All posts tagged: Brasil

BSA Images Of The Week: 12.06.15

December 6, 2015 Artists, BSA Images Of The Week

A wild week in world geopolitics, terror, social crisis – interpret them as you may through the prism of art collecting and fandom – as Miami Art Basel and the Wynwood District were bursting with high prices, high emotions, high celebrity-counts, and people who appeared to be high almost all the time. There were also heavy rains, big name music performances, custom designed cocktails, luxury brands, brand fusions, and sponsored walls and events everywhere. Also a stabbing.

Once we can sort through the best photos we’ll definitely share some of the great work with you this week.

Meanwhile, Street Artists continue to create in cities elsewhere and while Miami is celebrating brands, logos and luxury, on the other side of the ocean Brandalism completed a 600 kiosk takeover in Paris this week skewering all of the above and the undue influence corporations are having in writing environmental/trade laws. On the aesthetic tip we’ve recently made a mental note that photo-realism is now reaching a critical mass. So there you are.

Here’s our weekly interview with the street, this week featuring A Pill NYC, Bifido, Buff Monster, Cash4, Dan Witz, Fuzeillear, Invader, Jordan Seiler, Knarf, LikMi, Luca Ladda, Østrem, Otto Schade, Persue, Pøbel, Rahmi Rajah, Sean9Lugo, Sipros, and Skount.

Top Image: Sipros for The Bushwick Collective. Detail. (photo © Jaime Rojo)

Sipros for The Bushwick Collective (photo © Jaime Rojo)

A portrait of Biggie Smalls. This was probably ripped from the ad campaign and affixed to this phone box. We call this re-porpoising and we consider it to be Street Art. (photo © Jaime Rojo)

Pøbel . Østrem for NUART in Stavanger, Norway. (photo © Jaime Rojo)

These two pieces are part of the NUART collection of murals painted for previous editions of the festival. They are not freshly painted but we wanted to publish them as they are calling our attention to a topic that is current and urgent and addressed by world leaders in Paris for the COP21 Climate Summit 2015 as well as dozens of Street Artists with the #brandalism campaign.

Pøbel . Østrem for NUART in Stavanger, Norway. (photo © Jaime Rojo)

A Pill NYC (photo © Jaime Rojo)

Jordan Seiler ad take over in the NYC Subway. (photo © Jaime Rojo)

Luca Ledda for Festival Concreto in Fortaleza, Brazil. (photo © Luca Ledda)

Dan Witz. Natural History series. (photo © Jaime Rojo)

Cash4 (photo © Jaime Rojo)

Bifido in Napoli, Italy. (photo © Bifido)

Sean9Lugo (photo © Jaime Rojo)

Buff Monster (photo © Jaime Rojo)

One cool thing about this piece: The plaid pattern was done by hand with gaffers’ tape – it isn’t freehand painted or stenciled or printed. It’s a 3D piece, including the silvery collar portion. There was a tag and a code at the collar but it was too faded for us to read. From what we could read the tag is #IywIkr (photo © Jaime Rojo)

Space Invader. (photo © Jaime Rojo)

Otto Schade AKA OSCH in London. (photo © Rahmi Rajah)

Persue (photo © Jaime Rojo)

Knarf in Miami. (photo © Knarf)

Skount surprised us with this abstract piece in Gold Coast, Australia – not the style he typically does. (photo © Skount)

Skount and Fuzeillear at Maroochydore, Sunshine Coast, Australia. (photo © Skount)

LikMi (photo © Jaime Rojo)

Untitled. Staten Island – NYC Harbor. November 2015. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 02.15.15

February 15, 2015 Artists, BSA Images Of The Week

Winter has been beating New York with a stick this week, but there’s still new Street Art going up – you just might miss it because you are rushing home to get warm. Also we have a smattering of shots from other cities this week to give you an idea of what’s up.

Here’s our weekly interview with the street, this week featuring Bifido, Bradley Theodore, BustArt, Claudio Ethos, Clet, Gore-B, GumShoe, Jilly Ballistic, Li-Hill, Mark Samsonovich, Mr. One Teas, Paul Insect and SeeTf.

Top Image >> Mark Samsonovich with an acute observation on this Valentine’s weekend. (photo © Jaime Rojo)

Mark Samsonovich (photo © Jaime Rojo)

This GoreB may be 10 years old, but we just saw it for the first time. (photo © Jaime Rojo)

Li-Hill has a new mural in Los Angeles, CA. Detail. (photo © Li-Hill)

Li-Hill. Los Angeles. CA. (photo © Li-Hill)

Paul Insect (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Bust Art at work on his new installation in Paris. (photo © BustArt)

BustArt completed installation in Paris. (photo © Jaime Rojo)

“This time Winnie the Pooh is taking his crew to the streets and claim a new graffiti area” says the artist.

BustArt. Detail. Paris. (photo © BustArt)

Mr. One Teas and Mickey are painting McDonalds with a wide brush (photo © Jaime Rojo)

Oops, my hat! Dang this wind! Claudio Ethos new piece in Rio De Janeiro, Brasil. (photo © ETHOS)

CLET (photo © Jaime Rojo)

Jilly Ballistic got the guillotine treatment. (photo © Jaime Rojo)

What do you want to be when you grow up. There are number of options. Bifido’s new installation in Rome, Italy. (photo © Bifido)

Bradley Theodore (photo © Jaime Rojo)

This hot busty blond aerosol piece by SeeTf is melting the snow. (photo © Jaime Rojo)

GumShoe (photo © Jaime Rojo)

“My Calvins” Manhattan, NYC. February 2015. (photo © Jaime Rojo)

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Sweden Starts “No Limit” Mural Festival in Borås

September 17, 2014 Artists

It isn’t just Nuart any more.

Scandinavia is taking their mural festivals seriously thanks to buoyant economies, arts programming support, and a growing global appreciation for art in the streets in general. Included in the list of recent festivals are Denmark’s Galore (Copenhagen) and We Aart (Aalborg) and Sweden’s Artscape (Malmö) as well as the more graffiti-inflected Örebro, Helsinki’s Arabia and of course the one-kilometer long graffiti/Street Art slaughter that accompanies the mammoth music festival Roskilde.

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ECB. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

This month humbly began No Limit in the small city of Borås, Sweden, and artist / curator Shai Dahan hopes to enliven the daily views for this population of 66,000 with his curated collection of international artists from street / graffiti / fine art backgrounds.

An artist and entrepreneur who moved here from New York three and a half years ago, Dahan has been rallying local building owners and government institutions to aid in his idea of mounting a show on walls in the city that emulates the success of such festivals elsewhere.

Isaac Cordal. The small scale installations by the Spanish artist provide a welcome answer to the ever more massive tendencies of wall installations in mural programs. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“I’ve been on quite a journey and accomplishing this project has been something I have been working on personally for over a year,” he says. With participation and funding from the city of Borås, No Limit this month invited and hosted artists from countries such as The Netherlands, Brasil, France, Italy, Germany, Poland, Spain and Sweden and included artists like Natalia Rak, ETAM Cru, Peeta, ECB, The London Police, Kobra, Ollio, Ekta, Carolina Falkholt, Issac Cordal and one of the earliest Street Art stencilists, Blek le Rat.

Isaac Cordal. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“And best of all, we had no bad weather. The day Natalia landed (she was the first to arrive) the sun came out, and it stayed out until the very last day,” says Dahan of the festival that he deemed “phenomenal” and included guided tours for over 200 people at a time.

“After everyone left, it began raining, ” he smiles.

For countries that have a so-called “zero tolerance” for illegal art or any kind like Sweden, mural festivals like these effectively circumvent the rigid approval process that typically characterizes public art projects and many make inroads into engaging public space with art in a new way that is emblematic of a vibrant global movement. It may be a tenuous line to walk, but more cities seem willing to embrace this swing of the pendulum with art in the streets.

The Brazillian Street Artist named Kobra created a portrait of Alfred Nobel, the Swedish chemist, engineer, industrialist, and inventor of dynamite. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Kobra. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The London Police began stripping because of the hot sun and of course, Jane Fonda. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The London Police. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Natalia Rak. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Natalia Rak. Detail. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The graffiti writing artist from Venice named Peeta basically killed his wall with a signature three dimensional tag that floats off of the wall. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Simple. No Limit Borås, Sweden. September 2014. (photo © Simple)

Ollio. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Carolina Falkholt. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Ekta. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Etam Cru. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Click HERE to learn more about No Limit Borås.

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ROA Photo Diary : Taking a Wild Kingdom to Global Streets

July 2, 2014 Artists

New Images from Brazil, The Gambia, Australia, New Zealand, Spain, Rome

We check in today with the ever evolving itinerary of the singularly nomadic Street Art urban naturalist named ROA. The well known and respected aerosol painter hails from Ghent in Belgium but he is rarely there these days, so busy is he introducing his monochromatic pictorials of the marginalized animal world. Despite the immense variety of his subjects that are reflective of the local population, ROA’s style is unmistakeable, as is his choice of difficult and imperfect surfaces on which to paint. Some times his subject is playful or alert, other times they are in a struggle, still others are dead or dessicated; paying full respect to the cycle of life and death.

As if to remind us of our own sorry impact, once in a while they are ensnared and suffering in our unthinking detritus. Not surprisingly, a number of the animals are endangered and his painting can often take on an environmental advocacy as a result.

Here we travel with ROA through six countries to see where he has been painting and to learn a little about the environment that these new stars of the street have debuted upon.

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ROA. The Gambia. (photo © Roa)

The Gambia, Africa

On his third visit to The Gambia for the WOW festival, ROA had the opportunity to paint a yellow caterpillar, a flying serpent, the Pinned Scarabée and some pangolins in the villages of Kembujeh and Galloya. He says, “I will be back, it’s amazing” and would like to thank all the folks who live in those villages as well as the organizer of WOW, Lawrence.

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ROA. The Gambia. (photo © Roa)

“I’ve painted a pangolin before in The Gambia but being back there and having read so much during the past year about the illegal trafficking of pangolins – to be served as exotic food or mostly as a ‘medicine’, I needed to paint them again. Firstly, the so-called medical qualities of the ground-up scales are disputed and “the animals are currently on the list of endangered species because of the trafficking and the loss of habitat by deforestation in Africa,” explains ROA. He notes that one of their attempts to protect themselves is to reconfigure their appearance. “They can roll up into a ball to defend themselves,” he says.

ROA. The Gambia. (photo © Roa)

ROA. The Gambia. (photo © Roa)

ROA. A yellow caterpillar in The Gambia. (photo © Roa)

ROA plays with your eye in this two room installation of a skeletal remains in Brazil. (photo © Roa)

Brazil, South America

In the past few months ROA has been to Brazil twice, and neither time to see the World Cup. Instead he has been backpacking around and doing “many small interventions in between beautiful beaches.” While the insects in some of these paintings are originally small, their final scale on the walls are definitely not.

ROA. Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

A rare near-optical piece by ROA, this microscopic milieu will be familiar to any kid who attended Biology class. Aside from the factual and the metaphorical, these fellas have a dropped shadow, giving the scene added dimension in Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

ROA. Brazil. (photo © Roa)

ROA. Perth. (photo © Roa)

Perth, Australia

While participating in Form’s PUBLIC festival, ROA painted a serpent eating his own tail; a design that refers to ouroboros, an ancient mythological symbol. He says that Australian aboriginal people believe “the serpent has a great symbolic value as ‘The Rainbow Serpent.’ “.

“Also for PUBLIC in Wolf Lane I painted an Australian possum,” says ROA of this piece in Perth. (photo © Roa)

ROA. Christchurch, New Zealand. (photo © Roa)

Christchurch, New Zealand

While painting the facade of the Canterbury Museum in Christchurch for the RISE festival, ROA decided to mix the dead with the living – “It’s a MOA skeleton with a kiwi!” he says. He explains that the moa was native to New Zealand, and flightless (like the kiwi), but the moa died out after humans settled the region.

In fact the Canterbury museum has a large collection of moa bones and skeletons and ROA understands that the museum is said to swap bones with other natural history museums to enlarge their own varied and large collection. One legend, according to the artist, “goes that they swapped some moa bones for the mummy they exhibit.

The site of the painting here has particular significance to the people of Christchurch as only a few years ago in 2010 and 2011 the city suffered serious and damaging earthquakes and almost 200 people died near here. The actual museum was well protected, but many buildings were heavily damaged and survivors still speak “about post-eartquake times, characterized by change and more social awareness,” he says, making this museum, “a very special place to be.”

Inside the Canterbury Museum in Christchurch Roa painted this penguin on the ceiling. (photo © Roa)

ROA. Nelson, New Zealand. (photo © Roa)

ROA. Nelson, New Zealand. (photo © Roa)

Nelson, New Zealand

Roa would like to extend his thanks to Eelco and Ali from The Free House, as well as George and Shannon for his time in Nelson.

ROA. Nelson, New Zealand. (photo © Roa)

ROA. Dunedin, New Zealand. (photo © Roa)

Dunedin, New Zealand

“I painted a tuatara in Dunedin,” he says, of the indigenous reptile.

ROA would like to say thanks to Justin and Luke for their hospitality.

ROA. Tenerife, Spain. (photo © Roa)

Tenerife, Spain

“At the invitation of the MUECA festival in Puerto de La Cruz, I painted my first large scale insect wall!” exclaims ROA, who looks for ways to keep challenging himself. He says that this was a composition that included, “Lots of different little creatures to paint,” which was rather demanding, but he didn’t mind too much because, “it was a beautiful environment and atmosphere.”

ROA. Riga. (photo © Roa)

Riga, Spain

There was a lot of bad weather in Riga during the Blank Canvas festival that ROA participated in, but “I got to paint the hedgehog and hopefully I will be back there soon to paint more,” he remarks.

ROA. Rome. (photo © Roa)

ROME, Italy

Finally, we end our tour with ROA in the famous city of Rome, where he visited for the very first time. He says that it is a “wonderful city” and he painted this wolf “referencing the legend of the founding of the city.”

Roa extends his thanks to Stefano and Francesca of 999 in Rome.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

Daze Talks About São Paulo’s 2nd Graffiti Biennial

February 2, 2013 Artists

2ª Bienal de Graffiti Fine Art

With an overview of a variety of styles and techniques used in the graffiti scene at the moment, São Paulo is hosting its 2^nd international biennial of graffiti and fine art through February 17th. Along with a number of recognized Brazilian names, Museu Brasileiro da Escultura (MuBE) is hosting international graffiti artists and writers from countries around the world including Angola, Canada, France, Germany, Holland, Italy, Japan, Peru, Portugal, Russia, and the US. With 150,000 visitors per year, you know that a lot of graffiti fans are going to get to see this show this month New York graffiti artist Daze was there to represent and he shares with BSA readers his experiences from the event, as well as some excellent photos he chose to represent some of the works in progress and some of the finished works.

“The museum architecturally is a wonderful place and one is encouraged to roam around the grounds and view sculptural works by various national artists. In existence since 1986, rumor has it a shopping mall was originally intended to be built on this site but, after much protesting, a museum was built instead.

The biennial is curated by Binho Ribiero, or “Binho”, as he is more commonly known on the streets in Sao Paulo. A catalyst for many group exhibitions and events in the city, Binho is and old-school writer from the scene and his work can be seen everywhere in Sao Paulo. Arguably one of the most famous Brazillian graff writers, he’s a natural in terms of curating an exhibition of this size and scale.

It was really great to be a part of this and I was really impressed by the diversity in the show. Many of the artists have not had much experience showing their work in either galleries of museums but nevertheless the quality level was quite high. I also saw that all of the artists showed a level of camaraderie and respect that I haven’t seen in some time.” ~ Daze

Daze didn’t know who this artist was but he liked his work. (photo © Daze)
Update: “It´s me Galo from São Paulo! It was so nice meet Daze here in São Paulo!”

Our very special thanks to Daze for sharing his words and photos with BSA readers.

2ª Bienal Internacional Graffiti Fine Art is at MuBE – Museu Brasileiro da Escultura from January 22 – Febr 17, 2013.

Admission is free.
Address: Av. Europa, 218. São Paulo
Information: 11 2594-2601, mube@mube.art.br/ www.mube.art.br

See Daze in the video of a local news story on the exhibition below.

“Luz Nas Vielas”, Transforming a Neighborhood with Art

June 5, 2012 Artists, Brazil, São Paulo

“Luz Nas Vielas”, Vila Brasilândia, São Paulo, Brasil; A short film.

Intervention! That’s the more academic word choice that people like to used euphemistically to describe putting up a piece of street art sometimes – and one that belies a more holistic perception of Street Art’s overall potential to impact a community. So when Spanish Street Art collective Boa Mistura began talking about their planned “participative Urban Art interventions” in São Paulo this year, the implication was to somehow positively change conditions in the dense favelas using art and the creative spirit.

Describing art as “a tool for change and inspiration”, the Luz Nas Vielas project took place at the beginning of the year in the neighborhood of Vila Brasilândia, a community struggling economically. Hosted by the Gonçalves family, artists and organizers took time to get to know the neighborhood, study and analyze the narrow and winding streets that comprise a sort of urban net, and took part in a dialogue with residents.

With the active participation of neighbors, the Boa Mistura collective focused on some concepts that were identified as important to the area and used them as guidance. The words they collectively chose were Beleza, Firmeza, Amor, Doçura, and Orgulho (roughly translated as beauty, strength, love, kindness, and pride). With these universal values in mind, artists made their interventions with the intention of using art as a tool for change and intervention.

See the video for a full account and judge for yourself how successful they were.

Visit Boa Mistura site to learn more about the work they do. Click here.

Apolo Torres – “Tempestade” in Sao Paulo

June 15, 2010 Artists, São Paulo

Two years after his first exhibit, Brazilian Street Artist Apolo Torres returns to Verbo gallery in Sao Paulo for a show Thursday called TEMPESTADE (or Storm), with a collection of paintings from his most recent studio work, as well as drawings and prints on paper.

Apolo Torres “Coexistencia” (detail)

At a good moment in his career, Apolo participated in important group exhibitions and partnerships over the last couple of years, leading him recently to a gig making the art for songwriter Rodrigo Ramos’ debut record.

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The contemporary works for this show show sensitive approach to the life in big cities; in a questioning, poetic way that focus on environmental and political problems such as the recent floods in Sao Paulo and Rio de Janeiro.

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Behind the aesthetics is a criticism of poor urban planning and overpopulation along with a tribute to the people who get on with their lives and their routine in spite of these problems.

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Apolo Torres "Tempestade"

See more of Apolo’s Work HERE.

Galeria Verbo – Av. Ibirapuera, 2823, Moema, São Paulo – SP

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