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Gordon Matta-Clark: “Graffiti Archive 1972/73” Presents Unseen Photographs

Gordon Matta-Clark: “Graffiti Archive 1972/73” Presents Unseen Photographs

A groundbreaking exhibition showcases over 200 photographs of graffiti by Gordon Matta-Clark.


Gordon Matta-Clark. Tag Wall. 1972. (photo courtesy Estate of Gordon Matta-Clark)

“GRAFFITI ARCHIVE 1972/73: An Exhibition of Photographs from Gordon Matta-Clark” provides a unique glimpse into the graffiti culture of New York City in the early 70s, shot by the New York artist at a time when the movement was just beginning to take shape. Matta-Clark’s exploration of this vibrant street culture reflects his eye as much as the burgeoning scene in evolution, a unique pairing of artists’ visions through film.

Gordon Matta-Clark, known for his significant impact on conceptual art and his critiques of urban environments, captured these moments with a different aim than most photographers of his time. Instead of simply documenting, he delved into the graffiti scene with an artist’s eye, capturing the raw and spontaneous energy of the city’s youth. His photographs from 1972 and 1973 reveal the early days of graffiti, where the art form was more about personal expression and claiming space in a rapidly changing city than about the notoriety it would later bring.

Gordon Matta-Clark. 7UP. 1972. (photo courtesy Estate of Gordon Matta-Clark)

Roger Gastman, a key figure in the graffiti community, has played a crucial role in bringing this collection to light. He speaks of the exhibition not just as a display of historical moments but as an important act of preservation, bringing well-deserved recognition to Matta-Clark’s work and the graffiti culture of the time.

“What really resonates with me is the sense of pride I feel to be able to share these photos,” he says. It’s not just about showcasing graffiti—it’s a genuine homage to real history, a glimpse into the ‘who,’ ‘what,’ and ‘where’ of these vibrant stories etched onto walls and trains. I can’t help but feel happiness, knowing that Gordon Matta-Clark had the foresight to capture these moments and that his estate entrusted us to put this show together—it has truly felt like a collaboration,” says Gastman.

He emphasizes the significance of these images, highlighting the collaborative effort between himself and Matta-Clark’s estate to showcase this hidden chapter of art history.

“Throughout the years, I’ve invested considerable time into unearthing vintage gems from the early ’70s—drawings, paintings, and ephemera that tell stories of a bygone era. This exhibition, for me, is like revealing a well-kept secret, placing these treasures in their genuine context,” he says.

Gordon Matta-Clark. SUPER KOOL 1 Tag Wall. 1972 (photo courtesy Estate of Gordon Matta-Clark)

The exhibition doesn’t stop with Matta-Clark’s photographs. It also features original artworks from notable graffiti artists of the period, such as SNAKE 1, SJK 171, LEE 173rd, WICKED GARY, TRACY 168, and STAY HIGH 149. These pieces offer a direct link to the images captured by Matta-Clark, providing a fuller understanding of the era and its artistic output.

Gordon Matta-Clark. STAY HIGH 149. 1973. (photo courtesy Estate of Gordon Matta-Clark)

BEYOND THE STREETS & CONTROL Gallery announce the opening of “GRAFFITI ARCHIVE 1972/73” on March 1 and continuing until April 13, 2024.

The opening reception for EXHIBITION 010: GRAFFITI ARCHIVE 1972/73 will be held on Friday, March 1,
2024 from 6PM – 9PM, running through April 13, 2024.

Address:
434 N La Brea Ave.
Los Angeles, CA 90036

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