All posts tagged: BrooklynStreetArt.com

#7 Ema: 12 Wishes for 2012

#7 Ema: 12 Wishes for 2012



For twelve days we’re presenting twelve wishes for 2012 as told by an alternating roster of artists and BSA readers, in no particular order. Together, they are a tiny snapshot of the people who are part of the street art scene around the world today. Individually, each adds their personal expression of hope for tomorrow.

Today’s wish comes from EMA, the French graffiti writer turned Street Artist and fine artist who spent one decade living in Brooklyn. Whether it’s cans on a decaying wall or finely brushed ink on an acid-free textured paper stock, the no-nonsense dreamer has only one wish for 2012;

“Stay Proud”

EMA’s photo plainly illustrates the changing nature of the ongoing conversation on the street in Brooklyn. © Ema

Read more with BSA and EMA in 2011 here:

“Breuckelen”, We Go Hard : Street Artist EMA

EMA Talks about Brooklyn: “A Place Like No Other in the World”

Street Artist EMA “Back Talk” Conversation

 

 

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#6 Wish: BSA Reader Marco ; 12 Wishes for 2012

#6 Wish: BSA Reader Marco ; 12 Wishes for 2012



For twelve days we’re presenting twelve wishes for 2012 as told by an alternating roster of artists and BSA readers, in no particular order. Together, they are a tiny snapshot of the people who are part of the street art scene around the world today. Individually, each adds their personal expression of hope for tomorrow.

Today’s wish comes from a BSA reader named Marco, our 3rd Place Winner in the 2011 BSA Holiday Giveaway. Along with an original photograph of Matera, a city in his home country of Italy, Marco sends this wish;

“My wish for 2012 is that people will stop fighting and arguing for negligible topics and instead will start to focus and solve more important problems that afflicts the whole world, even more nowadays that we are passing through a worldwide economic crisis. It may sound like rhetoric but people are dying every day while others more fortunate spend their time getting mad and fighting for stupid things. I wish everyone will stop for a second to think about this and realise how sad and meaningless the world will be if we don’t care more about others.”

“We are not living. We are just killing time”.

© Marco

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#5 Miss Bugs: 12 Wishes for 2012

#5 Miss Bugs: 12 Wishes for 2012



For twelve days we’re presenting twelve wishes for 2012 as told by an alternating roster of artists and BSA readers, in no particular order. Together, they are a tiny snapshot of the people who are part of the street art scene around the world today. Individually, each adds their personal expression of hope for tomorrow.

Today’s wish comes from Miss Bugs, an English Street Art duo who blew up the joint this summer with easily the most riveting show we saw this year at Bed Stuys’ own Brooklynite Gallery (left). Graphic by nature, and splendidly anonymous, Miss Bugs surreally turns your head and helps you question what you are seeing when you are on the street. And they continue the practice with their submission for 12 Wishes for 2012.

Miss Bugs sends this photo, entitled “The Great Beyond,” taken “near where we grew up in a place called Shirehampton, a suburb of Bristol.”  Their wish for 2012?

“To make more time for old friends”

Image © Miss Bugs

Read more with BSA and Miss Bugs in 2011 here:

Miss Bugs “Back Talk” Conversation

Miss Bugs in Brooklyn: Girls, Sex and a Car Crash in the Forest

Miss Bugs Top Feature on Huffpost ARTS Today

 

 

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#4 Wish: BSA Reader Zia; 12 Wishes for 2012

#4 Wish: BSA Reader Zia; 12 Wishes for 2012



For twelve days we’re presenting twelve wishes for 2012 as told by an alternating roster of artists and BSA readers, in no particular order. Together, they are a tiny snapshot of the people who are part of the street art scene around the world today. Individually, each adds their personal expression of hope for tomorrow.

Today’s wish comes from a BSA reader named Zia, our 4th Place Winner in the 2011 BSA Holiday Giveaway. Along with an original piece of art, Zia sends this wish;

“I wish my 80-yr old grandma would continue to party in good health, and my 60-yr old parents would drive safely after dark. I wish there would be no more cancers in the family. I wish my friends would find jobs, preferably dream jobs. I wish the HIV vaccine would finally work in humans, not just chimps. I wish I would have a year filled with inspirations and travels to lands I’ve always wanted to visit.”

© Zia

 

 

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#3 Various & Gould: 12 Wishes for 2012

#3 Various & Gould: 12 Wishes for 2012



For twelve days we’re presenting twelve wishes for 2012 as told by an alternating roster of artists and BSA readers, in no particular order. Together, they are a tiny snapshot of the people who are part of the street art scene around the world today. Individually, each adds their personal expression of hope for tomorrow.

Today’s wish comes from Various & Gould, the kooky and clever Berlin-based Street Artist duo who we had the pleasure of working with a little bit this year. Experimenters of the highest order, V&G blast forward in pursuit of new combinations of elements without fear of failure, but rather with a love of the process and a delight in the surprising outcome. It helps that they are ridiculously serious about not taking everything so seriously, making Various and Gould perfect role models for those of us carrying the weight of the world on our shoulders.

Along with this photo, V&G send this exhortation to anybody who is holding back in 2012:

“Go for it!”

Image © Various and Gould

Read more with BSA and V&G in 2011 here:

Various & Gould “Back Talk” Conversation

Various and Gould say, “Street Art Saved OUR Lives”

 

 

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#2 Wish: BSA Reader Stein; 12 Wishes for 2012

#2 Wish: BSA Reader Stein; 12 Wishes for 2012



For twelve days we’re presenting twelve wishes for 2012 as told by an alternating roster of artists and BSA readers, in no particular order. Together, they are a tiny snapshot of the people who are part of the street art scene around the world today. Individually, each adds their personal expression of hope for tomorrow.

 

Today’s wish comes from a BSA reader named Stein from Norway, our 5th Place Winner in the 2011 BSA Holiday Giveaway.

“My mantra is: 10% talent 90% hard work. My wish to you is: Don’t be a quitter!”

 

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#1 Saber: 12 Wishes for 2012



For twelve days we’re presenting twelve wishes for 2012 as told by an alternating roster of artists and BSA readers, in no particular order. Together, they are a tiny snapshot of the people who are part of the street art scene around the world  today. Individually, each adds their personal expression of hope for tomorrow.

Today’s wish comes from Saber, a Los Angeles based graffiti artist well known for his signature style with cans and his outspoken opinions on topics affecting everyday people. Diagnosed with a difficult to treat illness as an adult, he has made a very public campaign of his own fight to get medical help. By doing so he is raising awareness about the fact that every day, while politicians bloviate and insurance companies bloat with dollars, millions of average Americans are effectively shut out from getting medical care.

Along with a photo of his daughter, Saber sends just this one wish;

“I Want Access To HealthCare !”

 

 

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“Images of the Year 2011” From Brooklyn Street Art (VIDEO)

It’s been an excellent year for Street Art all over the world and we’ve had the pleasure of seeing a lot of great stuff from big names to the anonymous. Eye popping, brain-teasing, challenging, entertaining, aspirational and inspirational – it’s all happening at once.  We’ve been walking the streets, meeting the artists, going to shows, curating shows, speaking to audiences, providing walls, and asking questions. It ebbs and flows but never stays the same. With the rise of the Occupy movement this autumn, we’re already seeing an uptick in the number of people taking their messages to the street with a renewed intensity.

Left to Right: Shepard Fairey in Manhattan, D*Face in LA, Ludo in Chicago, JR in the Bronx, Barry McGee at LAMoCA, Mosstika in Brooklyn. All photos © Jaime Rojo

Let’s take a look at some of our favorite shots, whether from a rooftop in Bushwick, Brooklyn, a block-long wall in Miami, or the “Art in the Streets” show at LA MoCA. As you sample this eye-candy platter, dig the staccato soundtrack made of sounds culled from Brooklyn’s streets by electro duo Javelin, who spent a day in the Red Hook neighborhood collecting sounds and then mixed them in the back of their car. This is the kind of D.I.Y. ingenuity that is fueling the fire in artists neighborhoods all over the world, with people taking their stories and skills directly to the streets. With Javelin as the perfect auditory partner here’s 90 shots by photographer Jaime Rojo from 2011.

The scenes and scenester included here: 5 Pointz, 907Crew, Sadue, Gen2, Oze108, Droid, Goya, UFO, Aakash Nihalini, No Touching Ground, Aiko, Martha Cooper, Anthony Lister, Boom, INSA, Miami, Primary Flight, LA Freewalls, Los Angeles, Kim West, Kopye, L.E.T., Purth, Lisa Enxing, Baltimore, Banksy, LA MoCA, Barry McGee, Blek le Rat, Broken Crow, Albany Living Walls, Chris Stain, Billy Mode, AD HOC Arts, Chris Uphues, Monster Island, Wynwood Walls, Creepy, Brooklyn Street Art, Jaime Rojo, Steven P. Harrington, Dabs & Myla, How & Nosm, Vhils, Dain, D*Face, ECB, El Sol 25, Elbow Toe, EMA, The London Police, Kid Acne, Will Barras, Enzo & Nio, Faile, Bast, Faith 47, Gaia Clown Soldier, General Howe, Hellbent, Herakut, Invader, JA JA, Jaz, Cern, Joe Iurato, Welling Court, John Baldessari, JR, Kenny Scharf, Knitta Please!, LMA Cru, LUDO, Mosstika, ND’A, IRGH, Labrona, Overunder, Nick Walker, NohjColey, Nomade, Occupy Wall Street, Os Gemeos, Veng, Chris, RWK, QRST, Radical!, Rambo, Retna, Gifted, Demon Slayers, Read, Booker, Read More Books, ROA, Shepard Fairey, Shin Shin, Wing, Skewville, Specter, Swampy, Sweet Toof, Swoon, Toofly, Various & Gould, VHILS, XAM, YOK, Pantheon Projects

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“Wall & Frames”, Today’s Street Artists, Tomorrow’s Masters

There is an uneasy reluctance among some artists in the graffiti and the Street Art community to let themselves be seen hanging with art collectors or even entering galleries sometimes because they might lose credibility among peers for not being ‘street’ enough. Seeing well manicured men in pinstripes and shrieking birdberry women with tinted/straightened/plumped everything looking at your shit hanging on a wall and asking vaguely patronizing questions about it like you are an exquisite curiosity could make you go out and slice their tires after downing a few white wines.  Not surprisingly, “keeping it real” sometimes translates to keeping it out of private collections.

Even as there is an every-growing recognition of art and artists who work sometimes illegally in the street, it’s a sort of high-wire act for anyone associating with art born in margins, mainly because it forces one to face the fact that we marginalize.

Sociological considerations aside, over the last decade there is a less traditional definition of Street Artist entering the fray. The graffiti scene originally boasted a sort of grassroots uprising by the voiceless and economically disempowered, with a couple of art school kids and the occasional high-minded conceptualist to mix things up. It’s all changed of course – for myriad reasons – and art in the streets takes every form, medium, and background. Now we see fully formed artists with dazzling gallery careers bombing right next to first time Krinks writers, graffiti writers changing gears and doing carefully rendered figurative work, corporations trying their hand at culture jamming (which isn’t a stretch), and all manner of Street Art referred to as an “installation”.

A new book by Maximiliano Ruiz called “Walls & Frames”, just released last month by Gestalten, presents a large collection of artists who have traversed the now permeable definitions of “street”, gallery, collector and museum. Admittedly, this may be a brief period of popularity for Street Art, if the 1980s romance with graffiti is any indication, but there is evidence that it will endure in some form.  This time one defining difference is that many artists have already developed skill, technique, and a fan base. Clearly the street has become a venue, a laboratory for testing and working out new ideas and techniques by fine artists, and even a valued platform for marketing oneself to a wider audience.

A spread of work by Conor Harrington in “Walls and Frames”.

The resulting work, whether hanging on a nail inside or painted on a street wall, challenges our previously defined boundaries. The current crop of street art stars and debutantes, many of the strongest whom are collected here by Ruiz, continue to stay connected with the energy of the street regardless of their trajectory elsewhere. Some are relatively new, while others have been evolving their practice since the 70s, with all the players sliding in and off the street over time. The rich and varied international collection is remarkable and leaves you wanting to see more work by many of the artists. All considered, “Wall and Frames” is a gorgeously produced book giving ample evidence that many of today’s artists in the streets are tomorrow’s masters, wherever they practice.

Augustine Kofie in “Walls and Frames”.

 

Sixe in “Walls and Frames”.

Remed in “Walls and Frames”.

Anthony Lister in “Walls and Frames”.

Judith Supine in “Walls and Frames”.

Alexandros Vasmoulakis in “Walls and Frames”.

D*Face in “Walls and Frames”.

Interesni Kazki in “Walls and Frames”.

Jorge Rodriguez Gerada in “Walls and Frames”.

M-City in “Walls and Frames”.

 All images © of and courtesy of Gestalten and Maximiliano Ruiz.

Artists included are Aaron Noble, AJ Fosik, Alexandre Farto aka Vhils, Alexandros Vasmoulakis, Alëxone Dizac, Amose, Andrew McAttee, Anthony Lister, Antony Micallef, Axel Void, Basco-Vazko, Base 23, Ben Frost, Blek le Rat, Bom-K, Boris Hoppek, Boxi, C215, Cekis, Conor Harrington, D*Face, Dan Witz, Daniel Muñoz aka San, Dave Kinsey, Der, Dixon, Docteur Gecko, Doze Green, Dran, Duncan Jago aka Mr. Jago, Eine, Ekundayo, El Mac, Evan Roth, Evol, Faile, Faith 47, Fefe Talavera, Gaia, George Morton-Clark, Herakut, Herbert Baglione, Interesni Kazki, Jaybo, Jeff Soto, Jeremy Fish, Jesse Hazelip, Johnny “KMNDZ” Rodriguez, Joram Roukes, Jorge Rodriguez Gerada, Josh Keyes, JR, Judith Supine, Katrin Fridriks, Kevin Cyr, Kofie, L’Atlas, Lightgraff, Logan Hicks, Ludo, M-City, Mark Jenkins, Mark Whalen aka Kill Pixie, Maya Hayuk, Medo & Demência, Meggs, Miss Bugs, Miss Van, Morten Andersen aka M2theA, Mr. Kern, Mudwig, Nicholas Di Genova, Okuda, Patrick Evoke, Paul Insect, Pedro Matos, Peter Owen, Pose, Pure Evil, Remed, Remi/Roughe, René Almanza, Retna, Ripo, Ródez, Sam3, Sat One, Shepard Fairey, Sixe, Smash 137, Sowat, Sten & Lex, Stephan Doitschinoff, Tec, Tilt, Troy Lovegates aka Other, Turf One, Vitché;, Wendell McShine, Will Barras, and Zosen.

 

The launch; “Walls & Frames” will be presented at Gestalten Space Berlin on December 15th.

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Street Art Going Up Right Now in Miami – Process Pics from Mike Pearce

Miami is in full effect! Murals and cans and scissor lifts and beers and cameras are all going at once!  Street Art has never been so well represented in Miami’s Art Basel as it is this weekend – in fact it is impossible to follow it all unless you are an octopus.

Anthony Lister and Col in process in Miami (photo © Mike Pearce)

And opportunities are seized, while others are missed, and some are trampled underneath. Carlo McCormick writes in Paper Mag a pleasantly prickly on-point overview of the current events with an eye toward some of the sliminess. McCormick should know about the polluting  and homogenizing effect of commerce and hype on a scene born in the street, having witnessed and documented first-hand the explosion of graffiti in the NY Downtown scene during the 1980s as well as the market implosion that hurt so many artists in it’s wake. Perhaps that’s why his piece ends with the populist summation,

“It’s all good whatever side of the town you want to walk on, but to our view the art that is taking place with the 99% in mind rather than in whorish acquiescence to the 1% is infinitely more lively, vital and relevant. It may not be making much money (unlike many here we’re too polite to ask about sales), but believe it or not, that’s not the point of art. “

Read the full piece by Mr. McCormick at Paper by clicking here:

Meanwhile, the giant magnet Miami has attracted artists and their dreams and stories to paint walls today. New York photographer Mike Pearce shows BSA readers some murals in progress.

La Pandilla working carefully on their piece. (photo © Mike Pearce)

Augustine Kofie brings his vintage futurism. (photo © Mike Pearce)

See our interview : Augustine Kofie in Studio

TooFly from the streets of New York to Miami . (photo © Mike Pearce)

Shark Toof knocking out his piece. (photo © Mike Pearce)

Ben Eine seems to be trying to communicate a message here. (photo © Mike Pearce)

Pixel Pancho: Increible. (photo © Mike Pearce)

Myla tests a can of white while Mr Dabs works on his top hat. (photo © Mike Pearce)

 

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See more photos by Mike Pearce on his Flickr page here.

 

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The Art of Paul Insect – 3 New Videos from Carlos Gonzalez

The Photographer Continues to Explore Storytelling With Video

Leading up to the Paul Insect exhibit over at Venice’s Post No Bills gallery, photographer Carlos Gonzalez continued to challenge his visual skills by creating a video to impart a visual narrative, a psychological grounding to the physical process of the artist preparing for the show. The discovery of what it takes to create the show and the prints that were to sold inspired Carlos to tell the story in a new way, using video more than he has before.

Careful observation of movement, pattern, subtleties of technique – all underlaid with a sophistication in audio selections – reveals a talent in the storyteller that keeps unfolding before our eyes even as he endeavors to tell us about Paul Insect the artist and the Ramon De Larosa, the print master. As De Larosa mans the 2oo year old machine to create pieces for the U.K. based artist, bobbing and rolling and pulling and pressing play out as dance over a bed of electronic music and mechanical beats,  succinctly merging two centuries into one.

And in this newest video the screen printing process is explained in 80 seconds to the quick cuts and fluttering drum meter of a motor city inflected rockabilly beat as De Larosa gently applies rich patches of color to a new Insect portrait. It feels like we are all learning at one time – artist, master, videographer, observer.

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