Looking though our BSA records, we haven’t had a Fun Friday since way back before Obamacare was approved and the Communists took over and the Death Panels were installed. Now that it is just all of us degenerates left running the place, let’s look at some of the important cultural signifiers (as Gaia would say) that are shaping our world….
The VADER PROJECT
100 Artists Pimped the Dark Side for “The Vader Project”
Through four tour stops (LA, London, Tokyo and the Warhol Museum), The Vader Project has thrilled Star Wars fans, collectors and art enthusiasts with a staggering display of 100 artist customized Darth Vader replica 1:1 helmets. Now with news of the Vader Project auction at Freeman’s (7.10), collectors can bid on the amazing one of a kind helmets.
To celebrate both the completed tour and the auction, the Vader Project has prepared a full-color catalog featuring all one hundred helmets (2 page spreads for each, 200 pages total). It’s available for pre-order now for $40.
If you live in or around LA, don’t miss the Auction Preview presented by Freemans opening on June 11th (6- 10 PM) through the 20th, with a special catalog signing on Saturday the 12th @ 2 PM. Full details on thevaderproject.com.
Middle School Kid Blows Roof Off Auditorium with Lady Gaga Cover
“Don’t Ask Don’t blah blah blah”
You say Tomato
2 things about this trailer for an upcoming movie about graffiti in New York… 1. We cover street art, which is similar but I’m not expert on graff – so don’t ask me for some great opinion on the matter 2. I love the dramatic tension created in the fast cutting of opinions here, and then the sudden swelling of heroic Viking choruses of fat ladies in strapless gowns and pointy Viking Helmets comes out of nowhere from the dark ages, creating visions of brutish butchering armies in armor with V-shaped shields in one hand and cans of spray paint in the other. Onward, Upward! !!
Street artists C215, BEEJOIR, MISS BUGS, and EELUS have donated pieces to an auction that is still being planned as a fund raiser to help an orphanage in Haiti called “Chances 4 Children”
The four confirmed participants in the auction so far are the following:
“High Hopes” by EELUS, Screen print on 500x700mm heavy art paper. Number 2 of a signed and stamped edition of 75. This image is of the original (print version to come)
The auction, which is still being put together is entirely for the benefit of the orphanage.
100% of the PROCEEDS WILL GO TO THE ORPHANAGE. CHECKS / CHARGES WILL BE MADE DIRECTLY TO THE CHARITY.
Beejoir "Oil Can Special, Double Can Edition" - this is not the exact image, the actual image will be coming shortly.
According to Rae, Brooklynite has an indirect link to the orphanage because very good friends of theirs were in the process of adopting two children when the earthquake hit.
The story has been covered on CNN and in the Daily News.
With Punk Rock Chords banging in his ears, the “workhorse” slams together two of his favorite things – Rock and Street Art – with a careful eye.
Headbanger Hicks created portraits for the happy lads of Green Day; Billie Joe Armstrong, Mike Dimt, and Tre Cool (images courtesy Logan Hicks
He likes the dirt and the grit and diversity of New York, where he’s based today, as well as the thoughtfully applied paint of a well-placed stencil. You’ll see it in his work, painstakingly detailed and applied to faces, sidewalks, subways, tunnels, building facades, and the mighty canyons of Manhattan. Logan Hicks captures the haunted cityscape with his mammoth and marble-heavy photorealism, shocked with stinging hot colors, glowing in the sky like Armageddon looming.
That’s why he’s the perfect force to shepherd street artists to make custom pieces for “21st Century Breakdown”, the new Green Day album. The 90’s punk band’s 9th album has inspired a roving art gallery to be shown off as they roll their tour around the world, and they asked Hicks to assemble an impressive list including Ron English, Chris Stain, The London Police, C215, and Broken Crow.
Green Day frontman Billie Joe Armstrong says, “Punk Rock is ground zero for us. It’s been my education”. His schooling continues in the visual world with help from Hick’s curatorial skills. “Seeing the pieces that our new album has inspired is very exciting. Many of the artists Logan has chosen show their work on the street, and we feel a strong connection to that type of creative expression, ” says Armstrong.
Just back from installing a 6,300 foot mural on the street course of the ESPN X-Games in LA with his crew of Jeremiah Garcia (n10z), Surge MDR, and Meow MDR, you would think Hicks is a little winded. Nahhh, the burly family man isn’t called ‘workhorse’ for nothing.
Getting his X-game on with live stencilling before a crowd in L.A..
In addition to painting the street course, Hicks painted a mural celebrating the 15th anniversary of the X-Games, featuring an LA skyline and portraits of winners over the last decade and a half (photo courtesy the artist)
We asked Mr. Hicks if he could take a break and talk about the traveling show he curated,
Logan Hicks latest stencil is on view at Jonathan Levine Gallery until August 22nd.
and after he submitted his newest stencil to the “Beach Blanket Bingo” show at Jonathan Levine Gallery, he crowd-surfed over for an inteview…
Brooklyn Street Art: What moved you to take on this responsibility; to curate a roster of this caliber street artists to interpret the entire new album by Green Day? Logan Hicks: The manager for Green Day is also my manager. We were talking one day and I had told him that Art is the new Rock and Roll. Back when I was in high school, I was always on the look out for the new band, or song that paralleled my own feelings or ideas. Once I found it, I would play that sh*t every day. Back then it was punk rock, so I was on a Black Flag, Circle Jerks, Agent Orange, or MDC kick.
Ron English
Adam 5100
Now I find kids rocking Shepard Fairey stickers the same way I would play music. It is an expression that shows others what you are into. The conversation morphed into the idea of literally drawing a line between the music and the art as a form of expression. From there, I went through tons of artists and worked with Billie Joe Armstrong to pick the ones that we thought would work best for this project. From there the project was born.
Jeremiah Garcia
Brooklyn Street Art: Are these one-of-a-kind originals? And are they for sale or is it more of a traveling gallery? Logan Hicks: They are one of-a-kinds. The execution of the show is still in talks, so we may do prints, or a catalog, but at this point the only concrete plan is that we will travel the show to as many stops as we can, and display the originals in a gallery like setting. I’d like to see this travel, and be as approachable to as many people as possible.
C215
Meggs
Eelus
Brooklyn Street Art: Each of these pieces is responsive to a specific track on their new release. Did you give the artists any other guidelines for their work, like turn the volume up to 10 and bang your head on a cinder block?
Logan Hicks: Actually the only guideline that I gave them was that I requested they make their piece without listening to the music. I wanted the piece to be a response to the lyrics, not the music. So the majority of the artists got the lyrics before the album was even released. That way they only had the words to go on. I just feel that sometimes the music can skew the perception of the song. Especially with Green Day, their lyrics can be a bit acidic but the melodies are a bit poppy. I wanted them to focus on the content, not the presentation so it was a truer interpretation of the song.
Sixten
Component
Sadhuy
Brooklyn Street Art: Surprisingly to some youth, before there were the 90’s there were the 80’s and 70’s punk rock scenes. What bands were you slam dancing to for inspiration at that time?
Logan Hicks: Tons. A very brief list would be: Minor Threat, Cro-mags, Bad Brains, Butthole Surfers, The Pixies, Rudimentary Peni, 9353, Agent Orange, Circle Jerks, Descendants, Government Issue, TSOL, Joy Division, X, Crass, Exploited, Fear, Agnostic Front, The Cure, SNFU, The Addicts, Unsane, Dead Kennedys, GBH, UK Subs, DI, Sex Pistols, Cock Sparrer, Motorhead, 7 Seconds, Reagan Youth, and Black Flag. There were literally hundreds of bands that I would play on a weekly basis. I was a huge punk rock kid.
Broken Crow
Chris Stain
Peat Wollaeger
Brooklyn Street Art: A lot of the street-artists on this project work with themes of social injustice. Was that why you thought they would be able to interpret Green Day?
Logan Hicks: Yes, partially. Artists like Chris Stain are perfect for a band like green day because both are talking about the inequality, or finding your place in the world. Others like Ron English point out the absurdity and injustice in the world. Other artists were chosen because I thought their style was raw, or particularly suited for the project.
Lucamonte
Myla/Adam 5100
“Well maybe I’m the faggot America, I’m not a part of the red-neck agenda..”
Brooklyn Street Art: American Idiot” was a blunt instrument that smacked some sleepy heads. Do you like art that attempts to wake people up?
Logan Hicks: I crave diversity, so yes, I like blunt work, but I also think that work like Lucamaleonte is great too. His work is subtle, and a bit somber. I have never been the kind of guy who is into just one kind of style. I like the full array of style. Back when I was listening to punk rock, I would also put on Run DMC or Public Enemy. Even Bob Willis and the Texas Playboys would find their way into my play list. I just like art that is well thought out, purposeful, and well executed.
M City
Will Barras
Pisa 73
Brooklyn Street Art: Among the international group of fine artists you called upon to submit work, who handed their work in on time, who was late, and who told you the dog ate it?
Logan Hicks: Ha-ha. Most were good. When you deal with a large group of artists, you have to expect that some will drag their feet. I did have one rather well known stencil artist who waited 3 months to read the contract, then one week before things were due told me ‘ this is not a good project for me’. That was rather disappointing. Rather than say who was bad, I will say who was good. Ron English was extremely prompt and had his shit in more than month ahead of schedule. Total pro, and great guy to work with. There is no one in the group that I wouldn’t work with again though.
Brooklyn Street Art: Bonus Question: Which one is your favorite? Why?
Logan Hicks: Mine. Why? Cause I totally rock.
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