All posts tagged: Djalou’z

BSA Film Friday: 04.15.16

BSA Film Friday: 04.15.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Carlos Cruz-Diez & Spectra by Selina Miles
2. Djalouz – Petites Chroniques Urbaine
3. Between The Lines With RISK
4. Nychos x Traktor Wien

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BSA Special Feature: Carlos Cruz-Diaz & Spectra by Selina Miles

Optical art, public experimentation, scientific research, kinetic engineering have all contributed to the half century of study by artist Carlos Cruz-Diez. He’s “been doing street art longer than most people have been alive,” says the narrator.

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Now 92, based in Panama, he continues to work in-studio with geometric abstraction putting to the test color and its measuring its effects on us and our built environment. A current generation of street artists are invited in studio to work with their hands, to conceptualize visually and oversee production of their work in material and form. The initial contemplation evolves into a way of thinking and a way of imagining the work and the artists place in relation to public space that transcends image making and creates a different dialogue. Screen-Brooklyn-Street-Art-C-Carlos-cruz-diaz-selina-miles-740Shot-2016-04-15-at-9.21.23-AM

Hearing Mr. Diez compare this moment of convergence in technology, communications, and creativity to the 1960s is undoubtedly an inspiring spark to the generation that will continue forward. Now that the artists have grasped the material world, they delve into the virtual. Like many artists and creators who are working with the newest tools of virtual reality, this collection of street artists are still experimenting – all the time realizing how appreciation is rooted in the perceptual abilities rather than the materiality. One of the speakers talks about being at the starting line, but in many ways it is clear that race already has already begun.

 

Djalouz – Petites Chroniques Urbaine

Parisian graphic designer turned graffiti artist Djalouz has a unique volumetric approach to his wildstyle shards that envelope the city’s remaining phonebooths. He explains how he fell in love with a medium of expression that he is committed to while he’s sketching out a Winnie the Pooh character. Stay a little longer and see the wildness of his expressive 3D forms that crawl across every surface, including the ground.

 

Between The Lines With RISK

Risk talks about his evolution from a kid in New Orleans sketching in his notebook at school to getting up with a crew in LA, painting all over public space and property to gain a higher profile and retain the thrill of hit-and-run, and some highlights of his professional career. In route from illegal to legal he developed a reverence for color, form, and technical experimentation and aspirations for museum quality work and large scale public sculpture. Just don’t tag his stuff please.

 

Nychos x Traktor Wien

A quick trailer chock full of power chords for a mural in the office space of an ad agency by Nychos.

 

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Djalouz “Peace in the World” in Paris

Djalouz “Peace in the World” in Paris

Graffiti artist Djalouz’s wildstyle 3-D shards look like multi-tentacled sea monsters climbing up walls, wrapping around telephone booths, creeping down stairwells and spreading across floors. By themselves, these interlocking forms can be biomorphic and menacing. Coupled with expressive paint-splattered hands releasing a Dove of Peace the effect is quite something else entirely.

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

For his new wall with public art programmers Art Azoï the Parisian delves into his aspirations for peace, perhaps in reaction to the terrorism horrors that have occurred in parts of Europe over the last year. He may also have been inspired by the location here on the terrace of the Ken Saro Wiwa Center, so named for the Nigerian writer, television producer and environmental activist whom Shell Oil was found complicit in the murder of.

Curator Alex Parrish tells us that the messages of peace here are a bit buried beneath the very obvious symbolism. “Beneath the layers of paint on the hand and the dove are clever phrases (more so a play on words) that relate to its title, such as ‘j’aime pas les confli’ (I don’t like conflict) and ‘amis pas haine me’ (friends not hate),” she tells us.

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

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Djalouz for Art Azoï. Center Ken Saro Wiwa. Paris. April 2016. (photo © Jeanne-Marie Laurent)

 

Alex Parrish is part of the ArtAzoï team and a frequent BSA Contributor.

Click HERE to learn more about ArtAzoï.

Please visit Jeanne-Marie Laurent of Petites Chroniques Urbaines to learn more about her work. http://petiteschroniquesurbaines.com/

 

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L’Avant Seine / Théâtre de Colombes Present: “DEFENSE D’AFFICHER” Djalou’z, Kouka et Shaka (Paris, France)

DEFENSE D’AFFICHER, est un voyage à la découverte de l’univers prolifique du Street Art.
Trois artistes émergents : Djalou’z, Kouka et Shaka, qui fort de leurs multiples “pattes” pour marcher dans tous les sens, de débauche de modes d’expressions pour explorer tous les imaginaires, et de personnalités très fortes, vont vous offrir des lumières insoupçonnées… D’avril à juin ces artistes investiront l’Avant Seine / Théâtre de Colombes pour nous proposer d’explorer l’étendue de leurs talents. Le lieu s’en souviendra, vous aussi assurément.

https://www.facebook.com/events/440581212676714/

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