All posts tagged: Berlin

Project M/6 Curated By Jonathan LeVine

Project M/6 Curated By Jonathan LeVine

The sixth installment of Project M at the Urban Nation (UN) comes from a clever collection of painters, illustrators, and urban interventionists. Curated by gallerist Jonathan Levine, whose gallery consistently stages quality shows in Manhattan’s Chelsea art district, the street level windows, façade, and pop-up show feature deep, dark, and richly storied works that resonate.

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DAL East at work on the facade. (photo © Henrik Haven)

Entitled “Greetings From New York City,” the show features artists who have intersected with the street primarily from outside of Gotham such as China/South Africa’s Dal East, Austria’s Nychos, Mexico’s Saner, and the Californian Jeff Soto. Two exceptions like Brooklyn’s Dan Witz and Olek are both currently active on the New York street art scene and in the case of Witz, dating back to his student days in the East Village in the late 1970s.

Consistent with his street pieces hidden in plain sight for street watchers, Mr. Witz drilled his hooded and gated prisoners to the installation board display and Olek crocheted a provocative slogan in her blaringly neon tableau, brightening and possibly flummoxing the grey Schöneberg streets.

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DAL East at work on the facade. (photo © Henrik Haven)

Saner’s magically real folk references are meaty and disturbing – evoking the monstrous events currently happening back home, while Nychos’ cartoonish dissection of animals and people in 3-D trace directly to his family’s traditions of  hunting and Jeff Soto straddles the street and the dark pop fantasy world that frequents the pages of magazines like Juxtapoz and Hi-Fructose. For his exterior façade mural Dal East gathers the life force energy of an eagle to rise above and preside above the street in stark relief.

On the whole Mr. Levine’s stable communicates through layers both humorous and heavy, myriad meanings touched by a sardonic gloss of advertising finesse; sometimes slyly laughing, sometimes deadpan, always musing. Project M/6 smartly invites this view into the frame of modern contemporary as art in the streets continues to conflate.

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DAL East with a detail of the facade on the background. (photo © Henrik Haven)

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DAL East to the right. The center piece by mixed media collage artist Handiedan is not  part of ProjectM/6 (photo © Henrik Haven)

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SANER at work on his panels. (photo © Henrik Haven)

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SANER at work on his panels. (photo © Henrik Haven)

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Jeff Soto at work on his panels. (photo © Henrik Haven)

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Jeff Soto at work on his panels. (photo © Henrik Haven)

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Nychos at work on his panels. (photo © Henrik Haven)

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Nychos. Sketch book. (photo © Henrik Haven)

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Olek and assistant at work on her panels. (photo © Henrik Haven)

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Dan Witz at work on his panels. (photo © Henrik Haven)

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Jeff Soto on the left. Dan Witz on the right. (photo © Henrik Haven)

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Dan Witz (photo © Henrik Haven)

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Jeff Soto . Dan Witz . Olek (photo © Henrik Haven)

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Olek (photo © Henrik Haven)

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Nychos (photo © Henrik Haven)

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Nychos (photo © Henrik Haven)

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SANER (photo © Henrik Haven)

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SANER. Detail. (photo © Henrik Haven)

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SANER (photo © Henrik Haven)

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Jeff Soto (photo © Henrik Haven)

To learn more about Urban Nation and ProjectM click HERE

We wish to thank photographer Henrik Haven for sharing his work with BSA readers, and to UN Director Yasha Young.

URBAN NATION PRESENTS PROJECT M/6

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Project M/5 Curated by Roland Henry & VNA in Berlin

Project M/5 Curated by Roland Henry & VNA in Berlin

The Berlin adventure entitled Urban Nation is readying for substantial renovation over the next year and meanwhile has embarked on rotating external exhibition of artists from many disciplines called ProjectM. Today we bring you images of the most recent in the series called M/5, curated by Roland Henry in conjunction with VNA Magazine and give an idea of the range of contemporary works and artists influencing the street art scene today through his eyes.

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Will Barras and Steff Plaetz collab piece in progress. (photo © Henrik Haven)

The works are completed inside the future museum and displayed on the street along with a huge façade painting by Ben Eine.  Here are images from the new headquarters as the artists prepared their works for Project M/5 and the list of artists includes Mark Lyken, Pam Glew, Will Barras, Eine, Steff Plaetz, Nick Walker, O.Two, Sickboy, Zenx and Ben Frost.

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Will Barras at work on  his piece. (photo © Henrik Haven)

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James “SheOne” Choules at work on  his piece. (photo © Henrik Haven)

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Nick Walker at work on  his piece. (photo © Henrik Haven)

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Mark Lyken at work on  his piece. (photo © Henrik Haven)

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Ben Frost at work on  his piece. (photo © Henrik Haven)

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Will Barras (photo © Henrik Haven)

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Will Barras (window A). Will Barras and Steff Plaetz (window B). (photo © Henrik Haven)

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Nick Walker (photo © Henrik Haven)

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Nick Walker. Detail. (photo © Henrik Haven)

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Sickboy (photo © Henrik Haven)

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Ben Frost (photo © Henrik Haven)

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Pam Glew, Mark Lyken, James “SheOne” Choules, O.Two (photo © Henrik Haven)

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Xenz, O.Two, James “SheOne” Choules, Mark Lyken, Pam Glew (photo © Henrik Haven)

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James “SheOne” Choules, O.Two (photo © Henrik Haven)

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Xenz at work indoors at the Urban Nation HQ. (photo © Henrik Haven)

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Will Barras at work indoors at the Urban Nation HQ. (photo © Henrik Haven)

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Xenz, TwoOne, Strok, RekaOne, 45rpm, Yoh Nagao at work indoors at the Urban Nation HQ. (photo © Henrik Haven)

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Klone Yourself at work outdoors for Urban Nation. (photo © Henrik Haven)

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Don John at work outdoors for Urban Nation. (photo © Henrik Haven)

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Klone Yourself  (photo © Henrik Haven)

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Don John (photo © Henrik Haven)

To learn more about Urban Nation and ProjectM click HERE

We wish to thank photographer Henrik Haven for sharing his work with BSA readers.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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JBAK in Berlin, a 32 Meter Human Totem and How it Got There

JBAK in Berlin, a 32 Meter Human Totem and How it Got There

Karl Addison and James Bullough, as JBAK, Share Their Trip With You

Berlin’s dedication to public art takes another leap with a newly completed mural by American duo James Bullough and Addison Karl, creatively partnered as JBAK. Nearly a year after the art and education initiative LOA Berlin (Lichtenberg Open ART) put out the call for submissions to hit this tower in the housing association HOWOGE Wohnungsbaugesellschaft mbH, the two guys find themselves exhausted and elated with their latest photorealist painting in this high profile location.

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JBAK (Karl Addison and James Bullough) and their new “Totem Mural” for Howoge LOA. Berlin, Germany. (photo © Just Photography)

“From meters away the seeping feeling of being proud and accomplished washes over. The kind words of passer-bys, neighbors and the local business owners. Making every long moment worth every second of it,” Addison tells BSA below as he recounts how personally affected they were by the process of pitching to be considered and eventually awarded above a competitive field of around 50 artists and artist teams from six countries.

And then there was the execution of the actual mural.

The average observer of a mural like this one in Lichtenberg, and Street Art or urban art in general, has little appreciation perhaps for the psychological/ spiritual / physical energy that can go into the process for any given artist or project. In fact, many artists don’t realize the effort until they endeavor to try. When the project is formalized to the degree that this one is, many artists simply choose to not apply at all, so intimidating and resource intensive it the process. Not to mention the setbacks, sudden turns, revisions, and problem solving on the fly. But of course, it happens all the time and people who create art in the streets can be pretty scrappy and resourceful.

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JBAK (Karl Addison and James Bullough) and their new “Totem Mural” for Howoge LOA. Berlin, Germany. (photo © Just Photography)

 

With a generous sense of sharing some insight on the process, Addison gives BSA readers personal view of the experience from an artists perspective, revealing the costs involved to merely to be considered for a public/private works project such as this where a variety of voices are involved in the conversation before an ultimate decision is made. It reads like a personal journal, but it is a template for many who would try to make the transition to professional artist.

“ ‘For the long haul’ – it’s one of those things you hear about from a good friend and exceptional fellow artist. At first glance the whole experience seems a bit overwhelming but then you put your head down and buckle down for the application process. What to show, how to explain – will the work stand-up by itself? Some times you may complete 10-15 applications like this per month – it is always the beginning with very little turnover to actual work or the creation of beautiful things to come.

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JBAK (Karl Addison and James Bullough) and their new “Totem Mural” for Howoge LOA. Berlin, Germany. (photo © Just Photography)

“ ‘Maybe this one is different’. After a few months we received a nice letter of acceptance. Surprised, happy – and ‘oh shit’ are all simultaneous reactions. Now the grind of what comes next – so many factors to include; the building, the audience, the people who live there, the colors, my collaboration with James Bullough, HOWOGE (the ones organizing the whole project under LOA), my own interests, passion, the scale and much more.  Then there is ‘The Unknowing’ ; is this the best artwork I can create for this project – will it be accepted – can I do better? Every question leads nearly to no answer, but 45 more questions.

‘It is the winter months and we’re working online and in a studio going back and forth as to the possibilities and composition. After a long day of taking hundreds of mock-up photos somehow the very last photo taken has the concept we need. We begin planning out the colors, the theory and the collaboration aspect of the painting. We make a full canvas piece in the proportions of the wall to get the right details.

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JBAK (Karl Addison and James Bullough) and their new “Totem Mural” for Howoge LOA. Berlin, Germany. (photo © Just Photography)

“ The time has come for us to present our idea – in a room sits many people loaded on every side except directly behind James and I. We’re overwhelmed because there are three times more people in the room then we expected to be there. Pushing forward, we begin to discuss and present our artwork and concept. It does not go well. We leave discouraged and feeling all the holes of our artwork for this project. A week or so goes by – and again to our surprise we get another nice email asking for some revisions to our artwork.

“Back to the studio, we’re trying to fill those holes in – and to fix what we can with the work. We come to a point where the collaboration is happy – we have both created something in over three years of doing projects together and we are both happy with this. The artwork compliments both sides – it is strong and subtle with room for the imagination and interpretation of the viewer. It has a strong positive message for it’s new home on Landsberger Allee 228b in Lichtenberg. With fingers cross we send in the second proposal.

‘Waiting….. waiting….. waiting… doubt…. waiting…..

“An email comes in – I read it once, twice and for a third time. It sinks in. The Totem Mural is accepted! In an instant we have been selected for the next Howoge LOA mural. I’m sitting on my couch in my studio when I read it, lucky for me. I’m nearly speechless as I show the computer and email to one of my best friends Adrian – and he is screaming with excitement.

“Because of all the work we did during all this process – we have already addressed such a huge part of the painting : everything is nice planned out, prepped and nearly ready to go. The only things left are the logistics about the painting, the materials and how to get up a 32 meter wall. We get the help of a good friend Dennis G. to help us organize the installation – then we plan for the next 4 weeks of work.

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JBAK (Karl Addison and James Bullough) and their new “Totem Mural” for Howoge LOA. Berlin, Germany. (photo © Just Photography)

“ It takes long days and nights, two nights to outline – the first going from sundown to sun up. We focus on keeping the artwork in proportion as we do it in three sections and from different locations. Without sleep we are back up to do it again the next day. The first week is long and unsure and our lift breaks three times,  we have some rain delays and down time until we change machinery. Our schedule for the next month is 6 days a week, 12-14 hours a day. There are late nights coming home when I feel barely able to stand. But then there is the rising up early every morning and getting to work and feeling the warmth of the wall radiating from the sun throughout the day. After four weeks of nothing else, the Totem Mural is finished.

“From meters away the seeping feeling of being proud and accomplished washes over. The kind words of passer-bys, neighbors and the local business owners. Making every long moment worth every second of it.”

 

For more about Lichtenberg Open ART (LOA Berlin) and HOWOGE please click HERE.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 07.13.14

BSA Images Of The Week: 07.13.14

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Apparently there is another spectacular sporting event that’s got everyone captivated today and for a couple hours it will be easy to get a cronut or a seat on the subway because people will be worshipping flat screens inside a dark sports bar on the Lord’s Day. We recommend you jog right over to the High Line because it’s free and will likely be a little more commodious than usual. You can lounge while listening to a sleek waterfall, stroll arm in arm with your beloved, gaze upon the urban-wild landscaping and even catch a new billboard high-jacking that might make you crack a  smile.

The billboard space is great if reserved for Art On The High Line, but has been recently replaced by straight up garishly banal advertising, sort of marring the beauty of this big public works project whose spirit is better served when it steers clear of commercial messaging. This week sometime a few buckets of yellow paint were used to selectively buff the message to create a new one. A bit of genius goes a long way sometimes, doesn’t it? Although, for all we know, it’s a clever way to draw attention to the original ad, since you can still read it.

Here’s our weekly interview with the street, this week featuring Alice Pasquini, bunny M, Bust Art, Cera, Damon, Gazoo, Gum Shoe, Kid Monkey, Knarf, Labrona, LMNOPI, Low Bros, Miriam Castillo, Mr. Prvrt, Pyramid Oracle, Sweet Toof, Trentino, UD, Urban Spree, Vexta, Wing, and Zaria.

Top Image >> Unknown artist billboard takeover. Please help us ID the artist. Is it Posterboy perhaps? (photo © Jaime Rojo)

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Summer fashions can get quite skimpy in July in New York. Gum Shoe (photo © Jaime Rojo)

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Vexta (photo © Jaime Rojo)

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Knarf new mural in Poland. (photo © Knarf)

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LMNOPI (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Low Bros mural for Urban Spree. Berlin, Germany. 2014 (photo © Phillipp Barth)

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Kid Monkey for The Bushwick Collective (photo © Jaime Rojo)

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Cera. Hand painted portrait. (photo © Jaime Rojo)

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bunny M (photo © Jaime Rojo)

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Damon (photo © Jaime Rojo)

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Labrona new piece in Montreal, Canada. (photo © Labrona)

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UD (photo © Jaime Rojo)

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Zaria and Bust Art new piece in Amsterdam. (photo © Bust Art)

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Gazoo (photo © Jaime Rojo)

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When Lavinia jumped, unknowingly she left behind her feet. (photo © Jaime Rojo)

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An unknown artist’s sculpture of a face with tree branch below and existing and previously published WING glass hummingbird.  (photo © Jaime Rojo)

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Alice Pasquini new mural in Trentino, Italy. (photo © Jessica Stewart)

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Sweet Toof (photo © Jaime Rojo)

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Mr. PRVRT (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Miriam Castillo (photo © Jaime Rojo)

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Untitled. Lower Manhattan engulfed by fog.  (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images Of The Week: 06.08.14

Images Of The Week: 06.08.14

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Dude and Dudette it’s not even officially summer (June 21) but New York streets are off in the deep end of the public pool with all these new backflips and cannonballs and arched dive art in the streets. Can someone please say UNPRECEDENTED? Everybody jump in!

Here our weekly interview with the street, this week featuring Bifido, Case Ma’Claim, City Kitty, Crummy Gummy, Dain, Damien Mitchell, Dee Dee, EC13, FKDL, JAZ, Jerk Face, Lambros, Mark Samsonovich, Pixel Pancho, Pyramid Oracle, Rubin, SheWolf, Skount, Solus, UAI, and Zio Siegler.

Top Image >> Case Ma’Claim and Pixel Pancho collaboration for The Bushwick Collective. (photo © Jaime Rojo)

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A sonic POP reverberated through the streets this week when this duet happened between Case Ma’Claim and Pixel Pancho at The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Lambros combined nightmares into this one hideous hybrid. (photo © Jaime Rojo)

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Dain is dressed for success. (photo © Jaime Rojo)

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Damien Mitchell pays tribute to the divine Nina Simone at The Bushwick Collective. (photo © Jaime Rojo)

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Pyramid Oracle levitates sagely. (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Mark Samsonovich. This happened to me one time when I ate an entire bag of jelly beans and then washed them down with orange soda. Same thing. (photo © Jaime Rojo)

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Mark Samsonovich. We come in peace. Would you like a banana? (photo © Jaime Rojo)

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Bifido. New conceptual piece form his series “Don’t Forget To Play” in what appears to be an abandoned and derelict public park in Naples, Italy. (photo © Bifido)

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SheWolf (photo © Jaime Rojo)

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Looks like FKDL was in town this week with his mix of 1950s nostalgia and idealized female collages. (photo © Jaime Rojo)

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Detail of FKDL wall for The Bushwick Collective. (photo © Jaime Rojo)

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Crummy Gummy features out of work actor ET looking for options on the streets of Los Angeles. (photo © Jaime Rojo)

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The Irish Solus left a love letter to BK and The Bushwick Collective. (photo © Jaime Rojo)

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Skount new street work in Barcelona, Spain. (photo © Jaime Rojo)

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Jerk Face and the Cookie Monster for The Bushwick Collective. (photo © Jaime Rojo)

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City Kitty (photo © Jaime Rojo)

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Rubin for The Bushwick Collective. (photo © Jaime Rojo)

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EC13 new piece in Huetor Vega, Spain. The artist continues to explore his non-figurative expressions with new mediums and surfaces. This placement is immaculate. (photo © Patricia Fernandez)

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Zio Siegler (photo © Jaime Rojo)

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JAZ is seen here at work in Berlin on his new mural in conjunction with his solo show currently on view at the BC Gallery.  (photo © Phillipp Barth)

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Jaz. The completed mural in Berlin.  (photo © Phillipp Barth)

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Untitled. The Empire State Building photographed from Brooklyn, NY. June 2014. Via Instagram and iPhone. (photo © Jaime Rojo)

 

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LA in Berlin, Urban Nation Unveils Project M/4

LA in Berlin, Urban Nation Unveils Project M/4

Urban Nation in Berlin bellows quietly again as it partners with Andrew Hosner of Thinkspace in LA for an eclectic Project M/4 installation and group show.

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Dabs & Myla on the facade. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

The forth iteration of this open/secret streetside exhibition in the the front windows of soon to be renovated building near Nollendorfplatz, M/4 highlights the myriad influences of the New Contemporary scene that Hosner has crafted and curated for roughly a decade now. With LA-via-Australian couple DabsMyla festooning the five-story façade with signature cartoonish characters, the ground floor windows portend the ever widening array of influences that may reflect in the Urban Art story that UN founder Yasha Young envisions telling in the future.

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Joao Ruas (A) and Fernando Chamarelli (B). Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

In addition to the windows reflecting a titillating tomorrow for this edifice, the group show “LAX/TXL” fills a nearby gallery space with Hosner’s handpicked top 60 artists from the ever growing spheres of dark pop, pop surrealism, tattoo, illustration, street art, graffiti, new folk, and skater culture that have characterized the rolling visual feast that follows wherever he goes. With so many new voices and spirits in this neighborhood that sports a rich modern history of germinating subculture, it appears that Berlin is poised to again reconfigure, even if current passersby may be a bit puzzled.

Window murals for Project M/4 are planned to showcase works by Alexis Diaz (aka La Pandilla, Andrew Shoultz, C215, Curiot, Fernando Chamarelli, Glenn Barr, Joao Ruas, Low Bros, Nosego, and Word To Mother

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Alexis Diaz/La Pandilla. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Alexis Diaz at work on his piece. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

The ‘LAX / TXL’ gallery show features 16” square works by
Aaron Nagel, Adam Caldwell, Alex Yanes, Alexis Diaz (aka La Pandilla), Allison Sommers, Amy Sol, Andrew Hem, Andrew Schoultz, Anthony Clarkson, Ariel DeAndrea, Bec Winne, Brendan Monroe, Brett Amory, Brian Mashburn, Brian M. Viveros, Bumblebee C215, Camilla d’Errico, Carl Cashman, Christine Wu, Craig ‘Skibs’ Barker, Cryptik, Curiot, Dabs Myla, Dave MacDowell, David Cooley, Derek Gores, Ekundayo, Erica Rose Levine, Erik Jones, Fernando Chamarelli, Frank Gonzales, Ghostpatrol, Glenn Arthur, Glenn Barr, James Marshall (aka Dalek), JBAK, Jeff Ramirez, Jeremy Hush, Joanne Nam, Jolene Lai, Keita Morimoto, Kelly Vivanco, Kevin Peterson, Kikyz 1313, Kyungyup Kwon, Linnea Strid, Luke Chueh, Mari Inukai, Meggs, Mike Egan, Nosego, Paul Barnes, Paul Romano, Pixel Pancho, Rodrigo Luff, Ryan Hewett, Sam Wolfe Connelly, Sarah Joncas, Seth Armstrong, So Youn Lee, Word To Mother, Yoskay Yamamoto, and Yosuke Ueno.

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Curiot. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Curiot at work on his piece. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Low Bros. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Low Bros at work on their piece. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Glen Barr (F) Nosego (G). Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Nosego signing his piece. Urban Nation, Berlin. (photo © Henrik Haven)

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Andrew Schoultz (H) Word To Mother (I). Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Andrew Schoultz working on his piece. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Word To Mother working on his piece. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Detail of Word To Mother piece. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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C215 (J). Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Andrew Schoultz and Word To Mother couldn’t resist the empty walls inside the building. Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

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Word To Mother and Andrew Schoultz beautifying the empty soon to be demolished walls inside the building . Project M/4. Urban Nation, Berlin. (photo © Henrik Haven)

 

Click HERE for more information on Urban Nation and Project M and to see the previous editions of Project M

Special thanks to photographer Henrik Haven for sharing these exclusive images with BSA readers.

 

 

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Images Of The Week: 05.11.14

Images Of The Week: 05.11.14

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Happy Mothers Day to all the moms, mommies, mama, mas, mutters, madres, and variations on loving female caregivers out there. Thank you sincerely from the bottom of our hearts.

Been a huge week for New York with yet another round of art fairs that no one has ever heard of and a few that you are familiar with, all crammed and crawling with buyers, collectors, fans, surveyors, looky-loos. Also it looks like the action on the street, both commissioned and uncommissioned, is coming on fast and furious. You try to catch it while it happens, and yet somehow in a city like New York, you know that there are hundreds of new pieces that you missed because everything is blooming seemingly overnight and April showers have brought May murals, tags, throwies, wheatpastes, stencils, street art, graffiti, stickers and cellphones hoisted into the air to capture it all!

Here our weekly interview with the street, this week featuring Billi Kid, Billy Mode, Chris Stain, Chris Uphues, Cristian Sonda, COL Wallnuts, Cre8tive YouTH*ink, Dailey Crafton, Faluja, Grosseling, Joseph Bottari, Kazy, Lillewenn, Manuel Huth, Martha Cooper, Mender, Mover, Olek, Pork, Sober, Zola, and Zura.

Top Image >> Chris Stain and Billy Mode new mural in Brooklyn in collaboration with Cre8tive YouTH*ink. The image is based on Martha Cooper’s photograph from her series Street Play, 1978. To learn more about Cre8tive YouTH*ink click HERE. (photo © Jaime Rojo)

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Sober . Mover (photo © Jaime Rojo)

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Sober . Mover (photo © Jaime Rojo)

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Kazy (photo © Jaime Rojo)

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Faluja (photo © Jaime Rojo)

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Cristian Sonda in Milan,. Italy. (photo © Cristian Sonda)

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The greatest gift a father can give his children is to love and respect their mother” ~author unknown. OLEK suggests a similar sentiment here. (photo © Jaime Rojo)

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Zura (photo © Jaime Rojo)

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Dailey Crafton (photo © Jaime Rojo)

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Dailey Crafton (photo © Jaime Rojo)

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Joseph Bottari (photo © Jaime Rojo)

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Pork. Grosseling (photo © Jaime Rojo)

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Zola (photo © Jaime Rojo)

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Mender (photo © Jaime Rojo)

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Liliwenn in Berlin. (photo © Liliwenn)

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Chris Uphues (photo © Jaime Rojo)

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Billi Kid (photo © Jaime Rojo)

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Manuel Huth (photo © Jaime Rojo)

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Col Wallnuts for The Bushwick Collective. Detail. (photo © Jaime Rojo)

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Untitled. Brooklyn. Spring 2014. (photo © Jaime Rojo)

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Skount and Kera on a Wall and a Train in Germany

Skount and Kera on a Wall and a Train in Germany

Skount has been experimenting with abstract patterns in some of his new work, especially this new wall with his bro Kera in Berlin. The attraction of abstraction continues to appear in Street Art and murals, and our theory today for its resurgence is that it is an unconscious way of assembling the multiple media/entertainment streams that we are bombarded with today and imposing some order on the chaos.

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Skount . Kera. Detail. Berlin, Germany. (photo © Skount)

In addition to this new wall the guys had an opportunity that most street artist/ writers would jump on if given the chance – a whole train car in Jena. A modern urban archetype of near mythic proportions, hitting up a train is immortalized in many artists minds as a symbol of the earliest days of graffiti, even if the car is out of commission. These two friends took it and gave it their best shot.

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Skount . Kera. Detail. Berlin, Germany. (photo © Skount)

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Skount . Kera. Detail. Berlin, Germany. (photo © Skount)

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Skount . Kera. Berlin, Germany. (photo © Skount)

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Skount . Kera. Detail. Jena, Germany. (photo © Skount)

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Skount . Kera. Berlin, Germany. (photo © Skount)

 

 

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Rub Kandy in the Gallery and in Public in Lichtenburg, Berlin

Rub Kandy in the Gallery and in Public in Lichtenburg, Berlin

The first thing you learn with contemporary, specifically conceptual, art is that it is likely to be accompanied by an artist’s statement. Some times the statement is illustrative and clarifying while other times it may feel like you have fallen into the beige university basement professors’ lounge full of caffeinated academics who are playing a quick game of jargon hackey sack.

Street Artists do not typically provide descriptive prose for their installations.

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Rub Kandy. Berlin, March 2014. (photo © Jessica Stewart)

Rub Kandy is melting the distinction between the street and the gallery further with a new installation in Lichtenberg, a neighborhood in Berlin. Incorporating imagery evoking Berlin’s not so distant past and it’s administration under Soviet authority, Rub Kandy is placing powerful memory-jolting symbols unusually in public space, and letting the associations be determined without providing context.

For those of us living far away from this site, you may check your Wikipedia to further appreciate how electrifying these associations will be for people walking past them when you learn that Lichtenberg was also the site of the extensive headquarters complex of the Stasi, “the official state security service of the German Democratic Republic or GDR, colloquially known as East Germany”.

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Rub Kandy. Berlin, March 2014. (photo courtesy the artist)

A provocatively subtle collaboration between the artist and co-curators Jessica Stewart and Fabio Campagna, the street installations are part of a laboratory of ideas that continue in a gallery setting at Corpo 6 in the same neighborhood. You may feel like Rub Kandy is extending the exhibition into public space, or that the street art practice is merely the other side of the gallery window. Advertisers have been commandeering our common areas for multi-site and multi-platform messaging campaigns for decades, and so have political campaigns. By removing the clear signifiers of the original thinking behind these works, your discovery of these pieces in public will clearly trigger your own interpretations, if rather unclearly.

Thanks to Jessica Stewart for sharing these exclusive images with BSA readers that she says she took while trailing the artist last month.

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Rub Kandy. Berlin, March 2014. (photo © Jessica Stewart)

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Rub Kandy. Berlin, March 2014. (photo © Jessica Stewart)

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Rub Kandy. Berlin, March 2014. (photo © Jessica Stewart)

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Rub Kandy. Berlin, March 2014. (photo © Jessica Stewart)

Learn more about the work of Jessica Stewart on Rome Photo Blog HERE.

For more information about Corpo 6 Galerie please click HERE.

For more about Rub Kandy click HERE.

“HERZERBSTRASSE-LICTHENBERG! WELTSTÄDTE?”

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New Video for Project M/3 at UN Site in Berlin

New Video for Project M/3 at UN Site in Berlin

Here’s a fresh video (below) completed yesterday that shows a little of the excitement and machinations behind the scenes of the Project M/3 in Berlin, as well as dramatic foreshadowing of the UN. Director Yasha Young lays some of the groundwork philosophy and Martha Cooper alludes cheerfully to the scope of things to come.  BSA-Brooklyn-Street-Art-M3-James-Bullough---JBAK-at-UN-March-2014-4

JBAK does an abstracted photorealistic piece for Project M/3 at UN, Berlin (screenshot © UN)

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Rone on the upper facade of the soon to be renovated future UN, Berlin (screenshot © UN)

An Urban Nation Growing in Berlin

For more on Urban Nation and ProjectM/3 click HERE and read BSA coverage with exclusive photos from Luna Park and an interview with Martyn Reed, curator of Project M/3.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Project M/3 Opens for UN in Berlin and Martyn Reed on Table Etiquette

Project M/3 Opens for UN in Berlin and Martyn Reed on Table Etiquette

 “good table manners, social awareness, whether or not they are house trained…”

Project M sounds like a James Bond plot feature, and if you’ve seen the smartly swarthy man of mystery at the helm of this installation you may expect him to scale the facade of the Urban Nation, instead of simply curate it.

But that is what Nuart’s founder Martyn Reed is doing in Berlin right now – cultivating a diverse program of urban artists on the ground level of a promising new project now under construction. Last week Martyn met with a number of the participants who flew, drove, walked to this neighborhood in transition to install their works for M/3 – including New York’s Martha Cooper, Melbourne’s Buff Diss, and Berlin’s Various & Gould, among others.

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Martha Cooper. Shot from inside the window. (photo © Luna Park)

Project M, now in it’s 3rd edition, is a rotating street level exhibition to draw attention to the birth of an auspicious new cultural and art project that will anchor Berlin even further in the minds of fans and academics alike who follow the scene that continues to evolve around art in the streets.

An international presence in an internationally revered street art/ graffiti/ urban art/ mural city, so far Project M has featured artists such as Faile, Ron English, Know Hope, Sandra Chevrier and Strøk, and by the end of this series will have featured many more who are lending shape and form to this global scene with many names.

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Martha Cooper poses in front of her window, 33 years after taking the original photo. (photo © Luna Park)

On hand for the installation action a few days ago was New York based photographer Luna Park, who shares with BSA readers some of the installation action, and we spoke with Mr. Reed about his curatorial vision for this iteration of Project M.

Brooklyn Street Art: Can you tell us about Project M and what you will be drawing attention to here?
Martyn Reed: It’s an interesting project and quite unusual in that it uses the inside of windows to house the work, and due to the nature of the project has quite a few restrictions that we’re not used to on the street or gallery. But like working on a canvas, these restrictions can often focus the mind.

For this iteration of Project M (the third), we set ourselves three tasks; to integrate Berlin artists into the group, to focus primarily on Stencil Art, and to mix well know names with emerging talent. We also asked a few of the artists, Martin Whatson and Ernest Zacharevic for example, to work site specifically.

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So much for the “Broken Window” theory. Martha Cooper (photo © Luna Park)

Brooklyn Street Art: When you were thinking about which artists to choose for this project that is still in its early days at UN, what qualities were you looking for?
Martyn Reed: As ever with Nuart, it’s not always just about the art. This was to be a pretty intense 12 hour working period in a relatively small space with a crew who hadn’t yet met the artists. In cases like this it is important, like at all great dinner parties, to get the mix of guests just right.

Failing that, it is important to ensure that there’s plenty of alcohol available. Other qualities we looked for were good table manners, social awareness, whether or not they are house trained, and whether they can they be trusted with sharp implements etcetera. – For the most, I think we got the balance just right.

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Levalet at work on his piece. (photo © Luna Park)

Brooklyn Street Art: Berlin obviously is a major city for street/urban/graffiti/mural art. How would you describe the influence of the local scene as factoring in to your curatorial vision on this project?
Martyn Reed: I think it’s important to get to know as much as possible about the artists and area you’re working in. Fortunately we have a lot of friends based in Berlin and a pretty intimate knowledge of the scene.

I knew which artists and style of work I wanted for this project and also those I thought who would be valuable allies for the UN project in the future. Berlin’s an interesting place to work with its heady mix of activism, anarchy and youthful abandon. I guess finding a way to harness and present this without becoming it, is key.

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Levalet (photo © Luna Park)

Brooklyn Street Art: You have had some view of this already during the installation – but which artist do you think will provoke the most response from passersby?
Martyn Reed: For me it is Martha Cooper’s “Cops” from 1981, a vintage photo install chosen specifically for this location that is overlooked by the U-Bahn, Berlin’s Subway. It’s 20% larger than life and is really imposing in situ and when viewed from the train. It has already garnered the most interest and I’m sure is on its way to being a “future classic”.

I’m really happy bringing this particular work to the street and presenting it as a work of art in its own right, and of course, it’s always a pleasure to honour such a legend as Martha.

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Various & Gould at work on their piece. (photo © Luna Park)

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Various & Gould (photo © Luna Park)

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Martin Whatson at work on his piece. (photo © Luna Park)

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Martin Whatson (photo © Luna Park)

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Buff Diss at work on his piece. (photo © Luna Park)

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Buff Diss (photo © Luna Park)

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Buff Diss (photo © Luna Park)

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Evol. Detail. (photo © Luna Park)

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Plot Bot at work. (photo © Luna Park)

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Ernest Zacharevic at work on his piece. (photo © Luna Park)

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Ernest Zacharevic stands aside his new installation for M/3 (photo © Luna Park)

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Poland’s M-City through the glass. Detail. (photo © Luna Park)

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M-City with David Hochbaum on the right. (photo © Luna Park)

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Rone on the facade, upper portion. Curated by Urban Nation. (photo © Luna Park)

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David Hochbaum on the lower facade. Curated by Urban Nation. (photo © Luna Park)

We wish to extend our heartfelt gratitude to Luna Park for sharing her photos with us. If you wish to see more of Luna’s work click HERE

PROJECT M/3, curated by Martyn Reed of Nuart features: MARTHA COOPER (US), DOTDOTDOT (NO), ERNEST ZACHAREVIC (LT), VARIOUS AND GOULD (DE), M-CITY (PL), LEVALET (FR), PLOTBOT (DE), MARTIN WHATSON (NO), EVOL (DE), BUFF DISS (AUS)

For more information on Urban Nation, click HERE.

 

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Unbridled Berlin Street Art : Spencer Elzey in Europe

Unbridled Berlin Street Art : Spencer Elzey in Europe

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Berliners are hard to crack, they say, but probably not for New Yorkers. We “get” them because of their no-nonsense frankness, sometimes sharp tongues, and because their “creative types” are unhinged in a way that New Yorkers have been historically.

When it comes to the volume and variety of art that is being loosed in Berlin these days, they are setting some standards that many are still catching up with. Right now when you look at the freewheeling expression that bolted out from a broken wall more than 20 years ago and never looked back, you realize that Street Artists in Berlin are not hard to crack, they may simply be a little bit cracked.

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Various & Gould (photo © Spencer Elzey)

In the third city of our series this week for Spencer Elzey’s residency on BSA, we visit Berlin, which some argue is the preeminent scene for urban art right now. It does appear to have a perfect mix for vibrant arts growth – a creatively permissive atmosphere and affordable lifestyle prevails in this city of design. And while uncommissioned public art is not legal, it is also not verboten.

The kids may come for the music and the art collectives and the dance parties, but they stay for the aerosol and the expressive faces and figures that accompany you while you walk. So far, people seem happy to let this arts scene continue to evolve and not surprisingly, tourists are magnetically drawn to it.

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Victor Ash (photo © Spencer Elzey)

As you walk through certain neighborhoods you may prepare to have your pre-conventions subverted and inverted. Awash with a decade plus of unbridled art, the scale, style, influences, and techniques of pop, illustration, and graffiti are all truly playing with each other.

Where a large spate of legal mural work has monopolized creative energies of many Street Artists in New York recently, some players have commented that the content is being tamed and neutered and the resulting scene is less risk-oriented stylistically. As you look at the work Elzey found in Berlin, you are reminded what it looks like when art laborers don’t have to self-censor or look over their shoulder. Also, it is still affordable for artists. Oh, wait, did we already mention that?

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Robi The Dog (photo © Spencer Elzey)

Out of the cities I visited the one that contrasted the most with NY was Berlin. It felt like a beautiful lawlessness with graffiti and rollers everywhere,” says Elzey as he tries to put his finger on the attitude of exploration and discovery that floods large areas of the city.

“Berlin by far had the most graffiti and Street Art in its most raw and authentic form, which is how I think it should really be experienced. It felt more free and genuine. Besides RAW and Urban Spree, which are commissioned areas, Berlin felt like a giant playground. There was graffiti and rollers everywhere and lots of abandoned factories to explore and have fun in.”

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Blu (photo © Spencer Elzey)

Berlin has been an international draw for artists and arts institutions for the last decade at least and many of the Street Art world make sure to head here at least once, sometimes staying months and couch surfing and partying an staying out all night.  Since the graffiti scene and the Street Art scene are not so polarized in the minds of people here there is also a freedom to experiment without fear of upsetting your peer group.

Luckily for BSA, local Street Artists Various & Gould were very hospitable and more than helpful and willing to tour Spencer around some of the hot spots and to give him some background on the Berlin streets. “Meeting someone you admire, be it an artist, musician, or actor, is always a special experience,” he says about being with V&G, “It feels a little different when that person is a Street Artist, or at least it does to me. The fact that part of their job means that they do illegal things, being trusted enough to be welcomed into their inner circle has deeper meaning.”

 

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Blu. Detail. (photo © Spencer Elzey)

So he was in good hands with these two who have deep roots with the artist community and who frequently challenge themselves to look at their own work with new eyes – and to find new ways to engage with passersby with their art and a bit of theater. “In the case of Various & Gould in Berlin and C215 in Vitry I was able to meet these artists on their own turf. They showed me some of their new work in their studios and then toured me around the neighborhoods that they know best,” he recalls with some delight.

“While seeing art on the streets is one thing, getting the first hand history behind it makes it more meaningful,” he says. “You get more history and depth that way.”

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Blu (photo © Spencer Elzey)

How long Berlin will continue to be a petrie dish for experimentation and discovery? Forever. Just kidding. But for the moment this ephemeral art movement is fiercely alive and more independent than many cities. Artists have always made life a bit of a moveable feast. Today its Berlin, tomorrow it could be Mexico City, or Lima, who knows?

“I think I would recommend it if you were a younger artist who was trying to break into the game and establish a name for yourself,” says Elzey.

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Blu (photo © Spencer Elzey)

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Blu (photo © Spencer Elzey)

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Blu (photo © Spencer Elzey)

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Alaniz (photo © Spencer Elzey)

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Herakut (photo © Spencer Elzey)

 

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Various & Gould (photo © Spencer Elzey)

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Various & Gould (photo © Spencer Elzey)

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Os Gemeos (photo © Spencer Elzey)

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Nunca (photo © Spencer Elzey)

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JR (photo © Spencer Elzey)

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Cooked (photo © Spencer Elzey)

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Vhils (photo © Spencer Elzey)

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MTO (photo © Spencer Elzey)

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MTO (photo © Spencer Elzey)

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MTO gives Alias a shout out. (photo © Spencer Elzey)

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Klone (photo © Spencer Elzey)

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Neurotitan (photo © Spencer Elzey)

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Vidan The Weird (photo © Spencer Elzey)

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Tafe (photo © Spencer Elzey)

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Reaktor and Paulo Ito (photo © Spencer Elzey)

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G (photo © Spencer Elzey)

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Inti (photo © Spencer Elzey)

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Ema Jones (photo © Spencer Elzey)

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Klub 7 (photo © Spencer Elzey)

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Broken Fingaz (photo © Spencer Elzey)

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Blek le Rat (photo © Spencer Elzey)

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BLO (photo © Spencer Elzey)

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Maclaim (photo © Spencer Elzey)

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ROA (photo © Spencer Elzey)

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Otto Schade (photo © Spencer Elzey)

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Nychos (photo © Spencer Elzey)

Our sincere thanks to Various & Gould for their hospitality and time.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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