All posts tagged: Brooklyn Street Art

Layered Realities: Exploring Martin Whatson’s “InsideOutsider” / Eva Marie Bentsen

Layered Realities: Exploring Martin Whatson’s “InsideOutsider” / Eva Marie Bentsen

Martin Whatson, a Norwegian stencil artist born in 1984, has carved out a distinctive niche in the contemporary and street art worlds. His journey from street art to international acclaim is a narrative of artistic evolution and the versatility of visual language. This book, written by art dealer and curator Eva Marie Bentsen, offers a comprehensive look at Whatson’s career, from his early fascination with graffiti to his current status as a celebrated fine artist. His education at the Westerdals School of Communication in Oslo laid the groundwork for a unique blend of graphic design and urban art, defining his approach to art-making.

Early Works and Influences

The initial sections of the book explore Whatson’s early period, where his experimentation with graffiti styles and stencil art began to shape his artistic voice. These early works reveal a developing style, marked by influences from notable artists like DOLK and Banksy. During this time, Whatson started to refine his distinct blend of political themes and aesthetic appeal.

Studio Canvases and Style Development

Readers can observe Whatson’s transition from outdoor walls to studio canvases through the book. You see highlights of his exploration of urban landscapes and decay, an ongoing theme in his work and part of the lingua franca of street artists worldwide. His artistic expression, once more heavily political, has evolved into a subtler form, still retaining some of its original edge. The featured studio works exemplify this shift, demonstrating his signature combination of urban elements with a more poetic narrative. The book showcases his venture into sculpture, which allows readers to see how his themes translate into three-dimensional forms, often reflecting his familiar motifs.

Collaborations and Diverse Artistic Dialogues

The book’s concluding section focuses on Whatson’s collaborations, highlighting his interest and ability to merge his artistic vision with that of others. These joint projects, featuring a diverse range of artists, illustrate Whatson’s adaptability and his commitment to the communal spirit of street art. with a wide audience, transcending traditional boundaries of street and fine art.

This is an insightful look into Martin Whatson’s artistic journey, showcasing how he has navigated the realms of street and fine art with his authenticity – an informative resource for those interested in the intersections of modern art, street art, and the dynamic process of artistic evolution.

The book is an overview of his career thus far. You may be familiar with him here because he has been a trusty recurring participant in the Nuart Festival, championed by Stavanger curator and art dealer Martyn Reed for a decade – exposing his work to an international art press and collection of academics, writers, fans, etc. This has contributed to his success and name recognition in certain circles.

MARTIN WHATSON: INSIDEOUTSIDER. Pitch Forlag. Norway.

Photographer Martha Cooper takes a photo of Martin with Jaime and Steve at the opening of his exhibition at Harman Projects on September 09, 2023, in NYC. (photo courtesy ©Hama Woods)
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BSA Images Of The Week: 12.10.23

BSA Images Of The Week: 12.10.23

Welcome to BSA Images of the Week!

Great to see everyone last night at the Museum of Graffiti for the book launch of Mana Public Arts. Somehow, the guest list ballooned, and suddenly, we needed half a football field to fit everyone in. Right next door, the Hip Hop 50 museum had a breaking (break-dancing) expo, and the museum was broadcasting a live podcast in their glass booth for passersby to watch, and @0h10mike was walking through the museum doing one-line portraits so the streets on the periphery were very crowded. The energy at Art Basel this year waxes and wanes; rather excited, subdued, and tense, perhaps because everyone is talking about the wars, the economy, plastic surgery, the soulless co-branding of the grassroots graffiti/street art movement, the persistence of the man bun, and the political polarization that grips the country and much of the world. Nonetheless, the wide variety of artists and artworks on the street in Miami is still exceptional, the party scene at night is still pumping, and Martha still loves her margaritas.

Here is our weekly interview with the street – a collection from New York, LA, and a little Miami- more Miami to follow: this week featuring Homesick, HOACS, Eternal Possessions, Such, Stanley Donwood, XSM, Tom Boy NYC, Trades only Bro, Slasher, Skeam, Kanos, Vokles, Tinta Rosa, Michael Relave, Las Chicas Que Pintan, and Indo 093.

Las Chicas Que Pintan with The Bushwick Collective. (photo © Jaime Rojo)
Shepard Fairey (photo © Jaime Rojo)
Stanley Donwood in Los Angeles. (photo © Jaime Rojo)
Michael Relave (photo © Jaime Rojo)
Trades Only Bro (photo © Jaime Rojo)
XSM (photo © Jaime Rojo)
Tinta Rosa (photo © Jaime Rojo)
This is what we call ‘power hair’. Eternal Possessions (photo © Jaime Rojo)
TomBoy NYC (photo © Jaime Rojo)
VOKLES (photo © Jaime Rojo)
HOACS (photo © Jaime Rojo)
SUCH (photo © Jaime Rojo)
KANOS (photo © Jaime Rojo)
SKEAM (photo © Jaime Rojo)
SLASHER (photo © Jaime Rojo)
INDIO 093 in Los Angeles. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Hit me with your best one. Z in Los Angeles (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
HOMESICK (photo © Jaime Rojo)
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Mana Public Arts Launches Book with Panel at Museum of Graffiti in Miami

Mana Public Arts Launches Book with Panel at Museum of Graffiti in Miami

Mana Public Arts (MPA), a privately-funded real estate program supporting public art, announces the launch of a new book this Saturday at the Museum of Graffiti. The book captures the diversity and vibrancy of street murals by internationally acclaimed artists in two U.S. cities where MPA operates – Miami and Jersey City, New Jersey. Spanning over 300 pages, the book showcases a range of graffiti, street art, and mural works supported and presented by MPA over the past decade, reflecting their dedication to enhancing communities through public art.

This book is a collaborative effort between Kurt Boone and Daniel Sacks, melding Boone’s renowned talent as an author and street photographer with Sacks’ expertise in art business and performance art. The graphic design by Josefina Modeste is both clean and open, accompanying a multi-faceted visual narrative of the streets that is presented throughout the book.

Essays from four notable figures in the street art and graffiti world provide a deeper understanding of the evolution and changing nature of the graffiti/street art/mural art scenes in Miami and Jersey City, as well as context and educational insight into the program. Contributors include cultural critic Carlo McCormick, Brooklyn Street Art’s Steven P. Harrington, Museum of Graffiti’s Alan Ket, and UP Magazine’s T.K. Mills.

Saturno. Mana. Wynwood, Miami. 2019

Established in 2014, MPA is an offshoot of Mana Contemporary Arts Center. The mural program says that it is devoted to creating large-scale, site-specific installations by artists worldwide. Mana aims to reinvigorate neighborhoods, celebrate cultural diversity, foster empathy, offer educational opportunities, initiate dialogue, and amplify marginalized voices.

Book Launch Event at the Museum of Graffiti

Join us for the book launch event on December 9th at the Museum of Graffiti in Miami’s Wynwood District, from 5:00 to 7:00 PM. The evening will feature a panel discussion with esteemed art world figures such as Kurt Boone, Carlo McCormick, T.K. Mills, Jason Naylor, Risa Boogie, Hec1, Buff Monster, Steve Harrington, and moderator Daniel Sacks. If you’re interested in attending, please email cece@feinbergpr.com to be added to the guest list.

Several artists. Mana. RC Cola Factory. Wynwood, Miami. 2018
Several artists. Mana. RC Cola Factory. Wynwood, Miami. 2018
Dragon77. Detail. Mana Jersey City Main Campus. Jersey City, New Jersey.
Shepard Farey. Mana – The Ice Factory. New Jersey, 2015. (photo courtesy of Mana Public Art Works)
Elle. Mana – Miami Mural Fest ’21. (photo courtesy of Mana Public Art Works)
1UP Crew. Mana – Miami Mural Fest ’21. (photo courtesy of Mana Public Art Works)
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Alan Ket’s ‘The Wide World of Graffiti’: A Testament to the Art Form’s Global Impact

Alan Ket’s ‘The Wide World of Graffiti’: A Testament to the Art Form’s Global Impact

Graffiti artists often dismiss histories or narratives not of their own making, including those from their peers. This subculture, which has continuously evolved across different cities, time zones, decades, and languages over the past 60 years, is so rich in stories and counterstories that it might take another 30 years for the aerosol to clear and reveal the origins of these tales comprehensively. One unwavering truth prevails: if you weren’t there, in the same city, during the same era, didn’t grow up immersed in that urban environment, and weren’t marking the same train lines or recognized by local crews, your credibility is questioned, and the original graffiti artists (OGs) might disregard your story.

It’s meaningful when a book like “The Wide World of Graffiti” is authored by someone like Alan Ket, a native New Yorker from Williamsburg, Brooklyn, who has firsthand experience writing on city trains. As a self-proclaimed graffiti nerd, historian of the movement, and co-founder of the Miami-based Museum of Graffiti, Ket brings a unique blend of metaphorical depth and frank authenticity to his writing. He skillfully combines scholarly insight and sociological context in his narrative, spotlighting selected kings and queens of the streets to further illustrate in their words details of the scene’s evolution and his informed insights to provide context.

Ket’s narrative style, marked by its directness and subtle wit, weaves through a tumultuous and ever-changing graffiti landscape across decades and cities. He captures the art form’s evolution, acknowledging its virtuosos, acolytes, critics, observers, and new entrants. His account includes appreciation for various influences, direct and indirect, allowing each shift in graffiti’s style and color to add to the overall narrative’s vibrancy. Ket augments the text with a wealth of illustrative photographs, showcasing graffiti and its extended family in both street settings and galleries, offering a comprehensive and exhilarating journey through the graffiti world.

Featuring an introduction by the Brazilian graffiti brothers OSGEMEOS, along with engaging profiles and interviews with notable figures such as Sane from SaneSmith, Hotboy Hert, DESA, and Doze Green, Ket allows graffiti’s history to unfold naturally in its distinctive and sometimes idiosyncratic way, enlightening the reader by describing its pathways. He showcases the global surge of interest as expressed through contemporary styles. He gives a quick class on graffiti’s influence in various artistic mediums, including on canvas and in public murals. Ket presents key examples without reducing them to mere tokens, offering a platform for authentic voices like Rime, MadC, Nani Chacon, Saber, and Jan Kaláb to elucidate further. Despite their diverse styles, each artist is united by the important contributions of graffiti culture in their personal histories and their subsequent artistic practices.

Ket’s holistic approach is inclusive and comprehensive, acknowledging related subcultures such as tattooing, skateboarding, and hip hop, while maintaining the focus on the writing culture that crafted a visual language for a youth movement that would eventually gain global prominence.

It’s his personal characterizations that ground the reader in the genuine beginnings of the movement in late 1960s/early 1970s Philadelphia and New York. “Week after week, more and more teenagers joined in, creating aliases and then going out and writing their names on the walls,” Ket recalls, depicting the grassroots creative spark that spread across streets and onto the sides of moving trains. Citing nearly 1,600 arrests of youth for vandalism in New York in 1972, Ket portrays an urban tableau rife with chaos, hunger, aspiration, beauty, and irony, remarking, “Little did they know that their mischievous actions were birthing what is arguably the world’s most popular art movement.”

In Ket’s capable hands, these stories are not only preserved but also eloquently conveyed.

Alan Ket: The Wide World of Graffiti. Monacelli Press / Phaidon. New York, NY.

The Wide World of Graffiti can be purchased directly from the gift shop at the Museum of Graffiti HERE

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BSA Images Of The Week: 12.03.23

BSA Images Of The Week: 12.03.23

Welcome to BSA Images of the Week!

The war rages again in Gaza, and the street art in New York reflects the cultural response with more pieces every week. New York’s Fifth Avenue will be closed on three Sundays this month to allow more foot traffic to enjoy the holidays and avert car deaths now that the tree and skating rink are open at Rockefeller Center. Our esteemed New York politicians keep doing us proud this week, with George Santos getting expelled from Congress, and Trump being forced to face criminal charges like everyone else. We say goodbye to the first female Supreme Court Judge Sandra O’Connor, and to a person whom most of the world’s press contend was one of the biggest international war criminals responsible for millions of deaths, Henry Kissinger. Remarkable for some that Jimmy Carter outlived him.

Here is our weekly interview with the street: this week featuring Optimo NYC, Kram, Gats, Eternal Possessions, Muebon, El Hase, Stay Busy, Words on the Street, Alex Itin, Madison Storm, Jocelyn Tsajh, Homer, Siomo, Clams, Celeb, and Under Control.

Unidentified artist (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Gats (photo © Jaime Rojo)
CLAMS, CELEB, OPTIMO NYC, and a vintage GATS. (photo © Jaime Rojo)
Madison Storm (photo © Jaime Rojo)
KRAM – SLOMO (photo © Jaime Rojo)
KRAM – SLOMO (photo © Jaime Rojo)
KRAM – SLOMO (photo © Jaime Rojo)
Under Control? (photo © Jaime Rojo)
Words on The Street – Alex Itin (photo © Jaime Rojo)
Words on The Street – Alex Itin (photo © Jaime Rojo)
Jocelyn Tsaih with East Village Walls. (photo © Jaime Rojo)
El Hase (photo © Jaime Rojo)
Stay Busy (photo © Jaime Rojo)
Texting death mouse. Muebon (photo © Jaime Rojo)
HOMER (photo © Jaime Rojo)
Eternal Possessions channels an Elizabethan Cher as she (lip)sang her new single at this weeks Rockefeller Center Tree Lighting “DJ Play a Christmas Song.” (photo © Jaime Rojo)
Yasss Queen. Eternal Possessions (photo © Jaime Rojo)
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Various & Gould Go to Church to Spread Colorful “Strahlen” with Project “Startbahn”

Various & Gould Go to Church to Spread Colorful “Strahlen” with Project “Startbahn”

In the heart of Berlin-Neukölln, the Genezareth Church, a neo-Gothic tower with a history as rich and intricate as the city itself, stands renewed and vibrant, thanks to the artistic duo Various and Gould. Their latest project, “Strahlen” (German for “rays” or “to shine”), was inaugurated in mid-September, almost 120 years to the day after the church’s foundation stone was laid in 1903. The installation heralds a new era for the church, which has been experiencing a revival under the Startbahn team, an open-minded group managing the church for the past few years.

Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)

Street artists and installation artists Various and Gould, known for their immersion in the context and history of their chosen sites, have transformed the church’s bricked-up windows into a dynamic visual narrative. “We were immediately struck by the church’s colorful redesign and open concept. Our design for the windows evolved into a dynamic, upward-striving bundle of rays, a lantern-like view into the church, reflecting its vibrant, multi-layered new program,” they shared. This transformation is particularly poignant, considering the church’s history of resilience and adaptation, especially during and after WWII when its proximity to Berlin-Tempelhof Airport necessitated critical architectural changes to work in concert with aeronautic needs.

Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Luis Limberg)

The mural, “Strahlen,” is not just an aesthetic enhancement but a symbolic representation of the church’s role in a changing neighborhood. Various and Gould observed, “The surrounding area, especially since the closure of the nearby airport, has been a juxtaposition of contrasts. Our mural mirrors this dynamism, serving as a beacon of diversity and plurality.” This is evident in the faces depicted in the mural, generated with AI and then artistically altered, representing the diverse community the church embraces.

Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)

Inside the church, artworks by other artists, like Polina Soloveichik’s Easter triptych, complement the external mural, creating a dialogue between the interior and exterior. The Startbahn team, according to their website, envisions the church as a space for artistic, spiritual, and socio-political projects, a vision embodied in Various and Gould’s “Strahlen.”

The installation of “Strahlen” at the Genezareth Church is a testament to the evolving role of public art in contemporary society. It bridges the free spirit of graffiti with the finesse of trained artists, creating a new paradigm in public art engagement. As Pastor Jasmin El-Manhy of the Startbahn initiative aptly says, “We aim to inspire and accompany people through life with a blessing, opening our doors to all walks of life.” One may say that this new project is not just a visual spectacle but a reaffirmation of the church’s commitment to inclusivity, diversity, and community engagement in a neighborhood rich with history and undergoing significant transformation.

———

The artists would like to thank Juliane Kownatzki and Tavar Zawacki for their spontaneous help.

Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Luis Limberg)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
See more images of the interior via the studio rlon HERE (© rlon)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Luis Limberg)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
Various & Gould. “Strahlen”. In collaboration with Startbahn Project at The Genezareth church on Herrfurthplatz in Berlin-Neukölln. (photo © Various & Gould)
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Neon Saltwater Drenched a Gas Station in Neon Las Vegas; “Cherry Lake”

Neon Saltwater Drenched a Gas Station in Neon Las Vegas; “Cherry Lake”

Seattle-based digital artist and color virtuoso Abigail Dougherty, known in the art world as Neon Saltwater, recently unveiled her latest installation in Downtown Las Vegas, an eye-popping spectacle you can appreciate in the images here. Located on bustling East Fremont Street, the “Cherry Lake” project transforms a once-abandoned garage into a vibrant, chromatic fantasy. Curated by the innovative group Justkids, this installation signifies a notable shift from Dougherty’s well-known digital realms to a tangible, immersive experience.

Neon Saltwater, celebrated for her ethereal digital landscapes featuring neon-drenched rooms and malls, has translated her unique aesthetic into the physical world. The installation, infused with a futuristic flair and a touch of Y2K nostalgia, offers a multi-era experience. It envelopes the entire building in a kaleidoscopic gradient, accentuated by large digital renderings and neon lights, reminiscent of the slick, optimistic urbanism found on album covers in the stylized 70s and 80s. Inside, visitors are immersed in a dream-like space where silhouettes of floating balloons glow under a haunting red light, creating an atmosphere filled with mystery and longing.

“The familiar structure of Cherry Lake is sharply contrasted by intense colors, lighting, and candy-like text, reflecting the excess and fantasy that form my vision of Las Vegas,” Dougherty explains.

Neon Saltwater. Cherry Lake. In collaboration with Justkids. Life Is Beautiful Festival. Las Vegas, 2023. (photo © Paul Citone)

This extensive installation, a standout feature of the recent Life is Beautiful Festival, pays homage to the dual nature of Las Vegas – its allure and its disappointments. Justkids’ Curator and Director Charlotte Dutoit comments, “Neon Saltwater’s creation captures the fabulous and the eerie, the futuristic and the nostalgic. Abby’s world blurs the lines between time and reality, taking viewers on an emotional journey through a beautifully hazy, melancholic, and peculiar landscape.”

Neon Saltwater. Cherry Lake. In collaboration with Justkids. Life Is Beautiful Festival. Las Vegas, 2023. (photo © Justkids)

Discussing her creative process, Dougherty likens her approach to that of a realist painter or photographer, creating images from scratch to depict non-existent spaces. “I intertwine neon light and color with mundane architectural elements, crafting a surreal yet believable environment,” she remarks. Reflecting on the inspiration behind “Cherry Lake,” she muses on the paradoxical nature of Las Vegas, a city teeming with high hopes and letdowns – recurrent themes in her work. The installation presents an ironic take on the city’s iconic imagery, set against the backdrop of a quaint small-town gas station.

Is “Cherry Lake” a sensory expedition into the heart of urban fantasy? It also depicts emotional contrasts, offering a unique lens through which to view the complexities of the urban landscape.

Neon Saltwater. Cherry Lake. In collaboration with Justkids. Life Is Beautiful Festival. Las Vegas, 2023. (photo © Justkids)
Neon Saltwater. Cherry Lake. In collaboration with Justkids. Life Is Beautiful Festival. Las Vegas, 2023. (photo © Justkids)
Neon Saltwater. Cherry Lake. In collaboration with Justkids. Life Is Beautiful Festival. Las Vegas, 2023. (photo © Justkids)
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BSA Images Of The Week: 11.26.23

BSA Images Of The Week: 11.26.23

Welcome to BSA Images of the Week!

How are feeling? Did you have a good Thanksgiving day, and did you see the crowds and balloons and marching bands along the parade route and the still intact orange and yellow leaves on the trees on Central Park West? Did you see Dolly Parton dressed as a Dallas Cowboy cheerleader singing at the halftime game, and did you see your girl Ava from up the block with her vintage vest and platform boots when grandma sent you out for a can of whipped cream for the pumpkin pies?

“Have you kept pace with the latest revelation in the art world? A remarkable BBC interview with Banksy, dating back two decades, has recently surfaced, sparking renewed excitement. These are indeed vibrant times for art enthusiasts and creators alike. Take, for instance, the Brooklyn Museum’s current showcase. It features an engaging Spike Lee exhibition alongside the innovative ‘Copy Machine Manifesto.’ This zine exhibition is a deep dive into five or six decades of subcultural and counter-cultural movements. It highlights a diverse range of self-published works, including gossip magazines, graffiti newspapers (a nod to David Schmidlapp and Phase 2), and expressions from queercore to hardcore. The exhibit is an eclectic mix of self-aware conceptual art, original fashion, explorations of sexual desire and confusion, comix, handmade collage, and expressions of nihilism, ennui, satire, humor, and lamentation. It’s a vivid reflection of art and expression – and inspirational to any artist who wants to have a voice.

We’re going back for a second helping.

Here is our weekly interview with the street: this week featuring Stikman, Cosbe, Below Key, No Sleep, Huetek, Optimo NYC, Jay Shells, Tatyana Fazlalizadeh, OH!, Muebon, Humble, Jappy Agoncillo, Jeff Roseking, Hu, Manual Alejando, Deter, Jason Shelowitz, and KIR.

Jappy Agoncillo (photo © Jaime Rojo)
Optimo NYC (photo © Jaime Rojo)
Stikman. Detail from the exhibition at Skewville Presents. (photo © Jaime Rojo)
Cosbe (photo © Jaime Rojo)
Muebon (photo © Jaime Rojo)
Below Key and Muebon (photo © Jaime Rojo)
Below Key and Muebon (photo © Jaime Rojo)
Below Key and Muebon. Detail. (photo © Jaime Rojo)
Below Key (photo © Jaime Rojo)
Jeff Roseking (photo © Jaime Rojo)
Any job is possible if you have the right kicks. KIR (photo © Jaime Rojo)
Old dogs like those old stogies. Manuel Alejandro (photo © Jaime Rojo)
Humble (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Poems (photo © Jaime Rojo)
Deter (photo © Jaime Rojo)
Huetek (photo © Jaime Rojo)
OH! (photo © Jaime Rojo)
Jason Shelowitz AKA Jay Shells at “Spike Lee: Creative Sources” exhibition currently on view at the Brooklyn Museum. (photo © Jaime Rojo)
A painting of his father, Bill Lee, by Tatyana Fazlalizadeh at “Spike Lee: Creative Sources” exhibition is currently on view at the Brooklyn Museum. (photo © Jaime Rojo)
Tatyana Fazlalizadeh. Detail. At “Spike Lee: Creative Sources” exhibition currently on view at the Brooklyn Museum. (photo © Jaime Rojo)
Unidentified artist (photo © Jaime Rojo)
Untitled. Street Color on the sidewalks of NYC. Fall 2023. (photo © Jaime Rojo)
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Happy Thanksgiving From BSA

Happy Thanksgiving From BSA

From all around the globe, we roam,
A mix of cultures, just like home.

With gratitude to all the friends and family whom we have met along the way,
a Happy Thanksgiving to you from BSA.

xo

Thanksgiving 2023 (photo © Jaime Rojo)
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Stikman “SIGNS” Show Slides into Skewville

Stikman “SIGNS” Show Slides into Skewville

Stikman always appears to lurk in New York on street signs, slapped on mailboxes, and stuck into doorways. A Gotham stalwart for two decades or so, his stiff amulet self is true to form, an image of sticks awkwardly compiled, sometimes in 2D, sometimes in 3. He appears in scenes where everyone else is fully formed and buxom, where space travel requires a bubble helmut and silver jumper, where jumbled graphics almost erase him, where nothing else is happening except this somewhat lonely guy quietly existing in the dirty chaos of NY street culture. Stikman.

Stikman. Skewville Presents. (photo © Steven P. Harrington)

Over the weekend the always festive Skewville in Bushwick opened the garage gallery and invited old fans and new to see the street artists new show, primarily focused on the hundreds of street signs that he often regards as clients on the street. In an upside-down political, social, and economic environment that gives rather confusing directions, these signs may not provide the route you need to go, but it appears you will be accompanied. In an effort to diversify offerings, there are all manner of products hand-made by the artist here, verging on craft and crazy, and even a simplified mask, if you so desire.

Stikman. Skewville Presents. (photo © Steven P. Harrington)

Never one to stand still, except when standing still, Stikman’s wide range expresses his magpie magic; a virtual machine of never-ending iterations – sculptural, comical, cryptical (?). It was cold, but there were heatlamps to warm the fingers, and an on-point dj duo, and tequila. The artist himself was on the lamb, shy as ever. But his artworks had plenty to say.

Stikman. Skewville Presents. (photo © Steven P. Harrington)
Stikman. Skewville Presents. (photo © Steven P. Harrington)
Stikman. Skewville Presents. (photo © Steven P. Harrington)
Stikman. Skewville Presents. (photo © Jaime Rojo)
Stikman. Skewville Presents. (photo © Steven P. Harrington)
Stikman. Skewville Presents. (photo © Steven P. Harrington)
Stikman. Skewville Presents. (photo © Jaime Rojo)
Stikman. Skewville Presents. (photo © Jaime Rojo)
Stikman. Skewville Presents. (photo © Jaime Rojo)
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BSA Images Of The Week: 11.19.23

BSA Images Of The Week: 11.19.23

Welcome to BSA Images of the Week!

It’s a new collection of works found on the street here in New York as we head into Thanksgiving week. The boisterous and celebratory party at Skewville in Bushwick last night to celebrate the new Stikman sign show was well attended and full of fans of the artist. The old fans and new donned Stikman masks and wore name stickers saying, “Hello, I’m Stikman.” The long-time imaginative artist is a fixture on New York streets as new generations of artists come and go. Completely anonymous, he never seeks the limelight, preferring to let his copious ideas on lampposts, doorways, mailboxes, and street signs talk for him. In an age of personal influencers and attention seeking, it is refreshing to see his new works quietly capturing attention and imagination on the streets in his way. Bushwick on a Saturday night is teaming with so many crowds of people you may think you are in Wynwood, Miami, complete with food trucks and neon and thigh-high patent leather boots. But the crowds are far more diverse, and the occasional rat is scurrying across the sidewalk before you.

Here is our weekly interview with the street: this week featuring City Kitty, Adam Fujita, Below Key, Eternal Possessions, Hektag, Hops Art, Aidz, Ali Six, Tkid170, Tracy 168, Hydrane, Otam1, Abloker, Nos Ck One, Madison Storm, Melissa Schainker, Wally, J$T, FatJay, Sens-Sational, Aaron Wrinkle, and 5inck.

Adam Fu (photo © Jaime Rojo)
Hektad (photo © Jaime Rojo)
Sens-Sational (photo © Jaime Rojo)
Aaron Wrinkle (photo © Jaime Rojo)
Hydrane (photo © Jaime Rojo)
TKid170 tribute to Tracy168. (photo © Jaime Rojo)
5inck, Otam1, Abloker, NoackOne in collaboration with The Bushwick Collective. (photo © Jaime Rojo)
5inck, Otam1, Abloker, Noa CK One in collaboration with The Bushwick Collective. (photo © Jaime Rojo)
City Kitty (photo © Jaime Rojo)
Below Key and Ali Six (photo © Jaime Rojo)
AIDZ (photo © Jaime Rojo)
Madison Storm (photo © Jaime Rojo)
Melissa Schainker (photo © Jaime Rojo)
Eternal Possessions (photo © Jaime Rojo)
Wally (photo © Jaime Rojo)
J$T (photo © Jaime Rojo)
J$T (photo © Jaime Rojo)
Fat Jay (photo © Jaime Rojo)
Hops Art Memorial Mural to honor Sisco. (photo © Jaime Rojo)
Hops Art Memorial Mural to honor Sisco. (photo © Jaime Rojo)
Hops Art Memorial Mural to honor Sisco. (photo © Jaime Rojo)
Untitled. Sunset over the East River. NYC. Fall 2023. (photo © Jaime Rojo)

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Chekos’Art Creates “Goddess of Paradise”in Brindisi, Puglia, Italy

Chekos’Art Creates “Goddess of Paradise”in Brindisi, Puglia, Italy

In the vibrant neighborhood of Brindisi, nestled in Italy’s southern region, a new mural bears the distinct signature of artist Francesco Ferreri, widely known as Chekos’art. Aptly titled “Goddess of Paradise,” he hopes this mural symbolizes strength and protection for women. In its portrayal, we encounter a powerful woman, a fierce guardian who looks after her family and community.

CHEKOS’ART. “Goddess of Paradise”. PaStA Paradiso Street Art. Brindisi, Puglia, Italy, 2023. (photo © ImmaginAbile)

Born in 1977 in Lecce, South Italy, Chekos’art has spent over two decades honing his skills in the world of street art. His artistic journey began in Milan, where he explored various mediums, from stencils to collage and drawing to video installations. His creative prowess has left an indelible mark across the streets of Italy and beyond, with his murals adorning walls in countries like Poland, Germany, France, Spain, and even as far-reaching as China and Indonesia.

CHEKOS’ART. “Goddess of Paradise”. PaStA Paradiso Street Art. Brindisi, Puglia, Italy, 2023. (photo © ImmaginAbile)

In the mural “Goddess of Paradise,” Chekos’art employs the stencil technique to depict a woman with a proud and determined countenance, one evocative of the idea of strong, resilient women who nurture their families and communities. The mural is part of the PaStA Paradiso Street Art project, an urban regeneration initiative led by Arca Nord Salento. PaStA Paradiso aims to rejuvenate the Paradiso district of Brindisi, focusing on structural rehabilitation and energy efficiency improvements for the area’s buildings. The neighborhood itself is a place of contrasts, with a rich history filled with smuggling, soccer games, communal bonds, and a resilient spirit. Despite its ups and downs, Paradiso continues to evolve, striving for redemption and progress.

CHEKOS’ART. “Goddess of Paradise”. PaStA Paradiso Street Art. Brindisi, Puglia, Italy, 2023. (photo © ImmaginAbile)
CHEKOS’ART. “Goddess of Paradise”. PaStA Paradiso Street Art. Brindisi, Puglia, Italy, 2023. (photo © ImmaginAbile)
CHEKOS’ART. “Goddess of Paradise”. PaStA Paradiso Street Art. Brindisi, Puglia, Italy, 2023. (photo © ImmaginAbile)

 

CHEKOS’ART. “Goddess of Paradise”. PaStA Paradiso Street Art. Brindisi, Puglia, Italy, 2023. (photo © ImmaginAbile)
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