All posts tagged: BrooklynStreetArt.com

“Homo Riot” Opening Devolves Into Orgy at Site Unseen

October 29, 2011 Artists, L.A.

“The Homo Riot opening was a great success,” says JB Jones of The Site Unseen, who threw this solo show for one of the rare gay Street Artists who are out of the closet and on the corrugated metal walls. Part social activism and eroticism, this stencil heavy work on the streets of LA can range from inflammatory to banal, depending on the perspective. For some the content is about liberation, for others it’s a depiction of adult themes. Whatever the impression, it’s mere presence is a mirror to us, a reflection about how attitudes are evolving in the culture and it’s various subcultures. Not to mention that even 20 years ago images like this on the street would have had the longevity of a stick of juicy fruit.

When Homo Riot’s work was taken into the gallery, it was anyone’s guess. “I think many of the attendees had no idea what to expect since most people are only familiar with his street work.” In the end, cocktails were served, pictures were taken, numbers were exchanged and of course it all devolved into a big homosexual orgy, as one might expect.

A gallery full of homos no doubt. Homo Riot (photo © PhotoJenInc)

Homo Riot (photo © PhotoJenInc)

A screen in the workshop by Homo Riot (photo © PhotoJenInc)

A guest poses with the work of Homo Riot (photo © PhotoJenInc)

Homo Riot (photo © PhotoJenInc)

New York’s Nuit Blanche Redux : Industrial Buildings Brought to Light

October 8, 2011 Artists

Still way off the beaten path, and captivatingly so, New York’s 2nd annual Nuit Blanche overcame difficult weather and logistical hurdles to blind a few thousand revelers with brilliance and interactivity in this waterfront industrial neighborhood facing Manhattan. This festival of ingenius light is inspired by those sharing it’s name in cities like Paris and Toronto, but the D.I.Y. ethos that permeated Brooklyn during the 2000s in neighborhoods like this keeps the corporate chill at bay.

Untitled (photo © Jaime Rojo)

Performance, poetry, projections; the description does no justice to the ingenuity of spectacular pieces like Chris Jordan’s timelapse of Hurricane Irene hitting Manhattan projected inside a cloud named Bob that is designed by Columbia architecture students. Only in person, on the street, and in the cold October air can you be suitably shocked by the sight of yourself crawling up a factory building with a hundred others going at different rates. “Asalto”, by Daniel Canogar does just that; a public participation piece where you can crawl across a stage being recorded by a camera overhead and a few seconds later see yourself climbing to the top of this abandoned factory, progressive participants looping and layering as the evening advances.

The Manhattan art crowd may have been lured by the new ferry service and the promise of the occasional marquee name (Serra, Wodiczko), but it’s the unposing open quality of this curated installation of light that still feels promisingly ad hoc. While you’re discovering and rooting for it to succeed, you hope it retains the radiant wit as it grows. Glows

Richard Serra, 1968. “Hand Catching Lead” (photo © Jaime Rojo)

Marcos Zotes-Lopez (photo © Jaime Rojo)

Daniel Canogar (photo © Jaime Rojo)

Chakaia Booker (photo © Jaime Rojo)

Alex Villar (photo © Jaime Rojo)

Amanda Long (photo © Jaime Rojo)

POEMobile (photo © Jaime Rojo)

Chika Lijima (photo © Jaime Rojo)

Chris Jordan, Shai Fuller, Jocelyn Oppenheim, Jacob Segal and Brycia Suite. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Jeff Desom take on Rear Window (photo © Jaime Rojo)

Nathan Kensinger description of lost interiors consumed by fire. (photo © Jaime Rojo)

Organelle Design and Elliot-Goodman (photo © Jaime Rojo)

Krzysztof Wodiczko (photo © Jaime Rojo)

Andrea Cuius and Roland Ellis (photo © Jaime Rojo)

Diller Scofidio (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Sean McIntyre and Reid Bingham (photo © Jaime Rojo)

Ugly Art Room (photo © Jaime Rojo)

Valeska Soares (photo © Jaime Rojo)

Elisabeth Smolarz (photo © Jaime Rojo)

This article was previously posted on The Huffington Post.

Anthony Lister Talks to BSA : Analysis and Constant Consideration

September 29, 2011 Artists, Brooklyn, California, Features, Florida, Interview, Los Angeles, Manhattan, Miami, NYC, On the Street, San Francisco, Street Talker Interview, Venice Beach

“I’m like a hairdresser I guess.”

Painter Anthony Lister is also a Street Artist. His surreal pop and celebrity culture-infused abstractions are candy encrusted apples which may have something sharp inside. Many are figurative studies and wire frames bending wildly into characters who cavort and mock with blunt swipes of color, overlaid by costumed sexual role play… or is that a personal projection? Did I mention elegance, defiance, wit? Wait, there is so much here! Truth is, his work can be a cock-eyed psychological tempest, jarring to the head, strangely sweet.

Anthony Lister in Brooklyn (photo © Jaime Rojo)

A decade of discovery under his superhero belt, Mr. Lister continues to analyze and build his creative practice and it always includes work inside the gallery and outside on the street. He’s currently preparing for his solo show in Sydney called “Bogan Paradise” at Gallery A.S. At the same time he’s part of a group show with a gaggle of his Aussie expats on view at 941 Geary in San Francisco for “Young and Free”, including Kid Zoom, Dabs & Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta. Not to mention his participation in our show last month in Los Angeles at C.A.V.E. with Thinkspace, “Street Art Saved My Life : 39 New York Stories“.

The artist took some time recently to talk to Brooklyn Street Art about his practice;

Brooklyn Street Art: How much of one of your painted portraits is autobiographical? In other words, what portion of Mr. Lister is super hero, super model, furtive schoolboy, or Homer Simpson?
Anthony Lister: I don’t really think about myself when I paint. My figurative works are more like reflections of characteristics I absorb from real life day to day.

Brooklyn Street Art: If you were to wear colored glasses, which color do you think you would most likely screen the world through?
Anthony Lister: Pink, like John Lennon.

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: Francis Bacon said, “The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness.” Would you drink that cocktail?
Anthony Lister: Nice words. I agree.

Brooklyn Street Art: What role does analysis play in your creative process when bringing a painting to fruition?
Anthony Lister: Analysis is the outcome of considered processing. Constant consideration is crucial.

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: A big piece you did on Metropolitan in Brooklyn – you reworked that face a couple of times over a period of months, producing what appeared as a slowly morphing image. Were you covering up tags, or were you unhappy with the original, or maybe combating the effects of age with a little nip and tuck?
Anthony Lister: When I re-work street paintings I think of it like I am a hairdresser. When something is in the public it has a different existence to something living privately in a residence. I’m like a hairdresser I guess.

Brooklyn Street Art: You have spoken about your work as reality, or a reaction to realities. What realities are you depicting these days?
Anthony Lister: I just finished a body of work for a solo show in Sydney. This next body of work is about contemporary Australian culture. The exhibition is titled “Bogan Paradise.”

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: When you consider the Street Art scene that evolved around Melbourne, how would you characterize its nature in a way that differentiates it from the work in other cities around the world?
Anthony Lister: No different. This whole street art thing has sprung up post the turn of the digital revolution so it is on the Internet quick and the artists who inspire others and the ones who are easily inspired are constantly swimming in the same aesthetic pools of consciousness. Not to mention that most of the prominent artists travel lots so it is easy to see work of the same artist in multiple cities around the world at the same time.

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Brooklyn Street Art: The titles you give your gallery pieces are entertaining, instructive, illustrative. Do you ever want to place a placard near a piece you’ve done on the street – just to make sure the message gets across?
Anthony Lister: No. My street practice is less thoughtful and therefore needs less commentary.

Brooklyn Street Art: When is a painting complete?
Anthony Lister: When it tells me so.

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Anthony Lister in Manhattan (photo © Jaime Rojo)

Anthony Lister in Miami for Primary Flight. Detail. (photo © Jaime Rojo)

Anthony Lister in Los Angeles. LA FreeWalls (photo © Todd Mazer)

Anthony Lister in Los Angeles LA FreeWalls (photo © Todd Mazer)

Cry me a rainbow, Anthony Lister in Los Angeles. LA FreeWalls (photo © Jaime Rojo)

Anthony Lister in Venice Beach CA. (photo © Jaime Rojo)

Anthony Lister in San Francisco for Young and Free at 941 Geary (photo © Andrius Lypia)

Want to see more work? Just “Lister” it.

www.anthonylister.com

Street Artist Gaia Creates a Memorial Unexpectedly

September 27, 2011 Florida, Miami

Street Artist Gaia just had an unexpected encounter with grief and memory after putting up one of his carrier pigeons on a fire damaged house. He was in Miami to paint a collaborative mural with 131 Projects honoring outsider artist Purvis Young at the Bakehouse studio complex.

While painting his mural he broke away to adorn the entrance of the house with a wheat-paste of his bird-in-hand, a linotype print that has appeared in neglected areas a number of times. The image, out of place and temporary, can suddenly bring a neglected place alive. Maybe it’s the juxtaposition of the elements, the symbolism of this hand made bird traditionally trained to carry and deliver messages.

The following day while he continued working on his mural, he looked across the street to see someone on the property gazing at the bird quietly, then raising her arms to take a photo. His curiosity was peaked. Later, the story took a little turn.

“While painting in the evening I was approached by two women looking for who was responsible for the new piece on the house. After admitting culpability, they divulged to me that their brother had burned to death on the premises, and that they thought the carrier pigeon in the hand was a sign of his passing,” Gaia says as he talks with some wonder about this sudden interaction with people whose lives are so connected to the building.

On the one hand, it is amazing that someone is so affected by the appearance of something we recognize as a simple piece of street art. But when you think about our sense of place, the history and memories associated with it can be powerful. Sometimes when you are in so much grief and you are crying out for solace, you look for something, anything to comfort yourself. To see this image on such a scale, on the front of a burned house where your loved one died must have seemed like a sign from God. And truthfully, who is to say that it was not a sign from God, with artist as messenger?

“Their gratitude was something unexpected,” Gaia says as relates the story with a little shock, and possibly re-consideration of the impact his work can have. Upon reflection, the Street Artist says he is satisfied with the experience meeting the two new friends and his practice of placing his temporary works in places like this, concluding that the story is “a small, but powerful case for street art.”

(original images courtesy and © of the artist)

Image of the Week 09.11.11

September 11, 2011 Artists, BSA Images Of The Week

This week we have only one image of art on the street, from Grady McNally in Brooklyn.

Grady McNally (photo © Jaime Rojo)

“Living Walls: Albany” Begins! Gaia, Nanook and a Rockefeller

September 5, 2011 Artists

Over the next few weeks, New York State’s capital city, Albany, will be the site of a large scale Street Art show with many artists whom you are familiar with and a number of new ones on walls in desolate areas, historic districts, and even a church.

When local artist and visionary Samson Contompasis asked BSA to be partners with Living Walls last winter, we already knew about his reputation as a stalwart proponent of the creative spirit who opens doors for artists of many stripes. If Samson is in love with something, it’s going to happen.

Now “Living Walls: Albany” has grown to encompass not only multiple walls for Street Artists from around the world but the involvement of civic leaders, building owners, arts institutions, historical ombudspeople, electronic and print media, artists, musicians, galleries, a museum, and arts programming for kids and families. That was one sentence.

Gaia and Nanook collaboration (photo © Andrew Franciosa)

For our involvement BSA will help keep you up on all the walls with people we’ve worked with before and new ones too, bringing you regular updates from now until the big weekend of the 16-18th, which will have live art, music, symposia, and a keynote by your buddies here. Today we’d like to introduce two talents on the Albany scene who will be leading the way in our coverage, writer KC Orcutt, and photographer Andrew Franciosa as they were on the scene when Gaia and Nanook first started their new piece.

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook in Albany

Words by KC Orcutt, Images by Andrew Franciosa

A new livelihood is radiating around the colossal work of Gaia and Nanook, which debuted the Living Walls: Albany last week. Their vibrant piece adorns the side of a vacant, unroofed building currently aging on N. Pearl and Livingston.

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Ten minutes into my third visit, a handful of neighborhood children flocked in front of the massive brick before me to point out what they liked about the Street Art as two passer-bys curiously paused. The figure of a man pushing a contemporary piece of art (currently housed in the Rockefeller Empire Plaza Concourse) towards the face of Nelson Rockefeller is inexplicably alluring. The collective work is as perplexing as it is simple.

The merging of Albany landmarks in a notion of “pushing forward” is an attentively constructed kick off to the project this fall. One of the energetic neighborhood children, unaware of his metaphorical wisdom, looked at me and said, “I guess it’s a new day.”

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Living Walls : Albany

Participating artists include: Army of One , Broken Crow ,Cake ,Chris Stain ,Clown Soldier ,Deacon Czar , Depoe , Dwell & One Unit , Evereman , Gaia , Gregory Maxwell Dunn II , Hellbent , Jacqueline Brickman , Joe Iurato , Jon Burgerman , Marcus Anderson , Michael DeFeo , Nanook , Over/Under , Papertwins , Radical! , ROA , Scott Michael Ackerman , Skewville , Uneek , Veng , VRNO , White Cocoa , YARK

Gilf! “Back Talk” Conversation

September 2, 2011 Artists

To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.

Today we hear from Gilf!

One reason you make art: I make art to change people’s perspectives, and to bring awareness to major issues that face our whole planet. I also do it to make people smile. Street art is an amazing tool that allows me to speak to people with whom I wouldn’t get the chance in real life.

Gilf! (photo © Jaime Rojo)

Read “Back Talk: A conversation with Gilf!” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-gilf

Rene Gagnon “Back Talk” Conversation

September 1, 2011 Artists

Today we hear from Rene Gagnon.

The first record or CD you ever bought? The last album you downloaded?
“First has to be RUN DMC – with the Krush Groove jam. Eminem, ‘Relapse & Recovery.’ “

Rene Gagnon (photo © Jaime Rojo)

Read “Back Talk: A conversation with Rene Gagnon” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-rene-gagnon

Mark Carvalho “Back Talk” Conversation

August 31, 2011 Artists

Today we hear from Mark Carvalho.

Something you want the world to know about you:
“I only sing two songs for karaoke; Lionel Richie’s ‘Hello’ and Tupac’s ‘How do you want it’.”

Mark Carlvalho (photo © Jaime Rojo)

Read “Back Talk: A conversation with Mark Carvalho” on Juxtapoz: http://www.juxtapoz.com/Current/back-talk-a-conversation-with-mark-carvalho

Indigo “Back Talk” Conversation

August 30, 2011 Artists

Today we hear from Indigo.

Artists you admire:

“I admire everyone who has the courage to spend hours, weeks, months and years turning thoughts and feelings into things, then putting them out into the world for others to respond with love or hate or complete indifference. I admire anyone who has the integrity to create for themselves, first and foremost. I admire those who are constantly pushing themselves to try new ideas, use new mediums, reach out to new audiences and immerse themselves in uniquely challenging experiences. I admire everyone who has taken a leap of faith, fallen into dark and swirling waters and after what often seems like a lifetime of struggle, reached the sunshine on the other side – only to do it all over again.”

Indigo (photo © Victoria Potter)

Read “Back Talk: A conversation with Indigo” on Juxtapoz: http://www.juxtapoz.com/Features/back-talk-a-conversation-with-anthony-lister

BSA at LA MOCA for “Street Art Stories” Presentation and Panel

August 18, 2011 Artists

HuffPost Arts and The Museum of Contemporary Art, Los Angeles (MOCA) hosted a presentation and panel discussion presented by Brooklyn Street Art founders Steven P. Harrington and Jaime Rojo this past Saturday at the Ahmanson Auditorium with 150 guests. Five days after the closing of the record breaking “Art in the Streets” show at LA MOCA, which was seen by over 200,000 visitors, BSA charted some new ground going forward in the ever evolving graffiti and street art movement.

Panelists having a lively discussion at “Street Art Stories” hosted by HuffPost Arts and LA MOCA at Ahmanson Auditorium at MOCA Grand in downtown Los Angeles. (photo © Carlos Gonzalez)

The panelists, who included HuffPost Arts Editor Kimberly Brooks and Street Art phenom Shepard Fairey, watched a presentation by Harrington and Rojo about a new storytelling direction that artists are bringing to the streets of New York and other cities around the world. With examples of relative newcomers not seen by many in the audience, they pointed to precursors from the last 40 years to this storytelling practice and questioned how its sudden growth may be evolving what we have been calling “Street Art” for the last decade.

Steven P. Harrington talks about community murals and memorial walls to illustrate antecedents to the new movement of storytellers who engage passersby on a greater level than in the recent past. Shown is a community mural by New York’s Tats Cru shot by and © of Martha Cooper. (photo © Carlos Gonzalez)

After a conversation with panelists Brooks, Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno that covered topics like the paucity of females in the street art scene, the influence of the Internet on “getting up”, and the significance of personal engagement in the work of many of today’s new street artists, Harrington and Rojo opened the discussion up the auditorium. Here topics ranged from LA’s evolving approach to Street Art to include public and permanent art, the influence of money on street artists, and how a show like “Art in the Streets” effectively influences the next generations’ perception of street art.

BSA’s Steven P. Harrington gestures toward the screen while panelists look on in the front row. (photo © Carlos Gonzalez)

The packed event was interesting enough to bring many audience members down to the stage after the show to continue the conversation and meet the panelists and LA MOCA Director Jeffrey Deitch, who took great interest in the presentation, talked with a number of people before taking off. Fairey, with his wife Amanda at his side and a healing black eye from his recent trip to Copenhagen (see his account for HuffPost Arts here) gamely took on questions from many and posed for pictures after the event and at the reception which HuffPost hosted afterward.

During the presentation, Brooklyn Street Art talked about the use of Street Art as a way of addressing a variety of social and political issues, including this example of Shepard Fairey and the topic of peace. (photo © Carlos Gonzalez)

BSA co-founder and Director of Photography Jaime Rojo introduces the panelists. (photo © Carlos Gonzalez)

(photo © Carlos Gonzalez)

Brooklyn Street Art Co-founders Jaime Rojo and Steven P. Harrington converse with esteemed panelists at “Street Art Stories”, hosted by HuffPost Arts and LA MOCA.

Contemporary American Painter and the Founding Arts Editor of the Huffington Post, Kimberly Brooks next to street artist Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

Marsea Goldberg, Director of New Image Art Gallery in West Hollywood, who since 1994 has launched or mobilized the careers of artists such as Shepard Fairey, Ed Templeton, Neckface, Faile, the Date Farmers, Judith Supine, and Bäst just to name a few. Next to Ms. Goldberg is Ken Harman, Managing Online Editor at Hi-Fructose Magazine, the owner and curator at Spoke Art Gallery in San Francisco, and the creator and editor of the the “Art of Obama” website. (photo © Carlos Gonzalez)

Ethel Seno, Curatorial Coordinator for the MOCA exhibition “Art in the Streets” at the Geffen Contemporary at MOCA and the Editor of the book “Trespass: A History of Uncommissioned Urban Art” published by Taschen. (photo © Carlos Gonzalez)

Edward Goldman, LA art critic, Huffpost blogger, and host of KCRW’s “Art Talk” for 20 years, poses a question on the effect of a big museum show like “Art in the Streets” on the new generation of would be street artists. (photo © Carlos Gonzalez)

Director of LA MOCA and co-curator of “Art in the Streets”, Jeffrey Deitch, talks with Shepard Fairey after the presentation and panel (photo © Carlos Gonzalez)

<<<>>><><>>><<<<>>><><>>><<<<>>><><>>><<<<>>><><>>><<<<>>><><>>><

SPECIAL THANKS TO:

MONICA ROACHE, JESSICA YOUN, CHRIS RICHMOND, DAVID BRADSHAW, JEFFREY DEITCH, LYN WINTER, PATRICK IACONIS, TANYA PATSAOURUS, TRAVIS KORTE, MELINDA BROCKA, TINA SOIKKELI, EUTH, ANDREW
HOSNER, CARLOS GONZALEZ, KIMBERLY BROOKS, MARSEA GOLDBERG, KEN HARMAN,SHEPARD FAIREY, ETHEL SENO, THE MOCA MUSEUM STAFF AND SECURITY,

THE HUFFINGTON POST, THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), BROOKLYNSTREETART.COM, HI-FRUCTOSE, JUXTAPOZ,

IMAGES IN PRESENTATION BY JAIME ROJO WITH ADDITIONAL PHOTOS BY MARTHA COOPER, REVS PHOTO BY BECKI FULLER, and FAUXREEL PHOTOS BY DAN BERGERON

Opening Shots from “Street Art Saved My Life” in Los Angeles

August 17, 2011 Artists

Images from the Show

The show in Los Angeles last weekend was a lot of fun, with 500 people flowing through C.A.V.E. Gallery to see studio work by some of the artists on the streets of NYC. What impressed us the most was the number of conversations we saw taking place with two or three friends gathered around a piece and discussing it and really taking it in. Marsea Goldberg, owner of New Image Gallery told us, “This is Los Angeles, we take art seriously”, and judging by the enthusiasm and knowledgeable people we met at the opening, in the back patio, and on the street, many Angelinos are interested in street art from the east coast. After comments about the dense and layered quality of the show, the next most popular topic was, “When are you going to do an LA street art show in New York?” After we catch our breath. Thank you LA, and thank you all the artists who came out to make work on the walls.

Thank you also to photographer Carlos Gonzalez for shooting all the pieces in the show, which follows after this collage of opening night shots by Andrew Hosner from ThinkSpace, who was our partner with C.A.V.E. to make this show happen.

See a couple of links at the end of this posting for more pictures of the opening from Andrew Hosner and Karin Freda.

If you want to see pics of opening night on Andrew Hosner’s Facebook Page please go here:

To see Karin Freda’s Flickr page of photos from the show please go here :http://www.flickr.com/photos/karinfreda/sets/72157627427952010/

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A gallery full of homos no doubt. Homo Riot (photo © PhotoJenInc)

Homo Riot (photo © PhotoJenInc)

A screen in the workshop by Homo Riot (photo © PhotoJenInc)

A guest poses with the work of Homo Riot (photo © PhotoJenInc)

Homo Riot (photo © PhotoJenInc)

Homo Riot (photo © PhotoJenInc)

Untitled (photo © Jaime Rojo)

Richard Serra, 1968. “Hand Catching Lead” (photo © Jaime Rojo)

Marcos Zotes-Lopez (photo © Jaime Rojo)

Daniel Canogar (photo © Jaime Rojo)

Daniel Canogar (photo © Jaime Rojo)

Chakaia Booker (photo © Jaime Rojo)

Alex Villar (photo © Jaime Rojo)

Amanda Long (photo © Jaime Rojo)

POEMobile (photo © Jaime Rojo)

POEMobile (photo © Jaime Rojo)

Chika Lijima (photo © Jaime Rojo)

Chris Jordan, Shai Fuller, Jocelyn Oppenheim, Jacob Segal and Brycia Suite. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Jeff Desom take on Rear Window (photo © Jaime Rojo)

Nathan Kensinger description of lost interiors consumed by fire. (photo © Jaime Rojo)

Organelle Design and Elliot-Goodman (photo © Jaime Rojo)

Krzysztof Wodiczko (photo © Jaime Rojo)

Andrea Cuius and Roland Ellis (photo © Jaime Rojo)

Diller Scofidio (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Sean McIntyre and Reid Bingham (photo © Jaime Rojo)

Ugly Art Room (photo © Jaime Rojo)

Valeska Soares (photo © Jaime Rojo)

Elisabeth Smolarz (photo © Jaime Rojo)

“I’m like a hairdresser I guess.”

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Anthony Lister in Brooklyn (photo © Jaime Rojo)

Anthony Lister in Manhattan (photo © Jaime Rojo)

Anthony Lister in Miami for Primary Flight. Detail. (photo © Jaime Rojo)

Anthony Lister in Los Angeles. LA FreeWalls (photo © Todd Mazer)

Anthony Lister in Los Angeles LA FreeWalls (photo © Todd Mazer)

Cry me a rainbow, Anthony Lister in Los Angeles. LA FreeWalls (photo © Jaime Rojo)

Anthony Lister in Venice Beach CA. (photo © Jaime Rojo)

Anthony Lister in San Francisco for Young and Free at 941 Geary (photo © Andrius Lypia)

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook in Albany

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gaia and Nanook collaboration (photo © Andrew Franciosa)

Gilf! (photo © Jaime Rojo)

Rene Gagnon (photo © Jaime Rojo)

Mark Carlvalho (photo © Jaime Rojo)

Indigo (photo © Victoria Potter)

Panelists having a lively discussion at “Street Art Stories” hosted by HuffPost Arts and LA MOCA at Ahmanson Auditorium at MOCA Grand in downtown Los Angeles. (photo © Carlos Gonzalez)

During the presentation, Brooklyn Street Art talked about the use of Street Art as a way of addressing a variety of social and political issues, including this example of Shepard Fairey and the topic of peace. (photo © Carlos Gonzalez)

BSA co-founder and Director of Photography Jaime Rojo introduces the panelists. (photo © Carlos Gonzalez)

(photo © Carlos Gonzalez)

(photo © Carlos Gonzalez)

Brooklyn Street Art Co-founders Jaime Rojo and Steven P. Harrington converse with esteemed panelists at “Street Art Stories”, hosted by HuffPost Arts and LA MOCA.

Contemporary American Painter and the Founding Arts Editor of the Huffington Post, Kimberly Brooks next to street artist Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

(photo © Carlos Gonzalez)

Shepard Fairey, Marsea Goldberg, Ken Harman, and Ethel Seno. (photo © Carlos Gonzalez)

Ethel Seno, Curatorial Coordinator for the MOCA exhibition “Art in the Streets” at the Geffen Contemporary at MOCA and the Editor of the book “Trespass: A History of Uncommissioned Urban Art” published by Taschen. (photo © Carlos Gonzalez)

Shepard Fairey at “Street Art Stories” Panel at LA MOCA. (photo © Carlos Gonzalez)

(photo © Carlos Gonzalez)

Street art photographer Jaime Rojo of Brooklyn Street Art. (photo © Carlos Gonzalez)

Edward Goldman, LA art critic, Huffpost blogger, and host of KCRW’s “Art Talk” for 20 years, poses a question on the effect of a big museum show like “Art in the Streets” on the new generation of would be street artists. (photo © Carlos Gonzalez)

Seno and Harman (photo © Carlos Gonzalez)

The Ahmanson Auditorium for “Street Art Stories” at LA MOCA (photo © Carlos Gonzalez)

Thank you to Kimberly Brooks and our great panel. (photo © Carlos Gonzalez)

Director of LA MOCA and co-curator of “Art in the Streets”, Jeffrey Deitch, talks with Shepard Fairey after the presentation and panel (photo © Carlos Gonzalez)

Images from the Show

Featured Video | Martin Wong’s “Houston Street”

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