Here’s our weekly interview with the street, this week featuring Aiko, City Kitty, Clet, Dain, Deekers, JB Rock, KCIN, LUC, Mr. One Teas, Obey, Peros, PX$H6XD, Shepard Fairey, Smells, Specter, Tank Petrol, and Tom Fruin.

Here’s our weekly interview with the street, this week featuring Aiko, City Kitty, Clet, Dain, Deekers, JB Rock, KCIN, LUC, Mr. One Teas, Obey, Peros, PX$H6XD, Shepard Fairey, Smells, Specter, Tank Petrol, and Tom Fruin.
Here’s our weekly interview with the street, this week featuring 1up, Bishop203, Bradley Theodore, Cash4, Deekers, El Sol 25, Hiss Keeley, Kevin Cyr, King Amsterdam, Ludo, Mosco Clandestino, Not Art, ROA, Royce Bannon, Smells, Sweet Toof, Trap Art, and Zimer.
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Here’s our weekly interview with the street, this week featuring Chris RWK, Chuck Barrett, Cs Navarrate, Damien Mitchell, Deekers, Gilf!, JMR, Katherine Daniels, Kuma, Left, Miishab, NM Salgar, Oculo, RVMP, Sheryo, Skewville, Swil, The Yok, Willow, and Zimer.
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Ad Hoc Art “brought it” for the second year to Queens and at Welling Court with a collection of Street Artists and local families hanging out and painting the neighborhood. The tireless Alison and Garrison Buxton invited 40 or 50 of their closest friends with aerosol to take part over a two day period to transform the atmosphere in this neighborhood which doesn’t get much attention. The lineup includes artists who are pioneers in the graffiti and Street Art game who create alongside emerging talent. The styles vary, but the sentiments of connectedness and community are consistent throughout.
In this extensive collection of photos BSA gives you artists hard at work and hard at play with a little help from their friends. A traditional community mural format where everyone has their own slab to cover in their own style, Welling Court also engages the kids in the neighborhood, who frequently get to try their hand at painting or otherwise assisting the artists.
The day’s proceedings are part plastic art and part performance art as the artists often stop painting to interact with fans, inquisitors, Street Art aficionados and their fellow artists. Its part summer camp and part family reunion with the neighbors getting out the BBQ grill and setting up tables in the street while artists from around the globe are reconnecting and telling long tales and kids on scooters and skateboards weave in and out of the clusters of cans everywhere. With the abundance of homemade food and a variety of music playing at high volume the streets are alive and there’s nothing else you’d want to do on day like this.
John Ahearn is a pioneer in the area of public art known for making sculptures with local people posing as models. His technique of live casting requires the model to sit while John creates a cast of them in plaster. As far back as the mid 1970s Mr. Ahearn’s tributes to his neighbors have been seen affixed to many walls throughout the Bronx. Sited as an important part of the development of the Street Art scene Ahearn’s work has also traveled to private collections of prominent and noted art collectors and art institutions.
Brooklyn Street Art spoke with Mr. Ahearn and asked him about participating in this open venue and how he felt doing his live casting in Queens. He responded with excitement about the word “live”.
“You used the word very properly. I feel alive today. I feel alive and I just turned 60 two weeks ago and I feel this is where my roots are. Right in the sidewalk, doing casting, particularly aimed at little children. We are going to do a piece that involves a child. She is a friend of mine from way back and we are expecting to have a crowd of kids here and it is going to be fun,” said Ahearn.
Street Art can be a very singular activity, and if you desire, you can do your own thing without ever hanging with the crew. Royce Bannon has never been interested in the Lone Wolf approach, preferring to work with friends on projects. In fact, as part of the Endless Love Crew, he brought about the big “Work to Do” show in Soho a couple of years ago with a truckload of mostly New York Street Artists, all working collaboratively to pull off one of the most lively freeze-frames of the current scene, without attitude.
For “Unusual Suspects”, opening Saturday, the curator and artist invited some of these same artists to this nice open community space in Williamsburg with one important requirement; They all needed to collaborate on a piece with a least one artist in the show.
When asked why he wanted the artists to collaborate he explained that a lot of them work together in many shows but most of them have not painted together on a single piece. In a collaboration you are more cognizant of the working style of the other, and, while not losing your own identity, you are part of a conversation. The resulting work is something entirely different from what either one could have produced solo. The process here involved passing the work back and forth over a period of time with each artist adding his or her contribution. Instructed Royce “Do what you want – just make it look good!”
Most of these names are seen on the street and it is always interesting to see how the work translate to the framed pieces on gallery walls. Included in this offering are a number of individual pieces that span a wide range of styles and one can clearly see these Street Artists going forward in their personal explorations.
“Unusual Suspects”At 17 Frost Gallery in Williamsburg, Brooklyn opens this Saturday, February 26.
To read more details about “Unusual Suspects” click on the link below:
Our Weekly interview with the streets, this week featuring; ASVP, Burning Candy, Cake, Castro, Chris Stain, Clown Soldier, Deekers, DsCreet , Ellis G., Fumero, Futura ,Gaia ,Goya ,Hush , Imminent Disaster ,Infinity ,K-Guy , Kirby ,KRSNA ,OverUnder ,QRST ,Quel Beast ,Samson ,Showpaper ,Skewville , Sten & Lex ,Tek33 ,VUDU , and XAM
The block party in Bushwick provided by Factory Fresh Gallery and the app called All City turned out a number of new Brooklyn Street Art pieces on a block long installation, complete with friends, fans, and a taco stand. Included in the offering was this surprise collab with Faile and Bast, auspiciously appearing the morning of the event like a pre-Christmas gift wrapped in razor wire. The news of the piece travelled fast and while Ad Deville couldn’t find his red carpet, he did post a velvet rope to hold back the crowd. That didn’t stop Futura from climbing on top of his car to get the perfect shot.
And here we move to a British invasion of sorts with Geishas and Primates from Hush and K-Guy respectively. XAM has been installing some pretty cool looking bird houses around town equipped with LED lights on their porches that illuminate when the sun sets. Infinity and VUDU’s pieces for the Showpaper box project adds to the conversation on the street with a beaming signal tower atop the box.
K-Guy’s recent “Primates” piece, including this one that appears to be pretty fresh, have been appearing around Brooklyn suddenly. Apparently its meaning is reference to the growing perception of hypocrisy in the Catholic church, particularly as pertains to pedophilia coverups, its position on contraception, gay rights, among other issues.
It’s the month of May and this weekend you couldn’t bear to be on the streets of NYC –
Even though we managed to see new stuff INDOORS by Swoon, Matt Siren, Royce Bannon, Michael DeFeo, Stikman, Celso, DarkCloud, LAII, Deekers, M-City, and Dolk – The cold, high winds made street walking quite uninviting and threatened to blow the top off of Swoons’ Konbit shelter installation along the East River while she signed copies of her new book inside Urban Arts Projects.
Along Williamsburgs’ fabled Bedford Ave. yesterday you would have expected hipsters and the college kids who emulate them to be slavishly completing their brunches and slumpingly parading to a stylized dodgeball game at McCarren Park. There they would be chugging from giant styrofoam cups of beer purchased from The Turkey’s Nest and texting friends about their TOTES crazy life.
Instead all that could be found were hearty Polish ladies with corsages pinned on their heavy woolen coats from the Mother’s Day Services at church, a few of the regular lumpy neighborhood drunks slouched and drooping off the park benches, and some miserable young families forced out of their apartments by sheer child-driven insanity.
That’s why this newly discovered sign by TrustoCorp almost seemed like a cheery promise of warm weather, asymmetric haircuts, neckbeards, and hand-rolled cigarettes just around the corner.
This November, Factory Fresh brings together four elusive artists who each work seamlessly in between the worlds of graffiti and streetart. These two art forms look identical to the untrained eye but in actuality are more like brawling brothers to those who are part of the movement. Artists Armer, Darkcloud, Goreb and Deeker are a few exceptions. Each of their work ranges on the street one day a large scale mural, another day carefully placed signs or paintings, sometimes even a junk sculpture is installed onto a crowded street. As a result these artists cannot be dismissed by any group of urban artists and have been validated by their acceptance from multiple ranges of critcs.
The Darkcloud image has been a constant staple in the urban art scene since 2003 and can be seen all over the east and west coast. Darkcloud is attributed with having more hand painted stickers up than anyone on the scene today. The meaning being unclear for most, it stems from the concept that angst is always following us. A visual representation of the darkness in our lives we are unable to escape. Darkcloud will be showing a mix of paintings on glass, metal, wood, and more. Also, prints may be available for the first time in his artist career.
Deeker is a rogue, pessimistic bastard who comes out and paints when the weather is at it’s worst. This bottom feeder lurks around the other three, drops hints of doomsday, tells tales of perpetual unemployment and generally depresses everyone. His work will consist of ghastly character paintings and painstakingly fine cut wooden words and botanical elements. The likes of which you can find hidden all around the streets of New York, if you look carefully.
GoreB’s work was first noticed in Dumbo in the summer of 2004 and people discussed his work in tones you might use to talk about a griffin or a chimera, a former math prodigy who’d been corrupted in his teen years by something called hobo freight art, then spiraled into a life of nomadic polymath street-art savanthood and touched down, for a few years, in New York. Goreb currently resides on the West Coast in Santa Cruz and has created new oil paintingsfor the show featuring collages of birds, black and white photos, and fonts with hints of older paintings underneath.
With GoreB and Deeker as mentors and occasional sidekicks, young Armer paints large, uncomfortable faces on both coasts. His streetwork is powered by the painterly and gestural satisfaction he gets from working on a grand scale and from the belief in American graffiti as a way to respect the past while fighting the present. This show gives Armer his first crack at gallery walls. Pared down to a self-retrospective, mixed media work will echo his presence in the street (color combinations he loves; how he processes and releases information) but also will chronicle a day/night in the life.
ur Weekly Interview with the Street
Old Skool, Art Skool, Graff Crews, Street Art, Hipsters, Hip-Hop, Electro, Blue-haired, Blue themes, Critics, Kids, Collabo’s, Lolitas, Lotharios, Murals, Markers, Canvasses, Cans, Wheatpaste, Stickers, Sculpture, and Script. This might just be what community looks like. Every where you turned, the senses were flooded, and cellphones and electronic gadgetry were revealed for what they lack in the competition for connectedness and D.I.Y. inspiration.
Surpassing many of the street art group shows of the past few years, this one was obviously very organic and full of love, rather than hype.
When Afrika Bambaataa and Soul Sonic Force finally picked up their mikes and Martha Cooper broke off from signing books with Henry Chalfant to expertly weave with her camera, the crowds’ momentum was already in full swing. No one can doubt that this scene, whatever label you care to give it, is on fire right now and the creative spirit is at work in the belly of the people.
Good luck tracking it’s trajectories.
Thanks to the Combine and the talented Jazz Beaulieu for the images below:
[svgallery name=”Work To Do Jazz Belieu”]
Other shots from the show……
“Work To Do” is at 112 Greene Street in Soho, NYC, and runs through April 16.
More info – Endless Love Crew