rock/Aileen Middel VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
When you consider the volley of influences that bounce and collide on metro cars and street walls and digital screens these days, it makes sense to describe the experimentation now afoot as a dialogue. As the Munich-based duo called Layer Cake, the two artists have been doing exactly that with one another’s art for a half dozen years.
“One begins to paint, the other reacts,” say Hartl and Hundertmark in their recent interview for the UN website. “Thus (we) conduct an artistic dialogue. The marker asks a question, the paint can answers, the brush completes or provokes,” they say, “until both artists agree that the mural is finished.”
It is not an automatic process for graffiti writers to create work this way; as one of the basic tenets of the street, you don’t go over someone else’s work unless you mean to show disrespect or provoke a battle.
Drawing upon an eclectic selection of participants with experience on the street, the two act as curators of the new show called ‘Versus’. The rules are similar to their personal practice – produce a collaborative piece with another artist whose style and references may not match yours directly – with each contributor agreeing when the piece is complete.
The clashing and crashing can be seen on the canvass as each new addition rebalances the abstraction, and not everyone was sure it would work.
Bisco Smith VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
Artist Flavien Demarigny hesitated to participate versus Layer Cake because he wasn’t sure if he could work with their style that often incorporates calligraffiti techniques, he says. “As it is a major ingredient of Layer Cake‘s visual language I wasn’t sure if I was the right fit for it,” he says in a Facebook post.
“Then I remembered this is precisely what collaborations are about: pushing your limits, opening your perception, and create together new horizons. As a result, we started three collaborative pieces and one came out fantastic, which we decided to present in this show. Their choice of sticking to the repetitive pattern of my style was the wise one, so the two vocabularies can interact, as accidents make it unexpected and create the poetry of it.”
Dave The Chimp VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
With 13 different artists passing canvasses back and forth – each adding and subtracting, obliterating and augmenting, they say that at the root of the process was a rule not to consult, but rather, react.
The results fairly wrestle under the constraints, each cutting forward, marking and gesturing and claiming space on the canvass. These works illustrate the tension you may associate with the harshly pounding street in cities, sometimes still glittering insistently despite the struggle.
Usugrow VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
“It is not easy to make an intervention in someone else’s painting,” says graffiti style-writing veteran Mick La Rock of her ingrained hesitancy during the art-making process. “You want to avoid taking the painting over and make it your own style. Every part I added to the painting was thought over at least ten times before painting it,” she says in an interview for the show.
On view in the Special Projects room near the museum, “Versus” is a sharp reminder of the community that joins together on walls and surfaces all over the world. Each style challenges the one next to it, sometimes holds it accountable, other times revealing its true nature. The curators say “The Versus Project is an artistic experiment in communication, challenging dialogue, the struggle for a final form.”
Chaz Bojorquez VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)Wandal VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)Flavien VERSUS Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)Layer Cake. Versus Project. Urban Nation Berlin. (photo courtesy of UN/layer Cake)
PARTICIPATING ARTISTS:
Layer Cake (Patrick Hartl und Christian Hundertmark aka C100), Chaz Bojorquez (Los Angeles / US), Mick La Rock / Aileen Middel (Amsterdam / NL), Sebastian Wandl (München / DE), Dave the Chimp (Berlin / DE), Bisco Smith (New York / US), Vincent Abadie Hafez (Zepha) (Toulouse / FR), Formula 76 (Hamburg / DE), Usugrow (Tokio / JP), Bust (Basel / CH), Jake (Amsterdam / NL), Egs (Helsinki / FI), Imaone (Tokio / JP) und Flavien (Apt / FR).
“The Versus Project” curated by Layer Cake is currently open to the general public at the Urban Nation Project Space. The exhibition will be on view until December 31, 2021. Click HERE to find more information about the exhibition, Covid protocols, and schedule.
Project space of the URBAN NATION Museum, Bülowstrasse 97, 10783 Berlin
Innovative artist in the public sphere, Daniel Weissbach aka DTAGNO aka COST88 has charted new territory many times with his hand made experimentation that makes graffiti and street art search themselves for new definitions.
Creating new tools and techniques for applying the traditional aerosol spray to the wall, he inspired many imitators and redefines the artists’ relationship to art in public space. Rooted in graffiti culture but scaling a number of disciplines, he has trail-blazed his own idiosyncratic routes and aesthetics full of humor, discovery, and contradiction for more than two decades at work, and in the process he’s created new paths for us to explore.
Beginning next week with a special showcase of works by admiring peers in the graffiti/ Street Art/ Urban Art/ public art Berlin family, a large number of works will be auctioned to benefit the 44-year old artist as he lives with a medical diagnosis that is a great challenge. Since 2016 he has faced the challenge bravely and will need to have greater care as time moves forward, so the community is reaching out to help.
Following on the heels of a successful campaign on GoFundme last month, this multi-stage online auction of works donated by many local and international artists will assist him and his family during this time, so that he can spend it “in his familiar surroundings, at home, with his 8-year-old daughter and with us,” says artist Christian Hundertmark in his GoFundme essay.
“Get Well Daniel” is the charity auction initiative begun by Steffen Köhler, Markus Mai and Matthias Wermke with the support of many others.
BSA invites you to join with the family of admirers, companions, and friends and to participate at the opening exhibition this Friday, February 21 in Berlin to see many of the works donated Friday night and all day Saturday. If you cannot attend the exhibition please look online beginning Sunday night February 23 at 8 pm for the first group of 30 items.
The benefit auction, which gives 100% of the proceeds to Mr. Weissbach, will continue throughout the month of March and will be updated with new works March 2, 9, and 16, with the final group being unveiled March 23rd.
“Get Well Daniel” Exhibition
21.02.2020, 4 p.m. – 10 p.m. // 22.02.2020 10 a.m. – 8 p.m.
@ Salon am Moritzplatz (Oranienstrasse 58, 10969 Berlin-Kreuzberg)
CHARITY AUCTION
The first auction starts online Sunday, February 23, 2020 at 8:00 p.m.! www.getwelldaniel.de
Participating artists include: Adams & E.B. Itso, Adrian Nabi, AKIM, AMIGO, André Simonow, Angabe noch zu klären, Anna Herms, Antwan Horfee, ARIS ONER, BARTO, Beerbird Press, Bernhard Uhlig, BIO, Brad Downey, BUNY, CHEERIO, Christian Falsnaes, Christian Schellenberger, Clemens Behr, Coco Bergholm, Conny Maier, CREAM – 247/MAD, CYOP & KAF, Dan Murphy, DEJOE, DELTA (Boris Tellegen), DEON, DES78, Dmitry Ilko, DRIK, DTAGNO & TRYONE & Jürgen Große, Dumar Novy, EGS, Emmett Edelstein, Enzo Ricordo & Mr.Z, Eric Winkler, ERUPTION (JB. Institute), ESHER, EXOT, Fabian Treiber, Felix Amerbacher, FISTER, Flatliners & Tuff City Kids, GATE, Gambette, Graffitimuseum (Joachim Spurloser, Stefan Wartenberg), HuskMitNavn, ICOS, IDEE, IMOS, Jakob Traxlmayr, Jan Kaláb, Jeremias Böttcher, Jeroen Erosie, Jeroen Jongeleen / influenza, JOLIE, Julien Fargetton, Kaos (VIM), Katdog Wartenberg, Kevin Kemter, Kiddo Oh, KingOfVoid / NICK, Konsens Berlin, KROK, LOFKER, Louise Drubigny, LOVER, LuluGazel, Markus Mai & Markus Butkereit, Matthias Wermke, Max Schaffer, Max Stocklosa, Mischa Leinkauf, MISERABLES, Mister Adam & Gijs Weijer, MONKEY, MOSES & TAPS™, Norman Behrendt, OLABO & AKAY, Olivier Stak / O.K-T, Pablo Tomek, Paul du Bois-Reymond, Paul Simon Krüger, Philip Emde, Philipp Clasen, Philipp König, Possible Books, RACHE, REACT, REVOK, REW KREUZBERG, ROY1st, ROZER, Ruohan Wang, SEEK, SOME SOScrew, SPAIR, Stefan Haehnel, Stefan Marx, Stefan Strumbel, Steve Paul Steven Paul, Streetfiles, SWOON, The WA, Thomas Bratzke, Thomas Korn, Tony Savas, VELI & AMOS, Velo Tramp, Vincent Grunwald, Wilhelm Klotzek & Konrad Mühe, 1UP Crew and φαντομας!
For further press information, please contact Katia Hermann // press@getwelldaniel.de
It’s been a packed couple of weeks between traveling to Moscow for the Artmossphere Biennale 2018 and immediately hopping to Leipzig, Germany for the magnificent Monumenta opening. Our heads are full of stories and conversations and images in two distinctly different scenes that somehow are still completely connected. Can’t tell if its euphoria or relief or jetlag but this Sunday is a dizzying day of taking account and being really thankful to be involved with an astounding amount of talent and camaraderie in the Graffiti/Street Art/Urban Art community that is connecting people around the world.
Here are our images of the week this time around; some selections from the Thursday night Artmossphere Biennale 2018 in Moscow, featuring 108, 1UP, Adele Renault, Bill Posters, BLOT, Canemorto, CT, the DOMA Collective, Egs, Faith XLVII, Faust, Finsta, Hyland Mather, LOT, Lucy McLauchlan, Lyall Sprong, Martha Cooper, Pablo Harymbat, and Pink Power.
JK it’s also April Fools Day but we know you are no fool amiright?
This week we are going all graffiti for our Images of the Week section, and most of it is on Brooklyn roofs. So we’re giving a high five to tulips, daffodils, forsythia, hyacinths, ducklings, robins singing, Sunday dinner with your moms or pops, the hat parade on 5th Avenue, chocolate rabbits, and graffiti pieces on the roof. Here’s hoping for warm weather, a new colorful season, and excitement coming back to the streets of the city.
Here’s our weekly interview with the streets, this week featuring Aneko, Asult (2DX), Baer, (BTR), Bishop203, Curve, Distort, Egs, EWOK, False, Home, Jins, Kider, Low Brow, Minus, MQ, Nerds, RELS, Sear, SEN, and Trace.
With special thanks to Stephen Kelley for his expertise and inspiration.
We ran into BSA contributor Stephen Kelley on the streets of Brooklyn and he informed us of his impending move for greener pastures and bigger dwellings to accommodate the yet to arrive new member of the family (congratulations buddy). At the same time we invited us to his rooftop where he has been hosting writers, locals and forefingers to get up on the perfect canvases that are the squares that house the rooftop staircase exit. We hereby dedicate today’s Images Of The Week to the graff writers….STEVE keep waxing poetic…
Niels Shoe Meulman on the cover of The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
“Writing”, as in the graffiti sense of the word, has become quite tastefully adventurous of late, as calligraffiti pushes and pulls it in height, dimension, finesse. Evolved from our first recorded history, the modern stylizing of the letter form is as fascinating and wild as it is domesticated, the mundanity of your particular tag now veritably swimming in many depths and swirling currents, weaving complex melodies, hitting notes previously unheard.
JonOne The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
This was inevitable, now that you think of it, this organic and ornate practice of making your mark, and the freedom to explore it came from the street. Mark-making indeed. You can call it “The Art of Writing Your Name,” as have the authors/artists Christian Hundertmark and Patrick Hartl.
Born of many late night talks and collaborative painting sessions together, merging Christian’s abstract graphics and collage with Patrick’s calligraphy and tagging, the two slowly discovered a mutual collection of writers and artists whose work they both admired, a book slowly taking form in their minds. “Our late night sessions also implied long conversations about the evolution of Graffiti to Street Art to urban calligraphy,” the authors say in their preface.
Poesia The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Graff writers in the mid 90s Munich scene, both had developed their individual styles beyond the classic street vocabulary, now evermore interested in discovering new materials, forms, processes, influences. Just released this summer, this new collection confidently illustrates what until now may have been evident to only a few; the aesthetics of writing have expanded and permutated far beyond their own roots in graffiti, tattoo, traditional calligraphy.
“Every artist brings a different approach with their calligraphy artwork,” says perhaps the most prominent of the genre today, Niels Shoe Meulman, who blazed into the publishing world with his tome “Calligraffiti” in 2010 after bringing his practice to the street and gallery. “We all come from different experiences and have different things to say.”
SheOne The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Indeed the list here includes the literal interpretations to those so far dissembled as to appear purely abstract, the aerosoled, the inked, the drippy, the purely light, the monstrously brushed acrossed floors and rooftops, the molded and bent and aroused into sculpture. Here the letter form is stretched to its limits, far beyond its relevance as part of codified language, more so the malleable warm putty in the hands of the artist, molded and mounted and even mystifying in the service of energy, kineticism, emotion.
“I start with quite randomly placed fat cap tags on the white surface,” says German author/artist Hartl to describe his particular technique, “then I overpaint it like 80% with slightly transparent paint, tag the wall with markers, overpaint that layer again, then I do stickers and posters, rip parts off again, repeat all these steps again and again until I’m happy with the result.”
Said Dokins The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Without doubt many will find inspiration in these nearly 300 pages, these insightful interviews with artists like Stohead, Usugrow, Saber, Kryptic, Faust, Carlos Mare, L’Atlas, Lek & Sowat, Poesia, Tilt; the forward by Chaz Bojorquez, the singular, at times stunning, photos and supportive texts.
Made for “graffiti fanatics, hand lettering fans, street art junkies, calligraphy lovers, and type enthusiasts”, co-author Christian Hundertmark edited the respected “Art of Rebellion” series and he knows his audience and this slice of his culture. The 36 artists are not the only ones representing this evolution in calligraphy, but they are certainly some of the finest.
Lek & Sowat The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
L’Atlas The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Tilt The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Carlos Mare The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
Faust The Art Of Writing Your Name by Patrick Hartl & Christian Hundertmark. Publikat Verlags. Mainaschaff, Germany, 2017.
The Art Of Writing Your Name: Contemporary Urban Calligraphy and Beyond by Patrick Hartl & Christian Hundertmark. Publikat Verlags – und Handels GmbH & Co. KG. Mainaschaff, Germany, 2017.
Artists included are Chaz Bojorquez, JonOne, Niels Shoe Meulman, Poesia, Cryptik, SheOne, Said Dokins, Stohead, Usugrow, Patrick Hartl, Lek & Sowat, L’Atlas, Tanc, Mayonaize, Soklak, Mami, Tilt, Blaqk, Soemone, Jan Koke, Jun Inoue, Vincent Abdie Hafez / Zepha, Carlos Mare, Egs, Simon Silaidis, Faust, Luca Barcellona, Bisco Smith, Creepy Mouse, Defer, eL Seed, Rafael Sliks, Saber, Pokras Lampas.
The spirit of New Yorks’ 5 Pointz graffiti/Street Art holy place has popped up in the same Queens neighborhood where it was demolished in 2014, and since last summer more than 50 local and international aerosol artists have been hitting a new project “Top to Bottom”.
The choice of “Top to Bottom”, a graffiti term that recalls 1970s trains painted their entire height, is no mistake as creative director James P. Quinn reveres the classic style and histories of those original writers like internationally and institutionally celebrated artists Crash and Daze, who have collaborated on a mural here.
Additionally, in yet another sign that the celebration of art on the streets is ever more ecumenical, Quinn and his project lead Geoff Kuffner are bringing the newer Street Artists who are expanding and defining the current era for art in the streets like Case Ma’Claim and Rubin 415. Not surprisingly, both of these artists started in graffiti, as did nearly every name here.
“I felt like a comfortable amount of space should be allocated to certain styles,” says Quinn as he describes the process of parceling out spots for the façade and roof of the 124,000-square-foot former warehouse. Truthfully, he tells us, not all the surfaces and shapes are attractive to graffiti artists, so a variety of styles is best.
“I tried to fit them in where I felt that graff writers could enjoy themselves and do something expansive. There are only a couple of spaces here that fit the epic, horizontally spaced forms of style writing. There are a lot of strange shapes to navigate as a painter here, rather than easy space to develop style as a writer.”
Quinn and Kuffner give a couple of visitors a tour around the entire block on a gray day where heavy fog hangs in the air obscuring the top half of Manhattan and they excitedly recall stories about the many installations in this first project of their newly formed Arts Org NYC. Using the word “garden” often, Quinn reiterates that this project for them is a “proof of concept” for bigger projects that will spread further through the city. “Ultimately I’m approaching it as a mural project,” says Quinn, who has organized mural programs a number of times since the 1990s. “It’s just a beginning.”
Street Art has evolved into districts of murals in cities as a gentrification device in the last five years and despite the critique that it is often used for economic development, many urban art watchers would also agree that we’re in the middle of a renaissance of public/private art. Quinn says he wants to capture part of the public’s new interest and make it grow. “I’d like to leverage the current hype and acceptance of mural painting to open up doors to people – old women, young kids, everybody.”
The neighborhood itself feels like it is in transition but it is not clear where it is heading. With Silvercup Studios and the number 7 subway line nearby and MoMA PS1 within a 10 minute walk, a quick survey reveals mixed light industry, sweatshops, corner delis, and the occasional strip club. Below the off-ramp of the Queensboro Bridge, which sweeps past the “Top to Bottom” exhibition, you will see first and second generation immigrants from the areas’ latin and African communities walking by, and Quinn reminds you that the Queensbridge Projects where Hip-Hop storyteller NAS grew up is just a short walk from here.
Conversation turns to plans for more focused programming on the walls in Phase II, possible fine art shows with local gallery spaces, and ultimately a city-wide mural project that offers art and art-making to greater audiences, including school kids.
“I do feel like murals get focused in certain locations but I feel like the entire city as a whole is still suffering. Huge demographics aren’t getting the painting,” he says, invoking the civil rights leader Martin Luther King, Jr. “I feel like my ‘I Have a Dream’ speech about this project is that I hope it gets to the point where 10 year-olds can have as much access to a neighborhood as developers.”
Does he think that projects like this are pawns for business interests to draw investments into the neighborhood and push poorer populations out? “You can debate whether or not we are opening the way for more shiny condos… but that shit is happening whether we do this or not. For me the importance is keeping us here; So we’re not totally pushed out 30-45 minutes away from here”
Because of its proximity to the now destroyed 5 Pointz, where hundreds, perhaps thousands, of urban artists painted a much larger block repeatedly for two decades, we ask Quinn if he’s concerned with comparisons.
“I’ve always managed other projects like this in my own style and my own way. There are comparable aspects and I have nothing but a huge sensitivity and respect for Meres and 5 Pointz,” he says, referring to the artist and de facto director of the hallowed spot. “It’s comparable only because it’s a building and it’s in Long Island City. But this is only a jump-off. I want to do way more projects like this across the city.”
As the business partners walk past new pieces by DMote, Li-Hill, Icy & Sot, and Jick, the topic of the historically strained relationship between graffiti writers and Street Artists appears to be addressed head-on by the project by the inclusion of all manner of painter. The guys say that it is less of an issue than some people would have you think. As a long-time artist and muralist and curator of projects like this, Quinn says he’s over the supposed rivalry of the two camps, and sees mainly just one camp these days.
“I don’t know what the fans of graffiti or Street Art have any problem with. To me it’s all awesome.”
VOLUNTEER TODAY AND THIS WEEKEND – RESOURCES AVAILABLE
Happy Friday Everyone!
This is not a typical Friday and not very fun in New York and for much of the east coast as we continue to grapple with the results of the storm called Sandy. New Yorkers always help each other get back on our feet and this time it is again heartening to see so many people volunteering and doing what they can to bring this city back. Our art listings this week take a 2nd place to our listings for places you can go to get help, and things you can do to volunteer.
LOOK FOR THE FULL LIST OF ART EVENTS AFTER THESE VOLUNTEERING OPPORTUNITIES.
Donate Storm Supplies: Donate extra food, water, and batteries to local shelters and food banks. Search here to find a food bank near you.
Volunteer in Local Shelters: Contact shelters directly for volunteer needs. Find your local emergency shelter location here: http://gis.nyc.gov/oem/he/index.html.
Volunteering The Mayor’s Office has stated that the best way to find out how to volunteer is to register with NYCService.org and you will get notified of opportunities. You can also follow them on Twitter and Facebook
Red Hook Initiative is seeking donations at 767 Hicks Street (at West 9th) “Please bring donations of food, flashlights, candles, water pumps, generators. Many buildings in the neighborhood will likely not have power for the next 4-5 days.” For more information call, (347) 770-1528 or email redhookrecovers@gmail.com
Clean up at BWAC / Brooklyn Waterfront Artists Coalition in Red Hook on November 3rd & 4th: “This Saturday and Sunday we hope to clean out all the trash and debris. This includes much of the sheet rock as well as anything destroyed. If anyone has a portable generator, long extension cords, or work lights, we would like to borrow them. Anyone and everyone is needed for this effort. We will be starting at 10AM on Saturday. RSVP/questions: bwacinfo@aol.com”
The MoMA and PS1 curator Klaus Biesenbach is helping to organize relief efforts in the Rockaways Saturday: http://bit.ly/WcFgWD Biesenbach plans to meet volunteers outside the Lewis B. and Dorothy Cullman Education and Research building at 4 West 54th Street at 10am on Saturday, and then will drive people and supplies out to the Rockaways.
Donate to families in the Rockaways now-Sat. Nov.3rd 9:30-11am. El Puente is collecting donations of clothing/supplies/nonperishable food for affected families in the Rockaways, now through Saturday. Drop-off location: El Puente Headquarters, 211 South 4th St. (@Roebling) in Williamsburg BK 11211
Donate clothing and food items in Bay Ridge, Brooklyn today Nov. 2. The Arab American Association of NY is collecting clothing and food items for donation. “All clothing donations should be washed & all food items must be sealed. We will deliver items to three Brooklyn shelters – Brooklyn Armory, FDR High School, and the Caton School” Please drop off items to 7111 5th Avenue, Brooklyn, NY 11209 between 10am-6pm today until 2pm Friday, November 2ed. Contact: faiza.aaany@gmail.com
Help cleanup New York City Parkshttp://on.nyc.gov/Pp0v3n to volunteer in our parks this weekend. Help clean up Prospect Park Nov. 2ed, 3ed, 4th: Volunteer with the NYC Department of Parks & Recreation to aid in the cleanup and recovery of Prospect Park this Friday, Saturday and Sunday (11/2 – 11/4), clickthis link to sign up.
The American Red Cross
Red Cross: The Red Cross is seeking volunteers over 16 and who are able to lift 50 pounds and comfortable working in stressful situations. Email them at staffing@nyredcross.org
Give Blood – Hurricane Sandy has caused the cancellation of 100 blood drives in the Northeast and Mid-Atlantic, a shortfall of 3,200 blood and platelet donations that would otherwise be available for those needing transfusions.
Volunteer at a Hurricane Sandy Shelter – The American Red Cross is specifically seeking individuals over 16 years of age that can carry 50 lbs to volunteer at local New York Red Cross Shelters.
Donate Money – You can choose to donate money to the Red Cross Disaster Relief by visiting their website or texting REDCROSS to 90999.
AmeriCares
Donate Money – AmeriCares delivers medicines and medical supplies to disaster areas, and as of yesterday was deploying a mobile medical unit to affected areas in Connecticut.
The Salvation Army
Donate Money – The Salvation Army is currently on the ground in New Jersey helping with relief efforts, according to New Jersey Governor Chris Christie.
Food Bank for New York
Donate Money – The Food Bank for New York provides food and emergency meals to New Yorkers, and as of last night was planning to continue distribution on Tuesday. You can donate money by simply texting FBNYC to 50555. If you wish to volunteer, check with and contact your neighborhood pantry or kitchen via the Food Bank for New York’s website.
The ASPCA
Donate Money – The ASPCA will assist and rescue the thousands of animals affected by Hurricane Sandy.
The American Society for the Prevention of Cruelty to Animals (ASPCA) takes donations to rescue and shelter animals affected by the storm. According to spokesperson Emily Schneider, the group’s efforts are currently focused in the New York City area, where nearly 240 animals are staying with their owners in pet-friendly Red Cross shelters. The ASPCA is also setting up a distribution center in Syracuse, New York with 4,000 sheltering units, which contain pet food, crates, food bowls, toys, and anything else an animal may need. They’re also standing with water rescue units should they be called.
The Humane Society of the United States
Report – The HSUS has a 24-hour hotline for New York evacuees to report pets that were left behind. The number is 347-573-1561.
The Bowery Mission Has Current Needs
Financial donations — They are serving three times as many as normal, and will need to restock food and resources once we have power.
Help provide food for 200 people at a time (make and/or get and drop off at the Mission – 227 Bowery)
Make peanut butter and jelly sandwiches and drop them off
Trays of cooked food, ready to be served
Large amounts of Gatorade and Iced Tea – Currently only serving water
Gasoline for generators that are providing emergency power — Please deliver to 227 Bowery (at Prince Street), 45-51 Avenue D (between 4th and 5th Streets), or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
Blankets at The Bowery Mission Transitional Center — Please deliver to 45-51 Avenue D (between 4th and 5th Streets) or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
Sweatshirts, Large and XL coats and hoodies, men’s jeans and boots, at The Bowery Mission — Please deliver to 227 Bowery (at Prince Street) or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
Pantry items such as sugar, oatmeal, coffee, rice, potatoes — Please deliver to 227 Bowery (at Prince Street) or our Administrative Headquarters at 132 Madison Ave. (Madison & 31 St).
For those who want to send other kinds of help, the American Red Cross collects funds and coordinates blood donations. The organization sheltered more than 3,000 people across nine states during the worst of the storm. You can donate $10 by phone by texting the word REDCROSS to 90999.
The United Way has created a regional fund for communities hit by Sandy. They’re asking for donations at uwsandyrecovery.org. Donors can also give $10 by texting RECOVERY to 52000.
Volunteers in New Jersey are being coordinated through an emergency response hotline, 1-800-JERSEY-7 (1-800-537-7397). Alternate numbers, for when the hotline isn’t staffed, include 609-775-5236 and 908-303-0471 or emails can be sent to Rowena.Madden@sos.state.nj.us.
1. New York Kings at Pure Evil (London)
2.”Stikman 20.1″ Opens in Philadelphia Tonight
3. EVOK “Ordinary Things” in Detroit
4. “Four” Group Show at Loft F (Boston)
5. Dale Grimshaw’s”Moreish” Signal Gallery in London
6. ARD*POP-UP 2012 Festival in Oslo, Norway
7. Unruly Gallery in Amsterdam showing Finland’s Graffiti Artist EGS
8. JonOne solo show “Beautiful Madness” at Fabien Castanier in Studio City, CA
9. All City Canvas: The Short Film (VIDEO)
10. Chris Dyer in Montreal (VIDEO)
New York Kings at Pure Evil (London)
“New York Kings” is the title of the new group exhibition at the Pure Evil Gallery in London featuring COPE2, INDIE 184, BLADE, STAY HIGH 149, SEN2, FUZZ ONE, POEM, BOM5, RD 357, DECK, and EASY & JOZ . In London for the first time in over a decade, a unique exhibition of the godfathers of graffiti art using new york subway maps as their canvas to tell their 30 year story while remaining true to their roots. this is a rare opportunity to see examples of a genre that is often temporary by its very nature.
For further information regarding this show click here.
“Stikman 20.1” Opens in Philadelphia Tonight
Enigmatic Street Artist STIKMAN has a solo show titled “Stikman 20.1” opening today at the Stupid Easy Gallery in Philadelphia, PA. You might not see him if you to the opening but you sure will see his vast artistic output on display. For 20 years Stikman has been putting his art on the streets based on this one character presented in so many different ways and situations, with humor, wit and poignancy – more recently they have appeared with a lot of Mondrian influences. Most people never tire of discovering these rigid little fellers as they turn a corner, look up a sign post, cross a street, admire an architectural detail on a building.
For further information regarding this show click here.
REVOK “Ordinary Things” in Detroit
REVOK is a son of Detroit and the Library Street Collective Gallery is welcoming him with a solo show titled “Ordinary Things” opening tonight. The things may be ordinary, but what he makes with them are not. Assembling and fashioning found objects and materials he shows a fastidious attention to detail and an acute sense of balance, harmony and color.
For further information regarding this show click here.
“Four” Group Show at Loft F (Boston)
Unveiling his new portrait of a certain candidate in Tuesday’s race, Dave Tree is showing in a group show titled “Four” at the Loft F Gallery in Boston, MA. This show opens today.
For further information regarding this show click here.
Also Happening this weekend:
Dale Grimshaw‘s show “Moreish” is now open to the general public at the Signal Gallery in London, UK. Click here for more details on this show.
ARD*POP-UP 2012 Festival in Oslo, Norway is now underway until Sunday Nov. 04 with the participation of renowned Street Artists including: CODEROCK (NOR), M-CITY (POL), PHLEGM (UK), PEZ (SPA), KENOR (SPA), ZOSEN(SPA), CHANOIR (FRA), GALO (BRA), SUB LUNA (ISL), ACHOE (NOR), MARTIN WHATSON (NOR) and DOT DOT DOT (NOR). Click here for more details on this festival.
Unruly Gallery in Amsterdam, The Netherlands is showing Finland’s Graffiti Artist EGS in a solo show with works on paper and sculptures. This show is now open to the general public. Click here for more details on this show.
JonOne solo show “Beautiful Madness” at the Fabien Castanier Gallery in Studio City, CA opens tomorrow. Click here for more details on this show.
Unruly Gallery is proud to present EGSEgs is the most internationally recognized Finnish graffiti artist. His career started in Helsinki during the late 80s and was part of the country’s first graffiti wave.
His art is an anthropological research into graffiti.
At first Egs searched for every piece of graffiti in his own neighbourhood, then in the rest of Helsinki before heading to meet and paint with like minded writers in all corners of Europe.
The last 25 years he has painted in five continents
and over 40 countries. He has sought inspiration in local graffiti scenes worldwide and collected global graffiti folklore for his own art.“Every wave, star, drip or block I have ever painted can be traced to this attitude of graffiti anthropologist. Every fade is reminiscent of some graffiti that I have seen. Every 3D or bubble has a story to tell. Every piece I’ve done pays an homage to the great graffiti folklore.” -Egs
Egs’ art has been exhibited in galleries and on walls all over the world.
The works in the upcoming exhibition at Unruly Gallery in Amsterdam are inspired by graffiti art in its most distilled form: a name painted in black.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
