All posts tagged: Dennis McNett

Willoughby Windows Walkby – Street Art on Display in Downtown Brooklyn

July 14, 2009

It’s a great idea to go window shopping these days —as opposed to actual shopping.

Since 70% of the American economy is fueled by shopping instead of manufacturing, we’re all supposed to be doing our patriotic duty accordingly. But sometimes the wallet is bare, bro.  And sometimes the local dollar doesn’t stay local.

In yet another case of Street Art improving a community, the Willoughby Windows project in downtown Brooklyn officially opened this weekend with 17 artists, babies, scooters, costumed dancers, a sidewalk DJ, and inquisitive mildly bewildered citizenry slowing down to peek through the glass into artists’ clever minds.

Artist Logan Hicks leans into his piece comprised of collaged crowds of New Yorkers on the street. (photo Steven P. Harrington)
Artist Logan Hicks leans into his multi-layered screenprint piece depicting crowds of New Yorkers on the street. (photo Steven P. Harrington)

A stupendous 3-D installation of printing expert Dennis McNett (photo Steven P. Harrington)
A stupendous animal centric 3D installation utilizing the full space of the display window by print expert Dennis McNett can only be appreciated fully in person (photo Steven P. Harrington)

Garrison and Allison Buxton, anchors and workhorses in the Brooklyn
Garrison and Allison Buxton; anchors and visionaries, bring Willoughby Windows to Brooklyn  (photo Steven P. Harrington)

In a joint effort with Ad Hoc Gallery and the local BID (Business Improvement District), Garrison Buxton and Allison Buxton and all the Ad Hoc interns have worked tirelessly for a few weeks with artists to install this show behind glass and to revive a moribund block in this sector of retail Brooklyn.

A highly detailed storyline from Cannonball Press (photo Steven P. Harrington)
A detailed storyline from Cannonball Press also features a giant old -style cash register (not pictured) that reminds you there once were real businesses and customers here (photo Steven P. Harrington)

At the very least, it’s not so friggin depressing to pass this block on the way to work.  At most, it can inspire creative impulses and conversations. Friday’s opening featured many children, gawking families, kooky creative types, chalk games on the side walk, even a feeling of “community”.  Huh.

Willoughby Window gazer (photo Jaime Rojo)

Willoughby Window gazer (photo Jaime Rojo)

In a window display that once featured
In a window display case that featured bagels and home-baked goods, the late afternoon shadows slide across photographs of shadow-tracing by street artist Ellis G.  (photo Steven P. Harrington)

Ironically a neighbor to bailout-happy JPMorgan Chase, whose skyscraper casts a shadow over this district of mom and pop businesses displaced by developers, the Willoughby Windows Project gives creative stimulus to the community with a fresh way to think of the shop window.

Chris Stain's stencil invokes imagery from his working-class roots (photo Steven P. Harrington)
Stencil artist Chris Stain invokes the imagery of Brooklyn neighbors (photo Steven P. Harrington)

Josh MacPhee

Josh MacPhee brings his Celebrate People's History poster series to this window, creating a patchwork of text and images (photo Steven P. Harrington)

In the wake of boom-era blustery press conferences and erect Powerpoint bar-graphs that fell limp, this project doesn’t bring back the businesses or feed their families, but it does invite a conversation about what a locally created economy means to the people who live here.  Pedestrian?  Yes, actually. Moribund? No way.

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“Plenty of Room On the Couch” Group Show at Eastern District

May 16, 2009 , , ,

A group show that features the work of a number of street artists, among others.

Eastern District Presents:

“Plenty of Room on the Couch”
Curated by Jesse Lee Denning

Opening reception – Friday June 26th. 7 – 10pm
Special Guest DJ Todd Weinstock a.k.a. Toddlerone (Cubic Zirconia)

The goal of this exhibition is not only to highlight the vast array of talented artists in a summer spectacle but to also allow our peers, friends, and all around art lovers to purchase and own art that is both affordable and quality work!

ALL ART IS $300 OR LESS!

Featured artists:
-JK6- -Trevor Bittinger- -Colin Stinson- -Spaze Craft 1- -Denise DeSpirito- -John Breiner- -Dan Taylor- -Jesse Jones- -Kyoko Heshiimu- -Becca Roach- -Kelly Vetter- -Steve Smith- -New Colony- -Downer- -Chad Koeplinger- -AKO- -Michelle Tarantelli- -Gillian Goldstein- -Patrick Conlon- -Chip7- -Todd Noble- -Mister Mark- -Eyeball- -Chris O’Donnell- -Andreis Costa- -Zoe Sonenberg- -Carlyle Micklus- -Josh Taylor- -Jay Flanell- -Joshua Abram Howard- -Jeremiah Maddock- -Amandalynn- -Sweety- -Nikki Balls- -Subtexture- -Dosa Kim- -Amy Finkbeiner- -Aunia Kahn- -RROBOTS- -Dennis McNett- -Michael Alan- -Damion Silver- -JesseHectic- -JoKa- -Kristen Ferrell- -Douajee Vang- -Matt Vancura- -Grime- -Evan Cairo- -Parskid- -Justin Lipuma- -Regino Gonzales- -Lyndsey Lesh- -Tim Diet- -Dick Chicken- -Laura Meyers–Fernando Lions- -Sacha Jenkins- -James O’Brian- -John Reardon- -Myles Karr- -Dan Trocchio- -Andre Malcolm- -Leif Parsons- -Duane Bruton- -Bishop203- -Diego Mannino- -Civ-

jesse@eastern-district.com
Hours: 2-8pm Thursday-Sunday

EASTERN DISTRICT
43 BOGART STREET – L TRAIN TO MORGAN AVENUE.

www.Eastern-District.com

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Willoughby Windows presented by Ad Hoc

April 13, 2009 , , ,

Ad Hoc Art presents Willoughby Windows

Friday, July 10th, 2 – 7pm = Ad Hoc Art presents “Willoughby Windows”

An ambitious creative venture featuring 14 storefronts on an entire block of downtown Brooklyn which will highlight installations by 15+ artists. The opening will be a street party on Friday, June 19th, from 2-7pm. Some of New York’s artistic finest will be representing to the fullest.

Confirmed participating artists include:

Cannonball Press (Mike Houston & Martin Mazorra)
Chris Stain
Cycle
Dennis McNett
Ellis G
Gaia
Greg Lamarche
John Ahearn
Josh MacPhee
Lady Pink
Logan Hicks
Carlos Rodriguez {Mare139}
Michael De Feo
Morning Breath
Nathan Lee Pickett
Tom Beale

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Two Andrews talk about “From the Streets of Brooklyn”

January 6, 2009

An unprecedented show of Brooklyn street art starts off 2009 at ThinkSpace gallery.

Bam! The year has barely started and the momentum from the previous giant year for street art blows clear into January with a new show of 50 artists from the streets of Brooklyn.

ThinkSpace Gallery, a warm-hearted community space and home of rockin’ shows in L.A. since 2005, plays host to it’s brothers and sisters across the continent with a salon-style show of street artists, graff writers, a hot photographer, and live on-the-street work by the chalk artist from BK.

In the middle of the installation craziness, the curator of the show, Andrew Michael Ford (gallery director at Ad Hoc), and Andrew Hosner (co-founder of ThinkSpace), talked with Brooklyn Street Art about the show:

BSA: So how did AdHoc and ThinkSpace hook up to do this show?

Andrew Hosner: Andrew and I have been friends for a while, and met while he was still doing some curating before hooking up with the Ad Hoc crew. One day we were just shooting the s**t about some show ideas and I tossed out the idea of bringing Brooklyn to Los Angeles…

Andrew Michael Ford: I’ve followed what ThinkSpace shows for quite some time and I was always very impressed with the work. I also have always felt that the folks who run ThinkSpace and myself have very similar tastes as far as curating art goes. Something like this has been talked about or at least thought about for quite some time and when Thinkspace approached us about doing it I felt like it was the right place and right time.

BSA: Is it a kind of East-West cultural exchange?

Andrew Michael Ford: The show is about bringing a large group of Brooklyn street artists and graf writers to Los Angeles. We haven’t discussed bringing LA artists to Brooklyn but I would be open to talking about something like that for the future.

Thundercut (courtesy ThinkSpace and AdHoc)

Thundercut (courtesy ThinkSpace and AdHoc)

BSA: Brooklyn’s streetscape is pretty dense and is largely accessible by foot. Do you think the L.A. scene is more spread out? How do the two differ, in broad strokes.

Andrew Michael Ford: I have never been to LA but I heard you need a car to get anywhere out there so I assume it’s gotta be pretty spread out.

Andrew Hosner: I think you nailed it on the head, Brooklyn is much more condensed and has more of a community vibe to it I feel, whereas LA is the true meaning of urban sprawl, being one of the most spread out and varied big cities out there. There’s no real community vibe, save for lil’ pockets here and there, but the breadth of the city kind of goes against the notion of all that.

Dan Witz "Scott" from show "From the Streets of Brooklyn" (courtesy ThinkSpace and AdHoc)

Dan Witz "Scott" from show "From the Streets of Brooklyn" (courtesy ThinkSpace and AdHoc)

BSA: Maybe this is impossible to put your finger on, but what would be a couple of characteristics that distinguish Brooklyn street art from other cities in the world?

Andrew Michael Ford: For me it started in NYC. I mean, graf started in Philly but really came into it’s own in NYC. I just don’t see that kind of history anywhere else. I see the lineage of graf into street art and that is why so many graf writers have been invited to this show. It’s not just about who is doing a lot of street art. It’s about who is getting up and staying in the streets of Brooklyn regardless of tools being used. I don’t like it when street artists from other cities look at graf here in NYC as some kind of background for their work. It’s a massive slap in the face to all graf writers. Brooklyn street artists have a lot more respect for graf than street artists I have met from other cities, especially from Europe. Maybe that’s the thing that distinguishes what’s going on in the streets of Brooklyn from other places.

Imminent Disaster (earlier work) (courtesy ThinkSpace and Ad Hoc)

Imminent Disaster (earlier work) (courtesy ThinkSpace and Ad Hoc)

BSA: You are showing a LOT of artists…did you have enough (Think) Space?

Andrew Hosner: Hahaha… it will be a very packed show hung salon style, going off of color palette and style. Should look amazing, but it is going to be a visual overload for sure. Patrons will be overwhelmed by Gaia and Rachel Lowing’s thought provoking install immediately upon entering the gallery, then passing through the entry area will be met by a tidal wave of artwork, coming at them from all directions, floor to ceiling… before turning the corner into our project room in the back where Disaster’s massive undertaking will greet them.

BSA: A bit like herding cats?

Andrew Michael Ford: Not really. Honestly, everyone involved believes in this show so much and have been very supportive and helpful in putting it all together.

Matt Siren (courtesy ThinkSpace and AdHoc)

Matt Siren (courtesy ThinkSpace and AdHoc)

BSA: Will you have time to give Mr. Ford a tour of the sickest sites while he’s there?

Andrew Hosner: It’s hard to say since the focus will be our show, but hopefully on Saturday after the show has passed we will get out to see some of the hotter spots about LA to enjoy works outside. With so many coming to town for the opening, there’s a good chance we’ll be able to watch some of Brooklyn’s finest… cool thing is, all will be able to watch Ellis G. on opening night doing his thing on our block, and I can’t wait for that.

Andrew Michael Ford: I would love to see some stuff by Saber if possible. But really anything good being done would be great to check out.

Ellis G. (courtesy Ad Hoc and ThinkSpace)

Ellis G. (courtesy Ad Hoc and ThinkSpace)

BSA: The Brooklyn scene keeps evolving rapidly; what is one trend that you are seeing that is telling you about the future?

I see more and more people throwing up wheatpastes in the streets that I don’t feel are well executed or well placed. I mean, there is room for everything and I love to see what people feel they need to put up but it does worry me sometimes when I see tons of poorly crafted wheatpastes thrown all over the place with no thought to where it is being placed or the quality of the imagery they are producing. I would just like to see people take a little more time in the creation of their art and in the selection of the spots they decide to hit.

Elbow-Toe (courtesy ThinkSpace and AdHoc)

Elbow-Toe (courtesy ThinkSpace and AdHoc)

BSA: Whose work is exciting to you right now, and what does it say to you?

Andrew Hosner: I love the work of Elbow-Toe, whose work is really a statement on the state of things in our society right now. His every man piece is by far one of the most powerful and extremely well executed works of this past year. You can look at that work 20 years from now and know that it was referencing the economic struggles were going through currently, while also hinting at the 1st great depression. Powerful work.

Also very inspired by the works of Imminent Disaster, due to her strength in so many different creative outlets… Chris Stain also is someone who should be looked up to. Thought provoking work and just a great overall cat.

Stikman (courtesy ThinkSpace and AdHoc)

Stikman (courtesy ThinkSpace and AdHoc)

Andrew Michael Ford: I think that street art needs to interact with the space where it is placed (good placement is key) and it needs to engage the viewer. Working big can sometimes do this but sometimes it can be a big massive nothing. It’s tough to point to a specific artist but if I had to pick one I can say I’m really intrigued by what the artist Stikman does, as he uses a wide variety of mediums and techniques and always catches you off guard with the placement of his work. Very smart work.

Anera (image by Luna Park) (courtesy Luna Park, ThinkSpace and AdHoc)

Anera (image by Luna Park) (courtesy Luna Park, ThinkSpace and AdHoc)

BSA: What impression do you think the gallery-goer in L.A. is going to come away with about the Brooklyn street art scene?

Andrew Michael Ford: That’s a great question but sadly one that I have no answer to. I haven’t got a clue what kind of reception we will get when we arrive. I am hoping this can be a positive experience for everyone involved.

Andrew Hosner: I hope they come away feeling inspired and filled with the desire to visit the streets of Brooklyn in person, so they can experience these works as they were originally meant to be, and also feel compelled to explore the works of each in the show further, hopefully coming away with a new favorite that they will watch in the years that lay ahead.

I think many will also be surprised at the sheer breadth and quality of work on view – it is definitely an eye opener type of exhibit. Hopefully this will help to open their eyes to the beauty that is all around them in Los Angeles and abroad. So many walk through their city with blinders on, and it really is a revelation when you start to take in and appreciate the work of urban artists.

ThinkSpace Gallery

AdHoc Art

From the Streets of Brooklyn

More stuff on ThinkSpace and Andrew Hosner from the art collector blog

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C.Damage & the Bear Dude on the Brooklyn Block

C.Damage & the Bear Dude on the Brooklyn Block

December 11, 2008 , , , ,

You’ve seen him, sometimes in a vest and tie, sometimes with polkadot pajamas, a fireman’s uniform, or a formal tuxedo;

The bear dude is on stickers all over the place. At first C.Damage was pretty quiet and maybe a little reserved, like the bear, but with time and practice the style quotient has evolved and now the real style is taking off.

Coming up this Friday at Ad Hoc you can see a new wood block of this bear at the Brooklyn Block Party, a strong show concentrating on one specific technique really popular among many Brooklyn street artists right now.

The First Generation (photo C.Damage)

The First Generation (photo C.Damage)

Brooklyn Street Art: When was this little bear Dude born?

C.Damage: He was born in Chicago, around 2004. He went through many transformations in his process to becoming the bear you see today. For a long time, he didn’t have feet! I couldn’t figure out what his lower half looked like, so he was a waist-up character. But he’s finally comfortable with himself.

Brooklyn Street Art: What is this bear saying?

C.Damage: The conversations he has with other people are usually private. Every once in a while, I’ll overhear someone say positive things (about the bear) – that is, that it makes them feel good. I am more concerned with eliciting a response than the type of response. Some people like him, some people might not like him. But on the whole I think he’s a pretty likable character. He’s a jokester – he doesn’t take himself too seriously.

I'm a real big celebrity. I'm this megastar. (photo C.Damage)

I’m a real big celebrity. I’m this megastar. (photo C.Damage)

Brooklyn Street Art: One time in Williamsburg I saw one of your bears in Hasidic garb. Does Mr. Bear like costumes?

C.Damage: Now that he’s comfortable with himself, he’s been playing around with different personas. I think the first costume he ever put on was a viking hat and giant clock chain as Flava Flav. He also likes to wear t-shirts – the “I love NY” one is his favorite – and suits. And there are usually holiday versions – Santa, a pilgrim, a mummy, Uncle Sam, the Easter Bunny. There are a lot of variations. Some of them last longer than others. There’s some one-of-a-kinds up out there too.

Brooklyn Street Art: Now that cold weather is settling in over Brooklyn, will he be hibernating or looking for warmer climates?

C.Damage: He’ll still be around to face the New York winter, but he is also taking a trip to Los Angeles to spend January 9 to February 6 at the From The Streets of Brooklyn show at thinkspace gallery. The show is curated by Ad Hoc Art in Brooklyn. It’s a pretty amazing way to start the new year, after wrapping up 2008 with the Brooklyn Block Party at Ad Hoc Art.

Brooklyn Street Art: The work that you are showing at Ad Hoc is definitely your style, but it’s different from the stickers and paintings that people know you for. Have you made blocks much in the past?

Bear-bot Army (photo C.Damage)

Bear-bot Army (photo C.Damage)

C.Damage: Yeah, I’ve done small block cuts for stickers in the past, which is how I got into this show, but doing a larger print was definitely new. This was a completely different scale for me, which is funny because if you look at the show, the size of the other artists work blows my piece away. I’m not known for my print work, or for doing giant prints for wheat pastes, so people might not be expecting to see me in this show. But when people see it, they’ll make the connection to my stickers and paintings. I think it’s a good new direction for my work, but not too far from where I was before.

C.Damage displayed a new range of approaches at the Brooklyn Street Art party in May '08 (photo C.Damage)

C.Damage displayed a new range of approaches at the Brooklyn Street Art party in May ’08 (photo C. Damage)

Brooklyn Street Art: How did you get to this point and how does it fit your artistic style?

C.Damage: I have been putting up work for a few years, mostly unnoticed, but somewhat consistently. I think I got to this point by just doing my thing, regardless of other people’s opinions or popular trends. I have a long way to go until I get to where I want to be, with solo shows and a more complete body of work. But I think I’ll get there through persistence. There’s no time limit for me to get there, so I’m just enjoying the ride.

Ho! (photo C.Damage)

Ho! (photo C.Damage)

Brooklyn Street Art: Hmmm. Beary interesting. What’s up for 2009 for C. Damage?

C.Damage: Well, 2009 starts with the From the Streets of Brooklyn show in L.A. and a cool show I’m in around Valentine’s Day that is still coming together. I think some of my work will be published in the near future too; not too long ago, I had the pleasure of talking with Martha Cooper, and she took some great photos of some of my stickers that will be shown in her next book, released soon. I’m doing a few more blocks for prints to work on my style, so maybe you’ll see some prints up in the street at some point. Beyond that, I’m not sure what’s next, but I’ll take it as it comes.

C.Damage’s Flickr Site

Check out C.Damage’s new block print as well as those of many others at the Brooklyn Block Party this Friday at Ad Hoc.

“Brooklyn Block Party”

Richard Mock, Swoon, David Ellis, Mike Houston, Martin Mazorra, Dennis McNett,

Judith Supine, Elbowtoe, Gaia, c.damage & Imminent Disaster

December 12th – January 4th 2009

Opening Reception: Friday, December 12th, 7-10pm

An exhibition of original hand cut blocks, both wood and lino, along with the prints pulled from each block.

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