All posts tagged: Borås

Off the Path: Street Art & Graff in An Old Military Compound in Sweden

October 14, 2015 Artists

Street Art festivals are popping up like mushrooms across the globe, bringing murals, not street art, to cities primarily as a means of injecting life and culture into a community or business district. When we travel to see these walls we also like to check out the local organic spots off the beaten path where real street art and graffiti can run wild.

Shai Dahan (photo © Jaime Rojo)

You go exploring partly out of respect for the roots of this rapidly evolving art practice – It was the graffiti writers, Situationists, radical hippie students, culture jammers, political anarchists and all manner of freewill installationists who brought us to this moment where cities are almost pleading for murals.

You also hike into tunnels, abandoned lots, underpasses, and neglected former industrial sectors because that is where you know the scene will be alive with experimentation, the spark of discovery, and a splash of old-school in-your-face rebellion without censorship.

Shai Dahan (photo © Jaime Rojo)

For teens and 20-somethings of a certain disposition there’s nothing like grabbing some cans on a sunny Saturday and slaughtering a burned out bus with paint. Even better if its in the middle of a decommissioned military training site used by testosterone raging paintballers with guns full of color ducking behind concrete facades in camouflage fatigues. Amid the clouds of aerosol and bonfire smoke you find these paintings in the ruins, the remaining signs of an un-wasted youth.

According to locals people all the way from Stockholm and Gothenburg travel to paint at this 18,500 square meter former training facility for the Swedish armed forces. It’s built to mimic a real city to practice urban warfare training with rudimentary buildings, marked streets, and below ground tunnels to crawl though. No one remembers when it was first built but it was closed in 1989, left for hikers, berry pickers, and x-urban explorers to discover.

Shai Dahan . DAWG (photo © Jaime Rojo)

“The traces of bonfires most likely are from paint ballers having a barbecue during their games,” says one of our guides named Anders, “or possibly they’re for heating their hands during winter games.” Either way the aerosol tags, characters, paintings, and occasional wheatpastes are still popping up and fresh ones ride alongside some now decades old.

So nevermind the prickers and the poison ivy and take a hike off the path and see some free-range artworks in their naturally unnatural environs – directly to you from Sweden.

Simple (photo © Jaime Rojo)

Ollio (photo © Jaime Rojo)

Ollio . MSCR (photo © Jaime Rojo)

SMUH (photo © Jaime Rojo)

S Camilla E Bostrom (photo © Jaime Rojo)

DAWG (photo © Jaime Rojo)

NESH (photo © Jaime Rojo)

JARN (photo © Jaime Rojo)

GWC (photo © Jaime Rojo)

HANS (photo © Jaime Rojo)

HAS (photo © Jaime Rojo)

GOBS (photo © Jaime Rojo)

GES (photo © Jaime Rojo)

PEBS . DAWG (photo © Jaime Rojo)

Mogul . Hoplouie (photo © Jaime Rojo)

Mogul . Hoplouie . Ollio (photo © Jaime Rojo)

Ollio (photo © Jaime Rojo)

AGUA (photo © Jaime Rojo)

Untitled. (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

Borås “No Limit” 2015: Graffiti Tags, Murals, Greco-Roman Antiquities

September 17, 2015 Artists

The Spanish Street Art duo Pichiavo brought the antiquities and modern day graffiti together last week on a soaring multi-story wall in Borås, Sweden. Ironically both are under attack at any given time these days – one by terrorists eager to erase and loot symbols of unholy civilization and the other by the municipal buffing of unsanctioned aerosol tags. In one mural the Valencia-based duo are encompassing many battles and, as it rises amidst a building complex that was once a textile mill here by the Viskan River, the duality of the piece is awash with color and movement like so many fabric dyes being dumped into a stream.

Pichiavo. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

For Pichi and Avo, who merge their names as one on artworks, the creation process of their murals includes first laying down a blanket of aerosol tags and then precisely rendering the figures of Greek and Roman mythology and sculpture over top as a semi-transparent screen. In this case the fierce Greek goddess Latona guards her son Apollo and his sister Artemis, commanding the bricked space and raising questions.

As a passerby looks at this mashing of imagery one may be reminded of the fiery and perplexing tensions that exist in discussions in academic and public-policy circles about the worthiness of graffiti, street art, and urban art alongside traditionally more revered art forms and styles. Another audience will see the battles between the various practices on the streets themselves, of which Pichiavo are well acquainted. Witness the faded “Toy” bubble branded on the infants hip – a term used to disparaged new unskilled graffiti writers.

Pichiavo. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Pichiavo tell us that the supportive relationship depicted extends between the mother and her children and that the figures are deliberately chosen to portray their own experiences. “Our aim was to represent graffiti and Street Art and the overall movement through Leto’s figure. Here her children are the writers, or artists. According to Greek mythology Apollo and his sister Artemis were the most important protectors of Leto, defending her from attackers of all kinds. This allegory can be applied in the Street Art world, where many people try to take advantage of something that it is growing and we, the writers ourselves, need to defend and protect that which we care about.”

Pichi & Avo showing off their work at No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

This is No Limit, the second installation of murals done primarily by Street Artists in Borås, a pristine and pleasant city about 45 minutes east of Gothenberg. With the leadership of artist Shai Dahan and organizers Stina Hallhagen and Anders Khil the local tourism office works year round to promote this festival and the quality of the pieces are top notch due to the careful choices of international big names and up-and-comers.

In addition to this diversity, the scale is varied with massive walls like those by the Chilean Inti and Poland’s Robert Proch, and more personal-sized installations in surprise locations around town by American illustration artist David Zinn and New Jersey’s sculptural stencillist Joe Iurato.

Pichiavo. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

With maps, food trucks, tours, and near daily coverage from local media, including the largest outlet “Borås Tidning”, whose façade was painted this year by Los Angeles native Tristan Eaton, this city of about 65,000 turns out small crowds to watch the progress from the sidewalk and interact with the artists.

“The people here are enthusiastic about the artists and their works and really engage with the art,” says Dahan, who serves as director of the “No Limit” festival and who also organized a pop-up gallery show of work by international and local artists in the heart of the city.

David Zinn. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Across the street from the university is a “first” for a mural by the Chinese-born artist DALeast, who has not previously worked in the industrial cerulean hue that dyes the fibre-like threads weaving an enormous flying bird’s wingspan across a graduated modern façade. Dahan tells us that it is meant to be seen from the ground level for students and faculty at The Swedish School of Textiles.

“When he arrived in town he sat with his black book right here,” he says, motioning to the contiguous wooden seating platform running along steps leading up to the august bird. “He sketched the entire mural from this vantage point, and this is the best perspective to see it from.”

Next year the city is planning a sculpture festival and the murals will return in 2017. In the mean time, have a look at new work from Curiot, DalEast, David Zinn, Dulk, Inti, Joe Iurato, Logan Hicks, Robert Proch, and Tristan Eaton.

Robert Proch. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Curiot. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Tristan Eaton. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dulk. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dulk. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Logan Hicks. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Logan Hicks. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dal East. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dal East. Detail from a photo taken above ground. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Inti. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Inti. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

See our previous updates:

“No Limit” in Borås, Update 1 : Temporary, Anamorphic David Zinn

“No Limit” in Borås, Update 2: Joe Iurato Climbing the Streets

“No Limit” in Borås: Update 3: Shots of Murals in Process

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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“No Limit” in Borås: Update 3: Shots of Murals in Process

September 9, 2015 Artists

The process of getting one of these huge murals up in Borås entails many hours, days, paint, a scissor lift, compressors, brushes, buckets, sandwiches, sunscreen, ponchos, lunches, bathroom breaks, discussions, last minute runs to the hardware store, drizzling and pouring rain, warming sun, and entertaining questions from the inquisitive passersby.

Dal East takes a photo of his mural. Detail. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

That last item on the list is particularly true here in Borås for the No Limit festival because director Shai Dahan and the tourism board here have done such a thorough job of publicizing the festival that literally crowds of spectators have greeted the artists at certain times during the past week, while the normal flow includes at least a handful of new people arriving at all times to take in the action first hand. Families, singles, old folks, boomers, skater kids – the interest level is rather unusual actually.

We only added to that number of spectators this week, but we also get to ride in the scissor lift so that is even more distracting to the artists. But what the heck.

Yes there will be finished pieces all presented together here for our No Limit round-up next Wednesday. In the mean time you can take a look here at some of the artists working on their walls in process high above the street in their buckets aloft in the sky, enjoying their final moments before they soon leave this town.

Dal East Takes a photo of his mural. Detail. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Ta-daaaaaah! The Pichiavo duo poses in from of their freshly completed mural. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

INTI. School children interested in the process of making a mural arrived suddenly, like little fluorescent ducklings milling about. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

INTI. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Tristan Eaton. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

“No Limit” in Borås, Update 2: Joe Iurato Climbing the Streets

September 8, 2015 Artists

The city of Borås, Sweden is picturesque already when you are wandering through its cobbled side streets and along the Viskan River that whispers and weaves through it past churches, old textile factories, and small rolling green parks and sweeping willow trees. Suddenly finding a small impromptu but perfectly placed installation from New Jersey’s Joe Iurato is just another surprise you weren’t expecting.

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

A skateboarder, hiker, rock climber, and young father, Joe brings a sense of discovery to a spot with his stenciled cut-out 2-d sculptures. Over the last couple of years he has really mastered the art of placement and it was not uncommon this past week to see the clean-cut cargo-shorted dude scoping the streets and facades of this 400 year old city looking for the perfect spot to pitch one of his figurative elements.

A couple of years ago in a feature we did on Joe he said he isn’t looking for longevity with the pieces, just a moment of recognition of the humanity of the scene. “I’m not under any false impressions that these could be landmark pieces or anything,” he told us.

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Each piece has a specific personality and usually is caught mid-movement, adding a story to the moment if you care to use your imagination and place the piece into your own tale.

“I try to see the possibilities for a larger picture within a smaller space: a puddle can become a lake, a small crack in a cement wall can become a magnificent climb, a curb or window ledge can fall away into a desperate void, a planter box can become a place for a child to play, and a shadow might be a tangible space for a few seconds a day. There’s no limit to the possibilities and I find myself more and more looking at the environment for ways to interact.”

Here are some examples of Joe’s pieces in Borås during the last few days. One in particular featuring Joe’s two sons proved to be a perfect posing spot for some Swedish youth who sat for our photographer to get the shot on this bridge over the Viskan.

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

“No Limit” in Borås, Update 1 : Temporary, Anamorphic David Zinn

September 7, 2015 Artists

No Limits is in its second year in Borås, Sweden, and the mural festival has been a success aside from two days of rain that displaced the travel plans of a number of the artists. Primarily a beautification project and less about hard-core street art culture, No Limits has the support of city and business officials and much of the citizenry in this downtown district of a town built on the textile industry.

While many of last year’s and this year’s murals are of the 3 and 4-story high variety, we were interested in finding the small interventions of commercial illustrator David Zinn popping up from concrete throughout the downtown district and thought you might enjoy his ability to mess with your optics and open another door to a world just beneath the bricks.

“I don’t care whether it lasts or not,” says Zinn as we look around the granite flooring of a main square in the Centrum of Borås . “It’s supposed to go away.” By the fading coloring, you can tell that it will definitely be ethereal.

As you position your camera around this camera-ready art, you discover that it works best when you find the correct angle that produces a three-dimensional effect – something he refers to as anamorphic art. “It’s meant to be seen from a specific viewpoint,” Zinn explains while a couple of people walk over to see what we are looking at and pointing to.

“Ideally, you’ll get the feeling that it is actually a hole in the ground.” He stops to assist a visitor who is trying to get a good cell phone shot – “Yeah, you want this line to point up to here, so a little to the left,” he says as he crouches and mimics the position the shooter should take for best effect.

The work is fantasy, perhaps something that will remind you of illustrations from children’s books. He envisions the surprise element of a discovered creature from the perspective of a child when he plans his installations.

“I’d rather that a person who is on their cellphone walks right over it and misses it if it also means that a kid who is bored and is actually wishing something interesting would happen that day – that he would be like ‘Hey, what the heck is this?’ with a lot of excitement. They get to enjoy it because no one leads them by the hand to experience this piece of art.”

A no-nonsense and agreeable sort, Zinn is a self-taught artist living in Ann Arbor, Michigan, who happens to be in this small Swedish town 25 minutes from Gothenburg doing drawings on the street. He says he doesn’t make art for art’s sake, eschews the idea of a museum experience, and prefers to make temporary works that disappear. “ This was the first form of art that I could find that escapes that proscribed way of telling people how to experience art.” He has made one exception here – his first permanent (or semi-permanent) piece is at the base of a former textile mill here that is now used as a library, science center, and museum, among other things.

Clearly, Zinn is making the work for people to capture and share through photography as well as to discover hidden spots, and in the short time we have been here the local residents are happily discovering the pieces thanks to a map prepared by the well-organized festival. “The work itself cannot be framed and put on your wall,” he says as we walk upon an illustration of a pig which he says has already made it to Swedish television. We stop talking so that he can pose for a photo for someone who has been trolling behind us, listening and watching while the artist explains his work.

Sweden Starts “No Limit” Mural Festival in Borås

September 17, 2014 Artists

It isn’t just Nuart any more.

Scandinavia is taking their mural festivals seriously thanks to buoyant economies, arts programming support, and a growing global appreciation for art in the streets in general. Included in the list of recent festivals are Denmark’s Galore (Copenhagen) and We Aart (Aalborg) and Sweden’s Artscape (Malmö) as well as the more graffiti-inflected Örebro, Helsinki’s Arabia and of course the one-kilometer long graffiti/Street Art slaughter that accompanies the mammoth music festival Roskilde.

brooklyn-street-art-ecb-Anders-Kihl-boras-sweden-09-14-web

This month humbly began No Limit in the small city of Borås, Sweden, and artist / curator Shai Dahan hopes to enliven the daily views for this population of 66,000 with his curated collection of international artists from street / graffiti / fine art backgrounds.

An artist and entrepreneur who moved here from New York three and a half years ago, Dahan has been rallying local building owners and government institutions to aid in his idea of mounting a show on walls in the city that emulates the success of such festivals elsewhere.

Isaac Cordal. The small scale installations by the Spanish artist provide a welcome answer to the ever more massive tendencies of wall installations in mural programs. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

“I’ve been on quite a journey and accomplishing this project has been something I have been working on personally for over a year,” he says. With participation and funding from the city of Borås, No Limit this month invited and hosted artists from countries such as The Netherlands, Brasil, France, Italy, Germany, Poland, Spain and Sweden and included artists like Natalia Rak, ETAM Cru, Peeta, ECB, The London Police, Kobra, Ollio, Ekta, Carolina Falkholt, Issac Cordal and one of the earliest Street Art stencilists, Blek le Rat.

“And best of all, we had no bad weather. The day Natalia landed (she was the first to arrive) the sun came out, and it stayed out until the very last day,” says Dahan of the festival that he deemed “phenomenal” and included guided tours for over 200 people at a time.

“After everyone left, it began raining, ” he smiles.

For countries that have a so-called “zero tolerance” for illegal art or any kind like Sweden, mural festivals like these effectively circumvent the rigid approval process that typically characterizes public art projects and many make inroads into engaging public space with art in a new way that is emblematic of a vibrant global movement. It may be a tenuous line to walk, but more cities seem willing to embrace this swing of the pendulum with art in the streets.

The Brazillian Street Artist named Kobra created a portrait of Alfred Nobel, the Swedish chemist, engineer, industrialist, and inventor of dynamite. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The London Police began stripping because of the hot sun and of course, Jane Fonda. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The graffiti writing artist from Venice named Peeta basically killed his wall with a signature three dimensional tag that floats off of the wall. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Click HERE to learn more about No Limit Borås.

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Shai Dahan (photo © Jaime Rojo)

You also hike into tunnels, abandoned lots, underpasses, and neglected former industrial sectors because that is where you know the scene will be alive with experimentation, the spark of discovery, and a splash of old-school in-your-face rebellion without censorship.

Shai Dahan (photo © Jaime Rojo)

Shai Dahan . DAWG (photo © Jaime Rojo)

So nevermind the prickers and the poison ivy and take a hike off the path and see some free-range artworks in their naturally unnatural environs – directly to you from Sweden.

Simple (photo © Jaime Rojo)

Ollio (photo © Jaime Rojo)

Ollio (photo © Jaime Rojo)

Ollio (photo © Jaime Rojo)

Ollio . MSCR (photo © Jaime Rojo)

Ollio . MSCR (photo © Jaime Rojo)

SMUH (photo © Jaime Rojo)

S Camilla E Bostrom (photo © Jaime Rojo)

S Camilla E Bostrom (photo © Jaime Rojo)

S Camilla E Bostrom (photo © Jaime Rojo)

DAWG (photo © Jaime Rojo)

NESH (photo © Jaime Rojo)

JARN (photo © Jaime Rojo)

GWC (photo © Jaime Rojo)

HANS (photo © Jaime Rojo)

HAS (photo © Jaime Rojo)

GOBS (photo © Jaime Rojo)

GES (photo © Jaime Rojo)

PEBS . DAWG (photo © Jaime Rojo)

Mogul . Hoplouie (photo © Jaime Rojo)

Mogul . Hoplouie . Ollio (photo © Jaime Rojo)

Ollio (photo © Jaime Rojo)

AGUA (photo © Jaime Rojo)

Untitled. (photo © Jaime Rojo)

Pichiavo. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Pichiavo. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Pichi & Avo showing off their work at No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Pichiavo. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

David Zinn. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Curiot. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Tristan Eaton. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dulk. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dulk. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Logan Hicks. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Logan Hicks. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dal East. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dal East. Detail from a photo taken above ground. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Inti. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Inti. Detail. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Inti. No Limit 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dal East takes a photo of his mural. Detail. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Dal East Takes a photo of his mural. Detail. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Robert Proch. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Ta-daaaaaah! The Pichiavo duo poses in from of their freshly completed mural. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

INTI. School children interested in the process of making a mural arrived suddenly, like little fluorescent ducklings milling about. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

INTI. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

INTI. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

INTI. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Tristan Eaton. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Tristan Eaton. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Tristan Eaton. Process shot. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Joe Iurato. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

David Zinn. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

David Zinn. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

David Zinn. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

David Zinn. No Limit Festival 2015. Boras, Sweden. September 2015. (photo © Jaime Rojo)

Boras, Sweden. September 2015. (photo © Jaime Rojo)

ECB. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Isaac Cordal. The small scale installations by the Spanish artist provide a welcome answer to the ever more massive tendencies of wall installations in mural programs. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

Isaac Cordal. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)

The Brazillian Street Artist named Kobra created a portrait of Alfred Nobel, the Swedish chemist, engineer, industrialist, and inventor of dynamite. No Limit Borås, Sweden. September 2014. (photo © Anders Kihl)