All posts tagged: Bristol

Vanguard | Bristol Street Art: The Evolution of a Global Movement. Installation Shots

July 7, 2021 Artists

You saw our announcement for the new exhibit At the Vanguard: Bristol Opens Exhibition On Evolution of Global Movement of Street Art and now you get a chance to see the actual shoe newly installed. Dense and rich with original artwork, photography, and ephemera, Vanguard is a studious presentation that confidently lays claim to Bristols place in the history of graffiti and street art.

*Vanguard* | *Bristol Street Art: The Evolution of a Global Movement*. General install shot. Bristol Museums. Bristol, UK. (photo © Doug Gillen)

Vanguard | Bristol Street Art: The Evolution of a Global Movement is kindly supported by Vans. Vanguard | Bristol Street Art: The Evolution of a Global Movement
M Shed, Bristol, BS1 4RN
Saturday 26 June 2021 – Sunday 31 October 2021
Admission £8 adult* / £7 concession* (*Tickets include £1 voluntary donation to Bristol Museums Development Trust)

At the Vanguard: Bristol Opens Exhibition On Evolution of Global Movement of Street Art

June 24, 2021 Artists

This Saturday marks the opening of an outstanding exhibition in Bristol, England documenting the pivotal role the city has played in the formation of street art from the 1980s to today. Entitled Vanguard Bristol Street Art: The Evolution and mounted at the Global Movement Bristol Museum’s M Shed, the show presents the view of this worldwide movement as seen through the birth and growth of Bristol’s scene from the perspective of artists singular voices rising together in a crescendo that shook the arena of public self-expression with maverick ideas and activist ideals.

Bristol B-Boys head spinning in front of 3D’s and Z Boys’ *Wild Bunch Rocit*, 1983, photographic print on paper, Broadmead, Bristol, 21 x 29.7cm (8.2 x 11.7in) (photo ©Beezers Photos)

Vanguard positions itself as an examination of artists creative response to Bristol’s “pioneering underground scene throughout the UK’s turbulent social and political history” with a focus on driving social change – one that influenced subsequent street artists everywhere.

Among the Bristolian and UK artists featured will be new works by Adam Neate, Andy Council, Antony Micallef, Bill Posters, China Mike, Conor Harrington, Dale VMN Collins (Dale Marshall), Dicy, Eko, Feek, Filthy Luker, Inkie, Lucas Price, Lucy McLauchlan, Matt Small, Mau Mau, Mr Jago, Paris, Rowdy, Sickboy, Swoon, Will Barras, and Xenz.

Conor Harrington (Irish, b.1980) *The Blind Exit,* 2020, oil and spray paint on linen, SIGNED, 250cm x 200cm (98.5in x 78.5in) (Image credit: Conor Harrington)

A trove of documentation presents times that provide context and insight into the wild, wooley, and ingenious artist works that shaped what was to come – including a five minute edit of the seminal film Wild Style by filmmaker Charlie Ahearn, and a new seven-minute film by Scottish filmmaker Doug Gillen. Additionally presented are unseen and classic images specific to the Bristol graffiti and street art scene by Henry Chalfant, Matthew Smith, Carrie Hitchcock, Yan Saunders, and Beezer, along with projections by Kineta Hill and Karen Dew.

Carrie Hitchcock-Barton-Hill-Youth-Club-1990. (photo © Carrie Hitchcock)

Running through October 31^st this year, the original works and memorabilia are key to understanding the events and socio/political arnarchistic framework that sparked and fueled what became known as the Bristol scene, replete with an accompanying book featuring worldwide academics, film directors, writers, artists, creatives and specialists and an exclusive album of tracks forming the roots of the Bristol Sound.

We’re pleased to offer a sneak peek of the show here today and we encourage you to make the trip to see what will undoubtedly be sited as an important exhibition – as we all continue our education about the pathways of the global evolution of street art.

Will Barras (British, b.1973), *Blue Surfer,* 2021, signed in bottom right corner, acrylic on canvas, 800mm x 800mm (31.5 x 31.5in) (Image Credit – Johnny Green)

Through the fence, Barton Hill Youth Club, 1990 (photo ©Carrie Hitchcock)

Vanguard | Bristol Street Art: The Evolution of a Global Movement is kindly supported by Vans. Vanguard | Bristol Street Art: The Evolution of a Global Movement M Shed, Bristol, BS1 4RN
Saturday 26 June 2021 – Sunday 31 October 2021
Admission £8 adult* / £7 concession* (*Tickets include £1 voluntary donation to Bristol Museums Development Trust)

Banksy: Aachoo!!

December 12, 2020 Artists

Literally that is all Street Artist Banksy has to do to get attention internationally for his work these days.

Sneeze!

Image ©Banksy from his Instagram account

This new piece in Totterdown, an inner-suburb of Bristol, England, is perhaps a subtler way to say, “Wear a mask!” Brizzle born and proud, that is!

Banksy. *Aachoo!!* (photo @feralthings )

Replacing Sculpture, Claiming Public Space in Bristol; Marc Quinn & Jen Reid

July 16, 2020 Artists

“When I was stood there on the plinth, and raised my arm in a Black Power salute, it was totally spontaneous, I didn’t even think about it. My immediate thoughts were for the enslaved people who died at the hands of (Edward) Colston and to give them power. I wanted to give George Floyd power, I wanted to give power to Black people like me who have suffered injustices and inequality,” says Jen Reid in an interview with DeZeen about this new piece called “A Surge of Power”.

A remarkable substitution was placed here on July 15^th, only 8 days after a sculpture of the slave trader Colston was toppled from the same place. Various publications give the previous occupant honorable descriptors like 17^th/18th-century Bristol merchant and philanthropist – as if it is an act of magnanimous charity to be a philanthropist after you’ve made your money from extracting years of free labor from people whom you’ve enslaved.

Jen Reid had struck this pose atop the empty plinth and according to published accounts artist Marc Quinn shot a photo of her at that moment, black beret over voluminous locks, fist punching the sky. In consultation with Reid the artist created a monument to that moment – resin and steel cast from a 3D print. With a team of about 10 the new sculpture rose in the early morning hours.

Public space often affords artistic or aesthetic expression only for the privileged, the moneyed, those given permission by “experts”, or corporations who foist their message there. Street artists have been creating new monuments in the last decade and a half, often surreptitiously placing them overnight, sometimes so subtly that the new works don’t attract attention for many days. Once focused primarily on aerosol exclusively, this new generation consider a panoply of artful interventions and “culture jamming” to be as virile and pugnacious.

Here a glistening black heroic figure is well within the wheelhouse of Quinn, who is not considered as a street artist, per se. Moved by the message, he seized an historic moment to use the tools he is familiar with and the voice he wields to collaborate with someone else marching and living in the thick of the structural racism that is being protested, studied, acknowledged, denied.

When it comes to offering opinion about art in public space, it is not surprising how many people take responsibility or a sense of ownership of projects, feel personally gifted or wounded by the presence or absence of a sculpture. The removal of many public sculptures in the last months has thrown the conversations into tumult, raising topics previously squelched or avoided. In an era that is pregnant with the possibility of radical transformation, more people are invested across the culture than at any time in recent memory.

Up and on view only a day, the City of Bristol has removed this triumphant figure of Jen Reid. One wonders if these city leaders are always so rapid in their response to all of their duties. Considering the reports of positive reviews from a majority of passersby during the sculpture’s first day in public, snatching it from public space with such dispatch smacks of silencing speech – especially when you learn that the previous sculpture of Edward Colston – the deputy governor of the Royal African Company – had reigned freely over the spot for 125 years.

A disapproving couple lectures a group saying “You should be ashamed. It should be “All Lives Matter”, from Diologososoul on Instagram

What To Do With Racists Monuments? – Banksy Has An Idea

June 11, 2020 Artists

Across the United States and in other parts of the world protestors are bringing down the last vestiges of sculptural racism etched in marble or bronze. Statutes of slave traders and confederate generals have been pulled down from their pedestals. Even Christopher Columbus lost his head in Boston this week. So yes, heads are rolling.

It’s not a moment too soon to have this conversation, to listen to others, and to confront the idea that we should revere and immortalize with monuments those who were not human enough to treat other humans fairly. The demonstrators protesting against racism and police violence are having an impact in our daily discourse on matters of race, violence against minorities, and police brutality. It’s not about time, it’s been time.

Bristol, a seaside city in the United Kingdom saw its own symbol of racism toppled down by protestors this week. It involved the monument of Edward Colston, a Tory Member of Parliament and an English merchant who profitted from the slave trade and died in 1721.

Bristol also gave us street artist Banksy, who looks to inject levity even in the darkest moments. He has come with an irresistible and clever idea about what to do with the monument that was thrown into the harbor at an anti-racism protest on Sunday, and has since been retrieved from the waters. Having already offered his serious commentary on the #blacklivesmatter movement on his Instagram account he decided to give us his humorous take on the fate of the statue.

“What should we do with the empty plinth in the middle of Bristol?
Here’s an idea that caters for both those who miss the Colston statue and those who don’t.We drag him out the water, put him back on the plinth, tie cable round his neck and commission some life size bronze statues of protestors in the act of pulling him down. Everyone happy. A famous day commemorated.” Bansky

BSA Images Of The Week: 05.22.16

May 22, 2016 Artists, BSA Images Of The Week

No time to talk, you’ve been running to the streets to see new pieces and peaches like a new D*Face in Soho, Rubin’s solo show in the Bronx, the Brooklyn-themed pop up at Doyle’s Auction house in Manhattan, Swoon and Shep and Swizz at Pearly’s in LA, the Social Sticker club collabo melee with Roycer and Buttsup at a bar in Williamsburg, and the growing collection of rocking new Coney Art Walls. Also, Post-It Wars in corporate agency-land Manhattan.

Here’s our weekly interview with the street, this week featuring 1Penemy, BG 183 Tats Cru, Bio, Bristol, Daze, D*Face, Eric Haze, Goms, Nicer, Nova, Pegasus, POE, Stikki Peaches, Thiago Gomez, and Word to Mother.

Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn

1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

DAZE completed this wall for Coney Art Walls 2016. Included in the composition of this mural is the Elephant Hotel, a seven story, 31 room fantasy hotel built in old Coney Island in 1885 shaped like an elephant. Besides the guest rooms the structure also boasted an observatory, a gift shop and a concert hall before it burned down in 1896. (photo © Jaime Rojo)

A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

According to New York Magazine the Post-it “artists” took their craftsmanship to new heights after someone installed a simple “hi” message on the window of one of the two buildings facing each other on Canal Street. After one week the “war” is in full effect with several messages directed at each other offices ranging from “Will you marry me” to songs’ lyrics and other pleasantries and pop references. The two buildings are known for housing several ad agencies, Getty images and New York Magazine.

A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

POE (photo © Jaime Rojo)

Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view. (photo © Brock Brake)

Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

NOVA (photo © Jaime Rojo)

Untitled. Berlin. April 2016. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Canemorto Stares Madly at London and Bristol

June 29, 2013 Artists

Canemorto have just galloped around Bristol and London for a few weeks and have left a number of these somberly bewildered guys in their wake. You remember in our last visit with the trio whose name means “dead dog” the stretched out horizontal is a particular favorite, and it it occurs to you that they may have something of a predilection for Picasso-esque portraits as they return to these sort of deranged dudes again and again.

(photo © Canemorto)

These gesticulating and grimacing sitters seem to have a lot on their mind, and who can blame them given the downward chugging economy, tiny apartments, longer working hours, government austerity and what not. Even so, these perplexed posers are not troublesome, rather than troubled. Either way, the energy of the lines and the clattering of the strokes as they bang into one another keeps these new pieces by Canemorto stealing the scene.

(photo © Canemorto)

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Art-El Gallery Presents: EKO “Brother Dolomite” (Bristol, UK)

April 29, 2013 Afghanistan, Artists

Art-el Gallery are proud to present revered artist Eko, and to unveil his latest retrospective work, the eagerly anticipated ‘Brother Dolomite’ collection.

Eko’s newest and original range of mixed media artwork features canvas boards and papers as well as a fanzine and exclusive exhibition screen print.

‘The ‘Brother Dolomite’ collection affords viewers an almost long-lost insight into yesteryear’s pastoral psychedelia movement. Whilst reanimating this civil yet corroded and largely undiscovered artistic spate, Eko’s renderings create a micro cosmos of imagery that’s brilliantly bound by the ethereality of a seemingly prodigal yet precious past.

Brother Dolomite
Artel Gallery @ Co-LAB
2-4 Fairfax Street
Bristol
BS1 3DB
Opening Reception Friday 17th May
6-9pm

Brother Dolomite. An Exhibition of New Work by Artist Eko

“NUART 2012” International Street Art Catalysts in Norway

October 10, 2012 Artists

“By far the best exhibition we’ve yet created,” says Martyn Reed, organizer of the Nuart 2012 street art festival as it draws to a close in Stavanger, Norway. What’s left after two weeks of painting, panel discussions, and parties stands on it own; The Art.

On old factory buildings, bricked stairways, in labyrinthine tunnels, and hanging on gallery walls, the city itself has welcomed international Street Artists to do these installations over the last decade and the funding for the events, artists, and materials are largely contributed to from public grants.

It’s a stunning model of arts funding that we’d like to see more of; one that is sophisticated enough to make behavioral and aesthetic distinctions and that is appreciative of the positive contributions of Street Art to the contemporary art canon. Here is one model that recognizes the importance of art in the streets as something necessary, valued. And the city of Stavanger keeps inviting a varied mix of well-known names and newcomers who show promise year after year.

Ben Eine (photo © Ian Cox)

At some point during the panel discussions at Nuart Plus this year there was talk about the dulling effect that the growing popularity of Street Art festivals specifically and sanctioned public art generally can sometimes have on the finished pieces. Certainly we are all familiar with those brain-deadening community murals of yesteryear that include lots of diversity, droning morality lectures and cute ducks. But we think the right balance of currency, community, and unchecked creativity can often catalyze great results, and smart people will know how to help keep it fresh.

Another topic discussed this year, at least in part based on our 2011 essay “Freed from the Wall, Street Art Travels the World”, which we wrote for Nuart’s “Eloquent Vandals” book, is the game-changing influence that the Internet continues to have on the Street Art movement itself. Considering that in the last year alone we have shown you art in the streets instantly from Paris, Iceland, Istanbul, Costa Rica, Jamaica, Nicaragua, Panama, Trinidad, Dominican Republic, Mexico, Copenhagen, London, Sweden, Atlanta, Bristol, Baltimore, Boston, Berlin, Beijing, Brooklyn and about 25 other cities on five continents, we think it’s worth quoting the intro from that essay; “The Internet and the increasing mobility of digital media are playing an integral role in the evolution of Street Art, a revolution in communication effectively transforming it into the first global people’s art movement.”

Aakash Nihalani (photo © Ian Cox)

Solidly, Stavanger took a lead in the Street Art festival arena early and is still setting standards for high quality as an integrated cultural event without compromising integrity with so-called ‘lifestyle’ branding. These images from 2012 show just a sampler of the many directions that Street Art is taking us, with traditional graffiti and letter-based influences and new overlays of 20th century fine art modernism keeping the scene unpredictable and vibrantly alive. Nuart artists this year included Aakash Nihalani (US), Dolk (Norway), Eine (UK), Ron English (US), Saber (US), Sickboy (UK), Mobster (UK), HowNosm (US), Niels Shoe Meulman (NL), Joran Seiler (US), and The Wa (France).

Thanks to Ian Cox for sharing these images, some exclusive and some previously published.

Aakash Nihalani installing a piece on the street. (photo © Ian Cox)

Sickboy takes in his indoor installation. (photo © Ian Cox)

Saber at work. (photo © Ian Cox)

Saber (photo © Ian Cox)

How & Nosm (photo © Ian Cox)

Jordan Seiler (photo © Ian Cox)

Mobstr takes in the wall. (photo © Ian Cox)

Mobstr makes MOM proud. (photo © Ian Cox)

Mobstr indoor installation. Detail. (photo © Ian Cox)

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“See No Evil” in Bristol Brings Thousands to the Streets

August 29, 2012 Artists, Bristol, Events, Features, On the Street, Street Art Festival, U.K.

Basking in the warm glow of the 2012 Cultural Olympiad, the “See No Evil” festival unabashedly celebrated Street Art in Bristol with thousands of fans thronging through the street while London was scurrying to deal with the threat of the unofficial Street Art of the Olympic kind.

In its second year, the one-week festival invited about 40 Street Artists from around the globe to hit up the walls of one long street while visitors traveled great distances to watch. In yet another sign of the full emergence of this first global art form, people witnessed live painting day and night, took photos, visited pop up galleries, attended graffiti workshops, danced to live music on six stages, and ate huge mountains of food at what organizers called a “New York Style” block party.

On the map for the Street Art scene since the early 1980s, Bristol was known for its own style then, eventually giving rise to some of todays’ better known names. With this expansive celebration initiated by locally raised graffiti star Inkie, many styles from the worldwide scenes of graffiti and Street Art exist alongside one another in this grand thoroughfare. Notably only 3 of last years 72 or so works survived into this year (by Nick Walker, Aryz and El Mac), suggesting a very slim chance that many of these new pieces will last for long, but few seemed to mind this month.

The 2012 crop includes painters from Los Angeles, New York, Paris, Poland, Austria, and across the UK who used an estimated 3,500 cans of aerosol to collectively create a massive gallery of public art. With roots in what was once strictly illegal, it’s mind-bending to imagine how occasionally even a police officer or mayor has been photographed proudly adding to the artworks at festivals like these. Within the space of one small decade or so, the appreciation for this form of expression has skyrocketed and in fact this month thousands in Bristol are seeing no evil in it.

Our special thanks to the talent of photographer Ian Cox, who shares these images with BSA readers. Also thanks to Ben Merrington for his photo of the ROA piece.

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See No Evil 2012 Cultural Olymipiad (Bristol, UK)

June 26, 2012 Artists, Bristol, Events, On the Street, Street Art Festival, U.K.

See No Evil

Bristol invites you to See No Evil

This summer, Bristol will play host to the most diverse art project to take place in the UK, with live projections, art installations and some of the biggest names in street art descending on the city from 13^th– 19^th August.

The week-long event is part of the London 2012 Festival, a summer-long arts festival throughout the country to celebrate the London 2012 Olympic and Paralympic Games. Curated artists will paint Nelson Street, to reinvent a selection of urban spaces, with some jaw-dropping images expected to be added to the Bristol street.

The event will be accompanied by Hear No Evil, organised by Team Love and featuring a series of music events throughout the week and a FREE New York style Block Party on Saturday 18^th and Sunday 19^th August on Nelson Street.

A visual spectacular will open the weekend’s music on Friday 17^th August when 3D Projection experts AntiVJ creating a unique installation in the Passenger Shed in Temple Meads. This FREE ticketed performance will be arranged with music by musicians Adrian Utley from Portishead and Will Gregory from Goldfrapp .

The best of Bristol’s music culture will set the backdrop to live street painting and outdoor stages on Saturday, while buskers will be chosen to take up a number of pitches throughout the festival site and lead the street party on Sunday 19^th August, while artists put the final touches to their creations.

Nick Walker

30 of the world’s most prolific street artists will paint the streets, including abstract expressionist Remi Rough, Liken, Nick Walker, alphabet painter Eine and Portuguese artist Vhils. The artists are being curated by Bristol bred graffiti legend Inkie, who inspired the event’s first outing last year.

Mike Bennett, organizer of See No Evil explains:

“See No Evil is a unique event, designed to showcase the emerging and established talent in the world of urban art and music, to develop the innovative footprint in Bristol’s creative quarter. The pieces created over the week will create a legacy from the project and a destination for urban art fans from all over the world. There are going to be some massive names from the world of graffiti involved this year, we’re really excited to welcome them.”

Phil Gibby, Arts Council England’s Director for the South West said;

“See No Evil will give people in Bristol a chance to experience the Cultural Olympiad by seeing streets brought to life with the best of urban art. The Anti VJ installation will transform the Passenger Shed at Temple Meads with projected images and sound. I look forward to being part of this fantastic celebration of culture in Bristol.”

Banksy, Robbo, A Mallard, and The Rolling Stones

January 25, 2012 Artists, Bristol, On the Street, U.K.

Team Robbo, the fun-loving anti-Banksy graffti Collective from South London who is not pleased with the appearance of work by the world-known Street Artist. Even in his hometown of Bristol, Banksy gets no respect from Robbo, and apparently The Rolling Stones are now buffing as well? Team Robbo employs a classic Stones lyric “Paint it Black” by way of engaging the public with a very open demonstration of tough street love and ironically, the only thing you may remember from the effort is the refrain.

Interviewed regarding this Street Art/Graffiti rivalry that sends bloggers and print journalists into paradoxisms of high alert, this local London duck was non-plussed. While congenially posing for a photo opp on Regents Canal, Mallard seemed to know little about the whole home turf affair and wondered aloud if we had any bread crumbs.

Thanks to Garry Hunter for his in-the-field photography.

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Our top image: D*Face for The L.I.S.A. Project in Manhattan. (photo © Jaime Rojo)

HAZE completed this fresh tribute wall dedicated to MCA of the Beastie Boys for Coney Art Walls 2016 in Coney Island, Brooklyn. (photo © Jaime Rojo)

“Ain’t seen the light since we started this band M.C.A. get on the mike, my man! Born and bred Brooklyn The U.S.A. They call me Adam Yauch But I’m M.C.A.” No Sleep Till Brooklyn

1PENEMY stenciled of a mock mug shot of famed supermodel Stephanie Seymour. (photo © Jaime Rojo)

Stikki Peaches comes out with a dream posse of rebels; James Dean, Steve McQueen, Elvis Presley, and Marlon Brando on the streets of Brooklyn. (photo © Jaime Rojo)

A Banksy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A Keith Haring-inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

An unidentified “artist” applies his final touches to the Snoopy inspired window piece made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A close up of two window pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A general view of several windows and pieces made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

A “Marry Me?” sign made entirely of Post-it notes makes an appearance on the Post-it notes war between two buildings that face each other in Manhattan. (photo © Jaime Rojo)

Unidentified artist. The piece is signed but we don’t recognize the signature. (photo © Jaime Rojo)

Pegasus’ Trump piece on the streets of Bristol, UK. (photo © Urban Art International)

POE (photo © Jaime Rojo)

Word To Mother beautified the AthenB Gallery van in Oakland, California on the occasion of his solo show currently on view. (photo © Brock Brake)

Bio, Nicer and BG 183 of Tats Cru completed their totally fun and vibrantly hued wall for Coney Art Walls 2016. (photo © Jaime Rojo)

Thiago Gomez and Emilio Cerezo collaboration wall in Barcelona, Spain. (photo © Lluis Olive Bulbena)

NOVA (photo © Jaime Rojo)

Untitled. Berlin. April 2016. (photo © Jaime Rojo)

(photo © Canemorto)

(photo © Canemorto)

(photo © Canemorto)

(photo © Canemorto)

(photo © Canemorto)

(photo © Canemorto)

(photo © Canemorto)

(photo © Canemorto)

Ben Eine (photo © Ian Cox)

Aakash Nihalani (photo © Ian Cox)

Aakash Nihalani installing a piece on the street. (photo © Ian Cox)

Sickboy takes in his indoor installation. (photo © Ian Cox)

Saber at work. (photo © Ian Cox)

Saber (photo © Ian Cox)

How & Nosm (photo © Ian Cox)

How & Nosm (photo © Ian Cox)

How & Nosm (photo © Ian Cox)

Jordan Seiler (photo © Ian Cox)

Mobstr takes in the wall. (photo © Ian Cox)

Mobstr makes MOM proud. (photo © Ian Cox)

Mobstr indoor installation. Detail. (photo © Ian Cox)

Mobstr makes friends with the notoriously wet climate in Stavanger. (photo © Ian Cox)

Ron English at work on his indoor installation. (photo © Ian Cox)

Niels Shoe Muelman working on his indoor installation. (photo © Ian Cox)

Niels Show Muelman (photo © Ian Cox)

M City, Nick Walker, She One and El Mac. (photo © Ian Cox 2012)

El Mac. (photo © Ian Cox 2012)

M City, Nick Walker, She One. (photo © Ian Cox 2012)

M City (photo © Ian Cox 2012)

She One (photo © Ian Cox 2012)

Conor Harrington (photo © Ian Cox 2012)

Conor Harrington. Detail. (photo © Ian Cox 2012)

TCF Crew (photo © Ian Cox 2012)

Sick Boy (photo © Ian Cox 2012)

Sick Boy (photo © Ian Cox 2012)

Pixel Pancho (photo © Ian Cox 2012)

Mark Lyken (photo © Ian Cox 2012)

Mark Lyken (photo © Ian Cox 2012)

Paris (photo © Ian Cox 2012)

Nychos, Flying Fortress (photo © Ian Cox 2012)

Nychos (photo © Ian Cox 2012)

Flying Fortress (photo © Ian Cox 2012)

Cheo, Soker, CanTwo and Mark Bode. (photo © Ian Cox 2012)

Mark Bode (photo © Ian Cox 2012)

Duncan Jago (photo © Ian Cox 2012)

Kashink (photo © Ian Cox 2012)

Kashink (photo © Ian Cox 2012)

KTF Crew (photo © Ian Cox 2012)

She One (photo © Ian Cox 2012)

Lucy McLauchlan (photo © Ian Cox 2012)

ROA (photo © Ben Merrington 2012)

Nick Walker

Banksy. Robbo (photo © Garry Hunter)

Featured Video | Martin Wong’s “Houston Street”

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“Ain’t seen the light since we started this band
M.C.A. get on the mike, my man!
Born and bred Brooklyn
The U.S.A.
They call me Adam Yauch
But I’m M.C.A.”

No Sleep Till Brooklyn