BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Hello from French Polynesia! All week we have been hopping around the islands from Papeete to Raiatea and now in Bora Bora. Celebrating its 5th anniversary/birthday last night at the huge community street party with founders Sarah Roopina and Jean Ozonder and with this years ONO’U festival artists slamming walls like crazy here – you can see that hard work pays off sometimes.
Grassroots, not overly commercial, inclusive, responsive to the neighbors, high quality artworks – its a solid, even golden mix. Also Sarah’s parents are always happy to pitch in, whether it is pushing a broom or making lunch for everyone at home in their kitchen and bringing it to the work site to make sure that everyone eats. It is touches of warmth like this which reminds you that in many ways this scene that started in the street is as much about community as it is self expression.
For BSA readers who are just catching up with ONO’U we thought we’d use Images of the Week as an ONO’U Greatest Hits collection today. Most of these have never before published on BSA from the four previous editions. We took winding streets, back alleys, roundabouts, promenades, rooftops, abandoned lots and just about any place we could enter alongside Martha Cooper and had a blast for three days finding these walls again. Enjoy and Māuruuru roa!
DalEast. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)
Seth . HJT. ONO’U Tahiti 2015. Papeete. In 2016 this particular wall was chosen by the French Polynesia Postal Service as a stamp. We wrote about it HERE. (photo © Jaime Rojo)
Suiko. ONO’U Tahiti 2014 / Papeete. Roosters, hens and chicks run wild on the streets of many towns in French Polynesia. We haven’t figured out who feeds them, or how they survive, but they seem to roam free of owners and masters. One can hear the roosters making their distinctive call (here is what they sound like) every morning – sometimes before you are fully aware that the new day has begun. It is also not unusual to see a mother hen with her chicks crossing the roads at their leisure, sometimes stopping traffic. We of course stop for them. Always. Lore has it that there are big mean centipedes in the archipelagos and that the chickens eat them. See they earn their keep balancing the natural population of insects, besides being very effective alarms clocks. (photo © Jaime Rojo)
Leon Keer’s anamorphic Street Art, literally on the street, creates a mind-bending illusion with perspective. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)
DalEast. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)
Mast’s tribute to the NYC Subway creates a new faux subway stop that is roughly 6,300 miles (10,103 km) from New York. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)
INTI. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)
MadC. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)
FinDac. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)
KOBRA. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)
PEETA. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)
Marko93. ONO’U Tahiti 2017 / Papeete. (photo © Jaime Rojo)
Besok. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)
Charles & Janine Williams. The Ōma’o is a bird from the island of Hawaii is placed at the highest risk of extinction thus the “Critically Endangerd” or CR designation. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)
Abuz . HTJ . JUPS. ONO’U Tahiti 2016 / Papeete. (photo © Jaime Rojo)
ROA. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)
Askew . Sofles. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)
“The coconut tree is one of the most common trees in The Islands Of Tahiti. The Polynesians always tell a legend about its creation… The coconut tree legend…
A long time ago, a young girl called Hina was of real beauty due to her sun kissed skin and silky hair. She was meant to marry the prince of eels. Frightened by the physique of her suitor, who had a gigantic body and an enormous head, Hina ran away and took refuge in the house of the fishing God – Hiro.
The latter was dazzled by the beauty of Hina and touched by her history, so he took one of the young woman’s hairs and with it fished the approaching eel. Hiro cut up the prince of eels and wrapped his head in leaves. Before dying, the eel said to Hina: “of all the Men who hate me, including you Hina, you will one day kiss me to thank me. I will die, but my prediction is eternal.”.
Hiro entrusted the head of the eel to Hina and then advised her:
‘Hina, girl of beauty, you can return to your family and there, you will destroy this head. But throughout your journey do not put it on the ground because then the curse of the eel will come true.’
On her way back, the beautiful young woman and her followers who accompanied her, became tired and decided to take a bath in the river, forgetting the warning of the God Hiro. The eel’s head which had been put on the ground penetrated the earth, and from it a large tree was born, with a long trunk just like an immense eel, and with foliage similar to hair; the coconut tree had just been born.
Hina was then condemned by the Gods to remain close to this river because the tree had become taboo… Life went on until the day when a terrible dryness struck the lands and during which only the coconut resisted the sun. Thus, in spite of the God’s prohibition to touch this tree, men picked its fruit full of clear and nutritive water. Each fruit was marked with 3 dark spots laid out like two eyes and a mouth on which the men put their lips in order to drink the coconut water…. Hina did the same thing ….. And the prophecy of the prince of eels had just come true.”
Askew . Sofles. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)
Faith XLVII. ONO’U Tahiti 2015 / Papeete. (photo © Jaime Rojo)
Dabs & Myla . Kems. ONO’U Tahiti 2014 / Papeete. (photo © Jaime Rojo)
