Basik. La danza di San Michele (Saint Michael’s dance). Paderno d’Adda, Italy. (photo courtesy of the artist)
“La danza di San Michele” (Saint Michael’s Dance) is a captivating mural composition by the street artist Basik, situated in the heart of Paderno d’Adda, Italy. A unique public art project thoughtfully curated by Annalisa Ferraro, the scattered collection has breathed new life into the historic center of Paderno d’Adda, forging a connection between tradition and contemporaneity, past and present, without the need for embellishments or excessive sentimentality.
Basik. La danza di San Michele (Saint Michael’s dance). Paderno d’Adda, Italy. (photo courtesy of the artist)
Basik, hailing from the vibrant art scene of Italy, embarked on a ten-day journey to transform the town’s walls along Via Manzoni into a beckoning series of canvasses. His artwork serves as a beacon, imploring residents and visitors to embark on an immersive exploration of the region, offering a fresh perspective on its historical, artistic, architectural, and natural heritage. Without delving into the intricacies of funding, this project has been brought to life as part of Paderno d’Adda’s urban regeneration plan, showcasing the town’s commitment to revitalizing its historic center.
Basik. La danza di San Michele (Saint Michael’s dance). Paderno d’Adda, Italy. (photo courtesy of the artist)Basik. La danza di San Michele (Saint Michael’s dance). Paderno d’Adda, Italy. (photo courtesy of the artist)
Three distinct artworks form an indivisible composition, inviting viewers to partake in a visual narrative that evolves with every step along the town’s main street. In “VIA.,” Basik draws inspiration from Leonardo da Vinci’s canals, symbolizing the rush of progress and connection. “TANGERE verso uno” reveres the symbolic role of the bridge, embodying possibilities and unity. Finally, “LUCE. ACQUA.” presents a model of the historic Bertini power station as a place of reverence, representing the region’s journey through industrial transformation.
By day, the mural reveals its details and colors, mirroring the landscape from antiquity to the present. By night, a golden thread illuminates Basik’s creation, guiding viewers through a constellation, a scattered composition that tells a fuller story.
“Saint Michael’s Dance” is an ode to hospitality, observation, and comprehension. It offers the people of Paderno d’Adda a new heritage, preserving the memory of the past while embracing the future. This installation symbolizes a celebration of history and an invitation to participate in a compelling narrative.
Basik. La danza di San Michele (Saint Michael’s dance). Paderno d’Adda, Italy. (photo courtesy of the artist)Basik. La danza di San Michele (Saint Michael’s dance). Paderno d’Adda, Italy. (photo courtesy of the artist)
Here is our weekly interview with the street: this week featuring Faile, Stikman, Elle, Queen Andrea, CRKSHNK, Shiro, Espo, Homesick, DeGrupo, Michael Alan, Dark Clouds, Gats, Manik, Drones, ICU463, El Chalvo Del Ocho, Saxgraf, Smart RIS, Bianca Does New York, Uloang, and Chespirito.
“They are all friends, brought together again to mark a momentous occasion,” says Carlo McCormick about what really matters to him when curating the 40th Anniversary of “the first and foundational movie of hip-hop,” Wild Style. The exhibition at Deitch Gallery in New York opens this weekend. It pays homage to the vision and determination of director Charlie Ahearn, observing and synthesizing a distinctly New York story that eventually circled the globe.
The groundbreaking and iconic independent film emerged from the vibrant subcultures of the early 1980s; a seminal work that now serves as a cultural touchstone, capturing the raw energy and creative spirit of hip-hop and graffiti art during their formative years. “Wild Style” unfolds amidst a gritty urban backdrop, providing an unfiltered view of the burgeoning hip-hop scene, encompassing breakdancing, MCing, DJing, and graffiti. The film combines scripted scenes with authentic performances, preserving the origins and early pioneers of a cultural movement that would later resonate worldwide.
Seen through the eyes of author/curator/poet/storyteller/bard McCormick, Ahearn had captured “the nascence of a renaissance, a happenstance of abandonment and neglect colliding with the exuberantly wayward energies of invention and hope.”
Charlie Ahearn, John Ahearn, Janette Beckman, Fred Brathwaite (Fab 5 Freddy), Cathleen Campbell, Henry Chalfant, Joe Conzo, Martha Cooper, Jane Dickson, Brian Donnelly (KAWS), Chris Ellis (Daze), Sandra Fabara (Lady Pink), Aaron Goodstone (Sharp), Eric Haze, John Matos (Crash), Leonard McGurr (Futura), Osgemeos, Phase 2, Lee Quinones, Rammellzee, Revolt, Don White (Dondi), Andrew Witten (Zephyr) and Martin Wong.
Wild Style 40, Curated by Carlo McCormick November 11, 2023–January 13, 2024 18 Wooster Street
Opening Reception: Saturday, November 11, 6-8PM No RSVP required
We’re back in Bayonne today to look at more images from the Points de Vue festival hosted last month in the south of France. More varied disciplines are on display here than you may typically see at a street art festival, perhaps because much autonomy is given to the artists. It may also be a result of carefully curating artists for site-specific works, and their close interaction with the community, as well as arts institutions. While many of the artists may have direct experience with illegal graffiti and street art in their evolutionary story, you see a more collaborative spirit here, one that is responsive to the needs of the community rather than works that are made as an act of provocation.
Dubbing their partnership “Nexmural,” Aitor and Nextor, who happen to be father and son, embarked on a unique artistic journey that one does not hear about often in this scene. Despite Aitor’s hiatus from painting for over a decade, he stumbled upon the revelation that his son was the mastermind behind the graffiti that graced their town’s walls. In an inspiring twist of fate, the duo have decided to combine their creative talents to embellish the urban canvas with vibrant imagery that not only reflects the contemporary world but also instills a sense of optimism.
Maya, a versatile artist, practices her craft outdoors on the streets and within the confines of her studio. She engages in various artistic disciplines, including sculpting, photography, filmmaking, and literary pursuits.
Drawing inspiration from the rebellious energy of punk rock and the rich aesthetics of Eastern European folk traditions, the results are an immersive artistic experience that propels viewers into a vibrant and psychedelic world filled with intricate geometric motifs and bold; vivid, smashing hues that are nothing short of electric.
JC Coudèrc’s artistic philosophy is deeply intertwined with his connection to his Occitan heritage. Employing his native language and its symbolic elements, the artist evokes the legacy of an age-old culture that has been rendered mute with time, prompting reflections on our modern society. Within his artistic endeavors, Codèrc looks for ways to forge connections among individuals, their historical narratives, and the lands they inhabit.
Beginning in 2021, Points de Vue ventured beyond the confines of Bayonne, extending its reach to encompass the expansive domain of the Communauté d’Agglomération Pays Basque. Within this broader canvas, the festival extends a welcoming hand to featured artists, granting them the privilege of embarking on creative residencies within local communities.
Spanning several weeks, these artists embark on a transformative journey, drawing inspiration from their hosts, and the locales and engaging in lively exchanges with community members. Organizers home that interactions foster authentic dialogues, injecting urban art with newfound vitality and into novel landscapes.
For the 2023 edition, the village of Bergouey-Viellenave welcomes Occitan artist JC Couderc.
LX One’s fascination with geometric patterning can be seen on metal, concrete, and canvas. Working in ink, acrylic, or aerosol, each new medium is a source of inspiration for him. By integrating digital tools into his work, he brings out a 3rd dimension in a flat surface by creating a bas-relief or optical illusion.
Nobody was out Friday night when we went to see “Stop Making Sense” on the screen; the streets of Manhattan and Brooklyn at 10 pm were rather lightly attended, possibly because everyone was recovering from a mid-week Halloween/Day of the Dead blast of drunkenness, revelry, laughter, and tears. Sometimes, even New York turns into a series of bedroom communities standing vertically.
The New York City Marathon is here today, with about 50,000 runners sprinting from Staten Island to Central Park, traversing neighborhoods, bridges, boroughs, and millions of spectators. It is two hours for the head of the pack – although it lasts all day, with some people still running/walking/rolling through the street when the sun sets. And, of course, it really lasts your entire life if you let yourself become engulfed by the human spectacle of it, which we often have and still sometimes do.
The world is still tense and angry and nervous and mournful about the events in the Middle East as we all feel like we have reached a never-before-seen turning point that is changing the world’s perception of that region and our roles in it. New York is showing signs of this stress as well.
Here is our weekly interview with the street: this week featuring City Kitty, Homesick, Modomatic, Eye Sticker, Michael Alan, Jenna Morello, OSK, Mue Bon, Keoni VGN, Salto, BH, BAKA, and Swed Oner.
From October 18 to 22, 2023, the Points de Vue Festival celebrated its seventh year in the realm of public art. This annual gathering brought together a group of nine artists, spanning local and international talents, to adorn the walls of Bayonne and the communes of the Northern Basque Country. Supported by a blend of private and municipal funding, the festival acts as a vibrant showcase for the diverse world of street art, skillfully blending pleasing imagery in murals across Bayonne, all while weaving a narrative that nods to the roots of street art and graffiti. Simultaneously, it seamlessly integrates the region’s rich cultural heritage, its inhabitants, and historical narratives.
Evolved in its presentation, the festival offers a comprehensive program encompassing exhibitions, concerts, and screenings, to cultivate an environment that encourages audiences to engage with artistic creation from multiple angles. Through interactive workshops, attendees have the chance to nurture their artistic potential, with encounters with artworks often igniting passions or fostering enduring curiosities. Since 2022, Points de Vue has also facilitated gatherings of visual arts professionals, openly addressing the ever-evolving dynamics of the sector with the public.
Today, the Points de Vue open-air gallery in Bayonne aims to transcend physical and intellectual confines, infusing streets, landscapes, and daily life with a unifying artistic essence. This year’s festival brought together artists from both international and local realms, showcasing a rich diversity inherent in their works. Whether through graffiti or contemporary art, these distinguished participants, drawn from various influences and backgrounds, leave their indelible creative mark on urban spaces, a trend increasingly witnessed at festivals of this nature.
Elisa Capdevila finds her muse in the ordinary occurrences of life, accentuating the lyricism of unassuming events in a life: a holiday, a familial repast, a stroll through the countryside… Her murals, dispersed across various European nations, make us envision and reflect.
After painting murals commercially for prominent brands, Sophie Mess heads on an artistic journey that she hopes will empower her to express her creative vision more freely. Now it looks like the world she conjures on urban canvases derives inspiration from the domain of botany. Infusing the urban landscape with vibrant hues amid its grey facades, Sophie Mess encourages onlookers to reflect upon the balance/imbalance of the natural world.
Exploring the conventions of classical art and graffiti, the artistic partnership of PichiAvo forges an urban dialect at the intersection of creative movements, a style embraced by both critics and the wider audience. Their creations consistently captivate with their colossal presence, where contemporary and ancestral elements harmoniously coexist.
A Franco-German artist, residing between Berlin and Chile, Jan Vormann restores city walls by incorporating a Lego mosaic within their crevices, and has been doing this for many years. His artistic statement carries a playful and peacemaking essence, subverting the monotonous world of grown-ups while playfully acknowledging the inner child within us all.
Starting in 2021, Points de Vue has been extending its reach beyond the confines of Bayonne, encompassing the expanse of the Communauté d’Agglomération Pays Basque. This expansion offers invited artists the unique opportunity to engage in residencies within local communities, enabling them to draw inspiration from their host locations. Over several weeks, artists immerse themselves in the local environment, fostering dialogues with community members to craft new works that mirror the essence of their welcoming surroundings. These interactions cultivate authentic exchanges, bringing urban art into new, personal territories.
For this year’s edition, the French-German artist Jan Vormann undertook a creative endeavor at the Gribraltar stele in Uhart-Cize, a historical site at the crossroads of the Compostelle pilgrimage routes.
New York is gripped with anxiety and demonstrations because of the Israeli attacks on Gaza that appear to violate International Law. No one is happy, and accusations fly in this most polarizing of international conflicts that threatens to spread – who knows where next. Friday night, a colossal demonstration overtook Grand Central Station and the streets around it by mostly Jews calling for a ceasefire, followed by an equally thunderous one across the Brooklyn Bridge. No one wants to talk about it, yet everyone is talking about it. May cooler heads prevail, and may children be spared our foolish wars.
The morning glories are still beaming blue and pink over fences on abandoned lots here, even as their tumbled vines and leaves turn yellow. The East Village Halloween Parade takes off at 7 p.m. Tuesday, and people are already in costumes on the subway, in the bar, at the pumpkin stand. Street artists have naturally gravitated toward our cultural icons, real and fantasy, and they continue to bring them to walls and doorways and the occasional box truck or subway car. Hearts were warmed this week when a subway rat was caught on video in the tracks dragging a glazed donut a distance to share with his (girl?)friend. You see, even our rats are generous in spirit.
We reflect on Western society’s preoccupation with youth and what a dead end it is, as we spotted a quote this week from British author Donna Ashwork on social media. It makes sense when you look at the Rolling Stones, who played at Racket NYC with special guest Lady Gaga this week. Also we caught the Ed Ruscha show at MOMA this week. These artists are in their 70s and 80s, as are so many of the icons of the Boomer Generation. Somehow, they can be just as compelling as in their heyday sometimes, and its not because of their physical appearance. Anyway, enjoy this poem/quote:
“Don’t prioritise your looks, my friend, they won’t last the journey. Your sense of humour though, will only get better. Your intuition will grow and expand like a majestic cloak of wisdom. Your ability to choose your battles, will be fine-tuned to perfection. Your capacity for stillness, for living in the moment, will blossom. And your desire to live each and every moment will transcend all other wants. Your instinct for knowing what (and who) is worth your time, will grow and flourish like ivy on a castle wall. Don’t prioritise your looks my friend, they will change forevermore, that pursuit is one of much sadness and disappointment. Prioritise the uniqueness that makes you you,
and the invisible magnet that draws in other like-minded souls to dance in your orbit. These are the things which will only get better.“
Here is our weekly interview with the street: this week featuring Queen Andrea, Solus, Degrupo, Jerkface, Mike Makatron, Miki Mu, Home Sick, TomBoyNYC, Dirk Hiekel, Keon IVGN, Robles 147, Mistake Project, and Carlo Beley.
In the realm where imagination dances with audacity, Yok & Sheryo, the dynamic duo hailing from the crossroads of New York, Australia, and Asia, have conjured up a whimsical masterpiece, aptly titled “Yeahnahnesia.” Published in collaboration with the Art Gallery Western Australia, this book is a memoir and fantasy of creativity and storytelling that makes a reader question the boundaries of reality and fiction.
The Yok & Sheryo: Yeahnahnesia A Mystical Land Somewhere In The Indian Ocean. Vol 1. Published by Yok & Sheryo and The Art Gallery of Western Australia. 2566 AP / 2023.
Picture a tropical paradise, a place Google Maps forgot, where mythology, deities, philosophies, and unusual creatures roam freely. Yeahnahnesia, the brainchild of these intrepid artists, is a fictional island brimming with tales so rich that your skateboarding dreams will tip their hats in admiration. The burning questions of its existence and location will keep you up at night until you surrender to the allure of this enigmatic and chill place.
As you delve into the book’s 120 pages, you’ll be transported into an alternate dimension where art intertwines with narrative, and history plays a sly game of make-believe. The “Temple of Frivolous Wishes” at AGWA, Art Gallery Western Australia, Perth, is a mere glimpse of their artistic prowess. Bound in fabric with gold foil accents, this bound edition of 800 is a treasure.
They talk about creating and inventing belief systems based in fictional folklore, complete with talismans and totems, and temples. “It was just so fun.” Yok describes the show and the book preparations, “We’re creating these temples out of mostly plaster so people with have this feeling of a lost artifact created out of sandstone, which was inspired from our travels,” he says in a video about the project. “The color scheme for the show, Yeahnahnesia was based on the folklore that we’d written for the island, which is rich in iron ore. So that brings the red out. But there’s also a story based on the 12 dragons….”
Yok & Sheryo’s escapades have led them from the crazed and colorful streets of New York to the hidden gems of Yeahnahnesia. They’ve absorbed cultures, painted murals, and surfed waves, all culminating in their artistic vision of this exotic island. They’ve unearthed cultural artifacts, shared stories, and created a simultaneously fantastic and familiar world.
“Yeahnahnesia is a tropical island with the best lifestyle you could ever want or wish for,” explains Sheryo. “We spent three months in Australia working on the show, and we took over a warehouse. Yeah, it was the first time we got to make a lot of 3-D sculptures. You just get in a meditative mode, especially when I roll sausage rolls, and then you just wanna roll as many as possible in the shortest time possible.”
Their playful, freewheeling work has earned them a unique spot in the art world, where walls, galleries, and corporate giants have all been inspired by their creativity and its eclectic route to truth. “Yeahnahnesia” is more than just a book; it’s a portal to a place that blurs the lines between reality and imagination, a testament to the audacious spirit of Yok & Sheryo. A guidebook to the journey, you can let your mind wander through the lush landscapes and vibrant cultures of Yeahnahnesia, where the surf is perfect, the beers are cold, and peace, love, and relaxation are the day’s mantras.
The Yok & Sheryo: Yeahnahnesia A Mystical Land Somewhere In The Indian Ocean. Vol 1. Published by Yok & Sheryo and The Art Gallery of Western Australia. 2566 AP / 2023.
Also included in this book are photos from their recent show featuring the “Temple of Frivolous Wishes” at AGWA, Art Gallery Western Australia, Perth.
Edition of 800, 17cm x 24.5cm, 120 pages
120gsm paper, fabric bound book with gold foil
Co-published with Art Gallery Western Australia and supported by Dept. of Local Government, Sport and Cultural Industries Australia
“Let Her Be Free” chronicles the journey of Iranian brothers Icy and Sot as street artists and the evolution of their work over the decade from the mid-2000s to the mid-2010s. The book showcases the brothers’ activism through their art and their efforts to bring attention to many important social and political issues, including human rights, women’s political and personal autonomy, environmental justice, migration, gun violence, capitalism, the effects of war, homelessness, police brutality, the Palestinian-Israeli conflict, free speech, and child welfare.
Growing up in Tabriz, Iran, Icy and Sot participated as teens in a street culture that encompassed skateboarding and a slowly burgeoning street art scene, perhaps feeding their desire for self-expression and personal activism. They began experimenting with different techniques and styles in places like Tehran, where local artists like A1one, Magoi, CK1, and Bigchiz dominated the street art scene, in turn inspiring others. As news of the emerging growth of street art in the West gained cultural currency on the Internet, the brothers were also influenced by international street artists such as Banksy, whom they looked up to as role models.
To learn more about the Martha Cooper Library at Urban Nation Museum Berlin and to continue reading the review, click HERE to go to the Urban Nation website.
Sometimes, this frog feels like the water seems to be getting a little warm if you know what I mean. Our minds are being strained daily by a laundry list of stressors, not the least of which is neverending war. It is almost like it is profitable for industry. Also, it is surprising how many initiatives have been approved and passed during new periods of crisis ever since 9/11. Why does it seem like a new normal is introduced every two years? Meanwhile, the House is not in order, doesn’t even have a leader, 2 of the Orange man’s lawyers plead guilty this week, Biden’s giving 100 billion to Ukraine and Israel,
Meanwhile, people are still buying pumpkins this year for Halloween, the leaves are starting to turn yellow and orange, it is raining for the 7th weekend straight, and street artists and graffiti writers are keeping the streets alive from Grand Army Plaza to LES to Bushwick to Midwood to da Bronx. We have noticed several portraits and figurative works that ring true – and photographer Jaime Rojo shares some of them below.
So here’s our weekly interview with the street, this time featuring Calicho Art, David Puck, Mort Art, Le Crue, Andaluz the Artist, Humble, Miki Mu, Blanco, SEF, J. Novik, Hu, Carnivorous Flora, Mue Bon, Girlty, Manuel Alejandro, and Al Ruiz.
As we commemorate the 10th anniversary of Banksy’s iconic residency on the streets of New York, we also mark the beginning of our reviews for the Martha Cooper Library (MCL) collection at Urban Nation in Berlin. As stewards of the library and holders of the #2 and #3 library cards, we take pride in introducing you to the ever-expanding collection of materials dedicated to the global street art and graffiti movement. This repository is a valuable resource not only for academic researchers but also for ardent enthusiasts. Our aim is to transform it into a world-class hub for research on this remarkable grassroots art movement, and we believe it’s essential to acquaint you with its contents.
Books in the MCL: BANKSY IN NEW YORK. Ray Mock. 2019
MARTHA COOPER LIBRARY: BOOK RECOMMENDATION
📖 | Title: Banksy in New York 📚 | Media group: Book 🖋 | Author: Mock, Ray (author); Banksy (artist) 🗓 | Year: 2019 💬 | Language: English
For 31 days in October of 2013, UK street artist Banksy “gifted” New York City with daily new surprises on the streets in all five boroughs – effectively involving citizens in his self-designed residency. It is traditional for graffiti writers in New York to claim to go “all-city,” and author Ray Mock has covered the tags, fill-ins, and pieces by hundreds of writers as a one-man documentarian of graffiti at Carnage NYC Publishing. Here he tracks the daily movements of Banksy through the city to document the usual, unusual, and often witty acts of one of the most famous, yet anonymous, street artists and his presumed team of assistants, actors, and performers. Each installation has a social or political story, often with a deep sense of critique.
Banksy in New York is well-illustrated with shots of the odd and interesting installations of his “Better Out Than In” show as it was unveiled via social media. He also captures the scenes, sometimes containing mayhem, that popped up around them as word spread on social media that a new Banksy had appeared. For a New Yorker proud of his turf and a wizened observer of the rise in popularity of street art, Mock examines the various installations and looks for a personal firsthand voice to describe the art and the events so the reader may feel like they understand what it was like to be there.
To learn more about the Martha Cooper Library at Urban Nation Museum Berlin and to continue reading the review, click HERE to go to the Urban Nation website.
Elfo is a graffiti writer and social commentator whose work intentionally sidesteps traditional notions of style or technical lettering. This …Read More »
In her latest mural, Faring Purth delivers a powerful reflection on connection, continuity, and the complexity of evolving relationships—a true …Read More »
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