Our weekly focus on the moving image and art in the streets. And other oddities.
Now screening : 1. “Word on the Street” Debut 2. INO – “Freedom For Sale” in Athens 3. Two in a Row from Alex Prager: “La Grande Sortie” & “Despair”
BSA Special Feature: “Word on the Street” Debuts
“Fuck
the old days. Graffiti is now!”
The last five years have been explosive for Street Art worldwide, and with “Word On The Street” you have a good indicator that the graff writing game is alive and well in New York as well – and tenaciously prolific.
Anonymous filmmakers infused the doc with vibrating audio and visual distortion and a sense of ever-present surveillance, or the implication of it cloaked in darkness. Interviews, late night runs, frozen wire fences, loose footing, bloody scrapes, and the sweet smell of aerosol lightly purring from cans across a shadowed wall. The labor of love for the filmmakers is the only thing that pushes a project like this to fruition. And fumes of course.
Featuring 143, AJES, BIO, BRAT, CASH4, CARL WESTON, CLAW, CHRIS RWK, DEK 2DX, DIVA, DSR, EDO, EL7, FAES, FLASH, JAKEE, JESUS SAVES, KLOPS, LEX, LOOSE, MERK, MRS, MUTZ, NEG, NOXER, PANIC, PLASMA SLUG, POE, SCAE, SEO, SILON, SMURFO, SPRAY, STOR, STU, and VEW.
INO – “Freedom For Sale” in Athens
Constantino Mass adds just the right amount of slickly pounding wipes and cuts to this installation by INO in Athens. We published photos from this a few days ago so have a look and enjoy the video.
Two in a Row from Alex Prager
Alex Prager debuted a new short film at Lehmann Maupin Gallery in New York this month, and it has piqued the interest of many in her work of disconnected, reconnected narratives. Impeccably styled, humorously shot, it’s a staged invoking of old Hollywood and street scenes, enveloped in drama and frequently suspense. Often the LA born director provides just the deconstructed portion of the scene you have seen, and keeps reworking it in surprising ways. Go to the gallery to see the new “Play the Wind”. Below are two of her short films from five and nine years ago respectively.
This summer New York has been crazily, sometimes chaotically overlaid with tons of graffiti, Street Art, and murals – a testament to the enduring passion of a public that wants to see this organic patterning of the city skin, and the unquenchable thirst that artists and writers in New York have for showing their work to the public without intervening forces. Some of it is illegal, some of it is legal – all of it is part of the New York conversation.
Additionally, and in concert with, this ongoing conversation is a private pop-up exhibition called “Beyond the Streets” that pulls back from this moment and looks at pertinent and fundamental slices of the first 50 years of art in the streets from the perspective of a handful of sharp-eyed curators who have done their homework.
Presented in the context of historians defining a view of the scene with an eye toward private collectors of contemporary art, the vast show features paintings, sculpture, photography, site-specific installations, commercially branded environments, a large gift shop, historical ephemera – and a 30th anniversary Shepard Fairey exhibition within the exhibition.
“Beyond the Streets” in Williamsburg, Brooklyn was originally a three-month show that ran through August, it has been extended to September 29th – as they say – by popular demand. In addition, to celebrate and thank the community for their support, BEYOND THE STREETS will host free admission day on Thursday August 29th.
Gastman’s Massive Graffiti and Street Art Show Arrives at Epicenter.
“I’m really excited to bring this show to New York,” says curator, graffiti historian and urban anthropologist Roger Gastman, “because the city plays such a pivotal role in the origin and evolution of the culture. The iconic images of covered subway cars made graffiti famous worldwide.”
He’s talking of course about “Beyond The Streets” the hybrid exhibition that he mounted in LA last year featuring the work of 150 who have proved to be pivotal to the evolution of a fifty year global people’s art movement that includes graffiti, street art, and urban contemporary art. Filling over 100,000 square feet of new space in Brooklyn, this two-floor cross-section survey will feature artworks by many of the same vandals, graffiti writers, Street Artists, and art activists who hit NYC streets, created dialogue with passersby, and were sometimes chased by the authorities. To see them showcased here is to recognize that there is not just one route to take – in fact there are many.
“We have an incredible roster of artists for New York,” Gastman tells us, “and a brand new space in Williamsburg that has a stunning view of the Manhattan skyline as our backdrop.” Notably the lineup includes artists whose work BSA has documented on the streets in this very same neighborhood over the past two decades, including Shepard Fairey, Faile, Swoon, Bast, Invader, Aiko, and others. Ironically the appearance of free-range Street Art in the neighborhood has been seriously diminished since that time.
The exhibition is one more verification that a significant portion of the scene is being widely recognized for its cultural contribution and value in the contemporary art canon – a significantly fluid scene fueled by discontent and a desire to short-circuit the established routes to audience appreciation. Like large survey shows elsewhere, the takeaway is the significant impact street culture and its tangential subcultures continues to have on the culture at large.
Gastman says the New York version of “Beyond The Streets” will take an
additional interest at the role of music and art activism on the street, along
with immersive installations, a tattoo parlor, a special Beastie Boys
installation with artifacts and ephemera, a new 30th Anniversary
Shepard Fairey project “Facing The Giant: 3 Decades of Dissent,” and large
scale works by Gorilla Girls, Futura, Cleon Peterson, and Takashi
Murakami.
More news coming on programming and events, but the important opening date to know right now is June 21st.
“All in all, it will make for a really special show this Summer,” says Gastman.
BEYOND THE STREETS TEAM
Curator: Roger Gastman
Co-Curators: Sacha Jenkins SHR, Evan Pricco, David CHINO Villorente
A-ONE, AIKO, Al Diaz, Alexis Ross, Alicia McCarthy, André Saraiva, Barry McGee, BAST, Beastie Boys, Bert Krak, Bill Barminski, Bill Daniel, BLADE, Broken Fingaz, Buddy Esquire, buZ blurr, Carlos Mare, Carl Weston, Cey Adams, C.R. Stecyk III, Charlie Ahearn, Chaz Bojórquez, Claudia Gold, Cleon Peterson, COCO 144, Conor Harrington, Corita Kent, Craig Costello, CRASH, DABSMYLA, Dan Witz, Dash Snow, DAZE, DEFER, Dennis Hopper, Dondi White, Doze Green, EARSNOT, Estevan Oriol, Fab 5 Freddy, FAILE, Faith XLVII, Felipe Pantone, FREEDOM, FUTURA 2000, Gajin Fujita, Glen E. Friedman, Gordon Matta-Clark, Guerrilla Girls, HAZE, Henry Chalfant, Herb Migdoll, Husk Mit Navn, INVADER, Jane Dickson, Jason REVOK, Jean-Michel Basquiat, Jenny Holzer, Jim Prigoff, John Ahearn, John Fekner, John Tsombikos, Joe Conzo, José Parlá, KATS, KC Ortiz, Keith Haring, Kenny Scharf, Kilroy Was Here, LADY PINK, LAZAR, LEE Quiñones, Lisa Kahane, MADSAKI, Maripol, Mark Gonzales, Mark Mothersbaugh, Martha Cooper, Matt Weber, Maya Hayuk, Michael Lawrence, MIKE 171, MISS 17, Mister CARTOON, Nina Chanel Abney, NOC 167, Pat Riot, Patrick Martinez, Paul Insect, POSE, PRAY, Rammellzee, Randall Harrington, RETNA, Richard Colman, Richard Hambleton, RIME, RISK, Ron English, Ruby Neri, SABER, Sam Friedman, SANESMITH, Sayre Gomez, Shepard Fairey, SJK 171, SLICK, SNAKE 1, SNIPE1, STAY HIGH 149, Stephen Powers, SWOON, Takashi Murakami, TAKI 183, TATS CRU, TENGAone, Tim Conlon, Timothy Curtis, Todd James, Trash Records, UGA, VHILS, and ZESER
The show is developed in partnership with Adidas and Perrier. Additional support provided by Modernica, Montana Colors, NPR, NTWRK, Twenty Five Kent and WNYC.
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BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
